Jewelry – Luna Crescent

#QIPAO #旗袍 #Cheongsam |#茧迹原创礼服定制 #Cocoon #BeijingYujiFashionDesignCo. #October2023| #FashionLookBook #武汉时装周 Gorgeous Chinese painting embroidery of #ArtHauteCouture #TraditionalChineseQipao #ModernCheongsam #ChineseWeddingDress #ModernQipao Collection 9th September – 13th October 2023

October 13, 2023 kevinjamesngLeave a comment

Located in an ancient post-modern Three thousand years old ultra Megatroplis city Beijing City, Capital of China – People’s Republic of China, 茧迹原创礼服定制 Cocoon – Beijing Yuji Fashion Design Co in which Cocoon trace original dress customization: No. D05, Zhongyi Street, 798 Art District, Jiuxianqiao, Chaoyang District, Beijing …. Innovatingly Post Modern Qipao- Cheongsam …. in which innovatively bringing a New Chinese style cheongsam-Qipao high-end brand-Embroidery Embroiderer seamstressing …….it is committed to the high-end private specialization of Chinese Shanghai style cheongsam innovatively… in which each dress is customised towards the wear’s in which tailoring takes least in between 20-60 days depending on the extremely level of detailing of brocade in which using the most finest heavy silks are hand sewn and crafted …..

Introducing Cocoon Trace Original Dress Customization Chinese innovative in between Ming and Qing Dynasty fusion traditional wedding dresses in some in modern fusion of its 2023 Art Haute Couture series in which their inspirationally Continuation from the Chinese Painting of spring flowers Cocoon Trace 2022’s original and improved cheongsam … Fengdai” has chosen a design that is very suitable for summer in both fabric and color matching…

Yao Yue｜The Yue Bird Arrives in the Wind Handmade

flat embroidery, colored gold, and plate
finance are integrated into the traditional Chinese curly grass pattern
to bloom the life and interest of branches, leaves and feathers

The “flower” that is the flower of wealth in the world has appeared🌹Cocoon

Trace’s original Chinese-style cheongsam “Liqi”,
whether it is the beauty of the cheongsam
or the dignified, noble and
romantic lace and pearls of the suit
, they are the unique meaning of the oriental flower of wealth

23th September 2023 Autumn Equinox

the day and night shadows are waiting for a long
time and a prosperous year🌾

Hold a courtyard wedding in autumn
to find the romance and nobility hidden in the old alleys💕

Artist @JaniceMan Wen Yongshan specially appeared in Honor’s new fashion blockbuster wearing Cocoon Trace’s original high-definition cheongsam “Sunset”

In the innovation of aesthetics and technology
Bursting with endless romantic possibilities

The Jade Rabbit plays with
the moonlight night and dyes a room with the fragrance of osmanthus.
Today 中秋 mid-Autumn festival
the moon is full, the family is harmonious

The romance of October
begins with a bright and bright smile🌸

INTANGIBLE CRAFT
Yanbai·Luxuanlu Silk Art Museum officially opens #Wander

the cultural journey along the garden corridor
and immerse yourself in the dual aesthetics of art and nature

What are the most lovely points of plum blossoms 🌺

Olympics – Asian Olympics – Hangzhou Asian Games- Hangzhou, China, People’s Republic of China.
Here comes the cheerleading team that is more suitable for China’s physique~

Cocoon Trace’s original “Linping Rolling Lantern Dance” performance costumes
will join the cheerleaders to cheer for the men’s volleyball athletes [Fireworks]

8th October 2023 今日寒露HanLU

the moon is white and the dew is cold, and the branches are dyed in autumn
. The weather is getting colder. Everyone should remember to add more clothes

The beauty that can be bent but cannot be broken🌺The

shape of the cloud shoulder is based on the ridge of classical architecture.
The gorgeous and romantic peacock tail feathers extend down the body, and are
bold and beautiful, gentle and powerful…

Expressing the oriental charm among the brocade quilts🍃

Photography: Truly
Makeup: Millennium Styling
Venue: Beijing Hilton Hotel
Clothing: Cocoon Traces Original Dress Customized
Bedding: Lu’an Mansion. Bride Lu Silk Quilt

cocoon traces 2023 art haute couture · 胭华绮梦

Trapped in a dream that has lasted for many years,
feeling the glitz and luxury of that specific era, conveying the ultimate oriental romanticism
in the transition between the old and the new. Special thanks to Photography: Bu Ma Yingying @Pooma Bu Ma Makeup: @NANBEAUTY Chun Nan Fashion Chu Ming Model: New Stellar Wang Lin Venue: @Beijing Dyed Space Folding Fan: Overseas Color Intangible Cultural Heritage Jewelry Customized Handbag: Jingxi Embroidery…..

