Chinese Calligraphy – Page 100

#QIPAO #旗袍 #Cheongsam |#榕缇新中式嫁衣定制 #RongtiDesign #February2021| #FashionLookBook your everyday timeless #TraditionalChineseQipao #Cheongsam Mermaid Silhouette burgundy satin hand sewn dress..

February 2, 2021 kevinjamesngLeave a comment

Dressed in Imperial auspiciousness wintery warm burgundy velvet on Chinese hand crafted embroidery youthfully cheongsam Qipao with a common Mermaid silhouette burgundy … in which the warm solid colours with the season of velvet – velvet in the season for wintery ..One of many dresses silhouette is the mermaid dress, the preferred dress in winter …. Common burgundy satin. The super-textured velvet presents color changes under the change of light…. With Wave edge wrapped with an elegant define, V-neck design elongated neck lines. With the elegant simplistic and velvet fishtail, the show is retro and retro elegance… The high-level sense of color and material has changed the classic image of velvet. Beautiful retro dress elegant toast dress, the first choice in winter…..very classically splendid elegant in the complicated urban life, so that everyone from the bottom of their heart is eager for a pure and clear……. Exquisite and unique tailoring, delicate needlework depiction, simple and smooth lines outline the exquisite body curve……

….…… In which timeless gorgeous hand crafted embroidery youthfully cheongsam Qipao Chinese Qipao –Cheongsam makes a most treasured embroidery art center piece on you and after on a mannequin as your fashion art piece memorable…….

QIPAO 旗袍 Cheongsam …. In which from historically Shenyang is the birth place of the Qing Dynasty 1636-1912plus …. In which Qipao is termed for Qing Dynasty Clothing that the Manchu ethnic adoptively wore…… in which the Shenyang Palace Museum was an imperial palace towards two Qing Dynasty emperors. Previously two years ago During the event it which was an eight day forums, with exhibitions also related workshops illustrating the birth place of the Old Capital of Cheongsam where the Qing Dynasty- Qipao was inspired from..

Before that Shanghai 1930’s Qipao-Cheongsam revolution, the Manchurian Cheongsam was the fashion of choice of the Qing Dynasty (1636-1912) throughout as it standardised that style during the dynasty… Replacing the previous clothing standard Han Fu – Han Dynasty clothing style, in which also is form fitting towards the women’s silhouette but with a higher degree of freedom of flare of personal, individual style…

Qipao-Cheongsam is uniquely hand crafted tailored Chinese dress to the customer’s various measurements… in which you can still have them brought of the rack in which is accustomed to the standard measurements… in which you can tell which is western influenced with the back zipped in which the Eastern traditional Chinese Tailors would have the side zipped of the Qipao dress due it interrupts the flow of the pattern work at the back of the dress.. Also it creates a continuous seamless back look… after as the measurements are translated drafted onto the silk or the customer desired accustomed fabric of choice, from the measurements book with the associated look of the design elements with additional accessories the sexiness of Qipao lies subtlety.. Measuring, patterning, cutting, and button making are crucial, in where passion and art comes together in tailoring…

In which traditionally Qipao- Cheongsam dresses are worn for from straight forwardly every day towards after work evening wear in without having to change to another set of wardrobe dressing only to accessories for the required occasion… … in which the Qipao dress pattern silhouette is design for the lady’s figure in which accentuating the silhouette without giving away too much of what’s underneath in retaining…. its timeless classic silhouettes in which are designed to be worn every day, from work, evening, casually towards to the weekend… with sleek simple, elegant, sexy intelligent sophistication in which are easy to be accessorised with any pieces of clothing in your current or upcoming wardrobe…

Images and visuals are from Weibo also from 榕缇新中式嫁衣定制 Rongti Design – Beijing Rongti Fashion Design Co., Ltd…. Phone 5801269327 Store public number: Rongti_China ….Store address: Hairun International Plaza, No. 2, Jiangtai Road, Chaoyang District, Beijing…China – People’s Republic of China

#北京。 #中國 #China #Beijing | #紫禁城 #ForbiddenCity #January2021|#ForbiddenCityMoments #ForbiddenCityPaintings #ChinesePaintings ever so constant seasonally painting of a first snow for wintery January snowy season… #AGallery

January 19, 2021 kevinjamesngLeave a comment

On January 19^th 2021 China- People’s Republic of China, Beijing- ushered in the first snow of 2021…… In the early morning, the turret of the Forbidden City was covered with white snow, and the moat was covered with snow and water. The sky is as moving as ink painting. Looking down on the Forbidden City from Jingshan, it is like traveling back to the Forbidden City in a second…. In which the yellow tiles of the red wall in the snow turn into the Forbidden City in seconds ….

………. Also On January 19^th Tuesday , Beijing ushered in the first snowfall in 2021. In the early morning, citizens overlooked the Forbidden City in the snow on Jingshan Mountain. The yellow tiles on the wall changed into the Forbidden City in seconds. As the sun slowly rises, the Forbidden City appears more tranquil and magnificent……

During the year’s 2020, the second decade from the turn of the century in Beijing the Capital of China also the People’s Republic of China, in which is also the year of the rat, marking its six hundred years anniversary of the Forbidden city that marks the transitional point of in between the middle of the Ming Dynasty (1368- 1644) transitionally from Nanjing to Beijing towards the Qing Dynasty (1636-1644-1911) …. The Imperial Palace seen so many countless seasonally transitional equinoxes but further its six hundred years is iconic, but it’s five hundred ninety nine years it marks it Autumn Equinox…. In which it only took twelve years to build the same of the Daming Palace of The Tang Dynasty Xian Imperial Capital only it was least twenty times larger……

Imagines credit are of the Forbidden city –Imperial Palace –Beijing – China- People’s Republic of China

#QIPAO #旗袍 #Cheongsam |#榕缇新中式嫁衣定制 #RongtiDesign #January2021| #FashionLookBook your everyday timeless #TraditionalChineseQipao #Cheongsam prosperity #WhiteQipao your individual handcrafted sewn with embroidery wintery white snow blossom with elegant auspiciousness and wishes…..

