Chinese Traditional Architecture

#北京 #中國 #China #Beijing | #紫禁城 #ForbiddenCity #January 2024 | #ForbiddenCityDairies -The Palace Museum #ForbiddenCity Collections of Chinese intangible cultural heritage. 24th December 2023- 4th January 2024….

January 4, 2024 kevinjamesngLeave a comment

On July 19^th 2023 , the multilingual website of the Forbidden City Palace Museum- Beijing, China, People’s Republic of Chinawas officially released at the Digital Cultural Tourism Development Forum of the 2023 China Internet Civilization Conference! The website covers five languages: English, French, Russian, Japanese, and Spanish, and will meet the needs of audiences with different languages.

The multilingual website of the Palace Museum is committed to establishing an international website that is concise, clear, easy to use for overseas audiences, and fits the construction of the modern civilization of the Chinese nation, including tour guides, information, panoramic tours, online exhibitions, collection appreciation, cultural topics, etc. Rich immersive content describing of the most detail collection that housed within the Forbidden City collection….

Qing, anonymous, baby play picture album page. The “Baby Play Pictures” album was created by a court painter. This page is one of the pages, depicting a scene of five children picking lotus flowers and playing in the water by a lotus pond, with the sun burning like fire in June. The author uses meticulous and rigorous brushwork and rich and gorgeous colors to humorously portray the naive, cute, lively and interesting image of the child. In particular, the staggering and unsteady steps of the child wearing crotchless pants when walking ashore are vividly depicted, showing the author’s keen observation. The expressive power of describing God through form.

The “embroidery patch” in the picture is also called “embroidery patch”, which refers to sewing a single piece of embroidered fabric onto the surface of the garment. The official costumes of the Qing Dynasty followed the embroidery ceremony system of official uniforms of the Ming Dynasty, and were standardized and expanded. According to the “Qing Dynasty Huidian”, civil servants should wear bird patterns, military officers should use animal patterns, and what kind of animal patterns should be used for each of the first to ninth ranks is also clearly stipulated.

Clothing habits in real life also affect the world of opera. Among the costumes and official clothes collected in the Forbidden City (Figures 7-9), there are many kinds of ornaments with exquisite patterns….

During the reign of Tongzhi in the Qing Dynasty, Shen Quan, Shen Shijie and Shen Shiru posted pictures of infant play. This painting contains auspicious meanings and was jointly painted by court painter Shen Quan and others. It depicts a scene of children paddling and playing in a pond with blooming lotus flowers. The lotus in the painting is not only a real scene, but also contains symbolic meaning. Through the plot of a boy playing with lotus, the homophonic pronunciation of “lotus” and “lian” is used to express the good wishes of having children in succession and having many children and grandchildren. This picture was originally a hanging painting on the wall of a palace. It not only decorated the interior space, but also conveyed the wish for many children and good fortune.

The moon flower of the eleventh month of the lunar calendar is the camellia blooming in the winter scenery of southern China. Camellia is a traditional famous flower in my country. It was first recorded in the Wei and Jin Dynasties. Because of its large and plump flowers, rich and bright colors, and its frost and snow resistance, it has been praised by literati in the past dynasties. Su Che even compared camellia with plum and chrysanthemum, two famous flowers, “the fragrance is gentle and fragrant, and the chrysanthemum is light on the cliff, and the plum blossoms are as beautiful as the mountains.

25^th December 2023 At this moment,

During the reign of Tongzhi in the Qing Dynasty, Shen Zhenlin, a hundred sons presented an auspicious picture. According to the records of the Construction Office of the Ministry of Internal Affairs of the Qing Palace, on September 12, the 11th year of Tongzhi (1872), Emperor Tongzhi held a grand wedding ceremony in the Forbidden City. Previously, Emperor Tongzhi ordered the court painters Shen Zhenlin, Liang Derun, Zhang Kai and others of the Ruyi Pavilion to paint the “Picture of a Hundred Sons Presenting Auspiciousness” respectively on April 10th of that year, and hung it on the “﹁” on the entrance and exit of the Dongnuan Pavilion in the Kunning Palace Cave. “The curved ruler not only enhances the festive atmosphere of the wedding room, but also expresses the hope for the prosperity of the children through the pictures of a hundred children playing. This picture was carefully drawn by Shen Zhenlin, the leader of the Ruyi Pavilion. The main pattern of the painting is the Chinese character “囍” written in double hook lines. The two sides of the character “囍” are also painted with graceful floating silk ribbons, making the composition of the picture fuller and more varied. ; The outer surface of the character “囍” is painted with red cinnabar, which symbolizes joy and auspiciousness; the hollow space of the character “囍” is filled with the image of a hundred sons, and the ink calligraphy “a hundred sons are auspicious” is used to highlight the meaning of the painting.

Qing Tongzhi, red Baizi pattern damask quilt fabric. Not only did the emperors of the Qing Dynasty post the “Hundred Sons Picture” in the wedding room of the Forbidden City or in important palaces when they got married, they also often ordered the “Hundred Sons Picture” to be used as a decorative pattern on many handicrafts or daily necessities. , expressing the beautiful hope for the continuation of life. This is the damask fabric used by the royal family in the Qing Dynasty to keep warm and keep out the cold. In terms of pattern design, weavers cleverly express the auspicious and festive creative theme through the child’s lively and active posture, joyful demeanor and healthy and cute appearance: for example, the image of a child wearing a crown on his head holding a high crown in his hand means ” “Add official (crown) on top of official (crown)”; it looks like a boy playing with a lotus in his hand, which means “the lotus will give birth to a noble son”, etc. In addition, the fabric is also interspersed with auspicious patterns such as cranes, deer, chrysanthemums, pine and cypress, and Ganoderma lucidum that symbolize longevity, further expressing the pursuit and expectation of a happy life.

There are not only square embroidery patches used by civil and military officials, but also round and oval shapes, such as the dragon and python patches used by emperors, clan members, and others, as well as the “flower patches” on the clothes of concubines and official family members. . In addition to making a single piece of patchwork and sewing it separately, the special patterns of patchwork can also be directly embroidered on the clothes, called “back chest” or “chest back”.

Auspicious creatures, auspicious words, and flowers of the four seasons are wrapped in circular patterns, adding beauty to clothes and joy to life.