QIPAO 旗袍 Cheongsam …. In which from historically Shenyang is the birth place of the Qing Dynasty 1636-1912plus …. In which Qipao is termed for Qing Dynasty Clothing that the Manchu ethnic adoptively wore…… in which the Shenyang Palace Museum was an imperial palace towards two Qing Dynasty emperors. Previously two years ago During the event it which was an eight day forums, with exhibitions also related workshops illustrating the birth place of the Old Capital of Cheongsam where the Qing Dynasty- Qipao was inspired from..

Before that Shanghai 1930’s Qipao-Cheongsam revolution, the Manchurian Cheongsam was the fashion of choice of the Qing Dynasty (1636-1912) throughout as it standardised that style during the dynasty… Replacing the previous clothing standard Han Fu – Han Dynasty clothing style, in which also is form fitting towards the women’s silhouette but with a higher degree of freedom of flare of personal, individual style…

Qipao-Cheongsam is uniquely hand crafted tailored Chinese dress to the customer’s various measurements… in which you can still have them brought of the rack in which is accustomed to the standard measurements… in which you can tell which is western influenced with the back zipped in which the Eastern traditional Chinese Tailors would have the side zipped of the Qipao dress due it interrupts the flow of the pattern work at the back of the dress.. Also it creates a continuous seamless back look… after as the measurements are translated drafted onto the silk or the customer desired accustomed fabric of choice, from the measurements book with the associated look of the design elements with additional accessories the sexiness of Qipao lies subtlety.. Measuring, patterning, cutting, and button making are crucial, in where passion and art comes together in tailoring

In which traditionally Qipao- Cheongsam dresses are worn for from straight forwardly every day towards after work evening wear in without having to change to another set of wardrobe dressing only to accessories for the required occasion… … in which the Qipao dress pattern silhouette is design for the lady’s figure in which accentuating the silhouette without giving away too much of what’s underneath in retaining…. its timeless classic silhouettes in which are designed to be worn every day, from work, evening, casually towards to the weekend… with sleek simple, elegant, sexy intelligent sophistication in which are easy to be accessorised with any pieces of clothing in your current or upcoming wardrobe…

Images and visuals are from Weibo also from茧迹原创礼服定制Cocoontrace original dress customization: No. D05, Zhongyi Street, 798 Art District, Jiuxianqiao, Chaoyang District, Beijing 010-59789809 – China –People’s Republic of China ..

#北京。 #中國 #China #Beijing | #紫禁城 #ForbiddenCity #August2023 | #ForbiddenCityDairies -The Palace Museum #ForbiddenCity Collections of Chinese intangible cultural heritage. Collection 12th – 20th August 2023..

August 20, 2023 kevinjamesngLeave a comment

On July 19^th 2023 , the multilingual website of the Forbidden City Palace Museum- Beijing, China, People’s Republic of Chinawas officially released at the Digital Cultural Tourism Development Forum of the 2023 China Internet Civilization Conference! The website covers five languages: English, French, Russian, Japanese, and Spanish, and will meet the needs of audiences with different languages.

The multilingual website of the Palace Museum is committed to establishing an international website that is concise, clear, easy to use for overseas audiences, and fits the construction of the modern civilization of the Chinese nation, including tour guides, information, panoramic tours, online exhibitions, collection appreciation, cultural topics, etc. Rich immersive content describing of the most detail collection that housed within the Forbidden city collection… .

During the Months of late July towards early August 2023 it has been serve Rainstorms in Beijing in which the 603 year old Forbidden city Drainage has been designed very well in countering those intense weather conditions….

Qing, the treasure of Queen Jinlong. The gold books and gold treasures presented to the queen have become the symbol of the queen’s status. This is the “Queen’s Treasure”, made of gold, with a dragon button, attached to a yellow ribbon, and the seal is in Manchu and Chinese jade chopsticks, and the script is the same as the emperor’s imperial treasure.

The floating haze is warm and emerald, the branches and leaves support the Su, and the ribbon bird can be seen inhabiting the branches among the shadows of the trees, just like “the fairy in the forest”. Ribbon birds are colorful, with a dark blue glow on the head, neck and crest. When the ribbon bird is engraved on the cultural relics, it meets thousands of flowers, carrying people’s hopes and blessings. The ribbon is an ornament that marks the official rank. The name “ribbon” means to increase the rank and rank, and because “ribbon” and “shou” have the same pronunciation, it also means longevity. Therefore, the ribbon bird has the meaning of good fortune and longevity, which was deeply loved by the ancients.

Modern times, the queen’s gold book. After Puyi abdicated, according to the “Preferential Treatment Conditions of the Qing Dynasty”, he still lived a life of “little court” in the inner court of the Forbidden City, and married Wanrong as the queen according to the wedding ceremony of the Qing emperor. This is the golden book that canonized Wanrong, with a total of ten pages. It reads: “Xuantong’s fourteenth year…the daughter of Rongyuan…I hereby take Baolier as the queen…” The “little imperial court” still uses the Xuantong year name, “Xuantong fourteen years” is the eleventh year of the Republic of China (1922). This gold book is the only queen gold book in existence in the Palace Museum…

千位百瓶 Garlic bottle, named after the mouth of the bottle is shaped like a head of garlic. Pictured is a bright red Panchi garlic bottle with white glaze and plastic paste from the Jiajing period of the Ming Dynasty. The mouth of the bottle is in the shape of eight cloves of garlic. Copper red glaze, the glaze color is eye-catching and unusual. The red panchi protrudes on the white glaze, which has a three-dimensional effect and is quite artistic.

