Category: accessories

#北京 #中國 #China #Beijing | #紫禁城 #ForbiddenCity #November2023 | #ForbiddenCityDairies -The Palace Museum #ForbiddenCity Collections of Chinese intangible cultural heritage.  –   3rd -17th November 2023…..

kevinjamesngLeave a comment

On July 19th 2023 , the multilingual website of the Forbidden City Palace Museum- Beijing, China, People’s Republic of Chinawas officially released at the Digital Cultural Tourism Development Forum of the 2023 China Internet Civilization Conference! The website covers five languages: English, French, Russian, Japanese, and Spanish, and will meet the needs of audiences with different languages.

 The multilingual website of the Palace Museum is committed to establishing an international website that is concise, clear, easy to use for overseas audiences, and fits the construction of the modern civilization of the Chinese nation, including tour guides, information, panoramic tours, online exhibitions, collection appreciation, cultural topics, etc. Rich immersive content describing of the most detail collection that housed within the Forbidden City collection…. 

Qing Dynasty, the emperor’s winter crown. The imperial crown is the crown and hat worn when wearing imperial robes. In the imperial attire system of the Qing Dynasty, imperial garb and imperial robes were the garments worn during major ceremonies, and were the highest-grade among the garments of the Qing Dynasty. The “Great Qing Hui Dian” of the Kangxi Dynasty records: “The emperor’s crown and attire were decided in the first year of Chongde, and the crown was inlaid with Dongzhu stones… It was decided in the 22nd year of Kangxi that in all grand ceremonies and altars and temples, the crown was inlaid with large Dongzhu stones. For the crown, the dress should be yellow, autumn fragrant, or blue… The queen’s crown dress: for any celebration ceremony, the crown should be set with east beads on the top, and the dress should be yellow, autumn fragrant, or blue.” By the time of the Qianlong Dynasty, the “Dynasty Ritual Utensils Illustration” described the costumes Made a more detailed classification. The ceremonial dress worn by the emperor during major celebrations consists of a court crown, court clothes, end cap, court beads, court belt, etc. When the emperor comes to the Taihe Hall to receive congratulations from princes and officials when he wears court robes for his wedding, he must also wear a court crown. This crown is the emperor’s winter crown.

Qing Dynasty, bright yellow kesi silk clouds and gold dragon pattern, leather edge men’s court robe. The court robe was the most important form of dress in the Qing Dynasty. It was the attire worn by emperors and empresses during court ceremonies. In addition to court crowns, formal attire also includes court robes, hoods, gowns, court beads, etc. The emperor must wear court robes when he holds a wedding ceremony to celebrate the Empress Dowager, and when he comes to the Taihe Palace to receive celebration gifts from princes, officials, and concubines. The court robe is in the style of a top and lower skirt, with a collar, arrow sleeves and a large placket on the right side. A sarong can also be worn over the court robe. This robe has a tapestry pattern of colorful clouds and golden dragons on a bright yellow ground and is trimmed with leather. It was probably worn by Emperor Guangxu when he held major ceremonies in winter.

“The sunset gradually sets in the west, and the sunset glow turns the sky red, as well as the locust forest and bamboo forest. There are fewer and fewer birds in the sky, but the gray starlings in the whole forest still don’t want to sleep prematurely. Look, these few days Just as they landed on the branches, those few flew up again… Inside and outside the woods, hundreds of birds were singing, calling for friends and chirping, like a waterfall falling into a deep stream, or like a stormy wave crashing on the beach. , the entire black locust forest and bamboo forest became a natural club.” The author of the essay “Gray Starling” is China’s first crane taming girl, Xu Xiujuan. She died in 1987 while rescuing an injured white swan from drowning. She was later Posthumously considered a martyr.

Today, we will get to know the gray starlings written by Xu Xiujuan. Gray starlings have a strong sense of community. In addition to moving in pairs during the breeding season, they often move in groups during the non-breeding period. In the Forbidden City, pay more attention to the grass or tall trees, you may be able to see them….

Qing Dynasty, Queen Xia Chaoguan inlaid with jewels and green velvet. The imperial crown is the most important among all kinds of crowns and hats. The various ornaments on the crown are symbols of the status and rank of the wearer. The more pearls inlaid on the top of the crown, the higher the status of the owner. The queen wears a crown of sable in winter and green velvet in summer. This queen’s crown is made of green velvet. There are three layers of phoenixes on the top of the crown. Seven birch-bark phoenixes and one Zhai are hung on silk threads on the top of the crown. The hanging beads are in the “five elements and two” style. It is one of the highest-ranking symbols in the crown of a concubine. First, it is the Xia Dynasty crown worn by empresses and empress dowagers of the Qing Dynasty when they wore formal clothes…

“Puzzle Figure” is a traditional toy in the Qing palace. It was designed by Tong Yegeng in the first year of Tongzhi in the Qing Dynasty (1862) based on the “Tangram”. It is composed of 15 different wooden boards, which are arranged and combined according to the principle of Bagua. The graphics that can be assembled are more abundant than the “tangram”. On the base of this “wooden puzzle picture”, an unknown prince or princess also drew a pony, which is very childlike and very cute. The cultural relics in the picture are on display in the exhibition

Qing Dynasty, coral carvings with 囍 characters and patterns on the beads. Chaozhu is a kind of pendant in the Qing Dynasty, hung around the neck and hanging on the chest. When the concubines of the Qing Dynasty wear court clothes, they must wear three strings of court beads, one hanging in the middle and two hanging crosswise. Depending on the rank, the beads worn are also different, so it is also a symbol of identity and status. The Queen’s Chaozhu belongs to the highest level. The queen wears a court robe and must wear a string of East beads on the front of her chest and two strings of coral beads on her armpits. This piece of court beads is made of red coral beads engraved with the character “囍”. The Buddha’s head and the pagoda are made of lapis lazuli. Yellow sash, used for the queen’s wedding

If you want to learn a foreign language, where should you start? This “Mongolian” study book by Emperor Qianlong can be used for our reference. In 1743, when Emperor Qianlong was on an eastward tour, he began to systematically learn Mongolian in order to communicate with the Mongolian princes and nobles he met along the way. In this book “Mongolian”, the translated Mongolian words are transcribed from Manchu letters to facilitate understanding and learning; in terms of content, it is mainly suitable for scenes such as meeting lamas in the Mongolian and Tibetan areas. It is highly targeted and focuses on phrases and sentences. , mostly contain spoken language components. “How’s the journey? When did you arrive?” “Is there snow on the road?” “How is the year?” It seems that regardless of ancient and modern times, to master a foreign language, most of them start with “300 Practical Conversational Sentences”!

