Category: jewellery

#漢服 #HanFu #HanTraditionalClothing | #June2023 #正好遇见你 #HiProducer | Episode Three – Four – Five – Chinese cultural Inheritance of an intangible cultural- a multiple Generational Women’s emotional storyline weaving  told throughout #TangDynasty  #ChineseEmbroidery  Kesi embroidery…….

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正好遇见你 #HiProducer  is an intangible cultural heritage urban drama directed by Gao Han , starring Guo Xiaodong , Zhang Nan , Li Xiaoran , Zhang Bo , Zheng Kai , Sun Yihan , Niu Zifan , Sheng Langxi , and Wu Qianyu  .

The series tells the story of a variety show team with literary director Yu Zazao and young cultural relics expert Tao Tang as the core, working together to launch a cultural TV program in order to show the beauty of Chinese civilization. The series covers 35 episodes in which is produce by Huanyu Film and Television in collaboration streaming with iQyi and Tencent Video ….. Majority of the Production is done in Suzhou for its modern setting among with the Chinese Cultural Traditional Heritages recreation is done at Hengdian, Subo studios…

Behind the Scenes of the production shooting process….  During the filming, the crew was allowed to enter the Suzhou Museum for on-site shooting, but in order to protect cultural relics, most of the cultural relics appearing in the play are imitation props. In the early stage of filming, the drama team found historians of relevant cultural relics, searched a large number of documents to repeatedly compare the status and details of real cultural relics, and invited professional relics masters to copy them, so as to achieve the effect of false ones. The biggest one is the filigree inlay technology, which represents the highest level of imperial crafts. When making the Jin Ou Yonggu Cup props in the filigree inlay unit, the drama crew carried out a one-to-one replica in strict accordance with historical data, which took a full two months…

Main Cast

Guo Xiao Dong as Liao Muyun

Zhang Nan as Yu Zaizao

Li Xiao Ran as Wang Xining

Jaco Zhang Bo as Tao Tang

Zheng Kai as Gu Shiyong

Annie Sun Yi Han as Yuan Jiaying

Niu Zi Fan as Xie Yao

Joy Sheng Lang Xi as Shu Rong

Karena Ng as Zhuang Yiyi

Li De Long as A Xun

Synopsis Gu Shiyong, CEO of Palace Culture Film and Television Production Company, is determined to create a new large-scale cultural variety show “Inheritance”. He strongly invites Tao Tang, a young cultural relic expert, Mu Zongyun, a well-known director, and Wang Xining, a senior host. However, just when the program was ready to start, the young female director Yu Zazao suddenly parachuted into the company and joined the program group, disrupting the overall plan of the program and being strongly rejected by everyone. Surprisingly, Yu Zazao is calm and witty, dares to break the rules, and has inexhaustible inspiration like a genius. With her help, the originally scattered production team became unprecedentedly cohesive. Everyone worked together, starting from the historical relics of the Forbidden City, devoted themselves to excavating the core memory of the nation, promoting historical and traditional culture, and solving the problem of non-genetic inheritance. In the end, “Inheritance” stood out from many homogeneous programs and became a great success. Yu Zazao also successfully healed his soul and gained a complete friendship and career..

