Chinese bridal wedding dress

#北京 #中國 #China #Beijing | #紫禁城 #ForbiddenCity #January 2024 | #ForbiddenCityDairies -The Palace Museum #ForbiddenCity Collections of Chinese intangible cultural heritage. 24th December 2023- 4th January 2024….

January 4, 2024 kevinjamesngLeave a comment

On July 19^th 2023 , the multilingual website of the Forbidden City Palace Museum- Beijing, China, People’s Republic of Chinawas officially released at the Digital Cultural Tourism Development Forum of the 2023 China Internet Civilization Conference! The website covers five languages: English, French, Russian, Japanese, and Spanish, and will meet the needs of audiences with different languages.

The multilingual website of the Palace Museum is committed to establishing an international website that is concise, clear, easy to use for overseas audiences, and fits the construction of the modern civilization of the Chinese nation, including tour guides, information, panoramic tours, online exhibitions, collection appreciation, cultural topics, etc. Rich immersive content describing of the most detail collection that housed within the Forbidden City collection….

Qing, anonymous, baby play picture album page. The “Baby Play Pictures” album was created by a court painter. This page is one of the pages, depicting a scene of five children picking lotus flowers and playing in the water by a lotus pond, with the sun burning like fire in June. The author uses meticulous and rigorous brushwork and rich and gorgeous colors to humorously portray the naive, cute, lively and interesting image of the child. In particular, the staggering and unsteady steps of the child wearing crotchless pants when walking ashore are vividly depicted, showing the author’s keen observation. The expressive power of describing God through form.

The “embroidery patch” in the picture is also called “embroidery patch”, which refers to sewing a single piece of embroidered fabric onto the surface of the garment. The official costumes of the Qing Dynasty followed the embroidery ceremony system of official uniforms of the Ming Dynasty, and were standardized and expanded. According to the “Qing Dynasty Huidian”, civil servants should wear bird patterns, military officers should use animal patterns, and what kind of animal patterns should be used for each of the first to ninth ranks is also clearly stipulated.

Clothing habits in real life also affect the world of opera. Among the costumes and official clothes collected in the Forbidden City (Figures 7-9), there are many kinds of ornaments with exquisite patterns….

During the reign of Tongzhi in the Qing Dynasty, Shen Quan, Shen Shijie and Shen Shiru posted pictures of infant play. This painting contains auspicious meanings and was jointly painted by court painter Shen Quan and others. It depicts a scene of children paddling and playing in a pond with blooming lotus flowers. The lotus in the painting is not only a real scene, but also contains symbolic meaning. Through the plot of a boy playing with lotus, the homophonic pronunciation of “lotus” and “lian” is used to express the good wishes of having children in succession and having many children and grandchildren. This picture was originally a hanging painting on the wall of a palace. It not only decorated the interior space, but also conveyed the wish for many children and good fortune.

The moon flower of the eleventh month of the lunar calendar is the camellia blooming in the winter scenery of southern China. Camellia is a traditional famous flower in my country. It was first recorded in the Wei and Jin Dynasties. Because of its large and plump flowers, rich and bright colors, and its frost and snow resistance, it has been praised by literati in the past dynasties. Su Che even compared camellia with plum and chrysanthemum, two famous flowers, “the fragrance is gentle and fragrant, and the chrysanthemum is light on the cliff, and the plum blossoms are as beautiful as the mountains.

25^th December 2023 At this moment,

During the reign of Tongzhi in the Qing Dynasty, Shen Zhenlin, a hundred sons presented an auspicious picture. According to the records of the Construction Office of the Ministry of Internal Affairs of the Qing Palace, on September 12, the 11th year of Tongzhi (1872), Emperor Tongzhi held a grand wedding ceremony in the Forbidden City. Previously, Emperor Tongzhi ordered the court painters Shen Zhenlin, Liang Derun, Zhang Kai and others of the Ruyi Pavilion to paint the “Picture of a Hundred Sons Presenting Auspiciousness” respectively on April 10th of that year, and hung it on the “﹁” on the entrance and exit of the Dongnuan Pavilion in the Kunning Palace Cave. “The curved ruler not only enhances the festive atmosphere of the wedding room, but also expresses the hope for the prosperity of the children through the pictures of a hundred children playing. This picture was carefully drawn by Shen Zhenlin, the leader of the Ruyi Pavilion. The main pattern of the painting is the Chinese character “囍” written in double hook lines. The two sides of the character “囍” are also painted with graceful floating silk ribbons, making the composition of the picture fuller and more varied. ; The outer surface of the character “囍” is painted with red cinnabar, which symbolizes joy and auspiciousness; the hollow space of the character “囍” is filled with the image of a hundred sons, and the ink calligraphy “a hundred sons are auspicious” is used to highlight the meaning of the painting.

Qing Tongzhi, red Baizi pattern damask quilt fabric. Not only did the emperors of the Qing Dynasty post the “Hundred Sons Picture” in the wedding room of the Forbidden City or in important palaces when they got married, they also often ordered the “Hundred Sons Picture” to be used as a decorative pattern on many handicrafts or daily necessities. , expressing the beautiful hope for the continuation of life. This is the damask fabric used by the royal family in the Qing Dynasty to keep warm and keep out the cold. In terms of pattern design, weavers cleverly express the auspicious and festive creative theme through the child’s lively and active posture, joyful demeanor and healthy and cute appearance: for example, the image of a child wearing a crown on his head holding a high crown in his hand means ” “Add official (crown) on top of official (crown)”; it looks like a boy playing with a lotus in his hand, which means “the lotus will give birth to a noble son”, etc. In addition, the fabric is also interspersed with auspicious patterns such as cranes, deer, chrysanthemums, pine and cypress, and Ganoderma lucidum that symbolize longevity, further expressing the pursuit and expectation of a happy life.

There are not only square embroidery patches used by civil and military officials, but also round and oval shapes, such as the dragon and python patches used by emperors, clan members, and others, as well as the “flower patches” on the clothes of concubines and official family members. . In addition to making a single piece of patchwork and sewing it separately, the special patterns of patchwork can also be directly embroidered on the clothes, called “back chest” or “chest back”.

