#北京。 #中國 #China #Beijing | #紫禁城 #ForbiddenCity #September2023 | #ForbiddenCityDairies -The Palace Museum #ForbiddenCity Collections of Chinese intangible cultural heritage.  Collection 21st August – Sixth September 2023.

On July 19th 2023 , the multilingual website of the Forbidden City Palace Museum- Beijing, China, People’s Republic of Chinawas officially released at the Digital Cultural Tourism Development Forum of the 2023 China Internet Civilization Conference! The website covers five languages: English, French, Russian, Japanese, and Spanish, and will meet the needs of audiences with different languages.

 The multilingual website of the Palace Museum is committed to establishing an international website that is concise, clear, easy to use for overseas audiences, and fits the construction of the modern civilization of the Chinese nation, including tour guides, information, panoramic tours, online exhibitions, collection appreciation, cultural topics, etc. Rich immersive content describing of the most detail collection that housed within the Forbidden city collection… . 

Let’s read the calendar together….  Guangxu of the Qing Dynasty, red silk embroidered colourful clouds, bats, gold dragon and phoenix pattern hijab. When the emperor of the Qing Dynasty got married, the queen also covered her face with a hijab just like in folk weddings. This hijab has a square shape and is made of red river silk. The word “囍” is embroidered with gold thread in the center, and patterns of bats and “卍” are embroidered on the word “囍”, which means long blessings. Golden dragon and phoenix patterns are embroidered around the word “囍”, and the word “longevity” is embroidered in gold around it. , golden “囍” character, clouds, bats, gourds, etc. Four groups of tassels in red, green, and yellow colours hang from the four corners.

去我们一起来读计划  In the Qing Dynasty, gold-plated copper with silk dots and emeralds inlaid with pearls and stones and phoenix tin. When the queens of the Qing Dynasty wore auspicious clothes, they could wear phoenix tin on their heads. Tianzi is a unique headdress for Manchu women. Its shape is high at the front and low at the back, with a dome at the top and a wide bottom. According to the number and style of decorated tin flowers, tin can be divided into half tin, full tin and phoenix tin, each of which has different usage occasions. This tin is lined with red velvet, emerald emerald dragon, phoenix, “囍”, etc., in line with the theme of the wedding…

七夕  is a festival for girls, and the ancients would hold a wealth of “begging for cleverness” activities. In addition to the well-known “threading a needle and begging for cleverness”, the custom of “worshiping the Milky Way” (also known as “worshiping double stars”) was also popular in the Ming and Qing Dynasties. A group of young women and girls make an appointment in advance at which house to worship on Qixi Festival. Most of them choose a house with a beautiful courtyard or a garden to be the host, and everyone shares the purchase of sacrifices. Everyone fasts and bathes the day before to get ready. At that time, everyone will dress up and go to the organizer’s home to take turns burning incense and worshiping. Seasonal fruits such as “flower melons” carved from watermelons and peaches are displayed on the altar. Some even put cosmetics such as rouge and fragrant powder on the altar for the Weaver Girl to enjoy. What they pray for is nothing more than to be beautiful and marry a good man; or to have a happy family and harmonious husband and wife. After the worship is over, the incense powder dedicated to Zhinu will be divided into two halves, and half will be thrown on the house for Zhinu to enjoy, and the other half will be kept for herself. They believe that they can maintain their youthful beauty by using the cosmetics shared with Zhinu.

去我们一起来读计划  Qing, Qingkuan, etc., the big wedding picture of the Queen Fengyu entering the palace. The seventh volume of Emperor Guangxu’s “Wedding Pictures”, “The Picture of Empress Fengyu Entering the Palace,” depicts the process of the wedding procession starting from the Queen’s residence to the Qianqing Palace. It includes seventeen pages of images and nine pages of illustrations. The following set of pictures are taken from this volume. . Emperors of the Qing Dynasty all married at night. During the wedding of Emperor Guangxu, Queen Fengyu “started from the eaves of the main hall of the Di Di at the third quarter of the first lunar month, arrived at East Chang’an Street at the first quarter of the first lunar month, and arrived at the East Chang’an archway at the second quarter of the first lunar month. In the second quarter of Yinchu, five minutes to Qianqing Gate, and in Yinzheng three quarters, five minutes to the eaves of Qianqing Palace.” In this picture, the Yuzhan, Longqi, Huanggai, Honglu Temple Preface, Mingzan Officer, Chief and Deputy Envoys, Ceting, and Baoting in front of the team have all passed through Duanmen and walked outside the Meridian Gate. The horses are separated Stop in front of the East and West Yanchi Towers.

Qing Dynasty, Qing Kuan, etc., the Empress Fengyu entering the palace of the big wedding picture. When Emperor Guangxu got married, the welcoming team went from the middle gates of Meridian Gate and Taihe Gate to the middle left gate, rear left gate and Qianqing gate. North Korean officials and others stopped here. According to the auspicious time predicted by Qin Tianjian, Empress Fengyu will arrive at Qianqing Gate at the second quarter of Yinchu (around 3:35 a.m.), and the eunuch of the Ministry of Internal Affairs will pick her up and carry Fengyu into Qianqing Gate. Empress Yu Yinzheng could only get out of the sedan chair at three quarters and five minutes (about 4:50 in the morning). With the help of four respectful maids, she stepped over the brazier in the Qianqing Palace, walked out from the back fan, and returned to the palace where she will live in the future to rest. , In the evening, go to Kunning Palace to perform the wedding ceremony. From the moment the queen gets off the sedan chair, these inner court etiquette cannot be understood by outsiders. Empress Dowager Cixi specially issued a decree asking painters not to paint.