Episode 3

On the new working day, Yuan Jiaying, a gold-medal choreographer hired by Gu Shiyong with a lot of money, made his debut. The two hadn’t started their confrontation yet, but Yu Zazao became an assistant to the choreographer, assisting Yuan’s work. Yuan Jiaying misunderstood that Yu Zazao was an ordinary assistant, and ordered her to collect basic information on Kesi, and to do errands, print and order meals. Tao Tang thought that Gu Shiyong was extremely harsh, so Gu Shiyong launched an investigation report on Yu Zazao. Yu Zazao’s mother died young, and his father who was heavily indebted and his well-off aunt Yu Wangqing fought endlessly for custody. Yu Zazao still grew up with his aunt, Gu Shiyong believed that Yu Zazao had an impure heart, Tao Tang did not agree with Gu Shiyong’s point of view. Tao Tang vaguely noticed that Yu Zazao was different from ordinary people, so he began to investigate quietly. Gu Shiyong and Yuan Jiaying have a good friendship. After receiving Gu Shiyong’s call, Yuan Jiaying dropped everything and rushed here, full of confidence in joining this time. Father Gu cared about Yu Zazao’s daily life, and invited her to have dinner with Gu Shiyong and Yu Wangqing. Gu Shiyong suggested that Yu Zazao should file a complaint with Gu’s father, or resign from the company altogether. Unexpectedly, Yu Zazao rebelled against the army, but Gu Shiyong agreed on the spot to let Yu Zazao become the director of Group B. Gu’s father misunderstood that the two got along well, and Gu Shiyong became more disgusted, and even left him on the road halfway.

Episode 4

Knowing that Yu Zaizao wanted to win, Tao Tang cleverly used Kesi works to make Lin Shangying open up the chatterbox and tell the life secrets of the five generations of women in the Lin family. Lin Shangying’s great-grandmother, Lin Zhangxiu, was born in the Guangxu period. Her “Kaixiu color-mixing method” brought Kesi works to life. Lin Zhangxiu, who never married in her life, adopted a little girl, Lin Shangying’s grandmother Lin Qifeng. Sixteen-year-old Lin Qifeng is married. However, in the era of frequent wars, the husband had to leave his wife and go to the battlefield. Lin Qifeng cuts silk day after day, pinning her thoughts on her husband on every stitch and thread. The little girl next door looked at Lin Qifeng Kesi secretly, hoping that she would become her own mother, and finally got her wish. However, it was not until Lin Qifeng died that the little girl told Lin Qifeng a secret that had been hidden for decades, that is, Lin Qifeng’s husband had come to the old site to look for her after returning from the battlefield, but the little girl told Lin Qifeng Man, Lin Qifeng remarried, and this lying little girl is Lin Shangying’s mother, Lin Xuexin. Grandma Lin Qifeng didn’t blame Lin Xuexin, but passed the loom to her, hoping that one day she would be able to complete the double-sided tapestry. And Lin Shangying is not Lin Haishan’s biological mother. When going abroad in the 1980s, Haishan’s biological mother entrusted Haishan to Lin Shangying, and Lin Shangying exhausted all her efforts to train Haishan. The stories of the five generations portray a vivid picture of the times. The persistence of several women in Kesi art is moving, and their fate is also moving.

Episode 5

After the second episode of the show was broadcast, it received a lot of praise, and the popularity soared. Everyone attended the celebration banquet together, but Yu Zazao was absent. As Yu Zazao was the director of the program, Gu Shiyong did not sign her name, which completely angered Yu Zazao. Just when she was pressing Yuan Jiaying, she was stopped by Tao Tang in time. Tao Tang decided to restrain Yu Zazao’s behavior, but sought justice for her and got the right to sign. Shu Rong has a restrained personality, is used to digesting all emotions by herself, and seldom confides her heart to those around her. The shadows of her childhood and the pressure after work surrounded Shu Rong repeatedly, making her breathless. But the ex-boyfriend who once hurt Shu Rong reappeared and entangled her. Shu Rong tried to ask for help from the people around her, but she lacked the courage and was almost cornered. Fortunately, Yu Zao saw the clue. In the middle of the night, Shu Rong stays alone in the office to work overtime, but is harassed by her ex-boyfriend again. Shu Rong is terrified but doesn’t know how to resist. Fortunately, Yu Zazao appears in time to stun the assailant and save Shu Rong.

What is Kesi embroidery?

