Tag: Tang dynasty

#漢服 #HanFu #HanTraditionalClothing | #June2023 #正好遇见你 #HiProducer | Episode 10 to 13 – Chinese cultural Inheritance of an intangible cultural | The inheritance of Ru kiln porcelain in the past dynasties also classical dance restoration Han and Tang Dynasties…..

kevinjamesngLeave a comment

正好遇见你 #HiProducer  is an intangible cultural heritage urban drama directed by Gao Han , starring Guo Xiaodong , Zhang Nan , Li Xiaoran , Zhang Bo , Zheng Kai , Sun Yihan , Niu Zifan , Sheng Langxi , and Wu Qianyu  .

The series tells the story of a variety show team with literary director Yu Zazao and young cultural relics expert Tao Tang as the core, working together to launch a cultural TV program in order to show the beauty of Chinese civilization. The series covers 35 episodes in which is produce by Huanyu Film and Television in collaboration streaming with iQyi and Tencent Video ….. Majority of the Production is done in Suzhou for its modern setting among with the Chinese Cultural Traditional Heritages recreation is done at Hengdian, Subo studios…

Behind the Scenes of the production shooting process….  During the filming, the crew was allowed to enter the Suzhou Museum for on-site shooting, but in order to protect cultural relics, most of the cultural relics appearing in the play are imitation props. In the early stage of filming, the drama team found historians of relevant cultural relics, searched a large number of documents to repeatedly compare the status and details of real cultural relics, and invited professional relics masters to copy them, so as to achieve the effect of false ones. The biggest one is the filigree inlay technology, which represents the highest level of imperial crafts. When making the Jin Ou Yonggu Cup props in the filigree inlay unit, the drama crew carried out a one-to-one replica in strict accordance with historical data, which took a full two months…

Main Cast

Guo Xiao Dong as Liao Muyun

Zhang Nan as Yu Zaizao

Li Xiao Ran as Wang Xining

Jaco Zhang Bo as Tao Tang

Zheng Kai as Gu Shiyong

Annie Sun Yi Han as Yuan Jiaying

Niu Zi Fan as Xie Yao

Joy Sheng Lang Xi as Shu Rong

Karena Ng as Zhuang Yiyi

Li De Long as A Xun

Synopsis Gu Shiyong, CEO of Palace Culture Film and Television Production Company, is determined to create a new large-scale cultural variety show “Inheritance”. He strongly invites Tao Tang, a young cultural relic expert, Mu Zongyun, a well-known director, and Wang Xining, a senior host. However, just when the program was ready to start, the young female director Yu Zazao suddenly parachuted into the company and joined the program group, disrupting the overall plan of the program and being strongly rejected by everyone. Surprisingly, Yu Zazao is calm and witty, dares to break the rules, and has inexhaustible inspiration like a genius. With her help, the originally scattered production team became unprecedentedly cohesive. Everyone worked together, starting from the historical relics of the Forbidden City, devoted themselves to excavating the core memory of the nation, promoting historical and traditional culture, and solving the problem of non-genetic inheritance. In the end, “Inheritance” stood out from many homogeneous programs and became a great success. Yu Zazao also successfully healed his soul and gained a complete friendship and career..

Episode 10

Zazao decided to make museum porcelain for the fifth issue. Yuan Jiaying assisted Tao Tang to shoot the inheritance of porcelain in the past dynasties and the daily work of ancient porcelain restorers with the theme of Tang Sancai. Yu Zazao led Team B to the home of Yang Wan, a famous antique porcelain artist. Yang Wan was silent and immersed in her own art world. Her husband Xiao Hong took good care of his wife and knew every piece of his wife’s works like the back of his hand. Yu Zazao accidentally discovers a mysterious attic in the Yang family, but Xiao Hong stops him when he tries to open the door. Fortunately, Tao Tang shows up in time to explain to Yu Zazao, and Xiao Hong agrees to continue filming. Yu Zaizao pointed out that there is a huge difference in the style of Yang Wan’s works. Xiao Hong told Yu Zaizao that Yang Wan has a twin sister, Yang Xuan. Both sisters are very good at making porcelain, but their styles are very different. Ru kiln is shiny and pure, while the Jun kiln made by sister Yang Wan is luxurious and elegant. However, her younger sister Yang Xuan died unexpectedly, and Yang Wan suffered a very heavy blow. In order to commemorate her sister, Yang Wan turned to study Ru kiln.