去我们一起来读计划 Qing, Qingkuan, etc., set up a welcome picture in the album of big wedding pictures. This picture depicts the wedding procession arriving at the residence of the queen-to-be, and the stepfather leading the children kneeling outside the gate to greet her. In the lead of the imperial battle, Huang Gai accompanied, followed by officials in charge of ceremonies, Honglu Temple Xuban officials and Mingzan officials, then envoys and deputy envoys, followed by Ceting, Baoting and Fengyu carried by 16 people. They entered the courtyard one by one, followed by the queen-to-be’s father and clan members. After the emperor’s golden festival and the queen’s ceremony are arranged in the mansion, the canonization ceremony is waiting to be held.

去我们一起来读计划 Qing Dynasty Qianlong, Lengjian, Huangmen, etc., the Fengyu page of the Atlas of Imperial Ritual Vessels. In the Qing Dynasty, the emperor used a phoenix to marry the queen’s wedding sedan chair. The body of the Fengyu sedan chair is made of wood, painted with bright yellow lacquer. The dome is double-layered, and each octagon is decorated with a golden phoenix. The hanging eaves are bright yellow satin, painted with golden phoenix. The four curtains are painted with blue stones and golden phoenixes. The interior is painted with red lacquer, the sedan chair is bright yellow satin with golden phoenix painted on it, and the sedan chair cushion is bright yellow satin with colorful phoenix embroidered on it. The shoulder poles are topped with bronze brass and golden phoenix heads and tails. The style of the phoenix was determined in the book “Illustration of Ritual Vessels of the Dynasty” during the Qianlong period. It was used by the empress when she participated in the silkworm ceremony of offering sacrifices to the god of silkworms.

千件百锅# The Weibo text introduced last time This white-glazed plastic paste bright red panchi garlic bottle from the Jiajing period of the Ming Dynasty was handed down to the Qing Dynasty. It may be very popular with Emperor Yongzheng. It is painted by Qing people in the Palace Museum. The depiction of this bottle can be seen in “Yinzhen’s Pleasure Picture” and “Yinzhen Concubine’s Pleasure Picture”.

去我们一起来读计划 Guangxu in the Qing Dynasty, Jin Xi character Ruyi, Yubi dragon character axis. In the Qing Dynasty, the phoenix of the emperor’s wedding to please the queen had a built-in “dragon” character axis, gold ruyi, and apples. In folk weddings, the groom goes to the bride’s house to meet the bride in person, but the emperor is supreme, and when he marries the queen, he sends envoys to greet him, so the word “dragon” is used as the groom’s incarnation. In many ceremonies of the emperor’s wedding, Ruyi and apples were used, implying auspiciousness and peace. This gold ruyi is in a three-inlaid style, with a raised “囍” character on the first, middle and tail parts, with a red “囍” knot and silk tassels underneath. Jin Ruyi and the “Dragon” scroll are placed together in a yellow brocade box, and the scroll is engraved with “The Treasure of Empress Dowager Cixi’s Royal Brush”, which was used for the wedding of Emperor Guangxu.

The heat is in full swing, and everything is transpiring. It’s the season when gardenias are in full bloom. If you can meet a gardenia that is “suspected to be leaves in frost, and covered with branches like snow”, the flower color like snow and ice is accompanied by bursts of intoxicating fragrance. It is extremely cool!

Gardenia, also known as scorpion, has a soft and elegant floral fragrance. “Snowflakes and ice flowers are cool and clear, and the deep part of the song bar is bright and spiritual.” Gardenia is white in color, and its six petals are like snowflakes. Therefore , the ancients often associated gardenia with snowflakes….

In the Qing Dynasty, Qingkuan et al., the album of the big wedding picture set up a welcome picture. This is the last page of the sixth volume “Collected Figures of Ingratiation”. After the Guangxu Emperor’s wedding party arrived at the quasi-empress’s mansion, the empress’s phoenix and ceremonial car were placed in the courtyard, and the emperor’s golden festival was respectfully placed on the central festival table in the outer hall. The queen father kneels in front of the face, and the official envoy reads the document for the establishment of the queen. The kneeling in the upper right corner of the screen is the father of the queen-to-be. After that, the envoy will hand over the emperor’s gold festival to the eunuch, and place it on the festival case in the middle of the inner hall. The eunuch and female officials will present the ceremony to the queen in the inner hall, and award the gold book and the queen’s treasure. As for the inner hall ceremony attended by the Empress, Empress Dowager Cixi issued a special decree that painters do not need to paint, so it is not shown in the picture. After the registration ceremony, the queen went to Fengyu at an auspicious time, ready to enter the palace..