Kesi is a traditional Chinese silk tapestry-making method. Kesi tapestry first appeared more than a thousand years ago in the Tang Dynasty (AD 618-907). It is famous for its detailed pictorial designs, lightness and clarity of double-sided pattern… Kesi– a style of Chinese silk weaving skill and one of Suzhou’s rare traditional crafts- is a kind of craftwork made of genuine silk. In today’s China, Suzhou is the only place Kesi skill is preserved. Kesi employs a weaving method called “passing warp thread and cutting weft thread”(Unlike continuous weft brocade, each color in

Kesi style is woven from a separate bobbin, making the method both technically demanding and time-consuming), in which the surface pattern of the fabric seems like having been carved by a knife, and then earns its name a “Kesi”.  Kesi is admired for its selected materials, gorgeous colors, and matchless workmanship. The tapestry is extremely detailed and exquisite, the pictorial designs of which are finely graded, taking on a three-dimensional appearance. Moreover, the pattern on Kesi fabric is identical when seen from its front and its back, making it a top art on par with Suzhou double-sided embroidery. At the same time, Kesi textile is able to withstand touch, scrape, and rub, far superior to other silk products in China. Kesi products are diversified, ranging from clothes, shoes and hats, ribbon bands and quilt covers in daily life to album of paintings and calligraphy, vertical hanging scrolls, traditional paintings hanging in the middle of the main hall, etc.

Images and Visuals are from of their respectives …

#北京。 #中國 #China #Beijing | #紫禁城 #ForbiddenCity #June2023 | #ForbiddenCityDairies #星球研究所 # Planet Research Institute #MingDynastyTombs Travelling into #MingDynasty walking down living history mystery solving…

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The Ming Tombs are located at the foot of Tianshou Mountain in Changping District , Beijing China, People’s Republic of China , about 50 kilometers away from Tiananmen. The Ming Tombs are located in a small basin surrounded by mountains on three sides in the east, west and north. The area around the tomb is surrounded by mountains, the central part is a plain, and there is a meandering river in front of the tomb. From the beginning of Changling in May of the seventh year of Yongle (1409) to the burial of Chongzhen, the last emperor of the Ming Dynasty, in Siling.

The Ming Tombs have a total of 13 imperial tombs, including the Changling Mausoleum of Chengzu Zhu Di, Xianling Mausoleum of Renzong Zhu Gaochi, Jingling Mausoleum of Xuanzong Zhu Zhanji, Yuling Mausoleum of Yingzong Zhu Qizhen, Xianzong Zhu Jianshenmao Mausoleum, Xiaozong Zhu Youtang’s Tai Mausoleum. The Kangling Mausoleum of Wuzong Zhu Houzhao, the Yongling Mausoleum of Sejong Zhu Houcong, the Zhao Mausoleum of Mu Zong Zhu Zaihou, and the Ding Mausoleum of Shenzong Zhu Yijun. The Qingling Mausoleum of Guangzong Zhu Changluo, and the Deling Mausoleum of Xizong Zhu Youxiao. The Siling Mausoleum of Chongzhen Emperor Zhu Youjian. In addition, there are 8 accompanying tombs, including 7 concubine (prince) tombs and 1 eunuch tomb. Its architectural form embodies the feudal rules and regulations of the Ming Dynasty. Both the emperor’s mausoleum and the rear mausoleum are covered with yellow glazed tiles. 

The Ming Tombs area covers an area of ​​40 square kilometers. It is famous for its magnificent scale, complete cemetery system, solemn and harmonious layout, beautiful and quiet scenery, and elegant and simple style.

In 1957, it was listed as the first batch of key ancient buildings and cultural relic’s protection units in Beijing. In 1961, it was listed as a national key cultural relic protection unit by the State Council of the People’s Republic of China. In 1982, the Ming Tombs and Badaling were listed as one of the national key scenic spots protection areas as a complete scenic spot. On July 3, 2003, the Ming Tombs, as an expansion project of the royal tombs of the Ming and Qing Dynasties, were approved by the 27th United Nations World Heritage Conference and included in the “World Heritage List

The Ming tombs are a collection of mausoleums built by the emperors of the Ming dynasty of China. The first Ming emperor’s tomb is located near his capital Nanjing. However, the majority of the Ming tombs are located in a cluster near Beijing and collectively known as the Thirteen Tombs of the Ming dynasty. 