Autumn leaves are still red, rustling and cold wind blows. Today is the beginning of winter , under the clear sky and setting sun, it is the early winter of  Falling in Love with the Forbidden City .

Qing Dynasty, silver and gold-plated beaded stone collar. The collar, also known as a collar, was an accessory worn on the necks of concubines in the Qing Dynasty to distinguish their status. It was very valuable in the royal dowry of the Qing Dynasty. “The Qing Hui Dian Diagram·Crown Clothes·Contract” stipulates: “The Queen’s contract is engraved with gold and decorated with eleven east beads, with coral in between. There are two yellow sash hanging at both ends, with coral in each middle, and turquoise at the end. Two of each.” The higher the user’s status, the more Eastern beads will be inlaid. The same is used for concubines, concubines and concubines. This necklace is made of gold-plated silver, carved with hollow curly grass patterns, inlaid with two sections of rubies, two sections of ink jade, inlaid with red stones and pearls at intervals, tied with a golden ribbon, and four red and green stones at the corners.

During the Tongzhi period of the Qing Dynasty, women’s court robes were made of bright yellow silk embroidered with colorful clouds, bats and 囍 characters and gold dragon patterns. The queen’s dress consists of court crown, court robe, court gown, court beads, gold covenant and collar covenant, etc. It is made like the emperor’s dress. When the emperor receives congratulations from the court on his wedding day, the queen must also wear court robes, crowns, collars, court beads, colorful silk ribbons, etc. This queen’s court robe has a large placket with right flap, round collar, horse hoof sleeves, attached collar, and straight body style. The court robe is bright yellow, with silk embroidered with the word “囍”, colorful clouds and golden dragon patterns. It should be worn by the empress at the wedding of Emperor Tongzhi.

During the reign of Emperor Guangxu of the Qing Dynasty, he wears a green gown with clouds, bats and emblems, and a golden dragon pattern. This gown was worn by the concubines of the Qing Dynasty when celebrating grand ceremonies. It is slightly shorter than the court robe and is worn over the court robe. The gown has a round collar, double lapel, sleeves, and left and right trains. The whole body is decorated with colorful silk and gold embroidery patterns, with two flat gold embroidered dragons on the chest and back. The embroidered seawater cliff is densely covered with colorful clouds and the word “囍” pattern, which is suitable for the wedding.

Qing Dynasty, gold hoop inlaid with rubies and red satin color. Caixi is a kind of scarf used by the imperial concubines in the Qing Dynasty. It is mostly made of silk and satin and is narrow at the top and wide at the bottom. When in use, it is hung on the second button of the court gown and hangs down on the chest. This colorful silk ribbon is made of red silk with embroidered patterns on the front such as bats, Ganoderma lucidum, peach fruits, the Eight Immortals, and seawater cliffs. The upper end is a green and white jade ring, with eight groups of sixteen pendants, and various gemstones at the bottom. A red coral flat bead with a dragon pattern is dropped from the top of the yellow ribbon, and a tourmaline drop is placed on each corner of the gold lace support. The colors and embroidered decorations of different colored silk ribbons can be used to distinguish the rank of concubines.

What did the ancient “coach” look like…  In, we reviewed the scene of the autumn sentry deer in the Qing Dynasty palace. In addition to setting up ambushes for hunting, horseback shooting is also a national skill developed by the Manchus in their long-term hunting life. It was designated as a “national policy” in the Qing Dynasty and an important assessment subject for members of the Eight Banners. The Xi Yi Huating exhibition at Prince Gong’s Mansion Museum displays several Qing court riding and archery equipment, including bows and arrows, quivers and saddles. The photo materials in the exhibition hall also show an important prop for learning equestrian-a wooden saddle, which can be called an ancient version of a “coach” and provides a window for us to understand the riding and shooting culture of the Qing Dynasty..

In the 1920s, Wanrong dressed up in old photos for her wedding. Guo Bulo Wanrong (1906-1946), courtesy name Muhong and nickname Zhilian, was a native of Zhengbai Banner in Manchuria and the wife of Emperor Puyi of the Qing Dynasty. Wanrong and Puyi got married in 1922, and the wedding was held in the Forbidden City, imitating the emperor’s wedding ceremony. During the wedding, Wanrong wore court clothes, a court crown on her head, a collar and court beads around her neck. She was dressed according to the Qing Dynasty queen’s dress. This is an old photo from that time….

Emperor Kangxi was very interested in natural science subjects such as mathematics, astronomy, geography, pharmacology, anatomy, etc. Among them, the best results were in mathematics and astronomical calendar. Mathematics subjects such as geometry, algebra, trigonometry, and logarithms laid a good mathematical foundation for his future decisions such as advocating science and regulating the Yellow River. He also personally taught the princes how to use telescopes and observed solar eclipses together. The XiYiHuating exhibition at Prince Gong’s Mansion Museum displays Qing Dynasty drawing tools, logarithmic tables, telescopes and other cultural relics..

Qianlong period of the Qing Dynasty, gilded copper chimes with cloud and dragon patterns; Qingkuan et al. of the Qing Dynasty, pictures of wedding celebrations, edicts and banquets (details). The emperor’s wedding is one of the most important ceremonies in the palace. During major ceremonies, there is a Zhonghe Shao music band under the east and west eaves of the Hall of Supreme Harmony. Zhonghe Shao music belongs to ancient court music and has the highest standard among the music systems of the Qing Dynasty. Zhonghe Shao music was used in the wedding ceremonies of emperors in the Qing Dynasty, which was a symbol of the supreme status of the emperor and empress. During the emperor’s wedding ceremony, Zhonghe Shao music was played when the emperor ascended and descended.

Chime bells are an important instrument in Zhonghe Shao music. They are the “gold” musical instruments in the “eight tones”. There are a set of sixteen pieces, including twelve regular temperaments and four double temperaments (bass). The bell is gold-plated, with double dragon buttons, chiseled with cloud and dragon patterns, and is oval and hollow, with respective names cast on the back. When Zhonghe Shao music is played, the bells and chimes ring in harmony, and the golden sound vibrates.