Tongzhi of the Qing Dynasty, yellow satin embroidered gourd and hundred son picture pillow. The emperor used exquisite materials, and the patterns on this royal pillow all have auspicious meanings: for example, the gourd pattern is embroidered on the edge, which is homophonic to “Fu Lu”; the front of the pillow is embroidered with a boy pushing a wooden three-legged golden toad, which represents the Taoist “bang play” The allusion of “Golden Toad” means prosperity of wealth; the embroidered boy carries a long halberd with a chime on his shoulder, which uses the homophonic pronunciation of “halberd” and “chime” to express abundant auspiciousness and good things. Although “a hundred sons” is only an imaginary number, the emperor’s wish to sleep on it and realize many children, happiness and peace is sincere…

Guangxu, Qing Dynasty, red Nasha Baizi chart account. Nasha, also known as Naxiu, commonly known as stamped yarn, has a history of more than 2,000 years. It was very popular among the Qing royal family due to its strong decorative effect. Many royal garments, such as court robes, cloaks, dragon gowns, etc., are made of this kind of craftsmanship. The gauze tent shown in the picture is mainly in festive red color, with “囍” characters and traditional baby play patterns embroidered on it. The purpose of hoping for happy events and pursuing many children and blessings is obvious. It should be to celebrate the wedding. Made to order. The gauze tent was originally hung in the east room of Chuxiu Palace, one of the six west palaces in the Forbidden City. Empress Dowager Cixi once lived here after entering the palace in the second year of Xianfeng (1852). Four years later, Emperor Tongzhi Zaichun was born in the back hall of Chuxiu Palace.

The yellow-bellied tit is a unique bird species in China and a first-level protected bird in Beijing. Although it is small in size, the bright yellow color on its belly is very eye-catching, and its swollen little body looks soft and cute. They like to jump between branches or fly between the canopy. Except for the breeding period when they move in pairs or alone, in other periods they mostly move in groups on tall broad-leaved trees or coniferous trees, sometimes in mixed groups with other birds such as great tits. In the Forbidden City, it is easier to see groups of yellow-bellied tits in areas with trees in autumn and winter. When the weather gets warmer in the following spring, most of them leave and fly to the mountains to breed. Before winter comes, they fly to the hospital again to overwinter.

On December 28, 2023, the “Long March of National Treasures – Commemorative Exhibition of the Southward Relocation of the Forbidden City Cultural Relics” jointly launched by the Palace Museum and People’s Daily’s “National Humanities and History” magazine opened at the Shanghai History Museum. The exhibition mainly focuses on the historical materials and research results of the relocation of the Forbidden City cultural relics to the south. It returns to Shanghai, the first stop city for the relocation of the Forbidden City cultural relics to the south. Through “the national treasure’s journey southward in the beacon smoke”, “the reappearance of ancient relics in Shanghai for four years” and “the cultural context continues to flourish”. The three units “Endless” reproduce the historical memory of the relocation of cultural relics from the Forbidden City to the south, leading the audience into a time and space dialogue spanning 90 years. This exhibition will last until March 29, 2024.

29^th December 2023 It’s the last Friday of 2023! The blank space in the future is waiting for you to fill it with your wishes for 2024….

Guangxu of the Qing Dynasty, red satin embroidered door curtain with a picture of a hundred sons. The Qing royal family’s most fervent wish was to “integrate the family and the country” and have many children and grandchildren to protect the country forever. Therefore, the royal family often uses auspicious paintings to express their pursuit of prosperity, health and longevity for their children. This phenomenon can be seen everywhere in the decoration of royal objects. This door curtain was originally hung in the Chuxiu Palace, and represents various game activities of children in rockeries, lakes, pavilions, pavilions, and waterside gardens, playing chess, and traveling in cars. The embroidery workers used exquisite craftsmanship to freeze the children’s joy and the royal family’s hope for descendants on this door curtain, which is both a practical product and a work of art.

Purple Forbidden Yaji- January wallpapers are now online. As the New Year is approaching, appreciate the tranquility of the snow-capped mountains, the lifelike bamboo sparrows in the painting, and the vigorous dragon pattern on the bottle. Go to the official website to download high-definition wallpapers in various formats and sizes,

“Little cat head” and “pointy cat ears”, this is not a cute kitten, but a “ding” that means everything!

“Ding” is a typical pictographic character, with the bottom being the tripod’s feet, the middle being the tripod’s belly, and the top “cat ears” being the two ears of the tripod. Originally, the tripod was used as a food vessel, and people used it to cook or hold food. Later, the tripod gradually became one of the most important ritual vessels for noble banquets, sacrifices and other ritual activities. Together with the bronze bell, it formed the “bell ringing tripod food”. It is said that Yu cast the Jiuding, which symbolizes the Kyushu, so the Jiuding has become an important weapon of the country, symbolizing the supreme power.

31^st December 2023 Bid farewell to the last sunset of the year and head towards the grandeur of the new year. Goodbye, 2023…

1^st January 2024 Hello January! Hello, the first ray of sunshine in 2024!

2024 has arrived as promised, and the Palace Museum welcomed the first batch of visitors in the new year. The leaders of the hospital arrived in front of the Meridian Gate early, presented the brand new 2024 “Forbidden City Calendar” to the first visitors to the hospital, and sent New Year blessings to everyone. In the new year, the Palace Museum will continue to accompany you. I wish you happiness and good health in the new year and all seasons!

2^nd January 2024 good morning! Welcome the first working day of 2024 with full energy..

Spring and Autumn Period, bronze dragon-eared gui. Bronze Gui is not only a container for holding food, but also a ritual vessel for feasts and sacrifices. It appeared in the Shang Dynasty, became popular from the Western Zhou Dynasty to the Spring and Autumn Period, and gradually disappeared during the Warring States Period. Gui can be either round or square. In the early stage, it had no ears. In the later stage, it appeared with two, three or even four ears. They often appear in even numbers and are used in conjunction with odd-numbered tripods. Usually the emperor has nine tripods and eight guis, the princes have seven tripods and six guis, and the ministers have five tripods…

Warring States Period, jade carved dragon-shaped pendant. The jade pendant is in the shape of a sheet, in the shape of a dragon, with the same pattern on both sides. The dragon bends down and looks back. There is a large bird on its tail, and a small bird is carved on the inside and outside of its neck and tail. The dragon’s body is fully decorated with grain patterns and has a round hole in the middle. This vessel was unearthed from a Chu tomb during the Warring States Period in Yanggong Township, Changfeng County, Anhui Province. A total of two jade pendants were unearthed at the same time. They were similar in shape and were placed on the left and right sides of the human pelvis. They should be part of a group of jade pendants. Its size reaches more than 20 centimeters, and its body is large and finely crafted, showing the noble status of the owner of the tomb. This conjoined dragon and phoenix pendant is a unique shape among the jade wares of the Warring States Period. It has exquisite curves and exaggerated techniques, reflecting the rich imagination of the maker…

Han Dynasty, jade carvings with three dragon patterns. The shape of the jade is slightly circular, flat body, with the same decoration on both sides. The carving is three intertwined dragons, and is partially decorated with low relief and incised fine lines. The seemingly complicated interspersed changes without losing the neat geometric rhythm reflect the beauty of smart curves. This type of jade ornament is more common in jade wares of the Han Dynasty and is a kind of ornament. This jade is of bright white quality and meticulously carved. It is a piece of high craftsmanship…

Since the Tang and Song Dynasties, scholars who passed the tribute examination in their hometowns were sent to Beijing by their prefectures and counties to participate in the provincial examination of the Ministry of Rites, which was called “Fa Jie” or “Jie” for short. Therefore, experts believe that this is an institution that handles examination procedures for candidates. People dressed as Confucian scholars gathered around an old man. With his focused expression, he might have just handed over the materials and were inquiring about the exam information! In addition, some scholars believe that this place was a pawn shop, bookstore, fortune-telling stall, etc.

