正好遇见你 #HiProducer is an intangible cultural heritage urban drama directed by Gao Han , starring Guo Xiaodong , Zhang Nan , Li Xiaoran , Zhang Bo , Zheng Kai , Sun Yihan , Niu Zifan , Sheng Langxi , and Wu Qianyu .
The series tells the story of a variety show team with literary director Yu Zazao and young cultural relics expert Tao Tang as the core, working together to launch a cultural TV program in order to show the beauty of Chinese civilization. The series covers 35 episodes in which is produce by Huanyu Film and Television in collaboration streaming with iQyi and Tencent Video ….. Majority of the Production is done in Suzhou for its modern setting among with the Chinese Cultural Traditional Heritages recreation is done at Hengdian, Subo studios…
Behind the Scenes of the production shooting process…. During the filming, the crew was allowed to enter the Suzhou Museum for on-site shooting, but in order to protect cultural relics, most of the cultural relics appearing in the play are imitation props. In the early stage of filming, the drama team found historians of relevant cultural relics, searched a large number of documents to repeatedly compare the status and details of real cultural relics, and invited professional relics masters to copy them, so as to achieve the effect of false ones. The biggest one is the filigree inlay technology, which represents the highest level of imperial crafts. When making the Jin Ou Yonggu Cup props in the filigree inlay unit, the drama crew carried out a one-to-one replica in strict accordance with historical data, which took a full two months…
Guo Xiao Dong as Liao Muyun
Zhang Nan as Yu Zaizao
Li Xiao Ran as Wang Xining
Jaco Zhang Bo as Tao Tang
Zheng Kai as Gu Shiyong
Annie Sun Yi Han as Yuan Jiaying
Niu Zi Fan as Xie Yao
Joy Sheng Lang Xi as Shu Rong
Karena Ng as Zhuang Yiyi
Li De Long as A Xun
Synopsis Gu Shiyong, CEO of Palace Culture Film and Television Production Company, is determined to create a new large-scale cultural variety show “Inheritance”. He strongly invites Tao Tang, a young cultural relic expert, Mu Zongyun, a well-known director, and Wang Xining, a senior host. However, just when the program was ready to start, the young female director Yu Zazao suddenly parachuted into the company and joined the program group, disrupting the overall plan of the program and being strongly rejected by everyone. Surprisingly, Yu Zazao is calm and witty, dares to break the rules, and has inexhaustible inspiration like a genius. With her help, the originally scattered production team became unprecedentedly cohesive. Everyone worked together, starting from the historical relics of the Forbidden City, devoted themselves to excavating the core memory of the nation, promoting historical and traditional culture, and solving the problem of non-genetic inheritance. In the end, “Inheritance” stood out from many homogeneous programs and became a great success. Yu Zazao also successfully healed his soul and gained a complete friendship and career..
Yu Zaizao tried to propose to the company to make Qing Dynasty court women’s clothing, but Yuan Jiaying took the lead unexpectedly. Under the recommendation of Wang Xining, Yuan Jiaying found a master chef of Shanghai cheongsam with exquisite craftsmanship, and made a series of perfect arrangements from the evolution of qipao to cheongsam. In the museum, Tao Tang and Yuan Jiaying had a conflict of ideas. Tao Tang found that the exhibits in the exhibition hall were not only Qing Dynasty costumes. He proposed to make a special edition of Ming and Qing costumes to let the audience understand Chinese women’s costumes more comprehensively. Yuan Jiaying thought that The gowns of concubines of the Qing Dynasty are the most well-known to the public and are more conducive to overseas distribution. It is difficult for the two to agree. On the other side of the shooting scene of Group B, the cheongsam master Liu Shifu was not good at speaking, and the shooting was once deadlocked. Unable to dig out valuable stories from him, Yu Zazao ran into difficulties for the first time. In order to ensure the hit rate, Yuan Jiaying made up a shooting plan and prepared to fabricate a dramatic story to create highlights, but Yu Zazao flatly rejected it. After Yu Zaizao refused to shoot, Yuan Jiaying took the lead alone and took charge of directing two groups of shoots at the same time. But Master Liu was unwilling to tell the fabricated story according to Yuan Jiaying’s script.
Yuan Jiaying turned to seek Wang Xining’s help. After hard work, the two finally discovered the emotional story behind Master Liu. Yu Zazao was about to lose, but he had a flash of inspiration under Tao Tang’s deliberate suggestion. Gu Shiyong saw the magnificent stage prepared by Yu Zazao, but he didn’t know what kind of medicine she was selling in her gourd. He was afraid of investing in bamboo baskets to fetch water, so he became anxious for a while. Yu Zaizao decided to ask Shu Rong to help, with the theme of Chinese women’s clothing, to reproduce the evolution of Chinese women’s makeup and clothing in the past dynasties. The women in costumes of different dynasties are graceful and charming, with elegant steps, as if they have stepped out of ancient paintings. With the help of Tao Tang, the mighty Zhonghua Yiguanxiu surpassed the sensational emotional story in one fell swoop, winning applause from all the halls and making Yuan Jiaying lose face. At the cheongsam display scene, Yu Zazao put on a cheongsam and looked more and more graceful. This scene deeply moved Gu Shiyong. Yuan Jiaying had the idea of resigning because of her loss to Yu Zazao, Gu Shiyong persuaded her to stay, and Yuan Jiaying stayed for the sake of the overall situation. A program called “Intangible Cultural Relics” was born out of nowhere. The location and content of the program were very similar to “Inheritance”. Everyone couldn’t help worrying about the fate of “Inheritance”.
