In this year’s 2020, the second decade from the turn of the century in Beijing the Capital of China also the People’s Republic of China, in which is also the year of the rat, marking its six hundred years anniversary of the Forbidden city that marks the transitional point of in between the middle of the Ming Dynasty (1368- 1644) transitionally from Nanjing to Beijing towards the Qing Dynasty (1636-1644-1911) …. The Imperial Palace seen so many countless seasonally transitional equinoxes but further its six hundred years is iconic, but it’s five hundred ninety nine years it marks it Autumn Equinox…. In which it only took twelve years to build the same of the Daming Palace of The Tang Dynasty Xian Imperial Capital only it was least twenty times larger……
In which current the Forbidden City, has been celebrating its six hundred years, in which many unseen Chinese Paintings within its collection have been exhibition in various locations in the palace city in which many have passionately restored finally retelling it’s stories untold in which one of many unseen painting is From September 1st to October 30th 2020, 千古风流人物#-A special exhibition of paintings and calligraphy on the theme of Su Shi from the Palace Museum is on display in Wenhua Hall. ……This time the Palace Museum held an exhibition with cultural relics as a carrier to show Su Shi’s artistic attainments and personality style. This is the first time that Su Shi is a well-known writer and artist in ancient my country. Because of its elegant life taste and open-minded attitude towards life, it exudes a unique personality charm. His art, thoughts and even the taste of life have had a profound impact on later generations, and he himself has become a highly admired model of literati.
Many paintings depicting the lives of ladies are based on the secret and exquisite courtyard landscape. The women in the courtyard often fold flowers, take a rest, or practice characters, practice piano, and take care of babies. Basho plays an indispensable role as a background in the painting of such figures. It not only expands the picture space and strengthens the depth of field, but also adds the tenderness and tactful sentiment of the boudoir girl with its meaning of lovesickness
很多表现仕女生活的绘画以隐秘精巧的庭院景观为背景，庭院中的女性或常在其中拈花、休憩，或是习字练琴、照看婴孩。芭蕉作为此类人物绘画中的配景有着不可或缺的作用，不仅能拓展画面空间、加强景深，还以其蕴含的相思之意增添了深闺女子的柔美与婉转情思….