Images and visuals are from – Forbidden City –Palace Museum Beijing- China –People’s Republic of China…..

#北京 #中國 #China #Beijing | #紫禁城 #ForbiddenCity #December2023 | #ForbiddenCityDairies – #明中都#MingZhongdu #滁州 #安徽 #Chuzhou #AnhuiProvince – The first central capital of the #MingDynasty….. #ChineseIntangibleCulturalHeritage

December 4, 2023 kevinjamesngLeave a comment

明中都Mingzhongdu The Ming Zhongdu is located in Fengyang County, Chuzhou City, Anhui Province, China, People’s Republic of China. It was the first capital built by the founding emperor Zhu Yuanzhang in his hometown of Fengyang. The construction project was presided over by Li Shanchang, the first civil servant of the Ming Dynasty.

The central capital of the Ming Dynasty was first built in the second year of Hongwu (1369) and was stopped in the eighth year of Hongwu (1375). It took a total of six years to build. The Ming Dynasty capital covers an area of more than 50 square kilometers and has three inner, middle and outer cities. Its inner palace city (imperial city) is 120,000 square meters larger than the Forbidden City in Beijing.

The Ming and Zhongdu were designed in strict accordance with the “Book of Rites of the Zhou Dynasty: Kao Gong Ji”, with layout features such as the front dynasty and the back sleeping quarters, the left ancestor and the right commune, and a north-south central axis running through the entire city. When Zhu Yuanzhang issued an edict to build the Central Capital in Fengyang, he mobilized skilled craftsmen, soldiers and civilians from all over the country, no less than a million people, to build cities, palaces and palaces like the capital city system, which occupied an important position in the history of the development of ancient Chinese capitals.

Beijing Forbidden City in comparison with the 1062 meters long Odyssey Class – Beijing, China, People’s Republic of China.

明中都Mingzhongdu Forbidden city first Ming Dynasty Forbidden CityFengyang County, Chuzhou City, Anhui Province in comparison with the 1062 meters long Odyssey Class – Beijing, China, People’s Republic of China.

The rise and fall of Zhongdu

The Ming Dynasty was established in 1368. In the same year, the Ming army launched its Northern Expedition and occupied most of the Yuan Dynasty , ending the Yuan Dynasty’s rule across the country. The political situation has undergone tremendous changes. After analyzing the pros and cons of establishing capitals in Guanzhong, Luoyang, Bianliang (Kaifeng), and Peking, Ming Taizu believed that Nanjing was too far away from the Central Plains to control the country; Bianliang also suffered from poor people’s livelihood and was a A place surrounded by enemies. Therefore, in September of the second year of Hongwu, an imperial edict was issued to choose Linhao (today’s Fengyang) to build the central capital, “ordering officials to build cities, palaces and palaces as in the capital.”

The construction project of Zhongdu was presided over by Li Shanchang. In the third year of Hongwu, the ground was started and the construction of the palace city began. By the sixth year of Hongwu, the palace city and forbidden city walls and palaces were basically completed, and the construction of the outer city of Zhongdu also started. On Dingsi in April of the eighth year of Hongwu (1375), Zhu Yuanzhang “went to Zhongdu in person to inspect his merits and reward his hard work.” On the same day, he ordered the construction of Ming Zhongdu to be stopped on the grounds of “labor expenses”. Down, no other buildings in Zhongdu will be built, and unfinished projects will continue. After that, from October of the eighth year of Hongwu, the auxiliary buildings of Zhongdu City were renovated and the imperial tombs were built. In the 26th year of Hongwu, the outer city gates of Zhongdu were built. By the 30th year of Hongwu, the construction of Zhongdu City was completed.

After Emperor Taizu of the Ming Dynasty stopped building Zhongdu, Zhongdu was not used as the capital. However, because it was the imperial hometown, the emperor’s relatives often trained troops in Fengyang and lived in the palace of Fengyang Zhongdu. Later, because Zhu Di moved the capital to Beijing, Beijing was far away from Fengyang. Princes no longer often lived in Zhongdu as in the Hongwu period. The palaces in the imperial city gradually became deserted, but there were still a large number of residents living in Zhongdu, and there were also many people stationed there. The army and government offices guarded and managed the central capital.

Location map of Zhongdu ruins in Ming Dynasty

“ Anhui Fengyang Mingzhongdu Site was selected as one of the “Top Ten New Archaeological Discoveries in the Country in 2021”

Current status of the Ming and Zhongdu palace city ruins

A schematic restoration of the Tushan Gate city platform in the Ming Dynasty (painted by He Lejun of Nanjing University)

On March 31, 2022, the high-profile “Top Ten New Archaeological Discoveries in the Country in 2021” was announced. The Ming Zhongdu Site stood out from the 20 archaeological excavation projects that were shortlisted for the final evaluation and was successfully selected.

Ming Zhongdu was the capital city built by Ming Taizu Zhu Yuanzhang in his hometown of Fengyang. In the second year of Hongwu (1369), construction was ordered. Six years later, when construction was stopped on the grounds of “labor expenses”, the capital had begun to take shape. The city site consists of three layers of city walls, covering an area of 50 square kilometers. City walls, palaces, temples, central government offices, military facilities, together with road networks, water systems, kiln sites, stone quarries and other relics from the time of city construction, together constitute a huge group of Ming Zhongdu ruins. In 1982, its core part, the Ming Dynasty Imperial City, was announced as the second batch of national key cultural relics protection units, and in 2017, it was announced as the third batch of national archaeological site parks.