Auspicious creatures, auspicious words, and flowers of the four seasons are wrapped in circular patterns, adding beauty to clothes and joy to life.

Tongzhi of the Qing Dynasty, yellow satin embroidered gourd and hundred son picture pillow. The emperor used exquisite materials, and the patterns on this royal pillow all have auspicious meanings: for example, the gourd pattern is embroidered on the edge, which is homophonic to “Fu Lu”; the front of the pillow is embroidered with a boy pushing a wooden three-legged golden toad, which represents the Taoist “bang play” The allusion of “Golden Toad” means prosperity of wealth; the embroidered boy carries a long halberd with a chime on his shoulder, which uses the homophonic pronunciation of “halberd” and “chime” to express abundant auspiciousness and good things. Although “a hundred sons” is only an imaginary number, the emperor’s wish to sleep on it and realize many children, happiness and peace is sincere…

Guangxu, Qing Dynasty, red Nasha Baizi chart account. Nasha, also known as Naxiu, commonly known as stamped yarn, has a history of more than 2,000 years. It was very popular among the Qing royal family due to its strong decorative effect. Many royal garments, such as court robes, cloaks, dragon gowns, etc., are made of this kind of craftsmanship. The gauze tent shown in the picture is mainly in festive red color, with “囍” characters and traditional baby play patterns embroidered on it. The purpose of hoping for happy events and pursuing many children and blessings is obvious. It should be to celebrate the wedding. Made to order. The gauze tent was originally hung in the east room of Chuxiu Palace, one of the six west palaces in the Forbidden City. Empress Dowager Cixi once lived here after entering the palace in the second year of Xianfeng (1852). Four years later, Emperor Tongzhi Zaichun was born in the back hall of Chuxiu Palace.

The yellow-bellied tit is a unique bird species in China and a first-level protected bird in Beijing. Although it is small in size, the bright yellow color on its belly is very eye-catching, and its swollen little body looks soft and cute. They like to jump between branches or fly between the canopy. Except for the breeding period when they move in pairs or alone, in other periods they mostly move in groups on tall broad-leaved trees or coniferous trees, sometimes in mixed groups with other birds such as great tits. In the Forbidden City, it is easier to see groups of yellow-bellied tits in areas with trees in autumn and winter. When the weather gets warmer in the following spring, most of them leave and fly to the mountains to breed. Before winter comes, they fly to the hospital again to overwinter.

On December 28, 2023, the “Long March of National Treasures – Commemorative Exhibition of the Southward Relocation of the Forbidden City Cultural Relics” jointly launched by the Palace Museum and People’s Daily’s “National Humanities and History” magazine opened at the Shanghai History Museum. The exhibition mainly focuses on the historical materials and research results of the relocation of the Forbidden City cultural relics to the south. It returns to Shanghai, the first stop city for the relocation of the Forbidden City cultural relics to the south. Through “the national treasure’s journey southward in the beacon smoke”, “the reappearance of ancient relics in Shanghai for four years” and “the cultural context continues to flourish”. The three units “Endless” reproduce the historical memory of the relocation of cultural relics from the Forbidden City to the south, leading the audience into a time and space dialogue spanning 90 years. This exhibition will last until March 29, 2024.

29^th December 2023 It’s the last Friday of 2023! The blank space in the future is waiting for you to fill it with your wishes for 2024….

Guangxu of the Qing Dynasty, red satin embroidered door curtain with a picture of a hundred sons. The Qing royal family’s most fervent wish was to “integrate the family and the country” and have many children and grandchildren to protect the country forever. Therefore, the royal family often uses auspicious paintings to express their pursuit of prosperity, health and longevity for their children. This phenomenon can be seen everywhere in the decoration of royal objects. This door curtain was originally hung in the Chuxiu Palace, and represents various game activities of children in rockeries, lakes, pavilions, pavilions, and waterside gardens, playing chess, and traveling in cars. The embroidery workers used exquisite craftsmanship to freeze the children’s joy and the royal family’s hope for descendants on this door curtain, which is both a practical product and a work of art.

Purple Forbidden Yaji- January wallpapers are now online. As the New Year is approaching, appreciate the tranquility of the snow-capped mountains, the lifelike bamboo sparrows in the painting, and the vigorous dragon pattern on the bottle. Go to the official website to download high-definition wallpapers in various formats and sizes,

“Little cat head” and “pointy cat ears”, this is not a cute kitten, but a “ding” that means everything!

“Ding” is a typical pictographic character, with the bottom being the tripod’s feet, the middle being the tripod’s belly, and the top “cat ears” being the two ears of the tripod. Originally, the tripod was used as a food vessel, and people used it to cook or hold food. Later, the tripod gradually became one of the most important ritual vessels for noble banquets, sacrifices and other ritual activities. Together with the bronze bell, it formed the “bell ringing tripod food”. It is said that Yu cast the Jiuding, which symbolizes the Kyushu, so the Jiuding has become an important weapon of the country, symbolizing the supreme power.

31^st December 2023 Bid farewell to the last sunset of the year and head towards the grandeur of the new year. Goodbye, 2023…

1^st January 2024 Hello January! Hello, the first ray of sunshine in 2024!

2024 has arrived as promised, and the Palace Museum welcomed the first batch of visitors in the new year. The leaders of the hospital arrived in front of the Meridian Gate early, presented the brand new 2024 “Forbidden City Calendar” to the first visitors to the hospital, and sent New Year blessings to everyone. In the new year, the Palace Museum will continue to accompany you. I wish you happiness and good health in the new year and all seasons!

2^nd January 2024 good morning! Welcome the first working day of 2024 with full energy..