去我们一起来读计划 Qing Guangxu, red silk embroidered dragon and phoenix with the pattern gown. During the wedding ceremony, the empress had several different attires. When she was preparing to accept the ceremony at her natal home, she wore a red silk gown embroidered with dragon and phoenix patterns, and an outer cover of azurite silk embroidered with patterns of dragon and phoenix. This gown was worn by the empress of Emperor Guangxu’s wedding. It has a round neck, a large front and right gusset, horseshoe sleeves, and left and right skirts. The whole body is embroidered with gold thread and multicolored silk thread to embroider various patterns, and the front chest, back, shoulders and front and rear hem are embroidered with eight groups of golden dragon and phoenix “囍” patterns, arranged in twelve chapters. The whole body is also decorated with the characters of “Fu”, “Lu”, “Shou” and “Xi”, and auspicious patterns such as bats, cranes and miscellaneous treasures. The embroidery is complicated and exquisite, the patterns are rich and beautiful, and it has a very festive and auspicious decorative effect.

去我们一起来读计划 Qing Dynasty Guangxu, stone blue silk embroidered dragon and phoenix with the pattern gown. This gown is worn over a dragon and phoenix Tonghe pattern robe. It has a round neck, double breasts, flat sleeves, and a skirt that opens at the back. The collar is adorned with a gilt copper button with chiseled patterns and four fastening loops. It is lined with bright yellow plain spun silk lining, with thin silk cotton in the middle. This gown is embroidered with patterns such as eight dragons and phoenixes “囍” and other patterns on the ground of stone-blue river silk, using flat stitches, flat gold, closing stitches, trocars, and nail threads. The joy and enthusiasm of a big wedding.

Images and visuals are from – Forbidden City –Palace Museum Beijing- China –People’s Republic of China…..

#QIPAO #旗袍 #Cheongsam |#茧迹原创礼服定制 #Cocoon #BeijingYujiFashionDesignCo. #August 2023| #FashionLookBook #武汉时装周 Gorgeous Chinese painting embroidery of #ArtHauteCouture #TraditionalChineseQipao #ModernCheongsam #ChineseWeddingDress #ModernQipao Collection 5th May – 8th August 2023

August 9, 2023 kevinjamesngLeave a comment

Introducing Cocoon Trace Original Dress Customization Chinese innovative in between Ming and Qing Dynasty fusion traditional wedding dresses in some in modern fusion of its 2023 Art Haute Couture series in which their inspirationally Continuation from the Chinese Painting of spring flowersCocoon Trace 2022’s original and improved cheongsam … Fengdai” has chosen a design that is very suitable for summer in both fabric and color matching…

Dream back to Luoshen｜Ada Choi Chaohua X Cocoon Actor Ada Choi appeared
in a special custom-made cocoon 装风2023 The early stage is like a light cloud covering the moon, and if the flowing wind returns to the snow, it is light, flowing, and graceful . Achieving the beauty of your heart….

古纸婚婚 At the beginning of summer, feel happiness and beauty
through the light and shadow of the shade of the trees …..

古座婚婚Taking the solemn and noble feeling of court clothes, the dragon and phoenix gowns are innovated. While shining brightly, they are not bound by tradition, and draw a unique and trendy silk brocade picture for the bride.

Yinyuanjihui | Antique Clothes and Contemporary Clothing Show
Cocoon x Yiyuan x Langyuan x Yoyo Search We have witnessed this time that has spread for more than a hundred years. Aesthetics recreates elegance and interest in the vast time. At the beginning of a new chapter Inexhaustible thread, achievement mind beautiful clothes…

Xiaoman｜Everything is flourishing, full but not full. As for this, it is just the right wisdom to be so small that everything is full and rich.

Cocoon Ji 2023’s new work “Mu Ye Ji”

coexists with the nature of the world, draws on its vigorous power of free growth,
creates an infinite sense of beauty in the exploration of nature, and writes a chapter of natural anthology called Xia in the veins of leaves…

Cocoon Ji 2023’s new work “Mu Ye Ji”

is a light and soft silk taken from nature , with its unique temperature and inherited the characteristics of breathing…

Green Breeze｜Pine Trees🌲Inspired
by the works of art collected by the Hong Kong Museum of History, we improved it into a short-sleeved double-breasted version, and made more sophisticated treatments on the buttons and details. Printed silk all over the body, when sewing, turn one side of the pattern originally printed on the two ends of the fabric to ensure that the patterns on both ends are exactly on the front and back of the skirt.