Episode 11

On the other hand, Wen Zhou, the host invited by the program group, was intercepted, causing Yuan Jiaying, who was going to film Tang Sancai porcelain, to open the skylight. Yu Zaizao said that even if Wang Xining was injured, she could still shoot perfectly. Wang Xining was injured on her right face and leg, so she asked her to sit quietly, and told the story of Emperor Cheng Hua, Zhu Jianshen and the Chicken Crock Cup in one scene. The email of the restored photo was sent, and the photos of Hang Sharong were displayed inch by inch on the computer. Yu Zazao looked at the group photo of Hang Sharong and the sisters of the Yang family, and fell into deep thought. Yuan Jiaying thought that the latest issue of porcelain was well received, and proposed to make a sequel, which was opposed by everyone. Seeing the ancient murals and photos of pottery figurines brought by Tao Tang, Yu Zazao decided to overthrow Yuan’s idea and turn to classical dance restoration. Tao Tang introduced the Guofeng Song and Dance Troupe, which is working with Su Bo to restore the classical dance of the Han and Tang Dynasties, and Lu Feiyu, the chief dancer of the dance troupe, agreed to be interviewed. But when she saw the fish in the water, she suddenly changed her mind and told everyone that she would never cooperate with someone who had no sense of responsibility. At this time, everyone knew that Yu Zazao and Lu Feiyu had studied under the same famous dancer Feng Yunying.

Episode 12

Yu Zaizao suddenly disappeared, and everyone thought she was devastated. The show was in danger of being opened up, so Yuan Jiaying asked her to film it first. Just when the show was at an impasse, Feng Yunying, who was supposed to be gathering in Dunhuang, returned unexpectedly, and Lu Feiyu was both surprised and delighted. Feng Yunying told the truth to Lu Feiyu. It turned out that Lu Feiyu and Yu Zazao were the most important things to her back then. However, Yu Zazao’s insensitivity to the emotions around her affected her shaping of dance drama characters, and she would never be able to become a qualified dance artist. . In order to train Lu Feiyu wholeheartedly, and to allow Yu Zazao to open her heart and gain emotional experience, she encourages Yu Zazao to accept the “pursuit” of psychologist Ye Fujun. This move greatly stimulated Lu Feiyu, who also admired Dr. Ye, and caused the dance troupe to fall apart. In order to further make Lu Feiyu feel the pain, Feng Yunying gave corner A to Yu Zazao and asked Lu Feiyu to jump corner B. This incident was known to Fei Yu’s male partner Xie Hui. In order to teach Yu Zazao a lesson, he intentionally made an accident when throwing Yu Zazao high during training, causing Yu Zazao to fall directly to the ground and fracture his tail vertebrae. After the incident, Professor Feng felt deeply guilty, and Yu Wangqing took Yu Zazao away in a fit of anger. In order to protect Lu Feiyu, Feng Yunying concealed the truth of the incident, and only said that Yu Zazao gave up dancing after being injured. Lu Feiyu thought that Yu Zazao had broken her promise to learn dance all her life, and developed hatred for her.