Spring and Autumn Period, bronze dragon-eared gui. Bronze Gui is not only a container for holding food, but also a ritual vessel for feasts and sacrifices. It appeared in the Shang Dynasty, became popular from the Western Zhou Dynasty to the Spring and Autumn Period, and gradually disappeared during the Warring States Period. Gui can be either round or square. In the early stage, it had no ears. In the later stage, it appeared with two, three or even four ears. They often appear in even numbers and are used in conjunction with odd-numbered tripods. Usually the emperor has nine tripods and eight guis, the princes have seven tripods and six guis, and the ministers have five tripods…

Warring States Period, jade carved dragon-shaped pendant. The jade pendant is in the shape of a sheet, in the shape of a dragon, with the same pattern on both sides. The dragon bends down and looks back. There is a large bird on its tail, and a small bird is carved on the inside and outside of its neck and tail. The dragon’s body is fully decorated with grain patterns and has a round hole in the middle. This vessel was unearthed from a Chu tomb during the Warring States Period in Yanggong Township, Changfeng County, Anhui Province. A total of two jade pendants were unearthed at the same time. They were similar in shape and were placed on the left and right sides of the human pelvis. They should be part of a group of jade pendants. Its size reaches more than 20 centimeters, and its body is large and finely crafted, showing the noble status of the owner of the tomb. This conjoined dragon and phoenix pendant is a unique shape among the jade wares of the Warring States Period. It has exquisite curves and exaggerated techniques, reflecting the rich imagination of the maker…

Han Dynasty, jade carvings with three dragon patterns. The shape of the jade is slightly circular, flat body, with the same decoration on both sides. The carving is three intertwined dragons, and is partially decorated with low relief and incised fine lines. The seemingly complicated interspersed changes without losing the neat geometric rhythm reflect the beauty of smart curves. This type of jade ornament is more common in jade wares of the Han Dynasty and is a kind of ornament. This jade is of bright white quality and meticulously carved. It is a piece of high craftsmanship…

Since the Tang and Song Dynasties, scholars who passed the tribute examination in their hometowns were sent to Beijing by their prefectures and counties to participate in the provincial examination of the Ministry of Rites, which was called “Fa Jie” or “Jie” for short. Therefore, experts believe that this is an institution that handles examination procedures for candidates. People dressed as Confucian scholars gathered around an old man. With his focused expression, he might have just handed over the materials and were inquiring about the exam information! In addition, some scholars believe that this place was a pawn shop, bookstore, fortune-telling stall, etc.

Images and visuals are from – Forbidden City –Palace Museum Beijing- China –People’s Republic of China…..

#北京 #中國 #China #Beijing | #紫禁城 #ForbiddenCity #December2023 | #ForbiddenCityDairies -The Palace Museum #ForbiddenCity Collections of Chinese intangible cultural heritage. 22nd – 24th December 2023…. Winters Snow of 2023

December 24, 2023 kevinjamesngLeave a comment

Dyeing, powdering, and drawing different patterns on various colours of silk can be used as writing materials. The silk paper without writing is already beautiful!

Qianlong of the Qing Dynasty, Jin Tingbiao, and the scroll of the baby’s play. This picture was created by Jin Tingbiao, a court painter of the Qianlong Dynasty, and depicts a scene of children playing in the countryside. Some of the childish and lively children picked flowers, and some competed in “grass fighting” by pulling the stems of flowers and plants together. The children’s naughty expressions are fully displayed, and the cheerful atmosphere overflows the picture. Emperor Qianlong, who was looking forward to having many children and grandchildren, was very satisfied with this picture and wrote an imperial poem on it: “Weeping poplars, strange stones, and luxuriant grass, red and green baskets are pouring out to fight against each other. The heart of a child loves business, and the famous saying is that there is a stream of water in the river.” “He also stamped more than ten square seals and included the picture in “Shiqu Baoji” to show his love.

冬至 At the winter solstice, Yang is born, and the sundial begins to grow. Today Winter solstice , the wall tiles, eaves corners, and plaques of a city are lit up with warmth, and we can’t help but look forward to the coming of the New Year….

Qianlong Qing Dynasty, anonymous, Kesi Sanduo Youqing Picture Scroll (partial). “Three mores” refers to many descendants, more blessings, and longer life. Having these “three mores” at the same time is truly a blessing in life, so “three mores are celebrated” has become a traditional blessing. In this tapestry scroll with its warp and weft cut through, the craftsman cleverly displayed the theme of “three mores” in the way of children playing: the children gathered together represent “many children”; the red bats flying in the sky allude to “the flood”. (Red) Fu (bat) Qitian” means “many blessings”; the boy holds longevity peaches in his hands, which represents “many lifespan”; and at the end of the scroll, there is a boy lifting a hammer to strike a chime, which means “chime” is homophonic to “celebration”, which completely completes the whole story. It expresses the creative theme of “three more times bring celebration”.

The pearl-necked turtle dove is a small wild resident bird of the family Dove and Columbidae that is common in cities, and is also one of the most common birds in the Forbidden City. The sides of their necks are black and densely covered with white spots, like many “pearls” scattered around their necks. This feature is only found after the Pearl-necked Turtle Dove reaches adulthood, so it can also be regarded as their “coming-of-age ceremony”.

Sun Zhiwei, a poet in the early Qing Dynasty, said in his poem “Doves in the Rain”: “The sun rises in the southeast corner, and the pigeon calls his wife.” “Banjiu” means “turtle dove”. The poem depicts a turtle dove and its partner staying together and inseparable. Pearl-necked turtle doves are usually monogamous and behave respectfully in daily life. They breed once a year, and the breeding period is from May to July. Usually the male bird first looks for a location, and then takes the female bird to choose a place that both parties think is suitable, and then build a nest with branches.

Qing, anonymous, baby play picture album page. The “Baby Play Pictures” album was created by a court painter. This page is one of the pages, depicting a scene of five children picking lotus flowers and playing in the water by a lotus pond, with the sun burning like fire in June. The author uses meticulous and rigorous writing and rich and gorgeous colors to humorously depict the cute, lively and interesting image of children. In particular, the staggering and unsteady steps of children wearing crotchless pants when walking ashore are vividly depicted, showing the author’s keen observation. The expressive power of describing God through form…

Images and visuals are from – Forbidden City –Palace Museum Beijing- China –People’s Republic of China…..

#北京 #中國 #China #Beijing | #紫禁城 #ForbiddenCity #October2023 | #ForbiddenCityDairies -The Palace Museum #ForbiddenCity Collections of Chinese intangible cultural heritage. Collection 11th towards 16th October 2023 …..

October 18, 2023 kevinjamesngLeave a comment

On the 11^th October the anniversary of Daily palace, tonight’s good night comes from the 98-year-old Palace Museum…..