Cocoon Ji 2023 original Chinese style “Linqi”Who knows the “mermaid princess” in the cheongsam session~
The clarity of the sky and the transparency of the sea are all from hand-made custom dyeing, matched with high-end sequin lace all over the body, sparkling when walking Moving, it is completely “mermaid fish”

Come and “collide with nature” 🌿 Cocoon Ji 2023 original Chinese dress “Mengying” is a
natural flower color matching of pink, white and black. It chooses high-end lace imported from Italy to create petal-like layers and clarity, and the color is harmonious and advanced. The shoulder-shaved design highlights the shoulder and neck lines, cleverly grasping the sweet and high-end sex appeal 🌷

Happy in a little time, quiet in a small

place 🍃Venue: 晴玉酒店
dress: 古已original dress custom
photography: 一级一故事
Makeup: Rachel-MakeupModel
: Marcee
Media Support: 婚礼News

千维Thousands of strands, the achievement of beautiful clothes

Wooden leaves moving autumn sound 🍂
Today 立秋 let’s blow the wind of new autumn together!

QIPAO 旗袍 Cheongsam …. In which from historically Shenyang is the birth place of the Qing Dynasty 1636-1912plus …. In which Qipao is termed for Qing Dynasty Clothing that the Manchu ethnic adoptively wore…… in which the Shenyang Palace Museum was an imperial palace towards two Qing Dynasty emperors. Previously two years ago During the event it which was an eight day forums, with exhibitions also related workshops illustrating the birth place of the Old Capital of Cheongsam where the Qing Dynasty- Qipao was inspired from.. Before that Shanghai 1930’s Qipao-Cheongsam revolution, the Manchurian Cheongsam was the fashion of choice of the Qing Dynasty (1636-1912) throughout as it standardized that style during the dynasty… Replacing the previous clothing standard Han Fu – Han Dynasty clothing style, in which also is form fitting towards the women’s silhouette but with a higher degree of freedom of flare of personal, individual style…

#漢服 #HanFu #HanTraditionalClothing | #June2023 #正好遇见你 #HiProducer | Episode Three – Four – Five – Chinese cultural Inheritance of an intangible cultural- a multiple Generational Women’s emotional storyline weaving told throughout #TangDynasty #ChineseEmbroidery Kesi embroidery…….

June 18, 2023June 19, 2023 kevinjamesngLeave a comment

正好遇见你 #HiProducer is an intangible cultural heritage urban drama directed by Gao Han , starring Guo Xiaodong , Zhang Nan , Li Xiaoran , Zhang Bo , Zheng Kai , Sun Yihan , Niu Zifan , Sheng Langxi , and Wu Qianyu .

The series tells the story of a variety show team with literary director Yu Zazao and young cultural relics expert Tao Tang as the core, working together to launch a cultural TV program in order to show the beauty of Chinese civilization. The series covers 35 episodes in which is produce by Huanyu Film and Television in collaboration streaming with iQyi and Tencent Video ….. Majority of the Production is done in Suzhou for its modern setting among with the Chinese Cultural Traditional Heritages recreation is done at Hengdian, Subo studios…

Behind the Scenes of the production shooting process…. During the filming, the crew was allowed to enter the Suzhou Museum for on-site shooting, but in order to protect cultural relics, most of the cultural relics appearing in the play are imitation props. In the early stage of filming, the drama team found historians of relevant cultural relics, searched a large number of documents to repeatedly compare the status and details of real cultural relics, and invited professional relics masters to copy them, so as to achieve the effect of false ones. The biggest one is the filigree inlay technology, which represents the highest level of imperial crafts. When making the Jin Ou Yonggu Cup props in the filigree inlay unit, the drama crew carried out a one-to-one replica in strict accordance with historical data, which took a full two months…

Main Cast

Guo Xiao Dong as Liao Muyun

Zhang Nan as Yu Zaizao

Li Xiao Ran as Wang Xining

Jaco Zhang Bo as Tao Tang

Zheng Kai as Gu Shiyong

Annie Sun Yi Han as Yuan Jiaying

Niu Zi Fan as Xie Yao

Joy Sheng Lang Xi as Shu Rong

Karena Ng as Zhuang Yiyi

Li De Long as A Xun

Synopsis Gu Shiyong, CEO of Palace Culture Film and Television Production Company, is determined to create a new large-scale cultural variety show “Inheritance”. He strongly invites Tao Tang, a young cultural relic expert, Mu Zongyun, a well-known director, and Wang Xining, a senior host. However, just when the program was ready to start, the young female director Yu Zazao suddenly parachuted into the company and joined the program group, disrupting the overall plan of the program and being strongly rejected by everyone. Surprisingly, Yu Zazao is calm and witty, dares to break the rules, and has inexhaustible inspiration like a genius. With her help, the originally scattered production team became unprecedentedly cohesive. Everyone worked together, starting from the historical relics of the Forbidden City, devoted themselves to excavating the core memory of the nation, promoting historical and traditional culture, and solving the problem of non-genetic inheritance. In the end, “Inheritance” stood out from many homogeneous programs and became a great success. Yu Zazao also successfully healed his soul and gained a complete friendship and career..