Qing Dynasty, gold inlaid wooden handle and gold mention furnace. In the procession of marrying the queen, the queen Fengyu used the stove as a guide. The gold furnace held by the captain is like this. The furnace body is cylindrical, with chiseled dragon patterns on the outside, and an umbrella-shaped cover. The cover is hollowed out with gossip patterns, and a phoenix button is placed on the top. There are three animal ears with rings on the abdomen, and three elephant feet below. There are three chains on the three ears, and the chains are assembled on an eight-petal fancy board. Each petal is in the shape of a wishful cloud head, with a “囍” character inside, and a phoenix button on the top. The phoenix button is looped to connect with the hook on the handle. The handle is made of red sandalwood, with finely carved “囍” character flowers and plants, inlaid with gold chiseled phoenix head and ruyi-shaped tail.

Qing, Jin Baoping. After the queen was welcomed into the palace, she waited for the auspicious time to lay down her phoenix in front of the Qianqing Palace. The queen changed the gold Ruyi and apples she held into a gold vase, which contained two pearls, two gems, two coins, two silver coins, and gold. Two handles of Ruyi, two handles of silver, two gold ingots, two silver ingots, two sets of eight gold treasures, two sets of eight silver treasures, and a handful of gold and silver rice, symbolizing possession of all gold and silver treasures in the world. The queen embraces the golden vase and steps into the Qianqing Palace.

During the reign of Emperor Guangxu of the Qing Dynasty, the emperor and the queen wore auspicious clothes in bright yellow silk embroidered with the characters “囍”, colorful clouds, bats, golden dragon patterns and female cotton dragon robes during the wedding ceremony. Jifu is a garment worn on occasions such as royal celebrations and festivals, including Jifu robes and Jifu gowns. Jifu robes are often referred to as dragon robes. The shape of the queen’s robe is a straight robe with a round collar, a large right lapel, horse hoof sleeves (with middle sleeves), and left and right hems. This robe is bright yellow in color and decorated with nine dragons all over the body, one on the chest, one on the back and one on each shoulder, two on the front and two on the hem, and one on the front. The entire robe is decorated with coral beads the size of rice grains, and the red word “囍” is embroidered with the rice bead technique to set off the festive atmosphere of the wedding….

Qing Guangxu, stone blue satin embroidered with eight groups of happy birthday word colorful cloud dragon dragon jacket clip. This is the dragon gown worn by the Empress of the Hebei ceremony, with a round neck, double breasts, flat sleeves, and a hem that opens at the back. This gown uses two to four-color halo method to embroider the word “卍” with eight groups of colorful clouds and white dragons, sea water, river cliffs and miscellaneous treasures, etc. patterns. The gown is lined with a moon-white auspicious cloud and tuanlong woven gold satin lining with the character “Shou”, and the cuffs are inlaid with a stone blue “Swastika” woven gold satin edge. The collar is decorated with a gilt-bronze chiseled buckle, and the rest is decorated with four stone-blue gold-woven satin loops.

In the Qing Dynasty, gold-plated copper with silk dots and emeralds inlaid with pearls and stones and phoenix tin. Manchu women can wear tanzi, a kind of hat ornament, when wearing auspicious clothes. This mother-of-pearl is made of rattan pieces as a frame, and is wrapped and braided with cyan silk threads to form a mesh. The upper part is circled with dotted jade and hollowed out with an ancient money pattern on the head and face, and the lower part is lined with red velvet. The front and sides of the necklace are decorated with six golden phoenixes, the tail is decorated with five golden phoenixes, and the bottom is decorated with seven golden birds. Each of them holds various strings of jewels and stone necklaces in its mouth.

Qing, silver inlaid coral collar. The collar, also known as the collar, is used to restrain the collar around the neck, and it was a dress item for empresses and concubines in the Qing Dynasty. This collar is approximately ring-shaped and has a live opening and closing type. There are three rings in total, two of which are made of silver and gold, carved with cloud and bat patterns and the characters “囍” and “寿”. Inlaid with rubies and tourmalines. Two ribbons are tied at the living mouth, and each belt is worn with red coral….

Qing Dynasty, Dongzhu Chaozhu. Emperors and empresses of the Qing Dynasty wore court beads when they wore court clothes or auspicious clothes. Each plate of Chao beads is made of 108 round beads, and every 27 beads are added with a large round bead of different materials, called “Buddha head”. One of the Buddha’s heads is connected to a gourd-shaped “Buddha” with a “back cloud” hanging down behind it. There are three strings of 10 small beads on both sides of the chao bead, which are called “memory”. The materials of Chao Zhu are East beads, coral, beeswax, jade, agate, crystal, amber, tourmaline, lapis lazuli, turquoise, etc. They are used according to different status, grade and occasion. Dongzhu is produced from the Songhua River in Northeast China, the birthplace of the Manchu people. Dongzhu Chaozhu can only be worn by the emperor, empress dowager and empress…

It is said that old tea is rich and mellow, and the longer it gets, the more fragrant it becomes. Have you ever seen “old tea” that is thousands of years old?

Many ancient teas are on display in the Meridian Gate Exhibition Hall of the “Tea World – Tea Culture Special Exhibition” that will be introduced to you soon. From the tea remains from the tombs of the Warring States Period in Shandong more than 2,400 years ago, to the physical tea leaves of the Han and Song dynasties, to the tribute teas of the Qing Dynasty with different origins and varieties, we have witnessed the development and evolution of the theory and practice of Chinese tea culture.

The tea ceremony has lasted for thousands of years, and the Buddhist tradition has always been the Buddhist tradition. For this exhibition, we specially invited Mr. Geng Baochang, deputy chairman of the Cultural Relics Appraisal Committee of the State Administration of Cultural Heritage, a famous expert and a centenarian, to inscribe the exhibition “Tea Ceremony Shanghe”. Chinese people combine their thinking about life, family, country, nature, and the universe with their daily life practices to form the spiritual core of tea culture. Just like old tea, it is timeless and new.