Episode 13

Knowing the truth, Lu Feiyu felt regretful and heartbroken, and immediately agreed to participate in the filming of the variety show. During the filming of the program group, Lu Feiyu led the students to dance the Dunhuang dance that had been choreographed, which amazed everyone. However, Lu Feiyu fell to the ground due to severe lumbar muscle strain. Fortunately, Yu Zazao had already seen the clue and invited an acupuncture expert in advance. Lu Feiyu had to rest to ease the pain in her body, which meant no time for rehearsals for her solo performance. In addition, Yu Zazao also readjusted the ending of the dance. Gu Shiyong couldn’t help feeling worried, but Yu Zazao and Lu Feiyu were full of confidence. Lu Feiyu’s solo recording was very successful. Fang Quan, the producer of “Intangible Cultural Heritage” who was waiting for Lu Feiyu’s appearance, learned that his plan had failed. Zao’s victory doll, blood pressure soared. After the performance, Lu Feiyu reached out and hugged Yu Zazao. Feng Yunying formally apologizes to Yu Zazao, but Yu Zazao doesn’t understand why the teacher is crying.

Images and Visuals are from of their respectives …

#漢服 #HanFu #HanTraditionalClothing | #June2023 #正好遇见你 #HiProducer | Episode Three – Four – Five – Chinese cultural Inheritance of an intangible cultural- a multiple Generational Women’s emotional storyline weaving  told throughout #TangDynasty  #ChineseEmbroidery  Kesi embroidery…….

kevinjamesngLeave a comment

正好遇见你 #HiProducer  is an intangible cultural heritage urban drama directed by Gao Han , starring Guo Xiaodong , Zhang Nan , Li Xiaoran , Zhang Bo , Zheng Kai , Sun Yihan , Niu Zifan , Sheng Langxi , and Wu Qianyu  .

The series tells the story of a variety show team with literary director Yu Zazao and young cultural relics expert Tao Tang as the core, working together to launch a cultural TV program in order to show the beauty of Chinese civilization. The series covers 35 episodes in which is produce by Huanyu Film and Television in collaboration streaming with iQyi and Tencent Video ….. Majority of the Production is done in Suzhou for its modern setting among with the Chinese Cultural Traditional Heritages recreation is done at Hengdian, Subo studios…

Behind the Scenes of the production shooting process….  During the filming, the crew was allowed to enter the Suzhou Museum for on-site shooting, but in order to protect cultural relics, most of the cultural relics appearing in the play are imitation props. In the early stage of filming, the drama team found historians of relevant cultural relics, searched a large number of documents to repeatedly compare the status and details of real cultural relics, and invited professional relics masters to copy them, so as to achieve the effect of false ones. The biggest one is the filigree inlay technology, which represents the highest level of imperial crafts. When making the Jin Ou Yonggu Cup props in the filigree inlay unit, the drama crew carried out a one-to-one replica in strict accordance with historical data, which took a full two months…

Main Cast

Guo Xiao Dong as Liao Muyun

Zhang Nan as Yu Zaizao

Li Xiao Ran as Wang Xining

Jaco Zhang Bo as Tao Tang

Zheng Kai as Gu Shiyong

Annie Sun Yi Han as Yuan Jiaying

Niu Zi Fan as Xie Yao

Joy Sheng Lang Xi as Shu Rong

Karena Ng as Zhuang Yiyi

Li De Long as A Xun

Synopsis Gu Shiyong, CEO of Palace Culture Film and Television Production Company, is determined to create a new large-scale cultural variety show “Inheritance”. He strongly invites Tao Tang, a young cultural relic expert, Mu Zongyun, a well-known director, and Wang Xining, a senior host. However, just when the program was ready to start, the young female director Yu Zazao suddenly parachuted into the company and joined the program group, disrupting the overall plan of the program and being strongly rejected by everyone. Surprisingly, Yu Zazao is calm and witty, dares to break the rules, and has inexhaustible inspiration like a genius. With her help, the originally scattered production team became unprecedentedly cohesive. Everyone worked together, starting from the historical relics of the Forbidden City, devoted themselves to excavating the core memory of the nation, promoting historical and traditional culture, and solving the problem of non-genetic inheritance. In the end, “Inheritance” stood out from many homogeneous programs and became a great success. Yu Zazao also successfully healed his soul and gained a complete friendship and career..