The wind blows and the rain blows, the stars move, and the ancient city remains undefeated through the prosperous years. Today is the 98th anniversary of the founding of the National Palace Museum . The Forbidden City carries the ancient memories of history, and has witnessed and accompanied everyone to open new chapters in life over the long years. On the 98th birthday of the Forbidden City, let us look back on every detail of our visit to the Forbidden City, relive our exclusive memories with the Forbidden City, and jointly protect this precious world cultural heritage!

Let’s read the calendar together During the reign of Emperor Guangxu of the Qing Dynasty, bright yellow satin and flat gold embroidery with dragon and phoenix patterns on the backrest, bedding, and greetings. The Qing Dynasty palace mostly used hardwood furniture. Hardwood furniture is valuable and strong, but it can cause discomfort when sitting or lying down for long periods of time, especially in winter, so soft cushions are needed. The wooden kang is larger, and the mattress, backrest, and handstands are often used together. They are filled with cotton on the inside and wrapped in brocade and other fabrics, making them soft and comfortable. The soft cushion in the picture is embroidered with flat gold, using real gold threads embroidered on the surface of the fabric. Mattress, backrest and handrails are essential items in home life. Although they are trivial details, they are related to personal feelings and can reflect the taste of life, so they are valued by people at the time. Emperor Yongzheng put forward specific requirements for the design of cushions, backrests and hand patterns.

“The Qiang Guan is covered with frost all over the ground.” The autumn wind blows the camel bells, and also blows away the confusion at the end of the eyes of homesick travelers.

[Clothing] Camel gray tufted kui pattern dark flower diameter gauze small simple robe, camel ground dragon and phoenix Ganoderma lucidum Ruyi pattern brocade, beige ground flower pattern woven gold brocade, camel gauze short-waisted women’s socks
[Accessories] Topaz sword head with hooked grain pattern, light camel satin embroidered scratching chrysanthemum pattern waist round purse, gauze head flower
[Daily necessities] Topaz double ear-shaped movable ring bottle with lid, yellow tapestry fan with vines, flowers and butterflies and mahogany carved handles

日面宫# , tonight’s good night comes from Zhu Yunming’s cursive chrysanthemum poem ceremony.

In the Qing Dynasty, the kang blanket was embroidered with red cloth with Chinese characters, dragons and phoenixes, and colorful cloud patterns for generations. The carpet cultural relics in the Palace Museum are divided into carpets, kang rugs, and tapestries according to their uses. The center of this kang rug has a dragon and phoenix character “囍” pattern, and the edges are patterns of bats, gourds, plum blossoms, longevity peaches, and the character “囍”, which symbolize wealth, longevity, and descendants for generations. This kang rug uses Cantonese embroidery stitching and may come from Guangdong. It was a tribute specially purchased for the emperor’s wedding. According to Emperor Guangxu’s “Red Wedding Ceremony”, the East Nuan Pavilion of Kunning Palace used a red felt kang blanket embroidered with dragon and phoenix “囍” patterns.

Forbidden City Autumn Fashionable Color – Fragrant color
“The fragrance of ripe rice is ten miles west. The hibiscus fences fall with long bamboo silk. The hanging mountain fruits hang green and yellow.” In the scene of a good harvest, where does the autumn fragrance come from?

[Clothing] Women’s robe with fragrant yarn embroidered with eight groups of peony and Kuifeng patterns, fragrant satin soap boots with rice beads, fragrant satin velvet mouth with peony pattern oval purse, fragrant silk embroidered flower pattern handkerchief [Accessories] inlaid with pearls and
jade Belt buckle, yellow tourmaline bracelet with pearls and emerald ornaments
[daily necessities] jade flower handle cup, tea powder glazed string pattern bottle, tea powder glazed flower

Qing Dynasty, with dragon and phoenix characters on the mattress. The emperors and empresses of the Qing Dynasty often sat on the kang when they lived in the house, and kang blankets and mattresses were laid on the kang for convenience. According to Emperor Guangxu’s “Red Wedding Ceremony” records, when Emperor Guangxu got married, eight large red satin mattresses embroidered with dragons and phoenixes with “囍” patterns were prepared in the East Nuan Pavilion of Kunning Palace. This cushion was originally stored in Kunning Palace. From the embroidered pattern of dragon and phoenix with the character “囍”, it can be seen that it was used during the wedding of Emperor Guangxu.

Knots are the flowers that decorate the flowers. The mother-in-law is composed of a skeleton, an inner tube, and an exterior mother-in-law flower. The shapes of the flowers are various, including vase-shaped, olive-shaped, long angular, round, etc. They are called knots, hairpins, green strips, etc. according to the yellow strips they are attached to. Among them, the knot is decorated on the lower middle part of the front of the knot. Since most of the knots are equipped with hanging rings on both sides and the bottom edge of the back, beads can be hung; round hairpins are decorated on it, and long angular hairpins are decorated on the left and right sides of the knots..

Qing Dynasty, wood inlaid material, stone, gold and peach leather saddle. The saddle is made of wood, with an asphalt surface and painted with patterns such as butterflies and lotuses. The edge of the saddle is inlaid with rubies, turquoise, coral and other jewels. The attached yellow strips have the words “Happy Saddle” and “Branded Bundle” written on it. , it can be seen from this that it is a wedding saddle specially used for weddings. When the stipulated time came on the day of the emperor’s wedding, the eunuchs used ceremonial carriages to carry the queen to the Kunning Palace in the middle palace. When the queen entered Kunning Palace, the eunuch arrived in advance..

Guangxu period of the Qing Dynasty, bright yellow silk embroidered with clouds, bats, dragons, phoenixes and 囍 patterns. The napkin is a napkin. The emperor and empress wore it on their chests to avoid staining their clothes when they ate. The main color of this piece of clothing is bright yellow, with red, blue, white, and green colors in between. There is a yellow “囍” pattern in the center, dragon and phoenix patterns on both sides, and the edges are decorated with cranes, bats, deer, and the Chinese characters “Shou” and “Shou”. “囍” character pattern, etc. This bodice was specially made for the weddings or longevity celebrations of emperors and empresses of the Qing Dynasty.