Eastern Han Dynasty, lintel stone portrait. Chinese people have romantic feelings and unlimited imagination about the moon. There are countless poems, songs, myths and legends about the moon. Toads appeared in images about the moon in the Han Dynasty. Toads live longer, so the Jade Rabbit made the pills into the shape of a toad, and used the toad’s light to reach the middle of the moon. Portrait stone is a stone building material carved with images. The images mainly include real life, historical stories, myths and legends, decorative patterns, etc. This stone portrait was unearthed in Suide County, Shaanxi Province. The jade rabbit on the right side of the lower layer stands upright, holding a pestle in one hand and a mortar in the other, struggling to pound medicine.

From September 2 to November 30, “Tea·World—Tea Culture Special Exhibition” will be on display at the Meridian Gate and East and West Yanchi Tower exhibition halls of the Palace Museum. This exhibition is hosted by the Palace Museum and brings together representative collections from 30 archaeological and cultural institutions at home and abroad, with a total of 555 exhibits (groups). The exhibition is divided into four units: Tea Out of China, Tea Ceremony, Tea Road Thousands of Miles, and Tea Rhythm. With a distinctive theme and a grand scale, it three-dimensionally displays the Chinese tea civilization that crosses history, connects regions, and integrates nations. During the exhibition, a tea cultural and creative experience space was also opened in the Northeast Chonglou of Meridian Gate, allowing visitors to immerse themselves in the charm of tea culture. China Construction Bank, as the joint promoter of the exhibition, and Longfor Group, as the public welfare supporter of the exhibition, jointly assisted the exhibition activities. This exhibition is free to visit with Palace Museum tickets. Visitors must make a real-name reservation in advance through the “Forbidden City Museum” WeChat applet

Eastern Jin Dynasty, Wang Xianzhi, Mid-Autumn Festival posts. The “Mid-Autumn Tie”, which was regarded as one of the treasures of Sanxitang by Emperor Qianlong, has 22 characters in existence: “Mid-Autumn Festival will no longer be lost, and it will be returned. It is even a matter of how to win He Qing and other troops.” It is a copy of Wang Xianzhi’s chido “December Cut to Tie”, which cannot be read in sentences. Because of the word “Mid-Autumn” in the first book, it is the name of the post, and it has become a famous post related to the Mid-Autumn Festival. Some scholars believe that this post has the meaning of Mi Fu’s brushwork in Song Dynasty, and it was not written by Wang Xianzhi himself. Regardless of whether the author is Mi Fu or Wang Xianzhi, this post retains the charm of Wang Xianzhi’s original work, and the “one-stroke calligraphy” cursive technique is brought to the extreme.

Eastern Jin Dynasty, Wang Xianzhi, Ding Guanpeng of the Mid-Autumn Festival post, the autumn color equally divides the Wushao month on the picture. After Emperor Qianlong got the “Mid-Autumn Tie”, he couldn’t put it down. He not only inscribed three postscripts successively from February to August in Qianlong Bingyin (1746), but also ordered the court painter Ding Guanpeng to paint at the end of the scroll. In the picture above the moon, Wang Xianzhi is under the sycamore tree, looking up at the full moon in the Mid-Autumn Festival, as if he wants to write a book. To a certain extent, this picture reproduces the scene of Wang Xianzhi’s “Mid-Autumn Post” in the form of painting. It can be seen that Emperor Qianlong hoped to express his admiration for Wang Xianzhi and his love for “Mid-Autumn Post” by means of accompanying pictures.

Tang, a bronze moon palace pattern mirror. Chang’e Flying to the Moon is a beautiful and sad fairy tale. It is beautiful because the osmanthus trees are whirling, the moon is bright, and the fairy Chang’e is dancing gracefully, forming a romantic picture; it is sad because the Guanghan Palace is cold and lonely, which always arouses people’s laments and sentiments, “Chang’e should regret stealing.” The elixir, Bihaiqingtian, heart every night.” This moon palace pattern mirror is centered on the osmanthus tree, under the tree is a toad,

Song, bronze Changchun mirror. The outer edge of the bronze mirror is octagonal. From the outside to the inside, there are eight trigrams, seven stars, mirror inscriptions and the scene of a jade rabbit pounding medicine in front of Guanghan Palace. The Bagua is the innate Fuxi direction, and the Qian Gua is in the southeast. The seven stars and the eight trigrams are scattered and separated, and the inscription on the mirror reads: “Seven stars shine brightly through the three worlds, and a spiritual light shines for thousands of years. Changchun mirror.” Judging from the inscription and pattern on the mirror, this is a bronze mirror related to Taoism related….

Images and visuals are from – Forbidden City –Palace Museum Beijing- China –People’s Republic of China…..

#北京。 #中國 #China #Beijing | #紫禁城 #ForbiddenCity #August2023 | #ForbiddenCityDairies -The Palace Museum #ForbiddenCity Collections of Chinese intangible cultural heritage.  Collection  7th   –  15th August 2023..

On July 19th 2023 , the multilingual website of the Forbidden City Palace Museum- Beijing, China, People’s Republic of Chinawas officially released at the Digital Cultural Tourism Development Forum of the 2023 China Internet Civilization Conference! The website covers five languages: English, French, Russian, Japanese, and Spanish, and will meet the needs of audiences with different languages.

 The multilingual website of the Palace Museum is committed to establishing an international website that is concise, clear, easy to use for overseas audiences, and fits the construction of the modern civilization of the Chinese nation, including tour guides, information, panoramic tours, online exhibitions, collection appreciation, cultural topics, etc. Rich immersive content describing of the most detail collection that housed within the Forbidden city collection… . 