January 18, 2021 kevinjamesngLeave a comment

Dressed in Imperial auspiciousness White Snow Blossom, on Chinese hand crafted embroidery youthfully cheongsam Qipao ….with beautifully dressed in Beautiful Chinese Painting embroidery of Oriental women’s unique beautiful and imperial auspiciousness white snow blossom Cheongsam…. In a Customized cheongsam with a The romance of white cheongsam embroidery with the color of frost and snow, pure, bright and clear.
A touch of white, pure white like an angel, fresh and leisurely white … in which a White Cheongsam is different from other colours but very classically splendid elegant in the complicated urban life, so that everyone from the bottom of their heart is eager for a pure and clear……. Exquisite and unique tailoring, delicate needlework depiction, simple and smooth lines outline the exquisite body curve……A single color combination, fresh style. Interspersed with colour embroidered gold thread and gold and silver.

#QIPAO #旗袍 #Cheongsam |#榕缇新中式嫁衣定制 #RongtiDesign #January2021| #FashionLookBook your everyday timeless #TraditionalChineseQipao #Cheongsam prosperity #PinkQipao your individual handcrafted sewn with embroidery golden Mirror Flower Shadow, gorgeous elegant texturing starry Swarovski diamonds with embroidery wishes…..

January 14, 2021 kevinjamesngLeave a comment

Dressed in Imperial auspiciousness Pastel pink , on Chinese hand crafted embroidery youthfully cheongsam Qipao ….with beautifully dressed in Beautiful Chinese Painting embroidery of Oriental women’s unique beautiful and imperial auspiciousness with Gentle and gentle girl line Super popular pink and purple Su embroidered cheongsam Rong Ti with Mirror Flower Shadow embroidery with Pink purple is a daily cheongsam color, Going out to take pictures, make a toast, afternoon tea, with an all occasions form every day- work- evening wear… Su Embroidery onto with the silk fabric imported from Italy shines with a fine luster under the light. ….hand sewn embroidery with elegant flowers and leaves, growing along the female curve, are the best annotations for gentleness starry glittering. The faintly twinkling Swarovski diamonds in the flowers echo with the shiny fabric, Create a gentle girl with flash attributes…….

#北京。 #中國 #China #Beijing | #紫禁城 #ForbiddenCity #January2021 | #ForbiddenCityMoments #ForbiddenCityPaintings #ChinesePaintings #MingDynastyPaintings of the #文徵明, #WenZhengming the Ming Dynasty four masters Painter Calligrapher Poet… #AGallery

January 3, 2021 kevinjamesngLeave a comment

Painter and their world……. Ming Dynasty four masters Painter Calligrapher Poet… 文徵明Wen Zhengming, with comprehensive accomplishments in calligraphy and painting, he works in landscapes, orchids and bamboo, flowers, and figures. In the history of painting, he, Shen Zhou, Tang Yin, and Qiu Ying are collectively referred to as the “Four Schools of Wu Men”. This set of Wen Zhengming’s landscape albums is vivid and exquisite,

Wen Zhengming was born on November 28^th Monday , 1470–1559, born Wen Bi, was a Chinese painter, calligrapher, and poet during the Ming dynasty. He was regarded as one of the Four Masters of Ming painting …… Born in present-day Suzhou, he claimed to be a descendant of the Song Dynasty prime minister and patriot Wen Tianxiang (文天祥). Wen’s family was originally from Hengyang, Hunan, where his family had established itself shortly after the 10th century. Not until the time of Wen’s great-grandfather, Wen Hui, a military officer, did the family move to the Suzhou area.

Wen Zhengming was one of a number of Ming dynasty literati artists who set themselves in opposition to the professional, academy-influenced style favoured in the region of Zhejiang Wen and other amateur artists of the Wu school (named after the region around Suzhou, where many of them were based scholar-artist tradition of the preceding dynasties. Eschewing official sponsorship and hostile to the politics of the imperial court, these artists sought private patrons and the respect of their peers, frequently painting works in the style of older masters……..Wen studied under the founder of the Wu school, Shen Zhou, whose style he was deeply influenced by. He sometimes added his own poetry to Shen Zhou’s paintings, thereby benefitting from the latter’s established reputation. After he achieved fame in his own right, Wen’s many colophons to Shen Zhou’s works often lent them authenticity in the eyes of collectors

Wen and his mentor both revered the artists of the preceding Song and Yuan dynasties, though he rarely imitated them directly. He produced works in a number of styles, and has been called a “chameleon” whose works could easily be misidentified……..Wen’s paintings were highly sought after by wealthy collectors throughout the 16th century, and counterfeits of his works were common during the late Ming

Wen often chose painting subjects of great simplicity, like a single tree or rock. His work often brings about a feeling of strength through isolation, which often reflected his discontent with official life. Many of his works also celebrate the contexts of elite social life for which they were created. He collaborated in the design of the Humble Administrator’s Garden (拙政園), generally considered one of China’s four greatest gardens.

Wen Zhengming is regarded as one of “the Four Masters of Ming” (明四家), which also includes Shen Zhou (沈周), Tang Yin (唐寅), and Qiu Ying (仇英). …..