Before the Han Dynasty, there were pre-Qin stone drums and Qin Shihuang carved stones. It was not until the Eastern Han Dynasty that rectangular standing stones with inscribed characters and a certain shape appeared, which were the stele with the meaning of later generations. With the development of the times, the meaning of stele gradually expanded to include stone inscriptions, such as stone inscriptions, epitaphs, cliff inscriptions, statue inscriptions, stone monument inscriptions, etc.

Most of the steles handed down from the Han Dynasty are rubbings from the Ming and Qing dynasties, with only a few rubbings from the Song Dynasty. The “Xiyue Huashan Temple Stele” of the Eastern Han Dynasty was destroyed in the Ming Dynasty, and only four rubbings survive: the Huayin and Siming editions collected by the Palace Museum, the Shunde edition collected by the Cultural Relics Collection of the Chinese University of Hong Kong, and the Nagagaki edition collected by the Taito Ward Museum of Calligraphy in Tokyo, Japan. . Two of them, the Huayin version and the Shunde version, are on display in the first unit of this Song Tuo Charm exhibition, “Xiyue Huashan Temple Stele and Han and Tang Stele Inscriptions

Ming Dynasty, Zigang style sapphire cup. After the sitting ceremony was completed, the emperor and empress performed the ceremony of union. Before the ceremony, the queen redressed and dressed up. In addition to changing into court robes and gown, she also had to comb her long hair, which is a symbol of an unmarried girl, into the “two hairs” of a married daughter-in-law. At the end of the lunar month, the emperor and empress sat on the mattress, drinking and eating. Under the eaves outside the house, the banner couple sang a song of celebration in Manchu to wish the emperor and empress good luck on their wedding, and the wedding ceremony was completed. This sapphire cup has two connected tubes. A phoenix is carved between the two tubes as the cup handle. The rim of one side of the cup is engraved with the inscription “Zigang Zhi”, and the rim of the other side is engraved with the inscription “Henan Cup”.

Qing Dynasty, clay paint and yellow wine jar. Wedding ceremonies are grand and lively, often with wine added to the fun. This wine jar is made of clay and painted with colorful paint. The body of the jar is painted with auspicious patterns of dragons and phoenixes. There is the word “囍” on the jar body and sealing mud. The jar is filled with rice wine produced in Zhejiang. In ancient China, the best rice wine was brewed in Shaoxing, Zhejiang. This wine may have been specially produced by local officials as a tribute to the emperor’s wedding.

Tongzhi of the Qing Dynasty, yellow ground pastel magpie plum bowl. In preparation for the wedding in the 11th year of Tongzhi (1872), the palace issued a firing list and official instructions to the Jingdezhen Royal Kiln Factory: “The queen needs to use porcelain for fourteen points and nine colors.” Among them, “Fourteen Points” refers to fourteen sets of porcelain with different patterns, each of which is a sea bowl, a large bowl, a medium bowl, a soup bowl, a rice bowl, a pocket bowl, a nine-inch plate, a seven-inch plate, a five-inch plate, and a four-inch plate. One-inch plates, three-inch plates, two-inch five-plates, wine cups, soup spoons, tea cups, large tea cups, tureens, tea jars, urns, powder boxes, rice bowls, rouge boxes, flower pots, narcissus boxes, etc. The inner wall of this bowl is plain, and the outer wall is painted with magpies and plum blossoms on the yellow ground. The main trunk of the plum tree is curved, the branches are strong, and plum blossoms are dotted on the branches. Black magpies are flying or perching, with vivid postures and delicate depictions. The magpie climbing on the plum blossom is a traditional Chinese auspicious pattern. It is pronounced by the words “xi” and “plum”, which means “happy on the eyebrows”. This patterned bowl is one of the “fourteen points” porcelain fired at Tongzhi’s wedding…

Images and visuals are from – Forbidden City –Palace Museum Beijing- China –People’s Republic of China…..

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October 13, 2023 kevinjamesngLeave a comment

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or the dignified, noble and
romantic lace and pearls of the suit
, they are the unique meaning of the oriental flower of wealth

23th September 2023 Autumn Equinox

the day and night shadows are waiting for a long
time and a prosperous year🌾

Hold a courtyard wedding in autumn
to find the romance and nobility hidden in the old alleys💕

Artist @JaniceMan Wen Yongshan specially appeared in Honor’s new fashion blockbuster wearing Cocoon Trace’s original high-definition cheongsam “Sunset”

In the innovation of aesthetics and technology
Bursting with endless romantic possibilities

The Jade Rabbit plays with
the moonlight night and dyes a room with the fragrance of osmanthus.
Today 中秋 mid-Autumn festival
the moon is full, the family is harmonious

The romance of October
begins with a bright and bright smile🌸

INTANGIBLE CRAFT
Yanbai·Luxuanlu Silk Art Museum officially opens #Wander

the cultural journey along the garden corridor
and immerse yourself in the dual aesthetics of art and nature

What are the most lovely points of plum blossoms 🌺

Olympics – Asian Olympics – Hangzhou Asian Games- Hangzhou, China, People’s Republic of China.
Here comes the cheerleading team that is more suitable for China’s physique~

Cocoon Trace’s original “Linping Rolling Lantern Dance” performance costumes
will join the cheerleaders to cheer for the men’s volleyball athletes [Fireworks]

8th October 2023 今日寒露HanLU

the moon is white and the dew is cold, and the branches are dyed in autumn
. The weather is getting colder. Everyone should remember to add more clothes

The beauty that can be bent but cannot be broken🌺The

shape of the cloud shoulder is based on the ridge of classical architecture.
The gorgeous and romantic peacock tail feathers extend down the body, and are
bold and beautiful, gentle and powerful…

Expressing the oriental charm among the brocade quilts🍃

Photography: Truly
Makeup: Millennium Styling
Venue: Beijing Hilton Hotel
Clothing: Cocoon Traces Original Dress Customized
Bedding: Lu’an Mansion. Bride Lu Silk Quilt

cocoon traces 2023 art haute couture · 胭华绮梦

Trapped in a dream that has lasted for many years,
feeling the glitz and luxury of that specific era, conveying the ultimate oriental romanticism
in the transition between the old and the new. Special thanks to Photography: Bu Ma Yingying @Pooma Bu Ma Makeup: @NANBEAUTY Chun Nan Fashion Chu Ming Model: New Stellar Wang Lin Venue: @Beijing Dyed Space Folding Fan: Overseas Color Intangible Cultural Heritage Jewelry Customized Handbag: Jingxi Embroidery…..

