#QIPAO #旗袍 #Cheongsam |#叛逆者 #TheRebel#童瑶 Tanya #YaoTong #June2021| #FashionLookBook #QipaoLookBook #CheongsamLookBook your everyday timeless #TraditionalChineseQipao inspiring #Cheongsam look of #ZhuYiZhen…. #AGallery

叛逆者 The Rebel Directed by Zhou You, starring Zhu Yilong, Tong Yao, Wang Zhiwen, Wang Yang, Zhu Zhu, starring Li Qiang, Zhang Zixian, Yao Anlian, Yuan Wenkang, and starring Dai Xuyou, the TV series ..

 In 1936 progressive towards in between Shanghai and Nanjing in the Fallen Republic of China storyline towards the Real Modern China- People’s Republic of China, Lin Nansheng, a young student of the Fuxing Club cadre training class, was taken to Shanghai by Chen Moqun, the head of the Shanghai district of the Fuxing Club, to participate in the arrest of the underground party lurking in the Lanyi Club. In the process of carrying out the activities, the upright and simple Lin Nansheng was constantly attracted by the sense of mission and fearless sacrifice of Gu Shenyan, Ji Zhongyuan, Zhu Yizhen, and other Communists for the country and the people, and had a deeper understanding of the chaos within the Kuomintang and the social reality. Thinking, I also have a better understanding of the beliefs and pursuits of the Communists. Lin Nansheng was brave and resolute in the fight against the Japanese and puppets, and he repeatedly made military exploits. In the face of national justice, he has stood with the Communists many times, especially at some critical moments, he used his special status in the military to provide great help to the underground party. After ten years of knowledge and choice, after the victory of the War of Resistance Against Japan, Lin Nansheng has grown into a true Communist Party member. And at the critical moment of the War of Liberation, he made outstanding contributions to the party and the country.

 Zhu Yizhen played by Tong Yao represents the young generation with progressive thinking in that era. She gave up the wealthy family status and easy life of the wealthy daughter, devoted herself to the national cause, and started a relationship with Lin Nansheng without knowing it. In the turbulent and turbulent world, the two embarked on different paths due to their different camps, but both had the determination to serve the country with their own lives, eager to use their firm bodies to contend with darkness and decay. From wearing two braids to wearing a colorful cheongsam, the classical-looking Tong Yao controls a number of chronological styles in the play, and portrays the complex heart of the characters through different levels of eye play.

Tong Yao is a Chinese actress, best known in film for portraying Chen Shu in A Big Deal (2011), May in Snowfall in Taipei (2012) and Annie Yang in To Love Somebody (2014), and has received critical acclaim for her television work, particularly as Meng Xizi in Militia Ge Erdan (2012) and Zhou Xiaobei in Three Bosom Girls (2014).



Tong was born in Kunming, in the Yunnan province of China. In 1996, she attended the Chinese Song and Dance Art School in Beijing. She returned to Kunming in the following year, when she was accepted to Kunming Art School. She spent a year studying Hulusi, which is a free reed wind instrument from China and the Shan State. She entered the Central Academy of Drama in 2002, majoring in acting.

In 2002, Tong made her television debut in Tracks In The Snowy Forest, playing a health worker in the Northeast Democratic United Army named Bai Ru.

QIPAO 旗袍 Cheongsam …. In which from historically Shenyang is the birth place of the Qing Dynasty 1636-1912plus ….  In which Qipao is termed for Qing Dynasty Clothing that the Manchu ethnic adoptively wore…… in which the Shenyang Palace Museum was an imperial palace towards two Qing Dynasty emperors. Previously two years ago during the event it which was an eight day forums, with exhibitions also related workshops illustrating the birth place of the Old Capital of Cheongsam where the Qing Dynasty- Qipao was inspired from…  

Before that Shanghai 1930’s Qipao-Cheongsam revolution, the Manchurian Cheongsam was the fashion of choice of the Qing Dynasty (1636-1912)   throughout as it standardised that style during the dynasty… Replacing the previous clothing standard Han Fu – Han Dynasty clothing style, in which also is form fitting towards the women’s silhouette but with a higher degree of freedom of flare of personal, individual style… 

Qipao-Cheongsam is uniquely hand crafted tailored Chinese dress to the customer’s various measurements… in which you can still have them brought of the rack in which is accustomed to the standard measurements… in which you can tell which is western influenced with the back zipped in which the Eastern traditional Chinese Tailors would have the side zipped of the Qipao dress due it interrupts the flow of the pattern work at the back of the dress..  Also it creates a continuous seamless back look…  after as the measurements are translated drafted onto the silk or the customer desired accustomed fabric of choice, from the measurements book with the associated look of the design elements with additional accessories the sexiness of Qipao lies subtlety.. Measuring, patterning, cutting, and button making are crucial, in where passion and art comes together in tailoring