The Ming dynasty, officially the Great Ming, was an imperial dynasty of China, ruling from 1368 to 1644 following the collapse of the Mongol-led Yuan dynasty. The Ming dynasty was the last imperial dynasty of China ruled by the Han people, the majority ethnic group in China…

Enjoy the cool air! I should be the first science popularization master who entered the Ming Tombs at night.

This is the largest and most complete royal cemetery in China, and the resting place of 13 emperors of the Ming Dynasty. When the hustle and bustle of the day fades away, this cemetery has more vicissitudes of history. The purpose of this trip is to find the answer to a question.



Regardless of whether it is the imperial tombs of the Han and Tang Dynasties, the imperial tombs of the Song Dynasty, or the imperial tombs of the Qing Dynasty, they were either severely damaged or completely looted. But why is it that only the Ming Tombs are relatively intact above and below ground? 明圣圣陵Why can survive to this day ?

Walk! Go down to the imperial mausoleum to solve the mystery that has been covered in dust for many years…

　The Ming Tombs are located in Changping District, 50km northwest of Beijing, and are the general name of the tombs of 13 emperors of the Ming Dynasty. The mausoleum area covers an area of ​​80km2, and it is the relatively complete mausoleum building and the tomb group with the most buried emperors in the world today.
　　The construction of the Ming Tombs began in the seventh year of Ming Yongle (1409) and ended in the early Qing Dynasty, which lasted more than 200 years. According to the order of the construction time of the mausoleum, they are: Changling (Tomb of Emperor Yongle), Xianling (Tomb of Emperor Hongxi), Jingling (Tomb of Emperor Xuande), Yuling (Tomb of Emperor Zhengtong (that is, Emperor Tianshun)), Maoling (Tomb of Emperor Tianshun) Chenghua Emperor’s Tomb), Tailing (Hongzhi Emperor’s Tomb), Kangling (Zhengde Emperor’s Tomb), Yongling (Jiajing Emperor’s Tomb), Zhaoling (Longqing Emperor’s Tomb), Dingling (Wanli Emperor’s Tomb), Qingling (Taichang Emperor’s Tomb) Emperor’s Mausoleum), Deling (Tianqi Emperor’s Mausoleum), Siling (Chongzhen Emperor’s Mausoleum). In addition to the 13 emperors buried in the mausoleum area, there are also 23 empresses, 1 imperial concubine and dozens of palace officials who were buried. In addition, there are 7 concubine graves in the mausoleum area (East Well, West Well, Tomb of Concubine Wangui, Mourning Tomb, Tomb of Four Concubines and Two Princes, Tomb of Concubine Xian, Tomb of Concubine Zheng and Tombs of Concubines Erli, Liu, and Zhou) ) and a eunuch’s burial tomb (Wang Chengen’s tomb), as well as various buildings such as palaces and gardens serving the emperor’s mausoleum. City walls were built at 10 natural mountain passes (Dongshan Pass, Zhongshan Pass, Zhazikou, Xishan Pass, Desheng Pass, Yanzi Pass, Zhuishi Pass, Xianzhuang Pass, Huiling Pass, and Laojuntang Pass) around the mausoleum. , Barrier walls and other defensive facilities to protect the safety of the mausoleum area.


　　The construction of the imperial mausoleum of the Ming Dynasty was divided into several steps: the selection of the mausoleum site, the formulation of regulations, and the preparation of materials for construction. The selection of the mausoleum site is the primary link in the construction of the mausoleum. Generally, firstly, the first and second-rank officials of the DPRK will lead the Fengshui surveyors to follow the theory of Fengshui, “the shape of the mountain from the outside, and the land veins from the inside”. The emperor, if necessary, draws a picture, pastes a description, and finally decides by the emperor.