Episode 3

On the new working day, Yuan Jiaying, a gold-medal choreographer hired by Gu Shiyong with a lot of money, made his debut. The two hadn’t started their confrontation yet, but Yu Zazao became an assistant to the choreographer, assisting Yuan’s work. Yuan Jiaying misunderstood that Yu Zazao was an ordinary assistant, and ordered her to collect basic information on Kesi, and to do errands, print and order meals. Tao Tang thought that Gu Shiyong was extremely harsh, so Gu Shiyong launched an investigation report on Yu Zazao. Yu Zazao’s mother died young, and his father who was heavily indebted and his well-off aunt Yu Wangqing fought endlessly for custody. Yu Zazao still grew up with his aunt, Gu Shiyong believed that Yu Zazao had an impure heart, Tao Tang did not agree with Gu Shiyong’s point of view. Tao Tang vaguely noticed that Yu Zazao was different from ordinary people, so he began to investigate quietly. Gu Shiyong and Yuan Jiaying have a good friendship. After receiving Gu Shiyong’s call, Yuan Jiaying dropped everything and rushed here, full of confidence in joining this time. Father Gu cared about Yu Zazao’s daily life, and invited her to have dinner with Gu Shiyong and Yu Wangqing. Gu Shiyong suggested that Yu Zazao should file a complaint with Gu’s father, or resign from the company altogether. Unexpectedly, Yu Zazao rebelled against the army, but Gu Shiyong agreed on the spot to let Yu Zazao become the director of Group B. Gu’s father misunderstood that the two got along well, and Gu Shiyong became more disgusted, and even left him on the road halfway.

Episode 4

Knowing that Yu Zaizao wanted to win, Tao Tang cleverly used Kesi works to make Lin Shangying open up the chatterbox and tell the life secrets of the five generations of women in the Lin family. Lin Shangying’s great-grandmother, Lin Zhangxiu, was born in the Guangxu period. Her “Kaixiu color-mixing method” brought Kesi works to life. Lin Zhangxiu, who never married in her life, adopted a little girl, Lin Shangying’s grandmother Lin Qifeng. Sixteen-year-old Lin Qifeng is married. However, in the era of frequent wars, the husband had to leave his wife and go to the battlefield. Lin Qifeng cuts silk day after day, pinning her thoughts on her husband on every stitch and thread. The little girl next door looked at Lin Qifeng Kesi secretly, hoping that she would become her own mother, and finally got her wish. However, it was not until Lin Qifeng died that the little girl told Lin Qifeng a secret that had been hidden for decades, that is, Lin Qifeng’s husband had come to the old site to look for her after returning from the battlefield, but the little girl told Lin Qifeng Man, Lin Qifeng remarried, and this lying little girl is Lin Shangying’s mother, Lin Xuexin. Grandma Lin Qifeng didn’t blame Lin Xuexin, but passed the loom to her, hoping that one day she would be able to complete the double-sided tapestry. And Lin Shangying is not Lin Haishan’s biological mother. When going abroad in the 1980s, Haishan’s biological mother entrusted Haishan to Lin Shangying, and Lin Shangying exhausted all her efforts to train Haishan. The stories of the five generations portray a vivid picture of the times. The persistence of several women in Kesi art is moving, and their fate is also moving.

Episode 5

After the second episode of the show was broadcast, it received a lot of praise, and the popularity soared. Everyone attended the celebration banquet together, but Yu Zazao was absent. As Yu Zazao was the director of the program, Gu Shiyong did not sign her name, which completely angered Yu Zazao. Just when she was pressing Yuan Jiaying, she was stopped by Tao Tang in time. Tao Tang decided to restrain Yu Zazao’s behavior, but sought justice for her and got the right to sign. Shu Rong has a restrained personality, is used to digesting all emotions by herself, and seldom confides her heart to those around her. The shadows of her childhood and the pressure after work surrounded Shu Rong repeatedly, making her breathless. But the ex-boyfriend who once hurt Shu Rong reappeared and entangled her. Shu Rong tried to ask for help from the people around her, but she lacked the courage and was almost cornered. Fortunately, Yu Zao saw the clue. In the middle of the night, Shu Rong stays alone in the office to work overtime, but is harassed by her ex-boyfriend again. Shu Rong is terrified but doesn’t know how to resist. Fortunately, Yu Zazao appears in time to stun the assailant and save Shu Rong.

What is Kesi embroidery?