During the Qianlong reign of the Qing Dynasty, jasper chimes were made with golden clouds and dragon patterns. Chimes and bells are both important instruments in Zhonghe Shao music. The musical instruments used in Zhonghe Shao music are made of eight materials: gold, stone, silk, bamboo, gourd, soil, leather and wood. They are called eight tones, with a total of sixteen types. When the grand ceremony is held, Zhonghe Shao music is set up under the eaves of Taihe Hall. The “stone” in the “eight tones” of the chime is a musical instrument, with a set of sixteen pieces, and the name of the chime is the same as that of the chime. The thickness of the chime body adjusts the sound. This chime is made of Hetian jasper in Xinjiang and decorated with golden cloud and dragon patterns on both sides. It was made in the 29th year of Qianlong’s reign (1764)…

The beautiful elf yellow-rumped warbler, commonly known as “Tree Chuan’er”, is a small bird in the Forbidden City and difficult to identify. This little bird is not only beautiful to look at, but also has a nice chirping sound, which is loud, melodious and changeable. Commonly found in the middle and upper crowns of trees and some shrubs, it flies and jumps short distances between tree branches. In warm and sunny weather, it is relatively active in singing and foraging. The yellow-rumped warbler is a migratory bird in urban Beijing, mainly during its migration in spring and autumn. The chance of encountering it is relatively high from April to May and October to November every year…

The Qianlong reign of the Qing Dynasty, the gold-plated copper bell at the entrance of Yongniu Bridge was Zhonglu. Bells and special chimes are important ritual instruments used exclusively in the Qing palace and Shao music. In the twenty-sixth year of Qianlong’s reign (1761), Emperor Qianlong imitated the shape of ancient bells and made a set of twelve bells with gold-plated copper. Each bell was hung separately. The pitch was adjusted by the size of the bell body, and the sound of the bell became louder. The lower. Before the band plays, the bells are struck once, and at the end of the music, the chimes are struck once to create a golden sound.

During the Qianlong reign of the Qing Dynasty, a special chime made of jasper depicting golden clouds and dragon patterns was produced. After Emperor Qianlong cast the bell, in order to complete the ritual and music system, he also added a set of twelve special chimes in the same year, one for each, and they were used in the same way as the bell. The special chime is made of a whole piece of Xinjiang Hotan jasper and is crafted by Suzhou jade craftsmen. The body of the chime is obtuse-angled rectangular, with both sides decorated with golden clouds and dragon patterns. The gold and green contrast with each other, and the decoration is gorgeous. On the left and right sides of the upper part of the stand are phoenix heads. The page board is decorated with phoenixes pierced by peony patterns, and the lower part supports a reclining duck.
There are twelve special chimes in a set, corresponding to the twelve rhythms made in the Qing Dynasty. The pitch is adjusted by the size of the chime body. The larger the chime, the lower the pronunciation. Each chime is hung separately, so it is called special chime. When used, different special chimes are chosen according to the rules for each month, such as “Taicu” corresponding to the first month, and so on. The use of special chimes reflects the political concept of Emperor Qianlong advocating Confucian ritual and music education…

Daju, who was covered in autumn fat, couldn’t resist the howling autumn wind and started playing “hide and seek” under the stone fence. This weekend, have you decided where to go to “cat”?

Yellow satin embroidered cloud and dragon pattern (replica). Hui was the commanding tool of Heshao music in court performances in the Qing Dynasty. When the music was under his command, the music was composed, and when it was under his command, the music stopped. The main body of the robe is made of bright yellow cloud satin, embroidered with colorful rising dragons, clouds and fire beads. The upper part is made of blue satin, embroidered with nebulae. In the middle is the sun wheel, with the word “中和” embroidered on it. The lower end is embroidered with seawater and river cliffs. The upper and lower parts of the muzzle are pierced with gold-painted crossbars, with double dragons carved on the upper part and landscapes carved on the lower part. The harem is hung on a red pole, the end of the pole is decorated with a copper-plated dragon head, and the lower part is inserted into a gold-lacquered wooden base. The chariot shown in the picture is a replica, and the red pole and stand are left over from the Qing palace

“Roasted pears” is a popular snack on the streets in autumn and winter today. The middle of the pear is hollowed out, filled with red dates, rock sugar and other ingredients, and then slowly roasted in the oven. The roasted pears are soft in the mouth, sweet and mellow. Chinese people have a long history of eating pears, and they eat them in different ways. Fresh food is the most common, and steaming and boiling are also common practices. There is a poem that goes, “The old man in the Tian family has nothing to do, and the pear steamed in the steamer during the day has a dull fragrance.” In ancient times, The method of roasting pears is similar to today’s roasted pears. The story of “burning pears to give secretion” in the Tang Dynasty is well known. In addition, there is also a poem in the poem, “I still remember the wind and snow in the official Chengcheng, and the fire burned pears together at night.” Burning pears is the joy of gathering around the fire at night.

There are many ways to eat pears, which one do you prefer?

Images and visuals are from – Forbidden City –Palace Museum Beijing- China –People’s Republic of China…..

#北京 #中國 #China #Beijing | #紫禁城 #ForbiddenCity #October2023 | #ForbiddenCityDairies -The Palace Museum #ForbiddenCity Collections of Chinese intangible cultural heritage.  Collection Collection 16th –  26th October  2023…..

kevinjamesngLeave a comment

On July 19th 2023 , the multilingual website of the Forbidden City Palace Museum- Beijing, China, People’s Republic of Chinawas officially released at the Digital Cultural Tourism Development Forum of the 2023 China Internet Civilization Conference! The website covers five languages: English, French, Russian, Japanese, and Spanish, and will meet the needs of audiences with different languages.

 The multilingual website of the Palace Museum is committed to establishing an international website that is concise, clear, easy to use for overseas audiences, and fits the construction of the modern civilization of the Chinese nation, including tour guides, information, panoramic tours, online exhibitions, collection appreciation, cultural topics, etc. Rich immersive content describing of the most detail collection that housed within the Forbidden City collection…. 

On the 26th October 2023  is World Food Day, let’s get to know the word “rice” in Oracle!
The word “rice” in oracle bone inscriptions is made up of rice grains. The small dots above and below represent rice grains. Some people think that the horizontal drawing in the middle is the shape of a sieve.


“Mi” initially referred to millet that had taken off its shell, and later it gradually referred to rice specifically, which is the rice we are familiar with. my country’s early rice domestication played an important role in the origin of world agriculture. As early as more than 10,000 years ago in the middle and lower reaches of the Yangtze River (Shangshan Site), our ancestors had begun the domestication of rice, which was basically synchronized with the domestication of major crops in the world such as wheat and corn.


Today, more than half of the world’s population depends on rice, but there are still 200-300 million people facing severe food crises. Let us join together to respond to the ” palacezerowaste  ” initiative, take action on discs, cherish every particle and never throw it away!