　　After Cheng Zu Zhu Di proclaimed himself emperor, he planned to move the capital from Nanjing to Beijing. In the sixth year of Yongle in the Ming Dynasty (1408), Zhu Di ordered Zhao Yan, Minister of Rites, to lead Jiangxi warlock Liao Junqing and others to visit the mausoleum near Beijing. After more than a year, the auspicious soil for thousands of years was finally found in the Huangtu Mountain in Changping. Zhu Di then sealed Huangtu Mountain as Tianshou Mountain, and decreed to encircle the area with a radius of 80 li as the forbidden area of ​​the mausoleum.


　　The layout of the tombs of the Ming Tombs is not in accordance with the “Zhou Li” method of left and right, but with the respected ones in the main veins and the humble ones in the secondary veins (remaining veins). Changling is the first tomb of the Ming Tombs. It is located in the middle of the main peak of Tianshou Mountain, and other tombs are arranged around it. Among the Ming Tombs, Changling is the largest, followed by Yongling and Dingling, and Siling is the smallest. Mausoleum construction methods can be divided into three types: one is the mausoleum built by the emperor during his lifetime, which is large in scale and richly decorated (such as Changling Tomb, Yongling Mausoleum, and Ding Tomb); The posthumous edict of “building a mausoleum” may be affected by the burial period and national power, and the scale is small and relatively simple (such as Xianling and Jingling); the third is that the emperor will not have time to build the mausoleum during his lifetime, and the next dynasty will build it after the change of dynasty (such as Siling).
　　The Ming Tombs are famous all over the world for their majestic scale, complete cemetery system, solemn and harmonious layout, beautiful and quiet scenery, and elegant and simple style. In 1957, it was listed as the first batch of key ancient buildings and cultural relics protection units in Beijing. In 1961, it was listed as a national key cultural relics protection unit. In 1982, the Ming Tombs and Badaling were listed as one of the national key scenic spots protection areas as a complete scenic spot. On July 3, 2003, the Ming Tombs, as an expansion project of the royal tombs of the Ming and Qing Dynasties, were approved by the 27th United Nations World Heritage Conference and included in the “World Heritage List”.

Images and visuals are from their respectives..

#漢服 #HanFu #HanTraditionalClothing | #May2023 #相思令 #FashionLookBook featuring the look of #楊穎 #Angelababy #AngelaYeungWing as # 君绮罗 #EverlastingLonging  #JunQiluo #君非凡 #JunFeifei ….

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相思令 Everlasting Longing  production has finished filming also in the process of Post Production on the week month of May 2023 The seasons are iterated, knowing each other and walking together; the sun and the moon rotate, and lovesickness awakens from dreams. Grateful for meeting, not seeing each other again, thanks to all cast and crew for their dedication, 相思令 is officially finished!…. 相思令 Everlasting longing is TV series  is directed by Mai Guanzhi , starring Yang Ying and Song Weilong , co-starring Ren Hao and Bai Bingke , guest starring Yao Chi and Wang Yiting, Chen Tao, Chen Chen , Qin Xiaoxuan , Li Shuting , Long Shuiting , Wu Yijia , Yan An , Chen Qianyu , Christina starring, Ren Zhong , Sha Baoliang , Yu Bo , Tian Li , Zhang Junning , Xia Nan special starring , Ho Rundong , Luo Jialiang friendship starring in ancient costume romance drama . 

The play is adapted from Xi Juan ‘s novel ” The Stolen Bride “. It tells the story of Jun Qiluo, the daughter of Jun’s patriarch, who led her family to revive the family business after experiencing a difficult life in a foreign land 

The synopsis of the story相思令 Everlasting longing is TV series Jun Qiluo/Jun Feifan (played by Angela Yeung Wing Yang Ying), the patriarch of the Yannan City-state Lord with dual identities, was robbed by Xuan Lie (played by Song Weilong), the leader of the Beixuan City -state Xuanbu, while following her father’s business . They went north together with different goals. During the process, the two tested each other and guarded against each other . They experienced life and death together….