Episode 3

On the new working day, Yuan Jiaying, a gold-medal choreographer hired by Gu Shiyong with a lot of money, made his debut. The two hadn’t started their confrontation yet, but Yu Zazao became an assistant to the choreographer, assisting Yuan’s work. Yuan Jiaying misunderstood that Yu Zazao was an ordinary assistant, and ordered her to collect basic information on Kesi, and to do errands, print and order meals. Tao Tang thought that Gu Shiyong was extremely harsh, so Gu Shiyong launched an investigation report on Yu Zazao. Yu Zazao’s mother died young, and his father who was heavily indebted and his well-off aunt Yu Wangqing fought endlessly for custody. Yu Zazao still grew up with his aunt, Gu Shiyong believed that Yu Zazao had an impure heart, Tao Tang did not agree with Gu Shiyong’s point of view. Tao Tang vaguely noticed that Yu Zazao was different from ordinary people, so he began to investigate quietly. Gu Shiyong and Yuan Jiaying have a good friendship. After receiving Gu Shiyong’s call, Yuan Jiaying dropped everything and rushed here, full of confidence in joining this time. Father Gu cared about Yu Zazao’s daily life, and invited her to have dinner with Gu Shiyong and Yu Wangqing. Gu Shiyong suggested that Yu Zazao should file a complaint with Gu’s father, or resign from the company altogether. Unexpectedly, Yu Zazao rebelled against the army, but Gu Shiyong agreed on the spot to let Yu Zazao become the director of Group B. Gu’s father misunderstood that the two got along well, and Gu Shiyong became more disgusted, and even left him on the road halfway.

Episode 4

Knowing that Yu Zaizao wanted to win, Tao Tang cleverly used Kesi works to make Lin Shangying open up the chatterbox and tell the life secrets of the five generations of women in the Lin family. Lin Shangying’s great-grandmother, Lin Zhangxiu, was born in the Guangxu period. Her “Kaixiu color-mixing method” brought Kesi works to life. Lin Zhangxiu, who never married in her life, adopted a little girl, Lin Shangying’s grandmother Lin Qifeng. Sixteen-year-old Lin Qifeng is married. However, in the era of frequent wars, the husband had to leave his wife and go to the battlefield. Lin Qifeng cuts silk day after day, pinning her thoughts on her husband on every stitch and thread. The little girl next door looked at Lin Qifeng Kesi secretly, hoping that she would become her own mother, and finally got her wish. However, it was not until Lin Qifeng died that the little girl told Lin Qifeng a secret that had been hidden for decades, that is, Lin Qifeng’s husband had come to the old site to look for her after returning from the battlefield, but the little girl told Lin Qifeng Man, Lin Qifeng remarried, and this lying little girl is Lin Shangying’s mother, Lin Xuexin. Grandma Lin Qifeng didn’t blame Lin Xuexin, but passed the loom to her, hoping that one day she would be able to complete the double-sided tapestry. And Lin Shangying is not Lin Haishan’s biological mother. When going abroad in the 1980s, Haishan’s biological mother entrusted Haishan to Lin Shangying, and Lin Shangying exhausted all her efforts to train Haishan. The stories of the five generations portray a vivid picture of the times. The persistence of several women in Kesi art is moving, and their fate is also moving.