Kesi is a traditional Chinese silk tapestry-making method. Kesi tapestry first appeared more than a thousand years ago in the Tang Dynasty (AD 618-907). It is famous for its detailed pictorial designs, lightness and clarity of double-sided pattern… Kesi– a style of Chinese silk weaving skill and one of Suzhou’s rare traditional crafts- is a kind of craftwork made of genuine silk. In today’s China, Suzhou is the only place Kesi skill is preserved. Kesi employs a weaving method called “passing warp thread and cutting weft thread”(Unlike continuous weft brocade, each color in

Kesi style is woven from a separate bobbin, making the method both technically demanding and time-consuming), in which the surface pattern of the fabric seems like having been carved by a knife, and then earns its name a “Kesi”. Kesi is admired for its selected materials, gorgeous colors, and matchless workmanship. The tapestry is extremely detailed and exquisite, the pictorial designs of which are finely graded, taking on a three-dimensional appearance. Moreover, the pattern on Kesi fabric is identical when seen from its front and its back, making it a top art on par with Suzhou double-sided embroidery. At the same time, Kesi textile is able to withstand touch, scrape, and rub, far superior to other silk products in China. Kesi products are diversified, ranging from clothes, shoes and hats, ribbon bands and quilt covers in daily life to album of paintings and calligraphy, vertical hanging scrolls, traditional paintings hanging in the middle of the main hall, etc.

Images and Visuals are from of their respectives …

#北京。 #中國 #China #Beijing | #紫禁城 #ForbiddenCity #June2023 | #ForbiddenCityDairies #星球研究所 # Planet Research Institute #MingDynastyTombs Travelling into #MingDynasty walking down living history mystery solving…

June 5, 2023 kevinjamesngLeave a comment

The Ming Tombs are located at the foot of Tianshou Mountain in Changping District , Beijing China, People’s Republic of China , about 50 kilometers away from Tiananmen. The Ming Tombs are located in a small basin surrounded by mountains on three sides in the east, west and north. The area around the tomb is surrounded by mountains, the central part is a plain, and there is a meandering river in front of the tomb. From the beginning of Changling in May of the seventh year of Yongle (1409) to the burial of Chongzhen, the last emperor of the Ming Dynasty, in Siling.

The Ming Tombs have a total of 13 imperial tombs, including the Changling Mausoleum of Chengzu Zhu Di, Xianling Mausoleum of Renzong Zhu Gaochi, Jingling Mausoleum of Xuanzong Zhu Zhanji, Yuling Mausoleum of Yingzong Zhu Qizhen, Xianzong Zhu Jianshenmao Mausoleum, Xiaozong Zhu Youtang’s Tai Mausoleum. The Kangling Mausoleum of Wuzong Zhu Houzhao, the Yongling Mausoleum of Sejong Zhu Houcong, the Zhao Mausoleum of Mu Zong Zhu Zaihou, and the Ding Mausoleum of Shenzong Zhu Yijun. The Qingling Mausoleum of Guangzong Zhu Changluo, and the Deling Mausoleum of Xizong Zhu Youxiao. The Siling Mausoleum of Chongzhen Emperor Zhu Youjian. In addition, there are 8 accompanying tombs, including 7 concubine (prince) tombs and 1 eunuch tomb. Its architectural form embodies the feudal rules and regulations of the Ming Dynasty. Both the emperor’s mausoleum and the rear mausoleum are covered with yellow glazed tiles.

The Ming Tombs area covers an area of 40 square kilometers. It is famous for its magnificent scale, complete cemetery system, solemn and harmonious layout, beautiful and quiet scenery, and elegant and simple style.

In 1957, it was listed as the first batch of key ancient buildings and cultural relic’s protection units in Beijing. In 1961, it was listed as a national key cultural relic protection unit by the State Council of the People’s Republic of China. In 1982, the Ming Tombs and Badaling were listed as one of the national key scenic spots protection areas as a complete scenic spot. On July 3, 2003, the Ming Tombs, as an expansion project of the royal tombs of the Ming and Qing Dynasties, were approved by the 27th United Nations World Heritage Conference and included in the “World Heritage List

The Ming tombs are a collection of mausoleums built by the emperors of the Ming dynasty of China. The first Ming emperor’s tomb is located near his capital Nanjing. However, the majority of the Ming tombs are located in a cluster near Beijing and collectively known as the Thirteen Tombs of the Ming dynasty.

The Ming dynasty, officially the Great Ming, was an imperial dynasty of China, ruling from 1368 to 1644 following the collapse of the Mongol-led Yuan dynasty. The Ming dynasty was the last imperial dynasty of China ruled by the Han people, the majority ethnic group in China…

Enjoy the cool air! I should be the first science popularization master who entered the Ming Tombs at night.

This is the largest and most complete royal cemetery in China, and the resting place of 13 emperors of the Ming Dynasty. When the hustle and bustle of the day fades away, this cemetery has more vicissitudes of history. The purpose of this trip is to find the answer to a question.

Regardless of whether it is the imperial tombs of the Han and Tang Dynasties, the imperial tombs of the Song Dynasty, or the imperial tombs of the Qing Dynasty, they were either severely damaged or completely looted. But why is it that only the Ming Tombs are relatively intact above and below ground? 明圣圣陵Why can survive to this day ?