A schematic restoration of the palace in the former court area of the Ming and Zhongdu capitals (illustrated by Li Wei of the Forbidden City)

The distribution of palaces and ancillary buildings in the former dynasty area of the Ming and Zhongdu

The huge stone foundation unearthed from the front hall of the palace foundation site

Large scale stone structure at the palace foundation site

In 2013, taking the construction of the ruins park as an opportunity, the Anhui Provincial Institute of Cultural Relics and Archeology formulated the “Archaeological Work Plan for the Ming Zhongdu Site”. In 2014, the archaeological exploration work of the Ming Zhongdu Site was launched, and the excavation officially began in 2015. In 2017, with the approval of the State Administration of Cultural Heritage, the Anhui Provincial Institute of Cultural Relics and Archeology cooperated with the Palace Museum and other units to conduct excavations in accordance with the excavation principles of “minimum area”, “minimum destruction” and “exhibition first” and in accordance with “layout, regulation, technology and process”. “Four academic goals, combining “field archaeology”, “digital archeology” and “technological archeology”, carried out continuous archaeological work on the Ming Zhongdu site and achieved a series of important gains. Through exploration and excavation, the layout of the city site has become increasingly clear, and the shapes and structures of individual building remains such as Chengtianmen, Donghuamen, and Waijinshuiqiao have been gradually revealed. On this basis, in 2021, we focused on excavation work on the Tushan Gate site and the core palace foundation site in the Qianchao District, with a total excavation area of approximately 2,100 square meters.

1. It is revealed that the Tushan Gate is a single-door arch-type city gate. The bottom of the city platform is about 39.5 meters wide from north to south and about 23 meters deep from east to west. It has a rammed earth inner and outer brick structure. The rammed earth core is made of one layer of bricks and one layer of soil. “Jiawaza” ramming method. On the north side of the city platform, an east-west horse path is set up against the north wall of the city platform. It is also a structure filled with rammed earth on the inside and bricks on the outside. The south side of the city platform and the outer city wall are connected by a brick wall. The city platform, horse paths and brick city walls are all located on a rammed earth platform with foundation trenches dug underground, and there is a clear construction sequence. The foundation trough and platform rammed earth also adopt the ramming method of one layer of bricks and one layer of soil. There are also ground nails at the bottom of the foundation trough of the city platform.

2. After accumulated excavations from 2015 to 2021, the layout of the palace foundation and some ancillary buildings in the former area of Guancheng was clarified by exposing the rammed earth platform foundation and its internal slats, in order to further explore the bay scale and construction sequence of the building. , construction technology, etc. laid the foundation. From the information revealed in the western half, it can be seen that the palace has a “work”-shaped layout of the front and rear halls plus a cross hall. Both the front and back halls have “Ninety-Four” bays, and the front hall leads to Baoxia. The hall is three rooms wide and seven rooms deep. On the west side of the apse are auxiliary buildings that may be corridors, gatehouses and Chonglou. The structure of the main hall, front and back halls plus a passage hall is relatively close to the palace architectural shape in the Song and Yuan Dynasties. The combination of ancillary buildings on the west side of the apse is very similar to the building combination at the same location in the Forbidden City in Beijing.

3. Excavations show that the palace is located on a rammed earth platform with a high front and a low back, similar to the practice of the Imperial Ancestral Temple in Beijing. The outer edge of the southern part of the platform is covered with a stone Xumizuo. A varying number of steps are found on the front and sides. The ground from the apse to the north is level with the top surface of the platform. The platform base is constructed one by one from various types of rammed earth, and a dense and neat platform is built using the “stone-clipping” method of one layer of stones and one layer of earth. There are many types of stone slabs, such as single type, two-piece type and four-piece type, which are constructed at the same time as the surrounding rammed earth. There are still foundation stones close to their original positions beside some of the stone walls. Among them, the giant stone foundation unearthed from the front hall has a side length of nearly 2.8 meters, a foundation surface length of 2.5 to 2.6 meters, and a basin diameter of 1.8 meters. Its volume is the largest at present. The foundation stone of a palace building is the largest I have ever seen. A rectangular loess platform with a length of 5.7 meters and a width of 4.9 meters was found in the middle and rear of the front hall. It was built earlier than the palace site and the palace wall. It is the location of the dragon throne in the palace and is exactly at the geometric center point of the entire palace.

Contents of this issue: The Ming Zhongdu ruins are located in Fengyang County, Anhui Province. More than 600 years ago, Zhu Yuanzhang, the founding emperor of the Ming Dynasty, decided to make Fengyang the capital of the world, named Zhongdu. Historians and architectural historians believe that during the construction, blueprints and model models were drawn for the reconstruction of the Nanjing Palace and the construction of the Forbidden City in Beijing.

Contents of this issue: The mystery of Ming Zhongdu has been deciphered beneath the surface of Jingdezhen, five hundred kilometers away. In 1990, the Jingdezhen Ceramic Archeology Institute unearthed an exquisite white porcelain water pipe, 26 centimeters high. Combining literature and stratigraphic analysis and comparison with physical objects, archaeologists in Jingdezhen confirmed that this unusual glazed building component was a sewer pipe produced for the construction of Fengyang Ming Zhongdu.

Contents of this issue: In the six years from 1369 to 1375 AD, a new capital city began to take shape in Fengyang, Zhu Yuanzhang’s hometown. Zhu Yuanzhang completed the national project of Zhongdu with extremely high standards, striving for excellence in every link. Seeing that his wish to “move the capital to Zhongdu” and “fix the tripod” is about to be realized.

Contents of this issue: In 1375 AD, shortly after Zhu Yuanzhang returned to Nanjing, he suddenly stopped the construction of the Central Capital on the grounds of “labor expense”, which shocked both the government and the public. The super project, which had devoted all the efforts of the whole country, came to an abrupt end just when it was “about to be completed.” As for the real reason, historical records are very vague.

The importance of new archaeological discoveries in Zhongdu during the Ming Dynasty:

1. New archaeological discoveries promote in-depth understanding of the Ming Zhongdu ruins

Because historical records are unclear. Archaeological exploration and excavation of key locations have continuously improved our understanding of the overall planning and layout of the capital in the middle Ming Dynasty. The excavation gradually clarified the scale and shape of each individual building, and explored information such as its construction process, order, and materials. It also gained an in-depth understanding of the construction, abandonment, and evolution processes of each group of buildings.

2. The excavation has filled a number of academic gaps.

1. The “3+2” layout of the Chengtianmen site discovered by archaeological excavations in recent years filled in the transitional link for the evolution of the second gate of the capital from three gates to five gates. It is the prototype of Beijing’s iconic “Tiananmen”.

2. For the first time, the architectural layout of the main hall of the former dynasty area during the Ming and Qing Dynasties is completely revealed. It fills the gap in the archeology of the capital palaces of the Ming and Qing Dynasties when other city sites such as Nanjing and Beijing do not have the conditions for excavation.