When the red sun is scorching and the heat is unbearable, the refrigerator in which is an invention of China Chinese… is a necessity for modern people 消暑生冷. So, how did the ancients chill melons, fruits and drinks? This cypress refrigerator in the Palace Museum tells us the answer.

The exterior of the refrigerator is cypress wood. There is a layer of grid drawers inside the box, ice cubes are placed under the grid drawers, and food is placed on the drawer boards to play the role of freezing and keeping fresh. At the same time, the four walls inside the box are inlaid with lead skin, which can not only insulate heat, but also maintain low temperature. Two copper lifting rings are installed on both sides of the outside of the refrigerator for easy lifting. Keeping cold and portable, this “can walk at any time” cypress refrigerator is ingeniously designed and quite practical, from which it is not difficult to glimpse the wisdom of the ancients!  古人也太会吧

去我们一起来读历史 The buildings, streamers, Jing, etc. (replicas) in the emperor’s brine book. According to the records, there are Changshou Building, Zi Building, Ni Building, Yu Bao Building, Xin Ban, Jiang Yin Ban, Leopard Tail Banner, Longtou Gan Ban, Jiaoxiao Biao Festival Banner, Ming Xingbi Jiao Banner, Banners, streamers, Jing, etc. of different shapes and colors, such as Shihui Jing for Celebration, Huaiyuan Jing for Praising Merit, Zhenwu Jing, Fuwen Jing, Nayan Jing, Jinshan Jing, Jinjie, Yiqi, Huanghui, etc. Shown here are reproductions of Huanghui, Jinjie, Longtou Ganfan, Nizhu, Yizheng and Jing.

On the eighth of August 2023 Looking from afar, autumn is condensing in the depths of the clouds. Today 立秋Liqiu Tue, 8 Aug 2023 – Wed, 23 Aug 2023 The traditional Chinese calendar divides a year into 24 solar terms. Lìqiū, Risshū, Ipchu, or Lập thu is the 13th solar term. It begins when the Sun reaches the celestial longitude of 135° and ends when it reaches the longitude of 150°.

Let us read the calendar together The flag (replica) in the emperor’s brine book. There are more than 120 flags in the halogen book, including the sun, moon, cloud, thunder, wind, rain, twenty-eight mansions, five stars, five mountains, four directions, four dunes, phoenix, luan, wandering Lin, and lion taming, which is the largest number in the halogen book. A class of items.

禁禁欣芳 In the sixth month of the lunar calendar, lotus flowers are used as the order of the month. The ancients endowed the lotus with a clean and elegant character, praised its noble character of “the root is jade in the mud, and the heart bears the bead”. In addition, the lotus flower can be used as a vegetable for meat and meat, porridge for soup, nourishing and health-preserving, and making tea and medicine. It can be described as a good product for refreshing summer heat. ​​​​

Let us read the calendar together#The weapons (replicas) in the emperor’s brine book. The weapons in the Lubo ceremonial guards all had practical functions at first, and then gradually evolved into symbols of the emperor’s majesty. Shown in the picture include leopard tail spear, halberd, shu, star, standing melon, lying melon and axe.

去我们一起来读计划 Qing, Qingkuan, etc., set up a welcome picture in the album of big wedding pictures. From this picture, the Guangxu Emperor’s wedding welcome team exits the middle gate of the Taihe Gate from the Hall of Supreme Harmony, and then leaves the palace from the middle gate of the Daqing Gate to the Queen’s Mansion. After the ceremony of appointing envoys, the cabinet and the officials of the Ministry of Rites carried out the books and treasures together with the case from the Hall of Supreme Harmony, and then the deputy envoys placed the books and treasures in the Dragon Pavilion of His Majesty Dan respectively. In the picture, the chief envoy Chijie has stepped down from Dan Bi, and the deputy envoy is holding the hand of the king .

Qing, the treasure of Queen Jinlong. The gold books and gold treasures presented to the queen have become the symbol of the queen’s status. This is the “Queen’s Treasure”, made of gold, with a dragon button, attached to a yellow ribbon, and the seal is in Manchu and Chinese jade chopsticks, and the script is the same as the emperor’s imperial treasure.

Modern and modern times, the queen’s gold book. After Puyi  forcefully abdicated, according to the “Preferential Treatment Conditions of the Qing Dynasty”, he still lived a life of “little court” in the inner court of the Forbidden City, and married Wanrong as the queen according to the wedding ceremony of the Qing emperor. This is the golden book that canonized Wanrong, with a total of ten pages. It reads: “Xuantong’s fourteenth year…the daughter of Rongyuan…I hereby take Baolier as the queen…” The “little imperial court” still uses the Xuantong year name, “Xuantong fourteen years” is the eleventh year of the Republic of China (1922). This gold book is the only queen gold book in existence in the Palace Museum..

Qing, Qingkuan, etc., set up a welcome picture in the album of big wedding pictures. This picture depicts the wedding procession arriving at the residence of the queen-to-be, and the stepfather leading the children kneeling outside the gate to greet her. In the lead of the imperial battle, Huang Gai accompanied, followed by officials in charge of ceremonies, Honglu Temple Xuban officials and Mingzan officials, then envoys and deputy envoys, followed by Ceting, Baoting and Fengyu carried by 16 people. They entered the courtyard one by one, followed by the queen-to-be’s father and clan members. In the government…

Qing Dynasty Qianlong, Lengjian, Huangmen, etc., the Fengyu page of the Atlas of Imperial Ritual Vessels. In the Qing Dynasty, the emperor used a phoenix to marry the queen’s wedding sedan chair. The body of the Fengyu sedan chair is made of wood, painted with bright yellow lacquer. The dome is double-layered, and each octagon is decorated with a golden phoenix. The hanging eaves are bright yellow satin, painted with golden phoenix. The four curtains are painted with blue stones and golden phoenixes. The interior is painted with red lacquer, the sedan chair is bright yellow satin with golden phoenix painted on it, and the sedan chair cushion is bright yellow satin with colorful phoenix embroidered on it. The shoulder poles are topped with bronze brass and golden phoenix heads and tails. The style of the phoenix was determined in the book “Illustration of Ritual Vessels of the Dynasty” during the Qianlong period. It was used by the empress when she participated in the silkworm ceremony of offering sacrifices to the god of silkworms.