QIPAO 旗袍 Cheongsam …. In which from historically Shenyang is the birth place of the Qing Dynasty 1636-1912plus …. In which Qipao is termed for Qing Dynasty Clothing that the Manchu ethnic adoptively wore…… in which the Shenyang Palace Museum was an imperial palace towards two Qing Dynasty emperors. Previously two years ago During the event it which was an eight day forums, with exhibitions also related workshops illustrating the birth place of the Old Capital of Cheongsam where the Qing Dynasty- Qipao was inspired from..

Before that Shanghai 1930’s Qipao-Cheongsam revolution, the Manchurian Cheongsam was the fashion of choice of the Qing Dynasty (1636-1912) throughout as it standardised that style during the dynasty… Replacing the previous clothing standard Han Fu – Han Dynasty clothing style, in which also is form fitting towards the women’s silhouette but with a higher degree of freedom of flare of personal, individual style…

Qipao-Cheongsam is uniquely hand crafted tailored Chinese dress to the customer’s various measurements… in which you can still have them brought of the rack in which is accustomed to the standard measurements… in which you can tell which is western influenced with the back zipped in which the Eastern traditional Chinese Tailors would have the side zipped of the Qipao dress due it interrupts the flow of the pattern work at the back of the dress.. Also it creates a continuous seamless back look… after as the measurements are translated drafted onto the silk or the customer desired accustomed fabric of choice, from the measurements book with the associated look of the design elements with additional accessories the sexiness of Qipao lies subtlety.. Measuring, patterning, cutting, and button making are crucial, in where passion and art comes together in tailoring

In which traditionally Qipao- Cheongsam dresses are worn for from straight forwardly every day towards after work evening wear in without having to change to another set of wardrobe dressing only to accessories for the required occasion… … in which the Qipao dress pattern silhouette is design for the lady’s figure in which accentuating the silhouette without giving away too much of what’s underneath in retaining…. its timeless classic silhouettes in which are designed to be worn every day, from work, evening, casually towards to the weekend… with sleek simple, elegant, sexy intelligent sophistication in which are easy to be accessorised with any pieces of clothing in your current or upcoming wardrobe…

Images and visuals are from Weibo also from茧迹原创礼服定制Cocoontrace original dress customization: No. D05, Zhongyi Street, 798 Art District, Jiuxianqiao, Chaoyang District, Beijing 010-59789809 – China –People’s Republic of China ..

#北京。 #中國 #China #Beijing | #紫禁城 #ForbiddenCity #September2023 | #ForbiddenCityDairies -The Palace Museum #ForbiddenCity Collections of Chinese intangible cultural heritage. Collection 21st August – Sixth September 2023.

September 6, 2023 kevinjamesngLeave a comment

Let’s read the calendar together…. Guangxu of the Qing Dynasty, red silk embroidered colourful clouds, bats, gold dragon and phoenix pattern hijab. When the emperor of the Qing Dynasty got married, the queen also covered her face with a hijab just like in folk weddings. This hijab has a square shape and is made of red river silk. The word “囍” is embroidered with gold thread in the center, and patterns of bats and “卍” are embroidered on the word “囍”, which means long blessings. Golden dragon and phoenix patterns are embroidered around the word “囍”, and the word “longevity” is embroidered in gold around it. , golden “囍” character, clouds, bats, gourds, etc. Four groups of tassels in red, green, and yellow colours hang from the four corners.

去我们一起来读计划 In the Qing Dynasty, gold-plated copper with silk dots and emeralds inlaid with pearls and stones and phoenix tin. When the queens of the Qing Dynasty wore auspicious clothes, they could wear phoenix tin on their heads. Tianzi is a unique headdress for Manchu women. Its shape is high at the front and low at the back, with a dome at the top and a wide bottom. According to the number and style of decorated tin flowers, tin can be divided into half tin, full tin and phoenix tin, each of which has different usage occasions. This tin is lined with red velvet, emerald emerald dragon, phoenix, “囍”, etc., in line with the theme of the wedding…

七夕 is a festival for girls, and the ancients would hold a wealth of “begging for cleverness” activities. In addition to the well-known “threading a needle and begging for cleverness”, the custom of “worshiping the Milky Way” (also known as “worshiping double stars”) was also popular in the Ming and Qing Dynasties. A group of young women and girls make an appointment in advance at which house to worship on Qixi Festival. Most of them choose a house with a beautiful courtyard or a garden to be the host, and everyone shares the purchase of sacrifices. Everyone fasts and bathes the day before to get ready. At that time, everyone will dress up and go to the organizer’s home to take turns burning incense and worshiping. Seasonal fruits such as “flower melons” carved from watermelons and peaches are displayed on the altar. Some even put cosmetics such as rouge and fragrant powder on the altar for the Weaver Girl to enjoy. What they pray for is nothing more than to be beautiful and marry a good man; or to have a happy family and harmonious husband and wife. After the worship is over, the incense powder dedicated to Zhinu will be divided into two halves, and half will be thrown on the house for Zhinu to enjoy, and the other half will be kept for herself. They believe that they can maintain their youthful beauty by using the cosmetics shared with Zhinu.

去我们一起来读计划 Qing, Qingkuan, etc., the big wedding picture of the Queen Fengyu entering the palace. The seventh volume of Emperor Guangxu’s “Wedding Pictures”, “The Picture of Empress Fengyu Entering the Palace,” depicts the process of the wedding procession starting from the Queen’s residence to the Qianqing Palace. It includes seventeen pages of images and nine pages of illustrations. The following set of pictures are taken from this volume. . Emperors of the Qing Dynasty all married at night. During the wedding of Emperor Guangxu, Queen Fengyu “started from the eaves of the main hall of the Di Di at the third quarter of the first lunar month, arrived at East Chang’an Street at the first quarter of the first lunar month, and arrived at the East Chang’an archway at the second quarter of the first lunar month. In the second quarter of Yinchu, five minutes to Qianqing Gate, and in Yinzheng three quarters, five minutes to the eaves of Qianqing Palace.” In this picture, the Yuzhan, Longqi, Huanggai, Honglu Temple Preface, Mingzan Officer, Chief and Deputy Envoys, Ceting, and Baoting in front of the team have all passed through Duanmen and walked outside the Meridian Gate. The horses are separated Stop in front of the East and West Yanchi Towers.