3. The discovery of the loess center point in the palace is extremely rare in excavations in the capital. It is located at the geometric center point of the entire palace city and is the location of the emperor’s dragon throne. It has strong symbolic significance and provides precious materials for studying the planning, site selection, and construction sequence of ancient capitals.

4. The huge stone foundation discovered at the palace foundation reflects the grand scale of the building. Its size is the largest stone foundation found in ancient Chinese palace buildings so far.

3. The excavation has supplemented key materials for the transformation of China’s ancient capital system from the Song and Yuan Dynasties to the Ming and Qing Dynasties.

Documents record that Zhu Yuanzhang visited Kaifeng in person before the construction of Zhongdu in the Ming Dynasty. When he conquered the capital of the Yuan Dynasty, he also measured the palaces in the capital of the Yuan Dynasty, including the Zhongdu of the Jin Dynasty. In November of the second year of Hongwu, he read the Yuan palace map. Therefore, the planning of the Ming Zhongdu reflected elements of the Song and Yuan capital systems. For example, the palace city is generally located southward in the capital, the T-shaped square is set up, and the outer Jinshui River route is similar to the planning of Dadu in the Yuan Dynasty. The triple city wall ring, the five-gate system on the central axis, and the I-shaped palace are all directly or indirectly inherited from Kaifeng in the Northern Song Dynasty. city planning concept.

Mingzhongdu was the first capital city in the Ming and Qing dynasties that truly embodied the capital system. Its planning was influenced to a certain extent by King Wu’s New Palace, but in turn it had a more profound impact on the subsequent transformation of Nanjing’s palace city and the capital construction of Beijing. The shape of the city gates in the northern and southern capitals, the setting of palaces and courtyards, the symmetrical layout of left ancestors and right shrines, and the internal and external Jinshui River system were all deeply influenced by the Ming and Zhongdu, and were deeply influenced by the planning of Ming Dynasty palaces and mausoleums in various cities.

The excavation of relevant sites along the central axis of the Ming and Zhongdus has revealed that they connect Song Kaifeng, Jin Zhongdu, Yuan Dadu, Ming Nanjing and Ming Beijing, filling key gaps. This connection also reflects the transmission of Chinese cultural genes from generation to generation. and the continuous characteristics of Chinese civilization. At the same time, it also has practical significance for promoting the study of the central axis of Beijing during the Ming and Qing Dynasties and its application for world cultural heritage.

4. The excavation of various buildings in the Ming and Zhongdu has added important reference materials for the study of architectural history.

The excavation of the palace foundation provides a reference for studying the palace layout of the Forbidden City in Beijing in the early Ming Dynasty, and finds the origin of the practice of the Imperial Ancestral Temple in Beijing.

The discovery of the craftsmanship, practices, construction sequence, and building materials of various types of buildings provides key basis for the restoration research on architectural construction in Zhongdu during the Ming Dynasty, and also provides reference materials for the research on other similar buildings.

The excavation of engineering relics such as kiln sites and scientific and technological research on building materials are also of great value in exploring the organization and implementation of engineering construction, and the production and circulation of building materials.

Since 2017, commissioned by the State Administration of Cultural Heritage, the Palace Museum Archeology Institute has cooperated with the Anhui Provincial Institute of Cultural Relics and Archeology to carry out archaeological work on the Ming Zhongdu ruins, and has participated in the completion of the Waijin Water Bridge, the moat, Xihua Gate, Tushan Gate, the core palace area, etc. Excavation work was carried out and a comprehensive survey was conducted on the Ming Zhongdu City Site and the Ming Emperor’s Mausoleum. At the beginning of 2019, the Mingzhongdu Archaeological Work Station jointly built by both parties was officially put into use.

The archeology of Zhongdu in the Ming Dynasty is one of the focuses of the archeology outside the Forbidden City, and it is also one of the important academic topics that the Forbidden City Archeology is dedicated to the archaeological research of palace-related remains. The archaeological discovery and research of the palace city of the Ming Dynasty is of great significance for deeply revealing the spatial form, structural layout, and regulatory ideas of the Forbidden City in Beijing. In the future, we will fully rely on the platform resource advantages of the Palace Museum, actively give play to the palace archaeological characteristics of the Palace Museum, continue to participate in and undertake various archaeological work on the site of the Ming Zhongdu, and base on the perspective of comparative research on the three capitals of the early Ming Dynasty, based on the archeology of the Ming Zhongdu Guided by the academic goals of the Ming Dynasty, the protection of cultural relics and archaeological work in Zhongdu of the Ming Dynasty will continue to be deepened.

#北京 #中國 #China #Beijing | #紫禁城 #ForbiddenCity #October2023 | #ForbiddenCityDairies -The Palace Museum #ForbiddenCity Collections of Chinese intangible cultural heritage. Collection Collection 16th – 26th October 2023…..

October 27, 2023 kevinjamesngLeave a comment

On the 26^th October 2023 is World Food Day, let’s get to know the word “rice” in Oracle!
The word “rice” in oracle bone inscriptions is made up of rice grains. The small dots above and below represent rice grains. Some people think that the horizontal drawing in the middle is the shape of a sieve.

“Mi” initially referred to millet that had taken off its shell, and later it gradually referred to rice specifically, which is the rice we are familiar with. my country’s early rice domestication played an important role in the origin of world agriculture. As early as more than 10,000 years ago in the middle and lower reaches of the Yangtze River (Shangshan Site), our ancestors had begun the domestication of rice, which was basically synchronized with the domestication of major crops in the world such as wheat and corn.

Today, more than half of the world’s population depends on rice, but there are still 200-300 million people facing severe food crises. Let us join together to respond to the ” palacezerowaste ” initiative, take action on discs, cherish every particle and never throw it away!

Qing Dynasty, clay paint and yellow wine jar. Wedding ceremonies are grand and lively, often with wine added to the fun. This wine jar is made of clay and painted with colorful paint. The body of the jar is painted with auspicious patterns of dragons and phoenixes. There is the word “囍” on the jar body and sealing mud. The jar is filled with rice wine produced in Zhejiang. In ancient China, the best rice wine was brewed in Shaoxing, Zhejiang. This wine may have been specially produced by local officials as a tribute to the emperor’s wedding.