Walk! Go down to the imperial mausoleum to solve the mystery that has been covered in dust for many years…

　The Ming Tombs are located in Changping District, 50km northwest of Beijing, and are the general name of the tombs of 13 emperors of the Ming Dynasty. The mausoleum area covers an area of 80km2, and it is the relatively complete mausoleum building and the tomb group with the most buried emperors in the world today.
　　The construction of the Ming Tombs began in the seventh year of Ming Yongle (1409) and ended in the early Qing Dynasty, which lasted more than 200 years. According to the order of the construction time of the mausoleum, they are: Changling (Tomb of Emperor Yongle), Xianling (Tomb of Emperor Hongxi), Jingling (Tomb of Emperor Xuande), Yuling (Tomb of Emperor Zhengtong (that is, Emperor Tianshun)), Maoling (Tomb of Emperor Tianshun) Chenghua Emperor’s Tomb), Tailing (Hongzhi Emperor’s Tomb), Kangling (Zhengde Emperor’s Tomb), Yongling (Jiajing Emperor’s Tomb), Zhaoling (Longqing Emperor’s Tomb), Dingling (Wanli Emperor’s Tomb), Qingling (Taichang Emperor’s Tomb) Emperor’s Mausoleum), Deling (Tianqi Emperor’s Mausoleum), Siling (Chongzhen Emperor’s Mausoleum). In addition to the 13 emperors buried in the mausoleum area, there are also 23 empresses, 1 imperial concubine and dozens of palace officials who were buried. In addition, there are 7 concubine graves in the mausoleum area (East Well, West Well, Tomb of Concubine Wangui, Mourning Tomb, Tomb of Four Concubines and Two Princes, Tomb of Concubine Xian, Tomb of Concubine Zheng and Tombs of Concubines Erli, Liu, and Zhou) ) and a eunuch’s burial tomb (Wang Chengen’s tomb), as well as various buildings such as palaces and gardens serving the emperor’s mausoleum. City walls were built at 10 natural mountain passes (Dongshan Pass, Zhongshan Pass, Zhazikou, Xishan Pass, Desheng Pass, Yanzi Pass, Zhuishi Pass, Xianzhuang Pass, Huiling Pass, and Laojuntang Pass) around the mausoleum. , Barrier walls and other defensive facilities to protect the safety of the mausoleum area.

　　The construction of the imperial mausoleum of the Ming Dynasty was divided into several steps: the selection of the mausoleum site, the formulation of regulations, and the preparation of materials for construction. The selection of the mausoleum site is the primary link in the construction of the mausoleum. Generally, firstly, the first and second-rank officials of the DPRK will lead the Fengshui surveyors to follow the theory of Fengshui, “the shape of the mountain from the outside, and the land veins from the inside”. The emperor, if necessary, draws a picture, pastes a description, and finally decides by the emperor.

　　After Cheng Zu Zhu Di proclaimed himself emperor, he planned to move the capital from Nanjing to Beijing. In the sixth year of Yongle in the Ming Dynasty (1408), Zhu Di ordered Zhao Yan, Minister of Rites, to lead Jiangxi warlock Liao Junqing and others to visit the mausoleum near Beijing. After more than a year, the auspicious soil for thousands of years was finally found in the Huangtu Mountain in Changping. Zhu Di then sealed Huangtu Mountain as Tianshou Mountain, and decreed to encircle the area with a radius of 80 li as the forbidden area of the mausoleum.

　　The layout of the tombs of the Ming Tombs is not in accordance with the “Zhou Li” method of left and right, but with the respected ones in the main veins and the humble ones in the secondary veins (remaining veins). Changling is the first tomb of the Ming Tombs. It is located in the middle of the main peak of Tianshou Mountain, and other tombs are arranged around it. Among the Ming Tombs, Changling is the largest, followed by Yongling and Dingling, and Siling is the smallest. Mausoleum construction methods can be divided into three types: one is the mausoleum built by the emperor during his lifetime, which is large in scale and richly decorated (such as Changling Tomb, Yongling Mausoleum, and Ding Tomb); The posthumous edict of “building a mausoleum” may be affected by the burial period and national power, and the scale is small and relatively simple (such as Xianling and Jingling); the third is that the emperor will not have time to build the mausoleum during his lifetime, and the next dynasty will build it after the change of dynasty (such as Siling).
　　The Ming Tombs are famous all over the world for their majestic scale, complete cemetery system, solemn and harmonious layout, beautiful and quiet scenery, and elegant and simple style. In 1957, it was listed as the first batch of key ancient buildings and cultural relics protection units in Beijing. In 1961, it was listed as a national key cultural relics protection unit. In 1982, the Ming Tombs and Badaling were listed as one of the national key scenic spots protection areas as a complete scenic spot. On July 3, 2003, the Ming Tombs, as an expansion project of the royal tombs of the Ming and Qing Dynasties, were approved by the 27th United Nations World Heritage Conference and included in the “World Heritage List”.

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