Qing Dynasty, clay paint and yellow wine jar. Wedding ceremonies are grand and lively, often with wine added to the fun. This wine jar is made of clay and painted with colorful paint. The body of the jar is painted with auspicious patterns of dragons and phoenixes. There is the word “囍” on the jar body and sealing mud. The jar is filled with rice wine produced in Zhejiang. In ancient China, the best rice wine was brewed in Shaoxing, Zhejiang. This wine may have been specially produced by local officials as a tribute to the emperor’s wedding.

Tongzhi, Qing Dynasty, yellow ground pastel color magpie plum bowl. In preparation for the wedding in the 11th year of Tongzhi (1872), the palace issued a firing list and official instructions to the Jingdezhen Royal Kiln Factory: “The queen needs to use porcelain for fourteen points and nine colors.” Among them, “Fourteen Points” refers to fourteen sets of porcelain with different patterns, each of which is a sea bowl, a large bowl, a medium bowl, a soup bowl, a rice bowl, a pocket bowl, a nine-inch plate, a seven-inch plate, a five-inch plate, and a four-inch plate. One-inch plates, three-inch plates, two-inch five-plates, wine cups, soup spoons, tea cups, large tea cups, tureens, tea jars, urns, powder boxes, rice bowls, rouge boxes, flower pots, narcissus boxes, etc. The inner wall of this bowl is plain, and the outer wall is painted with magpies and plum blossoms on the yellow ground. The main trunk of the plum tree is curved, the branches are strong, and plum blossoms are dotted on the branches. Black magpies are flying or perching, with vivid postures and delicate depictions. The magpie climbing on the plum blossom is a traditional Chinese auspicious pattern. It is pronounced by the words “xi” and “plum”, which means “happy on the eyebrows”. This patterned bowl is one of the “Fourteen Points” porcelain fired at Tongzhi’s wedding ceremony.

From October 12th to 18th, the week-long third “Forbidden City Zero Waste Catering Culture Week” came to an end! During this Catering Culture Week, the Forbidden City has newly upgraded and launched an “immersive zero-waste restaurant” experience. It provides publicity, decoration tips, action guidelines, etc. based on scientific dining procedures to encourage audiences and employees to proactively reduce food waste and develop a “CD-ROM” Actions”, “reduce disposable plastic tableware”, “garbage sorting” and other good green dining habits.

“Grains are the life of all people and the most important treasure of the country.” Palace museum and Vanke philanthropy foundation invite you to participate in palacezerowaste and let the good habit of “zero waste dining” accompany you every day to ensure “food security”

Tongzhi of the Qing Dynasty, a gold-engraved tea bowl with patterns of flowers, longevity and longevity. The tea bowl is made of 80% gold. The round mouth is slightly open, and the upper part of the outer wall and the circle foot are engraved with a pattern around it. The middle of the outer wall is engraved with two pairs of characters “囍” and the character “Shou”, and the lower part is decorated with lotus petals. Inscribed on the sole of the foot is “Two liang equal to seven liang, four qian and two cents in the eleventh year of Tongzhi (1872)”. The eleventh year of Tongzhi (1872) was the year of Emperor Tongzhi’s wedding. The word “囍” was engraved on the bowl, which should be used for the wedding.

Dharma stickers are made by imitating the ink marks of famous people from different eras on stones, making rubbings and spreading them widely. Among them, the ancients said that those with fine imitation, engraving, and rubbing are “first class than authentic works.” Dharma stickers can more realistically reproduce the calligraphy of famous artists, making it easier for people to practice calligraphy. The publication of “Chunhua Pavilion Tie” in the Northern Song Dynasty created the trend of engraving and passing on rubbings, and it is known as the “ancestor of Fati”.

The original stone of “Chunhua Pavilion Tie” was destroyed long ago. Song Tuo Charming The second section of the exhibition “Chunhua Pavilion Calligraphy and Song Dynasty Dharma Calligraphy” displays the Maoqin Palace copy collected by the Palace Museum and the Quanzhou copy collected by the Art Museum of the Chinese University of Hong Kong. They are both rare re-engraved copies of the “Chunhua Pavilion Calligraphy” handed down from ancient times.

Qing Dynasty, golden dragon and phoenix double 囍 pattern plate. This gold plate is 4.8 centimeters high and 30.6 centimeters in diameter. It is made of 80% gold and weighs forty taels. It is the largest gold plate existing in the Qing palace. There are four characters on the plate: “dragon”, “phoenix”, “double” and “囍”. This plate may have been used for the weddings of emperors and empresses.

Painted banquet table with golden dragon and phoenix patterns. In the Qing Dynasty, when the emperors and empresses held wedding ceremonies, they had to share a table and eat together. The table was entered by the female official of the Ministry of Internal Affairs. The emperor sat on the right and the queen sat on the left, eating and drinking opposite each other. This table is the combined banquet table. The table is made of wood, with a yellow lacquered table top and a painted golden dragon and phoenix “囍” pattern. The legs are slightly curved, making it beautiful and practical. Emperor Guangxu’s “Red Banquet of the Wedding Ceremony” records that the emperor and empress’s banquet table was one foot high, three feet five inches long, and two feet five inches wide. It was decorated with the Chinese character “囍” with dragons and phoenixes on a yellow ground. The size and pattern matched this table.

The scroll of “Guiju Mountain Birds” (Fig. 1) was painted by Lu Ji, a court painter of the Ming Dynasty, and is now collected in the Palace Museum. The subjects depicted on the axis of the picture are red-billed blue magpies, starlings, sweet-scented osmanthus, and autumn chrysanthemums, all of which are auspicious and precious things. The objects in the picture not only truly show the natural nature of the creatures, but also vividly express the beautiful meaning. The starlings on the branches are chirping at each other, highlighting their good singing nature; the four red-billed blue magpies are graceful and their dark blue feathers are particularly eye-catching. Among them, the three in the lower left corner are fighting for an insect, which is lifelike. The red-billed blue magpie is a beautiful bird. The male and female have similar feather colors. Its extraordinary temperament can be called the “face value” among birds. However, their calls are in great contrast to their beautiful appearance and graceful flying posture. They make many different noisy calls and whistles, which are rough and noisy….

