The volume of “Little Snow in Fishing Village” exhibited in ” 千古风流人物 -Special Exhibition of Su Shi’s Theme Paintings and Calligraphy in the Palace Museum” is a masterpiece of Wang Xu. This painting depicts the scenery after the first snowfall on the shore of the mountain and water, and scenes such as fishermen’s work and literati’s appreciation are rarely arranged in the same frame. Wang Xu expressed his feelings of seclusion in the mountains and forests with his fine and natural portrayal and clear and smooth pens and inks, which fully echoed Su Shi’s emphasis on the creation theme of literati painting “getting out of the image”. Go to the famous paintings of the Forbidden City with one click, and immediately take a closer look at this treasure…

“Snow in a Fishing Village” volume, Northern Song Dynasty, by Wang Xu, silk, ink and colour, length 44.5cm, width 219.5cm.
  

Describes the scenery of the fishing village and forest at the beginning of the winter snow. In the picture, there are strange pines on the snow-capped mountains, fishing boats on the banks of the river, the peaks turn, the scene is easy to move, the whole picture is depressed, shrouded in an ethereal and quiet atmosphere, although there are fishermen working hard, but it reflects the literati and Yishi Longing for the elegant feelings of a reclusive life in the mountains and forests. This picture is the work of Wang Xu’s master Li Chenger and his own family. In the picture, the outline of the mountains and stones is purely with a short side-forward pen, and the edge contour adopts the “broken ink method”. After the outline, it is turned inward with clear water, and the ink is light. Hanlin Changsong uses the center’s thick ink to highlight his noble character. In order to express the snow, in addition to leaving the mountains blank, the author also applied white powder to the peaks, tree branches, and sandy feet. In order to express the sunshine after the snow, the author also slightly dyed the tree head and the tip of the reed with gold dust, and absorbed the painting method of the golden and green landscapes since the Tang Dynasty in the ink and wash, which is a creative practice. This work fully embodies the creative theme of literati painting in the Northern Song Dynasty, which emphasized “there is a picture in a poem, and there is a poem in a picture”. The skillful technique of writing “the difficult scene of poet Mo Qing” is exactly the same as “poem and painting” Model work….

In this year’s 2020, the second decade from the turn of the century in Beijing the Capital of China also the People’s Republic of China, in which is also the year of the rat, marking its six hundred years anniversary of the Forbidden city that marks the transitional point of in between the middle of the Ming Dynasty (1368- 1644) transitionally from Nanjing to Beijing towards the Qing Dynasty (1636-1644-1911) …. The Imperial Palace seen so many countless seasonally transitional equinoxes but further its six hundred years is iconic, but it’s five hundred ninety nine years it marks it Autumn Equinox…. In which it only took twelve years to build the same of the Daming Palace of The Tang Dynasty Xian Imperial Capital only it was least twenty times larger……

From September 1st to October 30th 2020, 千古风流人物#-A special exhibition of paintings and calligraphy on the theme of Su Shi from the Palace Museum is on display in Wenhua Hall. ……This time the Palace Museum held an exhibition with cultural relics as a carrier to show Su Shi’s artistic attainments and personality style. This is the first time that Su Shi is a well-known writer and artist in ancient my country. Because of its elegant life taste and open-minded attitude towards life, it exudes a unique personality charm. His art, thoughts and even the taste of life have had a profound impact on later generations, and he himself has become a highly admired model of literati.

Su Shi 蘇軾 / 苏轼;8 January 1037 – 24 August 1101), courtesy name Zizhan (子瞻), art name Dongpo 東坡was a Chinese calligrapher, gastronome, painter, pharmacologist, poet, politician, and writer of the Song dynasty. A major personality of the Song era, Su was an important figure in Song Dynasty politics, aligning himself with Sima Guang and others, against the New Policy party led by Wang Anshi.

Su Shi is widely regarded as one of the most accomplished figures in classical Chinese literature, having produced some of the most well-known poems, lyrics, prose, and essays. Su Shi was famed as an essayist, and his prose writings lucidly contribute to the understanding of topics such as 11th-century Chinese travel literature or detailed information on the contemporary Chinese iron industry. His poetry has a long history of popularity and influence in China, Japan, and other areas in the near vicinity……

藏画介绍

《渔村小雪图》卷,北宋,王诜作,绢本,设色,纵44.5cm,横219.5cm。
  描写冬季小雪初霁的渔村山林景色。图中雪山奇松,溪岸渔艇,峰迴路转,步移景易,整个画面意境萧索,笼罩在一片空灵、静寂的氛围之中,虽有渔夫艰苦劳作,但反映的却是文人逸士向往山林隐逸生活的雅致情怀。此图是王诜师法李成而自成一家的作品。图中山石勾皴纯用侧锋短笔,边缘轮廓采用“破墨法”,在勾勒之后用清水向内化开,墨色轻淡。寒林长松则用中锋浓墨,从而突出表现了其凌寒不凋的高贵品格。为了表现积雪,除山峦留白外,作者还在峰顶、树杈、沙脚施以白粉。为了表现雪后阳光,作者又于树头、苇尖略染金粉,在通幅水墨之中吸收了唐以来金碧山水的画法,是一种创造性的实践。这幅作品充分体现了北宋时文人画强调“诗中有画,画中有诗”的创作主旨,以娴熟的技法写“词人墨卿难状之景”,正是“诗画一律”的典范作品。

故宫博物院藏苏轼主题书画特展”中展出的这件《渔村小雪图》卷是王诜的传世名作。此画描绘了山间水岸边雪后初霁的景色,渔人劳作与文人幽赏等场景也少见地被同框排布。王诜以精细自然的刻画和清润苍秀的笔墨表达了山林隐逸之情怀,充分呼应了苏轼所强调的文人画“得之于象外”的创作主旨。一键前往故宫名画记,立即把这幅珍品看仔细….

Imagines credit are of the Forbidden city –Imperial Palace –Beijing – China- People’s Republic of China

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