Hearing that Master Li declined the interview, everyone was extremely annoyed. Yu Zaizao proposed a replacement plan and interviewed another jade carving master, but Wang Xining refused. The two disagreed, and Wang Xining was not happy. Gu Shiyong was very dissatisfied with Yu Zazao’s behavior of offending Wang Xining, but Yu Zazao didn’t care about Gu’s preaching at all, and went to Wang Xining to reconcile with a smile on his face. Wang Xining was ridiculed by the popular host Wan Sihua and the opposite producer Fang Quan, but he still kept his expression unchanged and insisted on staying for the filming. In the middle of the night, the entire film crew worked overtime to discuss, and Yuan Jiaying, who got the news, came to help. Yuan Jiaying arranged an interview plan for another jade carving master, Master Wang, and asked everyone to go to the studio to shoot the next morning, and she herself will go directly to Yunnan to find Master Wang who is on a business trip to complete the personal interview part. Yu Zaizao bluntly said that such a shooting plan could not win, Yuan Jiaying chased Yu Zaizao, and the two accidentally saw Wang Xining silently meeting with her biological son in the corridor. Seeing this scene, Yuan Jiaying reminded Yu Zazao to keep a safe distance from his colleagues, and Yu Zazao didn’t take it seriously at all.
Yu Zaoli invites Tao Tang to act in a play, although Tao Tang is reluctant but still bites the bullet and makes a guest appearance. The tense Tao Tang forgot his words one after another, and the atmosphere at the scene was tense. With the encouragement of the director and the support of Yu Zaozao, Tao Tang is getting better. In the end, Yu Zaizao successfully reproduced the legend of Baoyu in the Ming and Qing dynasties, which surprised Gu Shiyong, and Tao Tang’s acting skills also won unanimous praise from everyone. The new issue of “Inheritance” was successfully launched and received great acclaim. Fang Quan, the producer of “Intangible Cultural Heritage”, vowed to make Gu Shiyong’s team look good. Tao Tang took the opportunity to teach Yu Zaizao that he should respect the hard work and hard work of every ordinary person in the crew, and live in harmony with Yuan Jiaying. Wang Xining was almost involved in a traffic accident, and his face and legs were injured to varying degrees. Everyone from the program team came to the hospital to visit, but found a familiar figure from behind, which turned out to be Mu Zongyun holding flowers. Director Mu was embarrassed and refused to admit himself Worrying about Wang Xining was clear to everyone and couldn’t help laughing. Everyone thought Wang Xining’s car accident was an accident, only Yu Zazao firmly believed that it was related to the divorce case.
QIPAO 旗袍 Cheongsam …. In which from historically Shenyang is the birth place of the Qing Dynasty 1636-1912plus …. In which Qipao is termed for Qing Dynasty Clothing that the Manchu ethnic adoptively wore…… in which the Shenyang Palace Museum was an imperial palace towards two Qing Dynasty emperors. Previously two years ago During the event it which was an eight day forums, with exhibitions also related workshops illustrating the birth place of the Old Capital of Cheongsam where the Qing Dynasty- Qipao was inspired from..
Before that Shanghai 1930’s Qipao-Cheongsam revolution, the Manchurian Cheongsam was the fashion of choice of the Qing Dynasty (1636-1912) throughout as it standardised that style during the dynasty… Replacing the previous clothing standard Han Fu – Han Dynasty clothing style, in which also is form fitting towards the women’s silhouette but with a higher degree of freedom of flare of personal, individual style…
Qipao-Cheongsam is uniquely hand crafted tailored Chinese dress to the customer’s various measurements… in which you can still have them brought of the rack in which is accustomed to the standard measurements… in which you can tell which is western influenced with the back zipped in which the Eastern traditional Chinese Tailors would have the side zipped of the Qipao dress due it interrupts the flow of the pattern work at the back of the dress.. Also it creates a continuous seamless back look… after as the measurements are translated drafted onto the silk or the customer desired accustomed fabric of choice, from the measurements book with the associated look of the design elements with additional accessories the sexiness of Qipao lies subtlety.. Measuring, patterning, cutting, and button making are crucial, in where passion and art comes together in tailoring
In which traditionally Qipao- Cheongsam dresses are worn for from straight forwardly every day towards after work evening wear in without having to change to another set of wardrobe dressing only to accessories for the required occasion… … in which the Qipao dress pattern silhouette is design for the lady’s figure in which accentuating the silhouette without giving away too much of what’s underneath in retaining…. its timeless classic silhouettes in which are designed to be worn every day, from work, evening, casually towards to the weekend… with sleek simple, elegant, sexy intelligent sophistication in which are easy to be accessorised with any pieces of clothing in your current or upcoming wardrobe…
Images and Visuals are from of their respectives …