Images and visuals are from – Forbidden City –Palace Museum Beijing- China –People’s Republic of China…..

#漢服 #HanFu #HanTraditionalClothing |#尘缘 #DivineDesinty |#HowToWearHanfu #FashionLookBook #July2023 | the look of #杨颖 #YangYing #YuenWing #Angelababy #张殷殷 #ZhangYinyin the senior sister of the Xixuan sect…

“尘缘 Divine Density ” is directed by Zheng Weiwen , co-directed by Liu Chongchong , starring Angelababy and Ma Tianyu , starring Xuan Lu and Wang Zhuocheng , Ding Qiao , Xu Lin , Hu Wenzhe , Wang Ruizi , Zhang Song , Liu Xiangjing , Gao Liang , Zhang Beibei , Wang Haixiang , He Jianze , Mengqin , Li Yuyang starred, Zhang Guoqiang , Zheng Xiyi special starred, Zhu Yongteng , Li Yanan special starred, Liu Qiaofang , Hai Yitian starred in a costume drama .       The play will be broadcast on iQiyi on July 2, 2023 .

This play is adapted from the novel of the same name by Yan Yu Jiangnan, “Dust Fate”. It tells the story of Zhang Yinyin, a bright and unrestrained elder sister of the Xixuan School, who goes down the mountain and “abducts” Ji Ruochen, a counterfeit immortal who wants to cultivate immortals, and wants to take him to start cultivating immortals . However, the defense was broken because the other party snatched the top spot on the Qingyun list. The two started the story of falling in love with each other, turning into foxes for love, deep in sadomasochistic love, and finally joined hands to save the common people of the world.

Synopsis

Orphan Ji Ruochen was mistaken for the inheritor of the immortal world because he mistakenly wore a bluestone that contained immortal power, and was finally accepted as a closed disciple by Ziwei, the head of the Xixuan School. On Xixuan Mountain, after unremitting efforts, Ji Ruochen quickly took on the important task of rebuilding the world of cultivating immortals. After the Xixuan School passed the university entrance examination, Gu Qing gradually developed a crush on Ji Ruochen because of Fang Qingshi, and the two soon fell in love. This makes Zhang Yinyin, the junior sister who has always had a crush on Ji Ruochen, heartbroken. In a rage, she worships Tianhu as her teacher, and wants to learn Tianhu art to win back her love. After learning that the Lord of the Nine Nethers caused disasters to the Zhongwu Kingdom, Ji Ruochen and Zhang Yinyin were ordered by their teachers to go down the mountain to save the common people. On the way, Ji Ruochen was trapped in Luo Ranshan because of rescuing Qingyi. Fortunately, Gu Qing gave up his life to save him from danger. After this battle, his childhood sweetheart finally lost to love at first sight. Soon, Luo Feng, the owner of Qingshi, joined forces with the Lord of Jiuyou to harm Ji Ruochen in order to avenge his love. In the end, Ji Ruochen united forces from all factions, defeated Luo Feng and sealed the Lord of Nine Serenity. While benefiting the people of one side, it also brought long-term peace for Zhongwu Kingdom…

[ Zhang Yinyin ]  played by杨颖 Angela –Yang Ying Yuen Wing , the bright and flamboyant senior sister of the Xixuan sect, Disciple of Daodezong, Zhang Jingxiao’s daughter, and Ji Ruochen’s childhood sweetheart, have paid for him several times. In the end, there was a child beside Ji Ruochen.

楊穎 Angelababy (Yang Ying -Yuen Wing ), born in Shanghai on February 28, 1989 (one said it is Hong Kong  SAR, China, People’s Republic of China )  , is a Chinese film and television actress and fashion model.

In 2003, Angelababy debuted as a model. Since then, she has emerged in Hong Kong as a fashion model. In 2007, he began to shift his focus to the big screen. In 2011, she acted as the heroine for the first time in the romance film “Summer Joy ”   . In 2012, won the Most Watched Actress Award at the 13th Chinese Film Media Awards with the romance film “The First Time ” . In 2013, she and three other female artists were selected as the new “Four Little Stars “by” Southern Metropolis Entertainment Weekly ” ; in the same year, she also completed her screen debut ” The Song of Love in the Cloud “. 

In 2014, she began to win widespread attention with the reality show ” Run, Brother ” ; in the same year, she also won the Most Popular Actress Award at the 21st Beijing College Student Film Festival  for her role in the costume film ” Di Renjie: The Dragon King of God “. In 2015, the box office of the adventure film ” Ghost Blowing the Lantern: Finding the Dragon ” starring her exceeded 1.6 billion yuan, and she also won the Best Supporting Actress Award at the 33rd Popular Film Hundred Flowers Awards for this film  . In 2017, the costume drama “A Lonely Beauty Don’t Admire Itself” starring in it won the national ratings champion of TV dramas at the same time . In 2020, she starred in the romance film ” Will You Still Love Me Tomorrow ” ; in the same year, she was included in the Forbes China Celebrity List for the eighth time and ranked 16th……    

Images and visuals are from their respectives

#漢服 #HanFu #HanTraditionalClothing | #June2023 #正好遇见你 #HiProducer | Episode 10 to 13 – Chinese cultural Inheritance of an intangible cultural | The inheritance of Ru kiln porcelain in the past dynasties also classical dance restoration Han and Tang Dynasties…..