Images and visuals are from their respectives

#QIPAO #旗袍 #Cheongsam |#茧迹原创礼服定制 #Cocoon #BeijingYujiFashionDesignCo. #May2023| #FashionLookBook #武汉时装周 Gorgeous Chinese painting embroidery of #ArtHauteCouture #TraditionalChineseQipao #ModernQipao #ChineseWeddingDress #ModernQipao #postmodern dress with phoenix Chinese pavilion gardens 2022 -2023 Collection.

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Located in an ancient post-modern Three thousand years old ultra Megatroplis city Beijing City, Capital of  China – People’s Republic of China, 茧迹原创礼服定制 Cocoon – Beijing Yuji Fashion Design Co in which Cocoon trace original dress customization: No. D05, Zhongyi Street, 798 Art District, Jiuxianqiao, Chaoyang District, Beijing …. Innovatingly Post Modern Qipao- Cheongsam …. in which innovatively bringing a New Chinese style cheongsam-Qipao high-end brand-Embroidery Embroiderer seamstressing   …….it is committed to the high-end private specialization of Chinese Shanghai style cheongsam innovatively… in which each dress is customised towards the wear’s in which tailoring takes least in between 20-60 days depending on the extremely level of detailing of brocade in which using the most finest heavy silks are hand sewn and crafted …..

Introducing Cocoon Trace Original Dress Customization Chinese innovative in between Ming and Qing Dynasty fusion traditional wedding dresses  in some in modern fusion of its  2023 Art Haute Couture series in which their inspirationally Continuation from the   Chinese Painting of spring flowers Cocoon Trace 2022’s original and improved cheongsam … Fengdai” has chosen a design that is very suitable for summer in both fabric and color matching…

The happy ceremony will come as promised. I
hope you will become the third stunning color under the moonlight
The collision is even more colourful, supplemented by the tangle of branches and curly grass patterns to add a sense of luxury…

小年 “Welcome to the new year and receive blessings”
Southern folks believe that after the small year, the gods go to heaven and
there is no taboo for marriage. There is no need to choose a date, and there is a custom of “chaotic marriage”.
Therefore, at the end of each year, a large number of new couples will hold weddings, but no matter what Is it the gentle and friendly Xiuhe cheongsam,
or the dragon and phoenix gown that can make the bride look slim and compact?
The warm love is the main theme.

The first happiness of the New Year
​ is the “happy brows” from the bride ❤️

Chunjing｜Beautiful spring Cocoon trace 2022 original Chinese wedding dress “Chunjing”
improved from the old empress’ auspicious clothes in the Forbidden City.
The fragrance of flowers is lingering, the butterflies are dancing lightly, and spring is expected….  

Spring dyeing garden See Begonia again Cocoon trace 2019 wedding advanced customization series “Begonia Ji” learns from the god of tradition but not its shape . If weaving pavilions and pavilions with countless threads, embroidering famous mountains and rivers can be painted…

Today’s red rope is tied to the pearls and the perfect combination
to predict the year of the year, the white head, the guifulanxin🌺

Come and experience the highest-level “gown emperor”
cocoon on the market 2021 original Chinese gown “futu”

After nearly 9,000 man-hours of exquisite hand embroidery, the whole
body is decorated with original pure handmade accessories.
The light blue gradient plate gold is more elegant than the traditional red gold

because Embroidery thread is expensive and fragile, so the embroiderer can only rely on hand-made needles to complete the embroidery, but because of this, the texture of the clothes made by gold embroidery is more delicate and luxurious, which cannot be compared with ordinary gold thread embroidery….

When architecture and clothing collide, what flows is not only the three-dimensional aesthetic feeling
between the curved corridors, but also
dragons, phoenixes, surmounting birds, clouds and flowers under the golden purlins
, like beams, squares, and ridges. , Such as the beams
to build a majestic and soft visual art
with time as the axis, embroidered with Luohua clothes, looking at the millennium floating world…….