Episode 5

After the second episode of the show was broadcast, it received a lot of praise, and the popularity soared. Everyone attended the celebration banquet together, but Yu Zazao was absent. As Yu Zazao was the director of the program, Gu Shiyong did not sign her name, which completely angered Yu Zazao. Just when she was pressing Yuan Jiaying, she was stopped by Tao Tang in time. Tao Tang decided to restrain Yu Zazao’s behavior, but sought justice for her and got the right to sign. Shu Rong has a restrained personality, is used to digesting all emotions by herself, and seldom confides her heart to those around her. The shadows of her childhood and the pressure after work surrounded Shu Rong repeatedly, making her breathless. But the ex-boyfriend who once hurt Shu Rong reappeared and entangled her. Shu Rong tried to ask for help from the people around her, but she lacked the courage and was almost cornered. Fortunately, Yu Zao saw the clue. In the middle of the night, Shu Rong stays alone in the office to work overtime, but is harassed by her ex-boyfriend again. Shu Rong is terrified but doesn’t know how to resist. Fortunately, Yu Zazao appears in time to stun the assailant and save Shu Rong.

What is Kesi embroidery?

Kesi is a traditional Chinese silk tapestry-making method. Kesi tapestry first appeared more than a thousand years ago in the Tang Dynasty (AD 618-907). It is famous for its detailed pictorial designs, lightness and clarity of double-sided pattern… Kesi– a style of Chinese silk weaving skill and one of Suzhou’s rare traditional crafts- is a kind of craftwork made of genuine silk. In today’s China, Suzhou is the only place Kesi skill is preserved. Kesi employs a weaving method called “passing warp thread and cutting weft thread”(Unlike continuous weft brocade, each color in

Kesi style is woven from a separate bobbin, making the method both technically demanding and time-consuming), in which the surface pattern of the fabric seems like having been carved by a knife, and then earns its name a “Kesi”.  Kesi is admired for its selected materials, gorgeous colors, and matchless workmanship. The tapestry is extremely detailed and exquisite, the pictorial designs of which are finely graded, taking on a three-dimensional appearance. Moreover, the pattern on Kesi fabric is identical when seen from its front and its back, making it a top art on par with Suzhou double-sided embroidery. At the same time, Kesi textile is able to withstand touch, scrape, and rub, far superior to other silk products in China. Kesi products are diversified, ranging from clothes, shoes and hats, ribbon bands and quilt covers in daily life to album of paintings and calligraphy, vertical hanging scrolls, traditional paintings hanging in the middle of the main hall, etc.

Images and Visuals are from of their respectives …

#漢服 #HanFu #HanTraditionalClothing |#梦华录 #ADreamofSplendor #劉亦菲#LiuYifei |#HowToWearHanfu #FashionLookBook #June2022 | #赵盼儿#ZhaoPaner #SongDynasty #YonganRestaurant takes shape into its opening night  with the Flower moon banquet, Huayue banquet …

kevinjamesngLeave a comment

梦华录A Dream of Splendour  – During Episode sixteen of in the eastern capital of the Song Dynasty in which劉亦菲# LiuYifei Character -赵盼儿ZhaoPaner was facing  challenged  On episode thirty two of梦华录 #ADreamofSplendor the new Tea shop takes shape in the form a larger restaurant in which taking shape as inspired by劉亦菲# LiuYifei赵盼儿 ZhaoPaner past experiences in which during those ten years which she was singer and performer in which were the worst part of my her life, but Wazi still left a beautiful memory to her  ……

As she was explaining to代旭Dai Xui – Chi- Yanai in which what happened to Yinzhang’s Sister, that’s why you are always kind to her. 赵盼儿 ZhaoPaner replied forget about it, By the way since you like Wazi so Much, Why Don’t you Consider opening one?…… Chi- Yanai replied ah… Didn’t we agree to open a Restaurant? How come it becomes Wazi? Isn’t it all very sudden? 赵盼儿 ZhaoPaner  replied .. Who said we can’t run a Wazi in a Restaurant? …… Chi- Yanai…. Of Course Not.. The Restaurant guild won’t allow it. Wazi is for inferiors…. It doesn’t correspond to the position of the Restaurant…. 赵盼儿 ZhaoPaner … Do People of the guild make laws? Will you listen to them? …. Can you discipline you? Who said Wazi is for inferiors? Those who think businessmen are lowly? Chi- Yanai… You’re right……  