正好遇见你 #HiProducer  is an intangible cultural heritage urban drama directed by Gao Han , starring Guo Xiaodong , Zhang Nan , Li Xiaoran , Zhang Bo , Zheng Kai , Sun Yihan , Niu Zifan , Sheng Langxi , and Wu Qianyu  .

The series tells the story of a variety show team with literary director Yu Zazao and young cultural relics expert Tao Tang as the core, working together to launch a cultural TV program in order to show the beauty of Chinese civilization. The series covers 35 episodes in which is produce by Huanyu Film and Television in collaboration streaming with iQyi and Tencent Video ….. Majority of the Production is done in Suzhou for its modern setting among with the Chinese Cultural Traditional Heritages recreation is done at Hengdian, Subo studios…

Behind the Scenes of the production shooting process….  During the filming, the crew was allowed to enter the Suzhou Museum for on-site shooting, but in order to protect cultural relics, most of the cultural relics appearing in the play are imitation props. In the early stage of filming, the drama team found historians of relevant cultural relics, searched a large number of documents to repeatedly compare the status and details of real cultural relics, and invited professional relics masters to copy them, so as to achieve the effect of false ones. The biggest one is the filigree inlay technology, which represents the highest level of imperial crafts. When making the Jin Ou Yonggu Cup props in the filigree inlay unit, the drama crew carried out a one-to-one replica in strict accordance with historical data, which took a full two months…

Main Cast

Guo Xiao Dong as Liao Muyun

Zhang Nan as Yu Zaizao

Li Xiao Ran as Wang Xining

Jaco Zhang Bo as Tao Tang

Zheng Kai as Gu Shiyong

Annie Sun Yi Han as Yuan Jiaying

Niu Zi Fan as Xie Yao

Joy Sheng Lang Xi as Shu Rong

Karena Ng as Zhuang Yiyi

Li De Long as A Xun

Synopsis Gu Shiyong, CEO of Palace Culture Film and Television Production Company, is determined to create a new large-scale cultural variety show “Inheritance”. He strongly invites Tao Tang, a young cultural relic expert, Mu Zongyun, a well-known director, and Wang Xining, a senior host. However, just when the program was ready to start, the young female director Yu Zazao suddenly parachuted into the company and joined the program group, disrupting the overall plan of the program and being strongly rejected by everyone. Surprisingly, Yu Zazao is calm and witty, dares to break the rules, and has inexhaustible inspiration like a genius. With her help, the originally scattered production team became unprecedentedly cohesive. Everyone worked together, starting from the historical relics of the Forbidden City, devoted themselves to excavating the core memory of the nation, promoting historical and traditional culture, and solving the problem of non-genetic inheritance. In the end, “Inheritance” stood out from many homogeneous programs and became a great success. Yu Zazao also successfully healed his soul and gained a complete friendship and career..

Episode 10

Zazao decided to make museum porcelain for the fifth issue. Yuan Jiaying assisted Tao Tang to shoot the inheritance of porcelain in the past dynasties and the daily work of ancient porcelain restorers with the theme of Tang Sancai. Yu Zazao led Team B to the home of Yang Wan, a famous antique porcelain artist. Yang Wan was silent and immersed in her own art world. Her husband Xiao Hong took good care of his wife and knew every piece of his wife’s works like the back of his hand. Yu Zazao accidentally discovers a mysterious attic in the Yang family, but Xiao Hong stops him when he tries to open the door. Fortunately, Tao Tang shows up in time to explain to Yu Zazao, and Xiao Hong agrees to continue filming. Yu Zaizao pointed out that there is a huge difference in the style of Yang Wan’s works. Xiao Hong told Yu Zaizao that Yang Wan has a twin sister, Yang Xuan. Both sisters are very good at making porcelain, but their styles are very different. Ru kiln is shiny and pure, while the Jun kiln made by sister Yang Wan is luxurious and elegant. However, her younger sister Yang Xuan died unexpectedly, and Yang Wan suffered a very heavy blow. In order to commemorate her sister, Yang Wan turned to study Ru kiln.

Episode 11

On the other hand, Wen Zhou, the host invited by the program group, was intercepted, causing Yuan Jiaying, who was going to film Tang Sancai porcelain, to open the skylight. Yu Zaizao said that even if Wang Xining was injured, she could still shoot perfectly. Wang Xining was injured on her right face and leg, so she asked her to sit quietly, and told the story of Emperor Cheng Hua, Zhu Jianshen and the Chicken Crock Cup in one scene. The email of the restored photo was sent, and the photos of Hang Sharong were displayed inch by inch on the computer. Yu Zazao looked at the group photo of Hang Sharong and the sisters of the Yang family, and fell into deep thought. Yuan Jiaying thought that the latest issue of porcelain was well received, and proposed to make a sequel, which was opposed by everyone. Seeing the ancient murals and photos of pottery figurines brought by Tao Tang, Yu Zazao decided to overthrow Yuan’s idea and turn to classical dance restoration. Tao Tang introduced the Guofeng Song and Dance Troupe, which is working with Su Bo to restore the classical dance of the Han and Tang Dynasties, and Lu Feiyu, the chief dancer of the dance troupe, agreed to be interviewed. But when she saw the fish in the water, she suddenly changed her mind and told everyone that she would never cooperate with someone who had no sense of responsibility. At this time, everyone knew that Yu Zazao and Lu Feiyu had studied under the same famous dancer Feng Yunying.