Qing Dynasty, Qing Kuan, etc., the Empress Fengyu entering the palace of the big wedding picture. When Emperor Guangxu got married, the welcoming team went from the middle gates of Meridian Gate and Taihe Gate to the middle left gate, rear left gate and Qianqing gate. North Korean officials and others stopped here. According to the auspicious time predicted by Qin Tianjian, Empress Fengyu will arrive at Qianqing Gate at the second quarter of Yinchu (around 3:35 a.m.), and the eunuch of the Ministry of Internal Affairs will pick her up and carry Fengyu into Qianqing Gate. Empress Yu Yinzheng could only get out of the sedan chair at three quarters and five minutes (about 4:50 in the morning). With the help of four respectful maids, she stepped over the brazier in the Qianqing Palace, walked out from the back fan, and returned to the palace where she will live in the future to rest. , In the evening, go to Kunning Palace to perform the wedding ceremony. From the moment the queen gets off the sedan chair, these inner court etiquette cannot be understood by outsiders. Empress Dowager Cixi specially issued a decree asking painters not to paint.

Qing Dynasty, gold inlaid wooden handle and gold mention furnace. In the procession of marrying the queen, the queen Fengyu used the stove as a guide. The gold furnace held by the captain is like this. The furnace body is cylindrical, with chiseled dragon patterns on the outside, and an umbrella-shaped cover. The cover is hollowed out with gossip patterns, and a phoenix button is placed on the top. There are three animal ears with rings on the abdomen, and three elephant feet below. There are three chains on the three ears, and the chains are assembled on an eight-petal fancy board. Each petal is in the shape of a wishful cloud head, with a “囍” character inside, and a phoenix button on the top. The phoenix button is looped to connect with the hook on the handle. The handle is made of red sandalwood, with finely carved “囍” character flowers and plants, inlaid with gold chiseled phoenix head and ruyi-shaped tail.

Qing, Jin Baoping. After the queen was welcomed into the palace, she waited for the auspicious time to lay down her phoenix in front of the Qianqing Palace. The queen changed the gold Ruyi and apples she held into a gold vase, which contained two pearls, two gems, two coins, two silver coins, and gold. Two handles of Ruyi, two handles of silver, two gold ingots, two silver ingots, two sets of eight gold treasures, two sets of eight silver treasures, and a handful of gold and silver rice, symbolizing possession of all gold and silver treasures in the world. The queen embraces the golden vase and steps into the Qianqing Palace.

During the reign of Emperor Guangxu of the Qing Dynasty, the emperor and the queen wore auspicious clothes in bright yellow silk embroidered with the characters “囍”, colorful clouds, bats, golden dragon patterns and female cotton dragon robes during the wedding ceremony. Jifu is a garment worn on occasions such as royal celebrations and festivals, including Jifu robes and Jifu gowns. Jifu robes are often referred to as dragon robes. The shape of the queen’s robe is a straight robe with a round collar, a large right lapel, horse hoof sleeves (with middle sleeves), and left and right hems. This robe is bright yellow in color and decorated with nine dragons all over the body, one on the chest, one on the back and one on each shoulder, two on the front and two on the hem, and one on the front. The entire robe is decorated with coral beads the size of rice grains, and the red word “囍” is embroidered with the rice bead technique to set off the festive atmosphere of the wedding….

Qing Guangxu, stone blue satin embroidered with eight groups of happy birthday word colorful cloud dragon dragon jacket clip. This is the dragon gown worn by the Empress of the Hebei ceremony, with a round neck, double breasts, flat sleeves, and a hem that opens at the back. This gown uses two to four-color halo method to embroider the word “卍” with eight groups of colorful clouds and white dragons, sea water, river cliffs and miscellaneous treasures, etc. patterns. The gown is lined with a moon-white auspicious cloud and tuanlong woven gold satin lining with the character “Shou”, and the cuffs are inlaid with a stone blue “Swastika” woven gold satin edge. The collar is decorated with a gilt-bronze chiseled buckle, and the rest is decorated with four stone-blue gold-woven satin loops.

In the Qing Dynasty, gold-plated copper with silk dots and emeralds inlaid with pearls and stones and phoenix tin. Manchu women can wear tanzi, a kind of hat ornament, when wearing auspicious clothes. This mother-of-pearl is made of rattan pieces as a frame, and is wrapped and braided with cyan silk threads to form a mesh. The upper part is circled with dotted jade and hollowed out with an ancient money pattern on the head and face, and the lower part is lined with red velvet. The front and sides of the necklace are decorated with six golden phoenixes, the tail is decorated with five golden phoenixes, and the bottom is decorated with seven golden birds. Each of them holds various strings of jewels and stone necklaces in its mouth.

Qing, silver inlaid coral collar. The collar, also known as the collar, is used to restrain the collar around the neck, and it was a dress item for empresses and concubines in the Qing Dynasty. This collar is approximately ring-shaped and has a live opening and closing type. There are three rings in total, two of which are made of silver and gold, carved with cloud and bat patterns and the characters “囍” and “寿”. Inlaid with rubies and tourmalines. Two ribbons are tied at the living mouth, and each belt is worn with red coral….