Tongzhi, Qing Dynasty, yellow ground pastel color magpie plum bowl. In preparation for the wedding in the 11th year of Tongzhi (1872), the palace issued a firing list and official instructions to the Jingdezhen Royal Kiln Factory: “The queen needs to use porcelain for fourteen points and nine colors.” Among them, “Fourteen Points” refers to fourteen sets of porcelain with different patterns, each of which is a sea bowl, a large bowl, a medium bowl, a soup bowl, a rice bowl, a pocket bowl, a nine-inch plate, a seven-inch plate, a five-inch plate, and a four-inch plate. One-inch plates, three-inch plates, two-inch five-plates, wine cups, soup spoons, tea cups, large tea cups, tureens, tea jars, urns, powder boxes, rice bowls, rouge boxes, flower pots, narcissus boxes, etc. The inner wall of this bowl is plain, and the outer wall is painted with magpies and plum blossoms on the yellow ground. The main trunk of the plum tree is curved, the branches are strong, and plum blossoms are dotted on the branches. Black magpies are flying or perching, with vivid postures and delicate depictions. The magpie climbing on the plum blossom is a traditional Chinese auspicious pattern. It is pronounced by the words “xi” and “plum”, which means “happy on the eyebrows”. This patterned bowl is one of the “Fourteen Points” porcelain fired at Tongzhi’s wedding ceremony.

From October 12th to 18th, the week-long third “Forbidden City Zero Waste Catering Culture Week” came to an end! During this Catering Culture Week, the Forbidden City has newly upgraded and launched an “immersive zero-waste restaurant” experience. It provides publicity, decoration tips, action guidelines, etc. based on scientific dining procedures to encourage audiences and employees to proactively reduce food waste and develop a “CD-ROM” Actions”, “reduce disposable plastic tableware”, “garbage sorting” and other good green dining habits.

“Grains are the life of all people and the most important treasure of the country.” Palace museum and Vanke philanthropy foundation invite you to participate in palacezerowaste and let the good habit of “zero waste dining” accompany you every day to ensure “food security”

Tongzhi of the Qing Dynasty, a gold-engraved tea bowl with patterns of flowers, longevity and longevity. The tea bowl is made of 80% gold. The round mouth is slightly open, and the upper part of the outer wall and the circle foot are engraved with a pattern around it. The middle of the outer wall is engraved with two pairs of characters “囍” and the character “Shou”, and the lower part is decorated with lotus petals. Inscribed on the sole of the foot is “Two liang equal to seven liang, four qian and two cents in the eleventh year of Tongzhi (1872)”. The eleventh year of Tongzhi (1872) was the year of Emperor Tongzhi’s wedding. The word “囍” was engraved on the bowl, which should be used for the wedding.

Dharma stickers are made by imitating the ink marks of famous people from different eras on stones, making rubbings and spreading them widely. Among them, the ancients said that those with fine imitation, engraving, and rubbing are “first class than authentic works.” Dharma stickers can more realistically reproduce the calligraphy of famous artists, making it easier for people to practice calligraphy. The publication of “Chunhua Pavilion Tie” in the Northern Song Dynasty created the trend of engraving and passing on rubbings, and it is known as the “ancestor of Fati”.

The original stone of “Chunhua Pavilion Tie” was destroyed long ago. Song Tuo Charming The second section of the exhibition “Chunhua Pavilion Calligraphy and Song Dynasty Dharma Calligraphy” displays the Maoqin Palace copy collected by the Palace Museum and the Quanzhou copy collected by the Art Museum of the Chinese University of Hong Kong. They are both rare re-engraved copies of the “Chunhua Pavilion Calligraphy” handed down from ancient times.

Qing Dynasty, golden dragon and phoenix double 囍 pattern plate. This gold plate is 4.8 centimeters high and 30.6 centimeters in diameter. It is made of 80% gold and weighs forty taels. It is the largest gold plate existing in the Qing palace. There are four characters on the plate: “dragon”, “phoenix”, “double” and “囍”. This plate may have been used for the weddings of emperors and empresses.

Painted banquet table with golden dragon and phoenix patterns. In the Qing Dynasty, when the emperors and empresses held wedding ceremonies, they had to share a table and eat together. The table was entered by the female official of the Ministry of Internal Affairs. The emperor sat on the right and the queen sat on the left, eating and drinking opposite each other. This table is the combined banquet table. The table is made of wood, with a yellow lacquered table top and a painted golden dragon and phoenix “囍” pattern. The legs are slightly curved, making it beautiful and practical. Emperor Guangxu’s “Red Banquet of the Wedding Ceremony” records that the emperor and empress’s banquet table was one foot high, three feet five inches long, and two feet five inches wide. It was decorated with the Chinese character “囍” with dragons and phoenixes on a yellow ground. The size and pattern matched this table.

The scroll of “Guiju Mountain Birds” (Fig. 1) was painted by Lu Ji, a court painter of the Ming Dynasty, and is now collected in the Palace Museum. The subjects depicted on the axis of the picture are red-billed blue magpies, starlings, sweet-scented osmanthus, and autumn chrysanthemums, all of which are auspicious and precious things. The objects in the picture not only truly show the natural nature of the creatures, but also vividly express the beautiful meaning. The starlings on the branches are chirping at each other, highlighting their good singing nature; the four red-billed blue magpies are graceful and their dark blue feathers are particularly eye-catching. Among them, the three in the lower left corner are fighting for an insect, which is lifelike. The red-billed blue magpie is a beautiful bird. The male and female have similar feather colors. Its extraordinary temperament can be called the “face value” among birds. However, their calls are in great contrast to their beautiful appearance and graceful flying posture. They make many different noisy calls and whistles, which are rough and noisy….

Guangxu of the Qing Dynasty, the recipe for the Henu Banquet. According to Emperor Guangxu’s “Red Banquet of the Wedding Ceremony”, on the twenty-seventh day of the first lunar month in the fifteenth year of Guangxu’s reign (1889), the emperor and his empress had a banquet. The meal list was as follows: red gold plate with two items: pig black fork and sheep black fork; red gold bowl The fourth product: bird’s nest with the character “Eight Immortals” duck, the bird’s nest with the character “囍”, shredded duck, thin pork shreds soup; the second product of the red gold plate: the bird’s nest with the character “dragon” mixed with shredded smoked chicken, the bird’s nest with the character “phoenix”, golden and silver elbow flower, the bird’s nest with the character “Cheng”, spiced chicken , bird’s nest with auspicious characters, gold and silver duck silk; red gold snail plate with side dishes, second item; red gold plate with side dishes, second item; red ground with golden flower characters, porcelain bowl, second item: bird’s nest and eight immortals soup, second item; colorful Bai Zi porcelain bowl, second item: old rice meal; second item; The second product of the colorful Baizi porcelain bowl: the second product of Zisun Pastry. The dumplings are dumplings brought by the queen from her natal family and cannot be cooked. When the emperor and empress were eating them, a boy outside the window asked if they were alive, and the emperor and empress had to answer “live”. Eating cakes for descendants should be done before the Henu Banquet, which shows that the royal family attaches great importance to the inheritance of descendants. The tableware for the Hexin Banquet is luxurious, and the dishes contain the beautiful meaning of dragons and phoenixes, and the succession of descendants…

Qing Dynasty, red sandalwood inlaid glass with the word “囍” hanging on the corners. Emperors of the Qing Dynasty mostly married their queens in the afternoon or evening. Emperor Tongzhi married during the Shen hour, that is, between 3 pm and 5 pm, while Emperor Guangxu chose the Zi hour, which was between 11 pm and 1 am. When a wedding is held at night, lights and candles are naturally indispensable. There are poke lamps that can be inserted on the base, hand-held lamps, table lamps placed on the table, and hanging lamps hung on the room. Poke lamps and holding lamps are mostly used outdoors, while table lamps and hanging lamps are mostly used indoors. This hanging lamp consists of two parts: a lamp cap and a lamp body. The red character “囍” is pasted on the lamp body, which means prosperity and joy.