QIPAO 旗袍 Cheongsam …. In which from historically Shenyang is the birth place of the Qing Dynasty 1636-1912plus ….  In which Qipao is termed for Qing Dynasty Clothing that the Manchu ethnic adoptively wore…… in which the Shenyang Palace Museum was an imperial palace towards two Qing Dynasty emperors. Previously two years ago During the event it which was an eight day forums, with exhibitions also related workshops illustrating the birth place of the Old Capital of Cheongsam where the Qing Dynasty- Qipao was inspired from..  

Before that Shanghai 1930’s Qipao-Cheongsam revolution, the Manchurian Cheongsam was the fashion of choice of the Qing Dynasty (1636-1912)   throughout as it standardised that style during the dynasty… Replacing the previous clothing standard Han Fu – Han Dynasty clothing style, in which also is form fitting towards the women’s silhouette but with a higher degree of freedom of flare of personal, individual style… 

Qipao-Cheongsam is uniquely hand crafted tailored Chinese dress to the customer’s various measurements… in which you can still have them brought of the rack in which is accustomed to the standard measurements… in which you can tell which is western influenced with the back zipped in which the Eastern traditional Chinese Tailors would have the side zipped of the Qipao dress due it interrupts the flow of the pattern work at the back of the dress..  Also it creates a continuous seamless back look…  after as the measurements are translated drafted onto the silk or the customer desired accustomed fabric of choice, from the measurements book with the associated look of the design elements with additional accessories the sexiness of Qipao lies subtlety.. Measuring, patterning, cutting, and button making are crucial, in where passion and art comes together in tailoring

 In which traditionally Qipao- Cheongsam dresses are worn for from straight forwardly every day towards after work evening wear in without having to change to another set of wardrobe dressing only to accessories for the required occasion… … in which the Qipao dress pattern silhouette is design for the lady’s figure in which accentuating the silhouette without giving away too much of what’s underneath in retaining…. its timeless classic silhouettes in which are designed to be worn every day, from work, evening,  casually  towards to the weekend… with sleek simple, elegant, sexy intelligent sophistication in which are easy to be accessorised with any pieces of clothing in your current or upcoming wardrobe…

Images and visuals are from Weibo also from茧迹原创礼服定制Cocoontrace original dress customization: No. D05, Zhongyi Street, 798 Art District, Jiuxianqiao, Chaoyang District, Beijing 010-59789809 – China –People’s Republic of China ..

#QIPAO #旗袍 #Cheongsam |#荷言旗袍 #荷言#HEYEN #October2022| #FashionLookBook your timeless #ModernQipao #TraditionalChineseQipao #Cheongsam #PostModernQipoa smoky Elegant sassy urban Stunning classically collection..

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荷言旗袍 #荷言HEYEN…. Suzhou Heyan Culture Communication Co., Ltd. In which Heyan cheongsam– China – People’s Republic of China… is located in Suzhou City in which Heyan cheongsam is the first brand of Chinese Su embroidered cheongsam. Adhere to original design, Suzhou embroidery craftsmanship, and manual customization, with traditional culture as the core, and actively promote the Chinese Suzhou style cheongsam…

The stunning model is wearing the Heyan HEYEN again! Dressed in pure white, elegant and refined, it is in my mind that’s right~ this staring eyes like water has a stunning back view….

CCTV host  Guo Wei wears 何言HEYEN# [Yingxianyue] appeared, there is a gentle sea breeze, there are beautiful women slim, embroidered + bead + lace appliqué multi-craft cheongsam dress, interpreting the new national style with a stunning light pastel pink spring as she wears stunning over the red carpet of the Golden Rooster Awards.