赵盼儿 ZhaoPaner… Though I only ran Teahouse before, I had worked in Heyun Restaurant the biggest restaurant in Qinatang, for three years. I Know what I need to run a restaurant well..  Chi- Yanai… Flavour and Taste of the Cuisines..?.. 赵盼儿 ZhaoPaner … those are essentials , didn’t the Buddhist sutras say human perceives the world by his eyes, ears, nose, tongue, body and mind.. He sees, Hear, Smells, tastes, feels and then reacts…. I dare not say I’ll Served the best Cuisines and drinks in Yong’an Restaurant but I want to achieve perfection in what our customers see, hear, smell and taste … I hope in Yong’an Restaurant there are good wine, nice food, Beautiful songs, elegant music, as well folk music and desires, The singing performers and acrobats won’t feel inferior.  Common folks will enjoy themselves with dignitaries. This may be an unprecedented beginning  for all the restaurants in the East Capital.. but wee to make many changes.. Mr Chi, do you agree with me to make the changes? …….. Chi- Yanai agrees.. I have enough money to star the work..

Images and visuals are from their Respectives.

#北京。 #中國 #China #Beijing | #紫禁城 #ForbiddenCity #北京服装学院 #November2021 | #午門 MeridianGate – Beyond the Bounds of History: A Collaborative Exhibition between the Palace Museum and #Dunhuang …

kevinjamesngLeave a comment

午門  紫禁城 Locating of the Meridian Gate Wu Men palace in the Forbidden city- Beijing –China People’s Republic of China  On 17th September 18th November 2021, “Beyond the Bounds of History: A Collaborative Exhibition Between the Palace Museum and Dunhuang Academy” opened atop the Meridian Gate in the Forbidden City. Hu Heping, secretary of the leading Party group and minister of the Ministry of Culture and Tourism; Li Qun, vice-minister of the Ministry of Culture and Tourism and director of the National Cultural Heritage Administration; He Wei, member of the leading Party group and vice-governor of the People’s Government of Gansu Province; Wang Xudong, member of the leading Party group of the Ministry of Culture and Tourism and the director of the Palace Museum; Zhao Shengliang, secretary of the Party committee at the Dunhuang Research Academy; Su Bomin, director of the Dunhuang Research Academy; and others were present at the opening ceremony. Representing the exhibition’s organizers, Wang Xudong and Su Bomin spoke during the event, which was hosted by Du Haijiang, secretary of the Party committee and deputy-director of the Palace Museum.

The exhibition is sponsored by the Ministry of Culture and Tourism and the People’s Government of Gansu Province and organized by the Palace Museum and Dunhuang Research Academy as an important measure of implementation by the Ministry of Culture and Tourism and the People’s Government of Gansu Province of the spirit of President Xi Jinping’s important talk at the Dunhuang Research Academy.

During the 1950s, Dunhuang Research Academy mounted an exhibition in the gallery atop the Meridian Gate (Wu men) in the Forbidden City. Seventy years later, the Palace Museum and Dunhuang once again gather as a duo of cultural pillars to transcend time and space and combine unique ancient and contemporary charisma to offer visitors with an opportunity to deeply understand the great fusion, creativity, and vitality of the Chinese people. The exhibition is divided into three sections—“Splendors of the Silk Road”, “Myriad Phenomena in the Mortal Realm”, and “Protection of the Legacy”—with displays of 188 pieces of cultural relics from the Gansu Province and collection of the Palace Museum as well as hand-painted reproductions of Dunhuang murals, high-fidelity digital reproductions of murals, and reproductions of caves 285, 220, and 320, etc. These offerings afford visitors with a close-up experience of a millennium of two of the greatest representatives of Chinese civilization while presenting the best of the two sites’ research on cultural heritage protection.