Guangxu of the Qing Dynasty, the recipe for the Henu Banquet. According to Emperor Guangxu’s “Red Banquet of the Wedding Ceremony”, on the twenty-seventh day of the first lunar month in the fifteenth year of Guangxu’s reign (1889), the emperor and his empress had a banquet. The meal list was as follows: red gold plate with two items: pig black fork and sheep black fork; red gold bowl The fourth product: bird’s nest with the character “Eight Immortals” duck, the bird’s nest with the character “囍”, shredded duck, thin pork shreds soup; the second product of the red gold plate: the bird’s nest with the character “dragon” mixed with shredded smoked chicken, the bird’s nest with the character “phoenix”, golden and silver elbow flower, the bird’s nest with the character “Cheng”, spiced chicken , bird’s nest with auspicious characters, gold and silver duck silk; red gold snail plate with side dishes, second item; red gold plate with side dishes, second item; red ground with golden flower characters, porcelain bowl, second item: bird’s nest and eight immortals soup, second item; colorful Bai Zi porcelain bowl, second item: old rice meal; second item; The second product of the colorful Baizi porcelain bowl: the second product of Zisun Pastry. The dumplings are dumplings brought by the queen from her natal family and cannot be cooked. When the emperor and empress were eating them, a boy outside the window asked if they were alive, and the emperor and empress had to answer “live”. Eating cakes for descendants should be done before the Henu Banquet, which shows that the royal family attaches great importance to the inheritance of descendants. The tableware for the Hexin Banquet is luxurious, and the dishes contain the beautiful meaning of dragons and phoenixes, and the succession of descendants…

Qing Dynasty, red sandalwood inlaid glass with the word “囍” hanging on the corners. Emperors of the Qing Dynasty mostly married their queens in the afternoon or evening. Emperor Tongzhi married during the Shen hour, that is, between 3 pm and 5 pm, while Emperor Guangxu chose the Zi hour, which was between 11 pm and 1 am. When a wedding is held at night, lights and candles are naturally indispensable. There are poke lamps that can be inserted on the base, hand-held lamps, table lamps placed on the table, and hanging lamps hung on the room. Poke lamps and holding lamps are mostly used outdoors, while table lamps and hanging lamps are mostly used indoors. This hanging lamp consists of two parts: a lamp cap and a lamp body. The red character “囍” is pasted on the lamp body, which means prosperity and joy.

Today is #Double Ninth Festival# , it is advisable to climb high and face the open air, and express your feelings with your eyes wide open. # fall in love with the forbidden city #

Qing, the horny character holds the lamp. The lamp consists of two parts: cover and base. The lampshade is round in shape, with the upper and lower parts slightly tightened, and the word “囍” is written in red on both sides. The handle is connected to the base, and a bracket is installed on the base to fix the lampshade. The cover is made of horn, heated and boiled with cow and sheep horns and solvent until soft, and then different types of lasts are used to gradually expand it. The cover wall is thin and seamless, has good light transmission and is windproof. However, the production of lampshades is difficult, the yield is low, and those with large diameters are particularly rare. This kind of horn lamp is controlled by eunuchs and is not only used to illuminate the queen’s carriage when walking in the palace, but can also be placed in the wedding room to create a festive atmosphere…..

On the 24th October 2023 .. Fall in Love with the Forbidden City…. Turtles and cranes watch the sun and moon from a distance, while divine lins spit out mist and turn into frost. Repost three auspicious beasts and reap Frostfall…… good luck!

The autumn air is crisp and the autumn clouds are light. After mid-autumn, galloping horses and sentrying deer in the forest were seasonal leisure activities for the Qing Dynasty court. The method of sentrying a deer is to “put on the deer’s head and lie down in the forest ravine, and use the whistle to call the deer.” It can be seen that the deer whistle is an important tool for hunting deer. Deer whistles are shaped like horns, about two to three feet long, and can simulate the sound of a deer. According to the habits of deer, deer hunters need to start from the camp before the fifth watch, go to the predetermined location to hide, and wait with bated breath after the deer whistle blows. After the deer appears, because the distance is close and the target is clear, the deer will hit more; if occasionally If you fail to hit, the pursuit will generally not continue. Figure 8 is one of the imperial deer whistles collected by the Palace Museum that is on display in the exhibition….

Qing Dynasty, filigree enamel candlestick with the word “囍”. Before the advent of electric lights, people used oil lamps or candles for lighting. There were many candles and candlesticks in the Qing palace. Candlesticks are mostly made of metal, which is stable and difficult to ignite. Menorah styles vary depending on where they are used. This cloisonné enamel candlestick has a sky blue glaze base and is decorated with lotus patterns. Yuanbao symbolizes wealth and can prevent wax oil from spilling. The word “囍” indicates that this candlestick is specially made for weddings.

Wang Xizhi’s “Lanting Preface” of the Eastern Jin Dynasty is known as “the best running script in the world”. The “Lanting Preface” that has been handed down from generation to generation is divided into two types: later generations’ copy, copy and stone rubbing. During the Song Dynasty and the Song Dynasty, engraving and calligraphy flourished. “Preface to Orchid Pavilion” was carved in stone and passed down, which became a fashion. Collecting rubbings of “Lanting Preface” has gradually become a hobby among literati, ranging from a few to more than ten, or even hundreds or even hundreds.

During the Southern Song Dynasty, Lizong, the Prime Minister of Yousi, collected hundreds of rubbings of Wang Xizhi’s “Lanting Preface”, which were later called “Youxiang Lanting”. According to the heavenly stems, there are ten types of each stem from A and B to Ren and Gui. In the third section of the #松图charm exhibition, “You Xiang Orchid Pavilion”, the Palace Museum and the Art Museum of the Chinese University of Hong Kong jointly displayed fourteen of them for the audience to compare and appreciate.

日国宫 , tonight’s good night comes from the book “Yuemanqingyoutu”·Chrysanthemum Appreciation on the Double Ninth Festival.

Images and visuals are from – Forbidden City –Palace Museum Beijing- China –People’s Republic of China…..

#QIPAO #旗袍 #Cheongsam |#FashionLookBook #October2023 | #许龄月# XuLingyue #Amelie #InternationalChineseActress  wears a stunningly looking every day wear refreshingly Classic summery season  #WhiteQipao …..

kevinjamesngLeave a comment

Introduction: 许龄月 Xu Lingyue was born on January 24, 1992 in Qujing, Yunnan. In 2012, she made her debut as the runner-up in the 61st Miss Universe Competition in China. Main works: TV series “You Are My Eyes” (Qiu Xuehua), TV series “Left Ear” (Jiang Jiao), TV series “Choose Heaven” (Mo Yu), web series “Dear Archimedes” (Zhen Ai) ), the theater movie “Graduation in Progress” (Liu Yumeng), the TV series “Return” (Miao Ying), the online drama “The Masterless City” (Jiang Xue), the TV series…

Xu Lingyue has a strong interest in art and has learned dance since she was a child. Her biggest hobbies are painting and clothing design, and she dreams of owning her own clothing brand. This is also an important reason why Xu Lingyue participated in the 61st Miss Universe China Competition. At the same time, she gave up his hard-won job for her own dream…

Has the first white touch of October fallen into your heart?
In fact, there are many cheongsams in the closet, waiting for me to wear them slowly….