 In which traditionally Qipao- Cheongsam dresses are worn for from straight forwardly every day towards after work evening wear in without having to change to another set of wardrobe dressing only to accessories for the required occasion… … in which the Qipao dress pattern silhouette is design for the lady’s figure in which accentuating the silhouette without giving away too much of what’s underneath in retaining…. its timeless classic silhouettes in which are designed to be worn every day, from work, evening,  casually  towards to the weekend… with sleek simple, elegant, sexy intelligent sophistication in which are easy to be accessorised with any pieces of clothing in your current or upcoming wardrobe…

Images and visuals are from Weibo and their respectives

#QIPAO #旗袍 #Cheongsam #香港 #HongKong |#HKDI #HongKongDesignInstitute | Qipao –Cheongsam professional tailor making course with China’s Shanghai International acclaimed Qipao –Cheongsam grand master tailors….

“… Qipao are known for its timeless classic silhouettes in which are designed to be worn every day, from work, evening,  casually  towards to the weekend… with sleek simple, elegant, sexy intelligent sophistication in which are easy to be accessorised with any pieces of clothing in your current or upcoming wardrobe… in which it originated re-engineered from Shanghai 1920’s in which it two Shanghai tailors re-tailoring innovating  the Shenyang Qipao –Cheongsam that was traditionally transitionally worn from Han Dynasty Clothing that was traditional worn towards the end of the Ming Dynasty that transition towards the Qing Dynasty.. “

Before the western intervention introduction concept of ready to wear before 1960’s, mostly women wears have been the traditional Qipao hand tailored, in which they’re basically tailor made to the measurements… In which through Hong Kong before the ready to wear revolutionized how Chinese people shopped for clothing.. In which there was hundreds of Qipao tailors masters around the Hong Kong city region only now there only a dozen more Qipao- Cheongsam tailor grand-masters whom have survived the evolving decades..   In Already Tomorrow In Hong Kong …. You’ll have the moment to learn how to tailor, sew, learn how to craft your very own Qipao-Cheongsam in a series of workshops in pattern making, detailing adjustments, tailoring a sleeveless also a non-slip single Cheongsam..

The Qipao-Cheongsam workshop will be conducted in collaboration with HKDI – Hong Kong Design Institute- Fashion Studio; teaching is the Qipao-Cheongsam tailor grand master Doctor Cai Xiuhui… In first will introduce the history and culture of cheongsam, introduce the materials needed and the Hong Kong fabric market. From the second day of class, Professor Fengcai will teach cheongsam making skills, from tailoring, sewing to fitting, and finally complete a sleeveless and non-slip single cheongsam. The course combines theory and practice to give participants a basic understanding of cheongsam….. The course under take within thirty six hours in with twelve lesson workshop in total…….

The Traditional Cheongsam Making course requires, basic industrial sewing machine skills,  starting from 21st September to3rd, 10th, 17th 24th 31st then November 7th, 14th, 21st, 28th final date in 5th December 2019..  However the course tuition has conditions in which in the following.. with a tution fee of HKD 6,840 Hong Kong Dollars.. to apply the deadline is at 20th August 2019….

Participants must have experience in using industrial sewing machines, otherwise they must participate in the industrial sewing speed course, learn to use industrial sewing machines, and related safety measures. If you have relevant experience, please provide a certificate.

Tuition does not include materials such as fabrics, buttons, and zippers. Trainees must bring their own tailoring tools.

Participants must be tempted by each other. If the student is a male student, he or she must take a model of his choice in the third class or use the mannequin on the hall.

Course details

Cheongsam introduction and material procurement

‧ Tailored, pattern drawing and cutting

‧Traditional cheongsam sewing

‧Detailed production -button, zipper, along with other tailoring learning skill sets.

‧Try and adjust

Haipai cheongsam master – Feng Youcai master   

A native of Shanghai, he is currently a small professional cheongsam master in Hong Kong. He has more than 50 years of experience in making cheongsam and mastered the first generation of the most traditional cheongsam making techniques and knowledge. His works are permanently collected in the San Tung Uk Museum and have been exhibited in local cheongsam exhibitions. Master Feng is now committed to teaching cheongsam production and inheriting this traditional Chinese craft.

Dr. Cai Xiuhui

With many years of international fashion brand communication experience, he is currently a lecturer in HKDI Fashion and Image Design, and serves as an image director and fashion media consultant. He loves cheongsam culture and craftsmanship, has studied in Shanghai, and has mastered the talented master. Committed to promoting cheongsam culture from the fields of design, academic research and fashion applications.