Qing Dynasty, Dongzhu Chaozhu. Emperors and empresses of the Qing Dynasty wore court beads when they wore court clothes or auspicious clothes. Each plate of Chao beads is made of 108 round beads, and every 27 beads are added with a large round bead of different materials, called “Buddha head”. One of the Buddha’s heads is connected to a gourd-shaped “Buddha” with a “back cloud” hanging down behind it. There are three strings of 10 small beads on both sides of the chao bead, which are called “memory”. The materials of Chao Zhu are East beads, coral, beeswax, jade, agate, crystal, amber, tourmaline, lapis lazuli, turquoise, etc. They are used according to different status, grade and occasion. Dongzhu is produced from the Songhua River in Northeast China, the birthplace of the Manchu people. Dongzhu Chaozhu can only be worn by the emperor, empress dowager and empress…

It is said that old tea is rich and mellow, and the longer it gets, the more fragrant it becomes. Have you ever seen “old tea” that is thousands of years old?

Many ancient teas are on display in the Meridian Gate Exhibition Hall of the “Tea World – Tea Culture Special Exhibition” that will be introduced to you soon. From the tea remains from the tombs of the Warring States Period in Shandong more than 2,400 years ago, to the physical tea leaves of the Han and Song dynasties, to the tribute teas of the Qing Dynasty with different origins and varieties, we have witnessed the development and evolution of the theory and practice of Chinese tea culture.

The tea ceremony has lasted for thousands of years, and the Buddhist tradition has always been the Buddhist tradition. For this exhibition, we specially invited Mr. Geng Baochang, deputy chairman of the Cultural Relics Appraisal Committee of the State Administration of Cultural Heritage, a famous expert and a centenarian, to inscribe the exhibition “Tea Ceremony Shanghe”. Chinese people combine their thinking about life, family, country, nature, and the universe with their daily life practices to form the spiritual core of tea culture. Just like old tea, it is timeless and new.

Eastern Han Dynasty, lintel stone portrait. Chinese people have romantic feelings and unlimited imagination about the moon. There are countless poems, songs, myths and legends about the moon. Toads appeared in images about the moon in the Han Dynasty. Toads live longer, so the Jade Rabbit made the pills into the shape of a toad, and used the toad’s light to reach the middle of the moon. Portrait stone is a stone building material carved with images. The images mainly include real life, historical stories, myths and legends, decorative patterns, etc. This stone portrait was unearthed in Suide County, Shaanxi Province. The jade rabbit on the right side of the lower layer stands upright, holding a pestle in one hand and a mortar in the other, struggling to pound medicine.

From September 2 to November 30, “Tea·World—Tea Culture Special Exhibition” will be on display at the Meridian Gate and East and West Yanchi Tower exhibition halls of the Palace Museum. This exhibition is hosted by the Palace Museum and brings together representative collections from 30 archaeological and cultural institutions at home and abroad, with a total of 555 exhibits (groups). The exhibition is divided into four units: Tea Out of China, Tea Ceremony, Tea Road Thousands of Miles, and Tea Rhythm. With a distinctive theme and a grand scale, it three-dimensionally displays the Chinese tea civilization that crosses history, connects regions, and integrates nations. During the exhibition, a tea cultural and creative experience space was also opened in the Northeast Chonglou of Meridian Gate, allowing visitors to immerse themselves in the charm of tea culture. China Construction Bank, as the joint promoter of the exhibition, and Longfor Group, as the public welfare supporter of the exhibition, jointly assisted the exhibition activities. This exhibition is free to visit with Palace Museum tickets. Visitors must make a real-name reservation in advance through the “Forbidden City Museum” WeChat applet

Eastern Jin Dynasty, Wang Xianzhi, Mid-Autumn Festival posts. The “Mid-Autumn Tie”, which was regarded as one of the treasures of Sanxitang by Emperor Qianlong, has 22 characters in existence: “Mid-Autumn Festival will no longer be lost, and it will be returned. It is even a matter of how to win He Qing and other troops.” It is a copy of Wang Xianzhi’s chido “December Cut to Tie”, which cannot be read in sentences. Because of the word “Mid-Autumn” in the first book, it is the name of the post, and it has become a famous post related to the Mid-Autumn Festival. Some scholars believe that this post has the meaning of Mi Fu’s brushwork in Song Dynasty, and it was not written by Wang Xianzhi himself. Regardless of whether the author is Mi Fu or Wang Xianzhi, this post retains the charm of Wang Xianzhi’s original work, and the “one-stroke calligraphy” cursive technique is brought to the extreme.

Eastern Jin Dynasty, Wang Xianzhi, Ding Guanpeng of the Mid-Autumn Festival post, the autumn color equally divides the Wushao month on the picture. After Emperor Qianlong got the “Mid-Autumn Tie”, he couldn’t put it down. He not only inscribed three postscripts successively from February to August in Qianlong Bingyin (1746), but also ordered the court painter Ding Guanpeng to paint at the end of the scroll. In the picture above the moon, Wang Xianzhi is under the sycamore tree, looking up at the full moon in the Mid-Autumn Festival, as if he wants to write a book. To a certain extent, this picture reproduces the scene of Wang Xianzhi’s “Mid-Autumn Post” in the form of painting. It can be seen that Emperor Qianlong hoped to express his admiration for Wang Xianzhi and his love for “Mid-Autumn Post” by means of accompanying pictures.

Tang, a bronze moon palace pattern mirror. Chang’e Flying to the Moon is a beautiful and sad fairy tale. It is beautiful because the osmanthus trees are whirling, the moon is bright, and the fairy Chang’e is dancing gracefully, forming a romantic picture; it is sad because the Guanghan Palace is cold and lonely, which always arouses people’s laments and sentiments, “Chang’e should regret stealing.” The elixir, Bihaiqingtian, heart every night.” This moon palace pattern mirror is centered on the osmanthus tree, under the tree is a toad,

Song, bronze Changchun mirror. The outer edge of the bronze mirror is octagonal. From the outside to the inside, there are eight trigrams, seven stars, mirror inscriptions and the scene of a jade rabbit pounding medicine in front of Guanghan Palace. The Bagua is the innate Fuxi direction, and the Qian Gua is in the southeast. The seven stars and the eight trigrams are scattered and separated, and the inscription on the mirror reads: “Seven stars shine brightly through the three worlds, and a spiritual light shines for thousands of years. Changchun mirror.” Judging from the inscription and pattern on the mirror, this is a bronze mirror related to Taoism related….

Images and visuals are from – Forbidden City –Palace Museum Beijing- China –People’s Republic of China…..