Today is #Double Ninth Festival# , it is advisable to climb high and face the open air, and express your feelings with your eyes wide open. # fall in love with the forbidden city #

Qing, the horny character holds the lamp. The lamp consists of two parts: cover and base. The lampshade is round in shape, with the upper and lower parts slightly tightened, and the word “囍” is written in red on both sides. The handle is connected to the base, and a bracket is installed on the base to fix the lampshade. The cover is made of horn, heated and boiled with cow and sheep horns and solvent until soft, and then different types of lasts are used to gradually expand it. The cover wall is thin and seamless, has good light transmission and is windproof. However, the production of lampshades is difficult, the yield is low, and those with large diameters are particularly rare. This kind of horn lamp is controlled by eunuchs and is not only used to illuminate the queen’s carriage when walking in the palace, but can also be placed in the wedding room to create a festive atmosphere…..

On the 24th October 2023 .. Fall in Love with the Forbidden City…. Turtles and cranes watch the sun and moon from a distance, while divine lins spit out mist and turn into frost. Repost three auspicious beasts and reap Frostfall…… good luck!

The autumn air is crisp and the autumn clouds are light. After mid-autumn, galloping horses and sentrying deer in the forest were seasonal leisure activities for the Qing Dynasty court. The method of sentrying a deer is to “put on the deer’s head and lie down in the forest ravine, and use the whistle to call the deer.” It can be seen that the deer whistle is an important tool for hunting deer. Deer whistles are shaped like horns, about two to three feet long, and can simulate the sound of a deer. According to the habits of deer, deer hunters need to start from the camp before the fifth watch, go to the predetermined location to hide, and wait with bated breath after the deer whistle blows. After the deer appears, because the distance is close and the target is clear, the deer will hit more; if occasionally If you fail to hit, the pursuit will generally not continue. Figure 8 is one of the imperial deer whistles collected by the Palace Museum that is on display in the exhibition….

Qing Dynasty, filigree enamel candlestick with the word “囍”. Before the advent of electric lights, people used oil lamps or candles for lighting. There were many candles and candlesticks in the Qing palace. Candlesticks are mostly made of metal, which is stable and difficult to ignite. Menorah styles vary depending on where they are used. This cloisonné enamel candlestick has a sky blue glaze base and is decorated with lotus patterns. Yuanbao symbolizes wealth and can prevent wax oil from spilling. The word “囍” indicates that this candlestick is specially made for weddings.

Wang Xizhi’s “Lanting Preface” of the Eastern Jin Dynasty is known as “the best running script in the world”. The “Lanting Preface” that has been handed down from generation to generation is divided into two types: later generations’ copy, copy and stone rubbing. During the Song Dynasty and the Song Dynasty, engraving and calligraphy flourished. “Preface to Orchid Pavilion” was carved in stone and passed down, which became a fashion. Collecting rubbings of “Lanting Preface” has gradually become a hobby among literati, ranging from a few to more than ten, or even hundreds or even hundreds.

During the Southern Song Dynasty, Lizong, the Prime Minister of Yousi, collected hundreds of rubbings of Wang Xizhi’s “Lanting Preface”, which were later called “Youxiang Lanting”. According to the heavenly stems, there are ten types of each stem from A and B to Ren and Gui. In the third section of the #松图charm exhibition, “You Xiang Orchid Pavilion”, the Palace Museum and the Art Museum of the Chinese University of Hong Kong jointly displayed fourteen of them for the audience to compare and appreciate.

日国宫 , tonight’s good night comes from the book “Yuemanqingyoutu”·Chrysanthemum Appreciation on the Double Ninth Festival.

Images and visuals are from – Forbidden City –Palace Museum Beijing- China –People’s Republic of China…..

#北京 #中國 #China #Beijing | #紫禁城 #ForbiddenCity #October2023 | #ForbiddenCityDairies -The Palace Museum #ForbiddenCity Collections of Chinese intangible cultural heritage. Collection 8th -11th October 2023-

October 11, 2023 kevinjamesngLeave a comment

On July 19^th 2023 , the multilingual website of the Forbidden City Palace Museum- Beijing, China, People’s Republic of China was officially released at the Digital Cultural Tourism Development Forum of the 2023 China Internet Civilization Conference! The website covers five languages: English, French, Russian, Japanese, and Spanish, and will meet the needs of audiences with different languages.

中国romantic farewell Hangzhou Asian Games In the eighth month of the lunar calendar, the osmanthus flower blooms and is the official flower of that month. In ancient times, the sweet-scented osmanthus was regarded as a good omen for success, and now it also contains the good expectations of “winning the laurels in the toad palace” and “winning the laurel crown”. The Hangzhou Asian Games will close tonight. Let us give a golden osmanthus to the athletes who are working hard to achieve greater success in their future journey!

Qing Dynasty, yellow satin embroidered pillow with gourd and 囍 characters, dragon and phoenix patterns. Pillows are bedding that is placed under the head to help people sleep. In the early days, they were mostly wooden and porcelain pillows, and later gradually became soft and comfortable fabric pillows. The pillow shapes include rectangular, round waist, cloud heads, petals, silver ingots, chicken hearts, etc. The most common decorative patterns are the lions who control the house, children praying for children, peonies hoping for wealth, dragons and phoenixes blessing marriage, etc. This pillow is used in the bridal chamber for weddings. It is embroidered with yellow satin, with the word “囍” in the center, dragon and phoenix patterns on both sides, and gourd patterns on the edges, which is consistent with the overall decoration theme of the bridal chamber.

Forbidden City Autumn Popular Colour – Sapphire Blue
“A crane lining the clouds in the clear sky brings poetry to the blue sky.” Autumn chrysanthemums, okra, and begonias blend into the gem-like blue sky of autumn.