The long wind surrounds the flag, and the white clothes fall into a dream. A startling glimpse of the old alleys and alleys…..

QIPAO 旗袍 Cheongsam …. In which from historically Shenyang is the birth place of the Qing Dynasty 1636-1912plus ….  In which Qipao is termed for Qing Dynasty Clothing that the Manchu ethnic adoptively wore…… in which the Shenyang Palace Museum was an imperial palace towards two Qing Dynasty emperors. Previously two years ago During the event it which was an eight day forums, with exhibitions also related workshops illustrating the birth place of the Old Capital of Cheongsam where the Qing Dynasty- Qipao was inspired from..  

Before that Shanghai 1930’s Qipao-Cheongsam revolution, the Manchurian Cheongsam was the fashion of choice of the Qing Dynasty (1636-1912)   throughout as it standardised that style during the dynasty… Replacing the previous clothing standard Han Fu – Han Dynasty clothing style, in which also is form fitting towards the women’s silhouette but with a higher degree of freedom of flare of personal, individual style… 

Qipao-Cheongsam is uniquely hand crafted tailored Chinese dress to the customer’s various measurements… in which you can still have them brought of the rack in which is accustomed to the standard measurements… in which you can tell which is western influenced with the back zipped in which the Eastern traditional Chinese Tailors would have the side zipped of the Qipao dress due it interrupts the flow of the pattern work at the back of the dress..  Also it creates a continuous seamless back look…  after as the measurements are translated drafted onto the silk or the customer desired accustomed fabric of choice, from the measurements book with the associated look of the design elements with additional accessories the sexiness of Qipao lies subtlety.. Measuring, patterning, cutting, and button making are crucial, in where passion and art comes together in tailoring

 In which traditionally Qipao- Cheongsam dresses are worn for from straight forwardly every day towards after work evening wear in without having to change to another set of wardrobe dressing only to accessories for the required occasion… … in which the Qipao dress pattern silhouette is design for the lady’s figure in which accentuating the silhouette without giving away too much of what’s underneath in retaining…. its timeless classic silhouettes in which are designed to be worn every day, from work, evening,  casually  towards to the weekend… with sleek simple, elegant, sexy intelligent sophistication in which are easy to be accessorised with any pieces of clothing in your current or upcoming wardrobe…

Imagines and visuals are from their respectives.

#北京 #中國 #China #Beijing | #紫禁城 #ForbiddenCity #October2023 | #ForbiddenCityDairies -The Palace Museum #ForbiddenCity Collections of Chinese intangible cultural heritage.  Collection  26th 4TH – 8TH October  2023…

kevinjamesngLeave a comment

On July 19th 2023 , the multilingual website of the Forbidden City Palace Museum- Beijing, China, People’s Republic of Chinawas officially released at the Digital Cultural Tourism Development Forum of the 2023 China Internet Civilization Conference! The website covers five languages: English, French, Russian, Japanese, and Spanish, and will meet the needs of audiences with different languages.

 The multilingual website of the Palace Museum is committed to establishing an international website that is concise, clear, easy to use for overseas audiences, and fits the construction of the modern civilization of the Chinese nation, including tour guides, information, panoramic tours, online exhibitions, collection appreciation, cultural topics, etc. Rich immersive content describing of the most detail collection that housed within the Forbidden city collection… . 

“The sound of birds and the shadows of flowers attract people to live in”. The blossoms are pink and white, and the birds are singing, which is the most pleasant scene. The apricot ranking is ranked first, the spring breeze is proud, and there is joy and joy.

Today on the 8th October- 24th October 2023 is 寒露Cold Dew, the twilight is getting earlier and the dew is cold. It’s late autumn, remember to put on more clothes and keep warm 爱尊城……everyone.

The traditional Chinese calendar divides a year into 24 solar terms. Hánlù, Kanro, Hallo, or Hàn lộ is the 17th solar term. It begins when the Sun reaches the celestial longitude of 195° and ends when it reaches the longitude of 210°.

Interior view of the bridal chamber of Kunning Palace. In the bridal chamber, there is a floor-to-ceiling kang bed with a gourd and vine pattern of “囍” and dragon and phoenix, and a tent with a dragon and phoenix in auspicious “囍” pattern. A bedding is placed on the kang, and a plaque hangs “The sun rises and the moon stays forever.” There is a saying in the book of the emperor and empress of Tongzhi that “the two rituals of movement and coordination will make the husband smooth; the light will shine on the four sides, and the rising sun will praise the husband and the moon.” Therefore, the plaque contains the meaning of blessing. The vine gourd symbolizes the endless supply of melons, which corresponds to the couplet on the indoor wall: “The precious gourd lasts forever, the eight poles of mankind and heaven rejoice; the gold and yellow flowers flourish, the sun and moon shine brightly in the sky”.

Bamboo

“snow-covered sloping tips lean against the north wind”. The slim bamboo can also tower over the clouds and cling to the green mountains. Between the dense green and sparse shadows, the common sense of all things is revealed, showing the demeanor of a gentleman.

Qing Dynasty, silver and gold-plated account hook with the word “囍”. Chinese tent hooks have a long history. Bronze tent hooks were used as early as the Warring States Period, and they have been used continuously since then. In the Qing Dynasty, palace tent hooks were roughly divided into three categories: wedding celebrations, birthday celebrations, and auspiciousness. This is the wedding celebration category. There are small rings on the tent hooks for hanging, and the word “囍” is created in the middle and at the bottom of the semicircular hook, which can be described as meticulous.

“Beautiful flowers and pavilions leaning on the painted bridge”. Eating fresh food can relieve irritability, and observing postures can purify the mind. The round lotus sheds dew, the gentle breeze spreads the fragrance, and the summer scenery in the pond is overwhelming.