Episode 12

Yu Zaizao suddenly disappeared, and everyone thought she was devastated. The show was in danger of being opened up, so Yuan Jiaying asked her to film it first. Just when the show was at an impasse, Feng Yunying, who was supposed to be gathering in Dunhuang, returned unexpectedly, and Lu Feiyu was both surprised and delighted. Feng Yunying told the truth to Lu Feiyu. It turned out that Lu Feiyu and Yu Zazao were the most important things to her back then. However, Yu Zazao’s insensitivity to the emotions around her affected her shaping of dance drama characters, and she would never be able to become a qualified dance artist. . In order to train Lu Feiyu wholeheartedly, and to allow Yu Zazao to open her heart and gain emotional experience, she encourages Yu Zazao to accept the “pursuit” of psychologist Ye Fujun. This move greatly stimulated Lu Feiyu, who also admired Dr. Ye, and caused the dance troupe to fall apart. In order to further make Lu Feiyu feel the pain, Feng Yunying gave corner A to Yu Zazao and asked Lu Feiyu to jump corner B. This incident was known to Fei Yu’s male partner Xie Hui. In order to teach Yu Zazao a lesson, he intentionally made an accident when throwing Yu Zazao high during training, causing Yu Zazao to fall directly to the ground and fracture his tail vertebrae. After the incident, Professor Feng felt deeply guilty, and Yu Wangqing took Yu Zazao away in a fit of anger. In order to protect Lu Feiyu, Feng Yunying concealed the truth of the incident, and only said that Yu Zazao gave up dancing after being injured. Lu Feiyu thought that Yu Zazao had broken her promise to learn dance all her life, and developed hatred for her.

Episode 13

Knowing the truth, Lu Feiyu felt regretful and heartbroken, and immediately agreed to participate in the filming of the variety show. During the filming of the program group, Lu Feiyu led the students to dance the Dunhuang dance that had been choreographed, which amazed everyone. However, Lu Feiyu fell to the ground due to severe lumbar muscle strain. Fortunately, Yu Zazao had already seen the clue and invited an acupuncture expert in advance. Lu Feiyu had to rest to ease the pain in her body, which meant no time for rehearsals for her solo performance. In addition, Yu Zazao also readjusted the ending of the dance. Gu Shiyong couldn’t help feeling worried, but Yu Zazao and Lu Feiyu were full of confidence. Lu Feiyu’s solo recording was very successful. Fang Quan, the producer of “Intangible Cultural Heritage” who was waiting for Lu Feiyu’s appearance, learned that his plan had failed. Zao’s victory doll, blood pressure soared. After the performance, Lu Feiyu reached out and hugged Yu Zazao. Feng Yunying formally apologizes to Yu Zazao, but Yu Zazao doesn’t understand why the teacher is crying.

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#漢服 #HanFu #HanTraditionalClothing | #June2023 #正好遇见你 #HiProducer | Episode Three – Four – Five – Chinese cultural Inheritance of an intangible cultural- a multiple Generational Women’s emotional storyline weaving  told throughout #TangDynasty  #ChineseEmbroidery  Kesi embroidery…….

正好遇见你 #HiProducer  is an intangible cultural heritage urban drama directed by Gao Han , starring Guo Xiaodong , Zhang Nan , Li Xiaoran , Zhang Bo , Zheng Kai , Sun Yihan , Niu Zifan , Sheng Langxi , and Wu Qianyu  .

The series tells the story of a variety show team with literary director Yu Zazao and young cultural relics expert Tao Tang as the core, working together to launch a cultural TV program in order to show the beauty of Chinese civilization. The series covers 35 episodes in which is produce by Huanyu Film and Television in collaboration streaming with iQyi and Tencent Video ….. Majority of the Production is done in Suzhou for its modern setting among with the Chinese Cultural Traditional Heritages recreation is done at Hengdian, Subo studios…

Behind the Scenes of the production shooting process….  During the filming, the crew was allowed to enter the Suzhou Museum for on-site shooting, but in order to protect cultural relics, most of the cultural relics appearing in the play are imitation props. In the early stage of filming, the drama team found historians of relevant cultural relics, searched a large number of documents to repeatedly compare the status and details of real cultural relics, and invited professional relics masters to copy them, so as to achieve the effect of false ones. The biggest one is the filigree inlay technology, which represents the highest level of imperial crafts. When making the Jin Ou Yonggu Cup props in the filigree inlay unit, the drama crew carried out a one-to-one replica in strict accordance with historical data, which took a full two months…

Main Cast

Guo Xiao Dong as Liao Muyun

Zhang Nan as Yu Zaizao

Li Xiao Ran as Wang Xining

Jaco Zhang Bo as Tao Tang

Zheng Kai as Gu Shiyong

Annie Sun Yi Han as Yuan Jiaying

Niu Zi Fan as Xie Yao

Joy Sheng Lang Xi as Shu Rong

Karena Ng as Zhuang Yiyi

Li De Long as A Xun

Synopsis Gu Shiyong, CEO of Palace Culture Film and Television Production Company, is determined to create a new large-scale cultural variety show “Inheritance”. He strongly invites Tao Tang, a young cultural relic expert, Mu Zongyun, a well-known director, and Wang Xining, a senior host. However, just when the program was ready to start, the young female director Yu Zazao suddenly parachuted into the company and joined the program group, disrupting the overall plan of the program and being strongly rejected by everyone. Surprisingly, Yu Zazao is calm and witty, dares to break the rules, and has inexhaustible inspiration like a genius. With her help, the originally scattered production team became unprecedentedly cohesive. Everyone worked together, starting from the historical relics of the Forbidden City, devoted themselves to excavating the core memory of the nation, promoting historical and traditional culture, and solving the problem of non-genetic inheritance. In the end, “Inheritance” stood out from many homogeneous programs and became a great success. Yu Zazao also successfully healed his soul and gained a complete friendship and career..