The brand model is wearing 何言HEYEN stunning yellow Spring Breeze on All Sides Gao Ding cheongsam dress, gentle and bright, I still remember the eyebrow sister in “The Legend of Zhen Huan”, the beauty is like a breeze in the early summer……

In front of the court with all the parasol trees fell, and the hibiscus opened by the water.
Contemporary oriental girls, I want a free and easy and poetic life!

Sisters who like cheongsam/new national style should not miss the “Crane Shadow” series, the autumn and winter style is written into the design of this season, whether it is a cheongsam or a vest shirt skirt suit, version more diverse, casual, business-friendly, and fashionable, the new national style is not obtrusive in daily life…..

Heyan HEYEN’s new autumn and winter “Silk Velvet Cheongsam” is on the shelves. How can there be less velvet in autumn? This season’s main “silk velvet” series of cheongsam / new national style suits, warm and skin-friendly, but also warm function, rich colours, like a pair of autumn oil paintings, poetic and romantic…….

Traditionally the Qipao- Cheongsam dress is fasten assemblage with ribbon buttons of pearls or silk the traditionally wearing it has a back zip in which helps to emphasis the embroidery artwork of the Qipao-Cheongsam.

With silky shoulders, neck and arm lines… the slenderness and extension of the calves and ankles… the rhythm of each step… Based on this, there is really no dress that is more suitable for showing the temperament of the goddess than “cheongsam- Qipao” expression of that is the new荷言旗袍 HEYEN modern Lacy silk with …. With a beautiful detailing of slide button fixtures in a traditional Qipao- Cheongsam design in replacement of the modern with the back zip opening in which is a non-traditional design ..

QIPAO 旗袍 Cheongsam …. In which from historically Shenyang is the birth place of the Qing Dynasty 1636-1912plus ….  In which Qipao is termed for Qing Dynasty Clothing that the Manchu ethnic adoptively wore…… in which the Shenyang Palace Museum was an imperial palace towards two Qing Dynasty emperors. Previously two years ago During the event it which was an eight day forums, with exhibitions also related workshops illustrating the birth place of the Old Capital of Cheongsam where the Qing Dynasty- Qipao was inspired from..  

Before that Shanghai 1930’s Qipao-Cheongsam revolution, the Manchurian Cheongsam was the fashion of choice of the Qing Dynasty (1636-1912)   throughout as it standardized that style during the dynasty… Replacing the previous clothing standard Han Fu – Han Dynasty clothing style, in which also is form fitting towards the women’s silhouette but with a higher degree of freedom of flare of personal, individual style… 

Qipao-Cheongsam is uniquely hand crafted tailored Chinese dress to the customer’s various measurements… in which you can still have them brought of the rack in which is accustomed to the standard measurements… in which you can tell which is western influenced with the back zipped in which the Eastern traditional Chinese Tailors would have the side zipped of the Qipao dress due it interrupts the flow of the pattern work at the back of the dress..  Also it creates a continuous seamless back look…  after as the measurements are translated drafted onto the silk or the customer desired accustomed fabric of choice, from the measurements book with the associated look of the design elements with additional accessories the sexiness of Qipao lies subtlety.. Measuring, patterning, cutting, and button making are crucial, in where passion and art comes together in tailoring

 In which traditionally Qipao- Cheongsam dresses are worn for from straight forwardly every day towards after work evening wear in without having to change to another set of wardrobe dressing only to accessories for the required occasion… … in which the Qipao dress pattern silhouette is design for the lady’s figure in which accentuating the silhouette without giving away too much of what’s underneath in retaining…. its timeless classic silhouettes in which are designed to be worn every day, from work, evening,  casually  towards to the weekend… with sleek simple, elegant, sexy intelligent sophistication in which are easy to be accessorised with any pieces of clothing in your current or upcoming wardrobe…

Images and visuals are from Weibo also from荷言旗袍 #荷言HEYEN…. Suzhou Heyan Culture Communication Co., Ltd. In which Heyan cheongsam –  China – People’s Republic