Qing Dynasty, red satin embroidered with a picture of a hundred children. This hundred-child picture account is the left half of the folded account. The account is embroidered with children with different expressions, which means more children and more blessings. Because Emperor Guangxu’s wedding took place in winter, this Baizi picture tent is a folder tent, which is warmer than a gauze tent. This account is made of exquisite materials and superb techniques. It is both practical and ornamental. It is a very exquisite piece of woven and embroidered art.

在palace中文 Look for the beauty of the country in the brocade, and enjoy the colourful colours in the courtyard. After seven days of fragrance-seeking journey, I hope the road ahead will be bright and worry-free, and the fragrance of flowers will always accompany you on a smooth journey!

Guangxu of the Qing Dynasty, bright red satin embroidered quilt with golden 囍 pattern for generations. The main color of the quilt is bright red, with gold “囍” patterns embroidered on it. There are also patterns such as pomegranates, bats, gourd vines, lotus round boxes, plums, orchids, bamboos and chrysanthemums, wishing the emperor and the queen a harmonious married life and future generations. This quilt is not only practical, but also has a beautiful meaning. But good intentions did not change the cruel reality. Emperors Tongzhi and Guangxu, who held wedding ceremonies in the Forbidden City, had no heirs, and the idea of ​​five generations living under one roof became a fantasy.

Images and visuals are from – Forbidden City –Palace Museum Beijing- China –People’s Republic of China…..

#北京。 #中國 #China #Beijing | #紫禁城 #ForbiddenCity #September2023 | #ForbiddenCityDairies The #MeridianGate (Wu men) -The Palace Museum #ForbiddenCity Collections of Chinese intangible cultural heritage.  Exhibition on Chinese tea culture opens at Palace Museum

kevinjamesngLeave a comment

From September 2 to November 30th 2023 , “Tea·World—Tea Culture Special Exhibition” will be on display at the Meridian Gate and East and West Yanchi Tower exhibition halls of the Forbidden City Beijing Palace Museum, China, people’s Republic of China . This exhibition is hosted by the Palace Museum and brings together representative collections from 30 archaeological and cultural institutions at home and abroad, with a total of 555 exhibits (groups). The exhibition is divided into four sections: Tea came from China, the tea ceremony is peaceful, the tea road is thousands of miles long, and the tea charm is long. With a distinctive theme and a grand scale, it three-dimensionally displays the Chinese tea civilization that transcends history, connects regions, and integrates nations. During the exhibition, a tea cultural and creative experience space was also opened in the Northeast Chonglou of Meridian Gate, allowing visitors to immerse themselves in the charm of tea culture. China Construction Bank serves as the joint promoter of the exhibition, and Longfor Group serves as the public welfare supporter of the exhibition to jointly support the exhibition activities. This exhibition is free to visit with Palace Museum tickets. Visitors must make a real-name reservation in advance through the “Forbidden City Museum” WeChat applet…

“The World of Tea: Special Exhibition on Tea Culture” opened at the Wu men (the Meridian Gate) Exhibition Hall of the Palace Museum on Friday in Beijing. From September 2 to November 30, 2023, the exhibition welcomes the public to explore a curated collection of tea-related artifacts. Presented by the Palace Museum, an array of tea-related treasures sourced from 30 esteemed cultural institutions and museums, both domestically and internationally, are on display at the exhibition. With an impressive assemblage of 555 cultural relics, encompassing individual pieces and intricate sets, this exhibition illuminates the fascinating journey of Chinese tea civilization. Furthermore, it provides insights into this cultural phenomenon’s origins, evolution, and remarkable achievements while emphasizing how tea has acted as a unifying thread connecting diverse regions and fostering the integration of various ethnic groups.

The exhibition’s opening ceremony was held on Friday at the Baoyun Lou (Hall for Accumulated Treasures) of the Palace Museum. Distinguished guests included Wang Xudong, a member of the Party Leadership Group of the Ministry of Culture and Tourism and director of the Palace Museum; Rao Quan, a member of the Party Leadership Group of the Ministry of Culture and Tourism and vice minister of culture and tourism; Guan Qiang, a member of the Party Leadership Group and deputy administrator of the National Cultural Heritage Administration; Shan Jixiang, president of the Chinese Society of Cultural Relics and former director of the Palace Museum; Liu Yuzhu, chairman of the China Foundation for Cultural Heritage Conservation; Liu Zhonghua, an academician with the Chinese Academy of Engineering and a professor at Hunan Agricultural University; Fung Ming Chu, former director of the Taipei Palace Museum; Lin Zhongyue, chairman of the Cross-Straits Tea Exchanges Association; and Cheng Pei-kai, former chairman of the Hong Kong Intangible Cultural Heritage Advisory Committee. Representatives from participating exhibitors, officials from cultural and museum departments in Beijing, representatives from societies, associations and foundations, experts and scholars, and leaders of the Palace Museum also attend the opening ceremony. Wang Xudong, director of the Palace Museum; Sergei Nilov, head of the Department of Russian Culture and History of the Russian State Hermitage Museum; Li Yun, executive vice president of China Construction Bank; and Song Yao, vice president of the Longfor Group and vice chairman of Longfor Foundation, all delivered speeches. Kang Hui, a well-known Chinese TV host, presided over the opening ceremony.

In November 2022, the United Nations Educational, Scientific, and Cultural Organization (UNESCO) acknowledged Chinese traditional tea processing techniques and their associated social practices in its intangible cultural heritage list. This noteworthy recognition marks a significant stride in promoting Chinese tea culture and facilitating deeper cross-cultural exchanges and mutual learning.

To further these objectives, the Palace Museum has organized “The World of Tea: Special Exhibition on Tea Culture.” This exhibition seeks to advance the systematic protection of intangible cultural heritage, stimulate innovative developments in China’s rich traditional culture, and fortify the bonds within the Chinese nation while showcasing the allure of Chinese culture on a global scale. Through the medium of this exhibition, the Palace Museum delves into the depths of tea history, explores the intricacies of the tea ceremony, and celebrates the diversity of tea-related activities. Using tea as a conduit, it elucidates the essence of Chinese tea culture, which greatly emphasizes the values of harmony and unity.