Episode 3

On the new working day, Yuan Jiaying, a gold-medal choreographer hired by Gu Shiyong with a lot of money, made his debut. The two hadn’t started their confrontation yet, but Yu Zazao became an assistant to the choreographer, assisting Yuan’s work. Yuan Jiaying misunderstood that Yu Zazao was an ordinary assistant, and ordered her to collect basic information on Kesi, and to do errands, print and order meals. Tao Tang thought that Gu Shiyong was extremely harsh, so Gu Shiyong launched an investigation report on Yu Zazao. Yu Zazao’s mother died young, and his father who was heavily indebted and his well-off aunt Yu Wangqing fought endlessly for custody. Yu Zazao still grew up with his aunt, Gu Shiyong believed that Yu Zazao had an impure heart, Tao Tang did not agree with Gu Shiyong’s point of view. Tao Tang vaguely noticed that Yu Zazao was different from ordinary people, so he began to investigate quietly. Gu Shiyong and Yuan Jiaying have a good friendship. After receiving Gu Shiyong’s call, Yuan Jiaying dropped everything and rushed here, full of confidence in joining this time. Father Gu cared about Yu Zazao’s daily life, and invited her to have dinner with Gu Shiyong and Yu Wangqing. Gu Shiyong suggested that Yu Zazao should file a complaint with Gu’s father, or resign from the company altogether. Unexpectedly, Yu Zazao rebelled against the army, but Gu Shiyong agreed on the spot to let Yu Zazao become the director of Group B. Gu’s father misunderstood that the two got along well, and Gu Shiyong became more disgusted, and even left him on the road halfway.

Episode 4

Knowing that Yu Zaizao wanted to win, Tao Tang cleverly used Kesi works to make Lin Shangying open up the chatterbox and tell the life secrets of the five generations of women in the Lin family. Lin Shangying’s great-grandmother, Lin Zhangxiu, was born in the Guangxu period. Her “Kaixiu color-mixing method” brought Kesi works to life. Lin Zhangxiu, who never married in her life, adopted a little girl, Lin Shangying’s grandmother Lin Qifeng. Sixteen-year-old Lin Qifeng is married. However, in the era of frequent wars, the husband had to leave his wife and go to the battlefield. Lin Qifeng cuts silk day after day, pinning her thoughts on her husband on every stitch and thread. The little girl next door looked at Lin Qifeng Kesi secretly, hoping that she would become her own mother, and finally got her wish. However, it was not until Lin Qifeng died that the little girl told Lin Qifeng a secret that had been hidden for decades, that is, Lin Qifeng’s husband had come to the old site to look for her after returning from the battlefield, but the little girl told Lin Qifeng Man, Lin Qifeng remarried, and this lying little girl is Lin Shangying’s mother, Lin Xuexin. Grandma Lin Qifeng didn’t blame Lin Xuexin, but passed the loom to her, hoping that one day she would be able to complete the double-sided tapestry. And Lin Shangying is not Lin Haishan’s biological mother. When going abroad in the 1980s, Haishan’s biological mother entrusted Haishan to Lin Shangying, and Lin Shangying exhausted all her efforts to train Haishan. The stories of the five generations portray a vivid picture of the times. The persistence of several women in Kesi art is moving, and their fate is also moving.

Episode 5

After the second episode of the show was broadcast, it received a lot of praise, and the popularity soared. Everyone attended the celebration banquet together, but Yu Zazao was absent. As Yu Zazao was the director of the program, Gu Shiyong did not sign her name, which completely angered Yu Zazao. Just when she was pressing Yuan Jiaying, she was stopped by Tao Tang in time. Tao Tang decided to restrain Yu Zazao’s behavior, but sought justice for her and got the right to sign. Shu Rong has a restrained personality, is used to digesting all emotions by herself, and seldom confides her heart to those around her. The shadows of her childhood and the pressure after work surrounded Shu Rong repeatedly, making her breathless. But the ex-boyfriend who once hurt Shu Rong reappeared and entangled her. Shu Rong tried to ask for help from the people around her, but she lacked the courage and was almost cornered. Fortunately, Yu Zao saw the clue. In the middle of the night, Shu Rong stays alone in the office to work overtime, but is harassed by her ex-boyfriend again. Shu Rong is terrified but doesn’t know how to resist. Fortunately, Yu Zazao appears in time to stun the assailant and save Shu Rong.

What is Kesi embroidery?

Kesi is a traditional Chinese silk tapestry-making method. Kesi tapestry first appeared more than a thousand years ago in the Tang Dynasty (AD 618-907). It is famous for its detailed pictorial designs, lightness and clarity of double-sided pattern… Kesi– a style of Chinese silk weaving skill and one of Suzhou’s rare traditional crafts- is a kind of craftwork made of genuine silk. In today’s China, Suzhou is the only place Kesi skill is preserved. Kesi employs a weaving method called “passing warp thread and cutting weft thread”(Unlike continuous weft brocade, each color in

Kesi style is woven from a separate bobbin, making the method both technically demanding and time-consuming), in which the surface pattern of the fabric seems like having been carved by a knife, and then earns its name a “Kesi”.  Kesi is admired for its selected materials, gorgeous colors, and matchless workmanship. The tapestry is extremely detailed and exquisite, the pictorial designs of which are finely graded, taking on a three-dimensional appearance. Moreover, the pattern on Kesi fabric is identical when seen from its front and its back, making it a top art on par with Suzhou double-sided embroidery. At the same time, Kesi textile is able to withstand touch, scrape, and rub, far superior to other silk products in China. Kesi products are diversified, ranging from clothes, shoes and hats, ribbon bands and quilt covers in daily life to album of paintings and calligraphy, vertical hanging scrolls, traditional paintings hanging in the middle of the main hall, etc.

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