As important guardians of culture, the Palace Museum and Dunhuang Research Academy have witnessed the extraordinary development of China’s cultural heritage industries. The exhibition’s third section, “Protection of the Legacy”, presents archives, media, documents, and cultural artifacts as a demonstration of the Party and Nation’s leadership and concern for the issue. As two great institutions of preserving world cultural heritage, the Palace Museum and Dunhuang Research Academy have made important contributions to cultural heritage research and the promotion of cultural legacies since before the establishment of New China.

Additional support for the exhibition is provided by the Gansu Provincial Musuem, Gansu Bamboo Slips Museum, Gansu Provincial Institute of Cultural Relics and Archaeology, Chinese Academy of Cultural Heritage, Tianshui Museum, Wuwei Museum, Jiayuguan Great Wall Museum, Dunhuang Museum, Sandan County Rewi Alley Memorial Hall, Lingtai Museum, and Jingchuan Museum. Further support is provided by special sponsor China Silk Corporation; joint support from China Dunhuang Grottoes Conservation Research Foundation and Hongqi; and construction support from Crown Homes of Suzhou.

“Beyond the Bounds of History: A Collaborative Exhibition Between the Palace Museum and Dunhuang Academy” is on view atop the Meridian Gate (Wu men) from 17 September – 26 November 2021. Tickets may be purchased ten days in advance via the Palace Museum’s online ticketing service or the Palace Museum’s official WeChat account by real-name registration with a second-generation ID card (for Chinese residents) or passport (for foreigners).

Imagines credits are of the also from their respectives  Forbidden city –Imperial Palace –Beijing – China- People’s Republic of China also from the Series Weibo北京卫视上新了故宫 Treasures in the Forbidden City…

#漢服 #HanFu #HanDynastyClothing |#兰若庭汉服 #汉服资讯 #HanfuInformation #FashionLookBook #August2021 | for an urban #TangDynastyClothing Pastels skies blue Blossoming whites Summery Autumn everyday contemporary of an Ancient #ChinesePainting Spring blossoming Pavilion Garden look …..

kevinjamesngLeave a comment

HanFu- Han Dynasty Clothing is making a massive come back in the Asian Chinese communities as youths reliving In recently decades there’s been very much strong revitalisation of Chinese Customary tailoring clothing in which is HanFu- Han Dynasty (221-206 BC) period inspired clothing in which was worn just before the fall of the Ming Dynasty (23 January 1308 to 25 April1644, until a North East Manchurian fashion that have taken over the traditional Han Dynasty fashion in which we known till today that’s the Qipao in which have been fashionable evolving on the same path also…. Like a Qipao, HanFu can be worn every day, as work wear, till as evening wear… It also it comes in various forms as to the nature of activity of the day or night…

Featuring汉服资讯 Tang Dynasty every day wear gown white blossom pattern and pleated skirt original…with this feminine intrepid urban outdooring summery transitionally towards Summery Autumn urban elegant sleek with a warm summery non collar look in which is suited for a contempary Tang Dynasty Summery Spring wear with bold pastel autumn soft sheerness chiffon soft pastels blue Pink with warm colours in which gathering summery warm during the in which helps during the evening for keeping warmth … Featuring an ancient Chinese fan for ventilation of a summery breeze…

Inspirations of Gui Dian Wei Cen is opposite Yu Lou, Jiao Fang is slim and slender with golden house.Sanjo Jiumo Belvedere Kuma, thousands of households open peacefully. ” In a country with thousands of miles of mountains and rivers, Chang’an in the nine-storied city of Quebec has no idea how many people’s dreams have been decorated. What is your impression of that dream? The gurgling water, the lively painting boats, and the girl with light clothes……… The quiet pearly blue is like sparkling water, colliding with the gentle beige and warm red, tender and bright. The restored design is full of ancient charm, and there is no lack of agility and elegance.

Credit Weibo fashion Hanfu- HanFu Information –Han Dynasty Clothing collection汉服资讯