Tea originated in China and is popular worldwide. Legend has it that the Chinese were already aware of and making use of tea during the era of Shennong (who is considered the first Yan Emperor and an ancestor of the Chinese people). In Zhejiang Province, roots of artificially cultivated tea trees dating back about 6,000 years have been discovered. In Shandong Province, remains of boiled tea leaves dating back about 2,400 years were discovered in ancient tombs from the Warring States Period (476-221 BC), making it the oldest known evidence of tea drinking. Since the Han Dynasty (202 BC-220 AD), the tea preparation and drinking methods were diversified, including eating, frying, whisking, boiling, and steeping. Drinking tea has evolved into a cultural activity that sates an aesthetic thirst. The Chinese have combined their thoughts on life, the nation, nature, and the universe with daily practices, forming the essence of tea culture. The widespread embrace of tea within China has acted as a catalyst, promoting interactions among people from diverse regions and ethnic backgrounds who all share a deep affection for this cherished beverage. Furthermore, the global dissemination of tea has acted as a conduit for cultural fusion across the vast expanse of the Eurasian continent.

The exhibition delves into tea culture and fully presents the development of Chinese civilization and its interactions with other civilizations, all through the lens of tea as a medium. The exhibition comprises four sections, each illuminating a distinct facet of tea’s rich history and cultural significance.The first section explores the origins of tea in China, tracing its development over thousands of years and its pivotal role in politics, economics, and cultural exchanges. On display are cultural relics from the Qing Dynasty (1644-1911), including preserved tea leaves, export paintings, and combinations of various objects. The second section delves into the essence of the tea ceremony, featuring a collection of notable paintings and calligraphy from the Palace Museum, as well as ancient texts and excavated tea sets. In the third section, the exhibition traces the global spread of tea from China to various parts of the world, highlighting how different cultures adopted and adapted tea culture. Exhibits include exquisite tea sets from the UK, Japan, and Russia, unique tea sets used in the Qing Dynasty court, and foreign-style tea sets produced by the Imperial Workshop of the Qing Dynasty. The fourth and final section discusses the enduring appeal of tea culture, emphasizing its diverse and integral role in people’s daily lives across the globe. Rooted in tradition, it showcases tea culture’s ongoing development and prospects.

The exhibition spans from the Neolithic Age to the present day. It highlights the development and adoption of tea culture over thousands of years, as well as its embodiment of Chinese philosophical ideals such as unity of nature and man and universal harmony. The exhibits include ancient green-tea tree roots unearthed from the Tianluoshan site of the Hemudu culture (about 5000 BC to 4000 BC) in Yuyao, Zhejiang Province, pushing back the timeline of tea planting in China to about 6,000 years ago. Tea bowls and remains of boiled tea leaves were unearthed from a tomb of the Warring States Period in Zoucheng of Shandong Province, making it the oldest known evidence of tea drinking. The exhibition also features unearthed tea leaves from the Han and Song (960-1279) dynasties, along with over 40 pieces or sets of tribute tea (Gong Cha in Chinese) from the Qing Dynasty collected by the Palace Museum. Together, these cultural relics document China’s over 6,000-year history of tea cultivation and utilization. On display for the first time, a complete set of tea wares unearthed from a Tang Dynasty (618-907) tomb in Qujiangzhuang of Changzhi City, Shanxi Province, in 2022 is one of the most recent archaeological discoveries reflecting Tang Dynasty tea culture. The painting Spring Banquet illustrates a gathering of literati around a rectangular banquet table, with tea-related tools such as tea spoons and tea cups on it, offering a snapshot of how Song Dynasty literati enjoyed tea. A painted clay sculpture of the “Tea Sage” Lu Yu, originally displayed in the Emperor Qianlong’s tea room in Chengde Mountain Resort, is also featured. Accompanying this sculpture are tea sets and a statue from the Tang Dynasty unearthed in Gongyi, Henan Province. The statue is believed to be a representation of Lu Yu. From the Tang to the Qing Dynasty, the once-in-a-millennium meeting of two statues of Lu Yu is unprecedented in the history of tea culture.

This exhibition features a total of 555 pieces or sets of exhibits, including 227 from representative collections of 30 cultural institutions and museums both domestically and internationally. These collections are sourced from esteemed institutions such as the National Library of China, the National Museum of China, the China National Tea Museum, the Institute of Archaeology of the Chinese Academy of Social Sciences, the Museum of Ethnic Cultures of Minzu University of China, the Management Center of Ming Tombs in Beijing’s Changping District, the Shanghai Museum, the Tianjin Library, the Museum of Heilongjiang Province, the Hebei Provincial Institute of Cultural Relics and Archeology, the Xinjiang Uygur Autonomous Region Museum, the Shaanxi Academy of Archeology, the Famen Temple Museum, the Hanyangling Museum, the Gongyi Museum, the Shandong University Museum, the Changzhi City Cultural Relics Protection Research Center (Changzhi City Archaeological Research Institute), the Xiyang County Cultural Relics Institute (Xiyang County Museum), the Hunan Provincial Institute of Cultural Relics and Archeology, the Hunan Museum, the Nanjing Museum, the Guizhou Provincial Museum, the Zhejiang Provincial Institute of Cultural Relics and Archeology, the Guangdong Provincial Museum, the Shaowu Museum, the Opium War Museum, the Russian State Hermitage Museum, the British Victoria and Albert Museum, and the Tokyo National Museum and the Idemitsu Museum of Arts in Japan.

“The World of Tea: Special Exhibition on Tea Culture” comes with an exhibition catalog. Simultaneously, the Palace Museum’s official website will initiate online exhibition tours. Moreover, multiple channels and formats will be adopted to promote the exhibition, including the museum’s official accounts on Weibo, WeChat, and online video platforms. The Palace Museum will sequentially present a series of public academic lectures to facilitate visitors to understand the exhibition. Please stay tuned for lecture announcements on the “The Palace Museum Publicity and Education” official WeChat account.

During the exhibition, a tea-related cultural and creative products experience space is open to visitors at the Chonglou (the Lofty Pavilion) in the northeast of Wu men (the Meridian Gate). This unique space is a dedicated area for cultural and creative exploration, highlighting the essence of tea culture within the Forbidden City, with a theme centered around “thousands of feet of snow.” By seamlessly integrating elements such as white jade carving, meticulous mortise and tenon craftsmanship, and the iconic red wall color, visitors are invited to fully immerse themselves in the captivating allure of traditional Chinese culture while indulging in a profound tea culture experience.

China Construction Bank, as the joint promoter of the exhibition, and Longfor Group, as the public welfare supporter, have collaborated to support the exhibition activities. During the exhibition, the Palace Museum and China Construction Bank will launch the fifth round of new precious metal cultural and creative products – the “Divine Animals of the Forbidden City.”

Admission to this exhibition is free with a Palace Museum ticket, and visitors can make real-name reservations through the “Palace Museum” WeChat mini-program.

Images and visuals are from – Forbidden City –Palace Museum Beijing- China –People’s Republic of China…..