[Clothing] Royal blue satin robe with flat gold embroidery and cloud and crane pattern, blue satin embroidered chrysanthemum and butterfly pattern bordered pipa lapel waistcoat, royal blue three-autumn pattern makeup satin [Daily necessities] Warm bowl with enamel painted with the Chinese character “Happiness” and treasure phase pattern, blue and
white Snuff bottle with cloud and dragon pattern, blue and white snuff bottle with cloud and dragon pattern, multicolour garlic bottle with golden and blue ground embossed pattern, blue glaze chrysanthemum petal plate, white ground covered blue glass chilong pattern amphora .

Interior view of the bridal chamber of Kunning Palace. This picture shows the northeast Kang (North Outer Kang) in the bridal chamber. Hanging on the wall of the Kang are the couplets “Ancestor Wu’s Rope, the Hall of Five Fortunes is the same as the Five Dynasties; Tianyan is happy, the third level wishes to merge with three more”. During the reign of Emperor Qianlong, there was a “Tangtong with the Five Dynasties”. For this reason, he specially ordered people to engrave the plaque of “Five Blessings and Five Dynasties Hall” and the seal of “Five Blessings and Five Dynasties Hall Ancient and Rare Emperor Treasure”, and wrote an article to record this event. “Three more” means more blessings, more longevity and more children, which means the emperor will have a long life. There are several tables built into the room, there are paintings on the walls, and there are mattresses, cushions, backrests, handrails, etc. on the kang.

The 98th anniversary of the founding of the Palace Museum The ancient city remains undefeated in the turbulent years. After ninety-eight years of struggle, the people of the Forbidden City are ushering in the rising sun of a new day!

[Raise hands] Based on the arrangement of the pictures, how many landmark buildings in the Forbidden City can you recognize?

Palace autumn popular color – Purple color
“The slow autumn light cannot be retained, and the red leaves are full of dusk.” The rustling of the sycamores and the rustling of the maple forest break the tranquility of the cold mountains in late autumn.

[Clothing] Cotton shirt with orchid pattern embroidered with gold and silver, crimson satin cotton with chrysanthemum pattern, maroon satin short-waisted socks [Accessories] oval purse with
dark maroon satin nailed damask bat pattern
[Daily necessities] birch wood inlay Box, purple gauze and silk with flowers and birds, round fan with bamboo carving handle, purple glass flat square snuff bottle, white sauce plate with folded branches, flowers and fruits, sauce stove with white phoenix pattern.

Images and visuals are from – Forbidden City –Palace Museum Beijing- China –People’s Republic of China…..

#北京 #中國 #China #Beijing | #紫禁城 #ForbiddenCity #October2023 | #ForbiddenCityDairies -The Palace Museum #ForbiddenCity Collections of Chinese intangible cultural heritage. Collection 26th 4TH – 8TH October 2023…

October 8, 2023October 8, 2023 kevinjamesngLeave a comment

“The sound of birds and the shadows of flowers attract people to live in”. The blossoms are pink and white, and the birds are singing, which is the most pleasant scene. The apricot ranking is ranked first, the spring breeze is proud, and there is joy and joy.

Today on the 8^th October- 24^th October 2023 is 寒露Cold Dew, the twilight is getting earlier and the dew is cold. It’s late autumn, remember to put on more clothes and keep warm 爱尊城……everyone.

The traditional Chinese calendar divides a year into 24 solar terms. Hánlù, Kanro, Hallo, or Hàn lộ is the 17th solar term. It begins when the Sun reaches the celestial longitude of 195° and ends when it reaches the longitude of 210°.

Interior view of the bridal chamber of Kunning Palace. In the bridal chamber, there is a floor-to-ceiling kang bed with a gourd and vine pattern of “囍” and dragon and phoenix, and a tent with a dragon and phoenix in auspicious “囍” pattern. A bedding is placed on the kang, and a plaque hangs “The sun rises and the moon stays forever.” There is a saying in the book of the emperor and empress of Tongzhi that “the two rituals of movement and coordination will make the husband smooth; the light will shine on the four sides, and the rising sun will praise the husband and the moon.” Therefore, the plaque contains the meaning of blessing. The vine gourd symbolizes the endless supply of melons, which corresponds to the couplet on the indoor wall: “The precious gourd lasts forever, the eight poles of mankind and heaven rejoice; the gold and yellow flowers flourish, the sun and moon shine brightly in the sky”.

Bamboo

“snow-covered sloping tips lean against the north wind”. The slim bamboo can also tower over the clouds and cling to the green mountains. Between the dense green and sparse shadows, the common sense of all things is revealed, showing the demeanor of a gentleman.

Qing Dynasty, silver and gold-plated account hook with the word “囍”. Chinese tent hooks have a long history. Bronze tent hooks were used as early as the Warring States Period, and they have been used continuously since then. In the Qing Dynasty, palace tent hooks were roughly divided into three categories: wedding celebrations, birthday celebrations, and auspiciousness. This is the wedding celebration category. There are small rings on the tent hooks for hanging, and the word “囍” is created in the middle and at the bottom of the semicircular hook, which can be described as meticulous.

“Beautiful flowers and pavilions leaning on the painted bridge”. Eating fresh food can relieve irritability, and observing postures can purify the mind. The round lotus sheds dew, the gentle breeze spreads the fragrance, and the summer scenery in the pond is overwhelming.

Qing Dynasty, red satin embroidered with a picture of a hundred children. This hundred-child picture account is the left half of the folded account. The account is embroidered with children with different expressions, which means more children and more blessings. Because Emperor Guangxu’s wedding took place in winter, this Baizi picture tent is a folder tent, which is warmer than a gauze tent. This account is made of exquisite materials and superb techniques. It is both practical and ornamental. It is a very exquisite piece of woven and embroidered art.

在palace中文 Look for the beauty of the country in the brocade, and enjoy the colourful colours in the courtyard. After seven days of fragrance-seeking journey, I hope the road ahead will be bright and worry-free, and the fragrance of flowers will always accompany you on a smooth journey!

Guangxu of the Qing Dynasty, bright red satin embroidered quilt with golden 囍 pattern for generations. The main color of the quilt is bright red, with gold “囍” patterns embroidered on it. There are also patterns such as pomegranates, bats, gourd vines, lotus round boxes, plums, orchids, bamboos and chrysanthemums, wishing the emperor and the queen a harmonious married life and future generations. This quilt is not only practical, but also has a beautiful meaning. But good intentions did not change the cruel reality. Emperors Tongzhi and Guangxu, who held wedding ceremonies in the Forbidden City, had no heirs, and the idea of five generations living under one roof became a fantasy.

Images and visuals are from – Forbidden City –Palace Museum Beijing- China –People’s Republic of China…..