In this year’s 2020, the second decade from the turn of the century in Beijing the Capital of China also the People’s Republic of China, in which is also the year of the rat, marking its six hundred years anniversary of the Forbidden city that marks the transitional point of in between the middle of the Ming Dynasty (1368- 1644) transitionally from Nanjing to Beijing towards the Qing Dynasty (1636-1644-1911) …. The Imperial Palace seen so many countless seasonally transitional equinoxes but further its six hundred years is iconic, but it’s five hundred ninety nine years it marks it Autumn Equinox…. In which it only took twelve years to build the same of the Daming Palace of The Tang Dynasty Xian Imperial Capital only it was least twenty times larger……
In which current the Forbidden City, has been celebrating its six hundred years, in which many unseen Chinese Paintings within its collection have been exhibition in various locations in the palace city in which many have passionately restored finally retelling it’s stories untold in which one of many unseen painting is From September 1st to October 30th 2020, 千古风流人物#-A special exhibition of paintings and calligraphy on the theme of Su Shi from the Palace Museum is on display in Wenhua Hall. ……This time the Palace Museum held an exhibition with cultural relics as a carrier to show Su Shi’s artistic attainments and personality style. This is the first time that Su Shi is a well-known writer and artist in ancient my country. Because of its elegant life taste and open-minded attitude towards life, it exudes a unique personality charm. His art, thoughts and even the taste of life have had a profound impact on later generations, and he himself has become a highly admired model of literati.
Many paintings depicting the lives of ladies are based on the secret and exquisite courtyard landscape. The women in the courtyard often fold flowers, take a rest, or practice characters, practice piano, and take care of babies. Basho plays an indispensable role as a background in the painting of such figures. It not only expands the picture space and strengthens the depth of field, but also adds the tenderness and tactful sentiment of the boudoir girl with its meaning of lovesickness
The volume of “Little Snow in Fishing Village” exhibited in ” 千古风流人物 -Special Exhibition of Su Shi’s Theme Paintings and Calligraphy in the Palace Museum” is a masterpiece of Wang Xu. This painting depicts the scenery after the first snowfall on the shore of the mountain and water, and scenes such as fishermen’s work and literati’s appreciation are rarely arranged in the same frame. Wang Xu expressed his feelings of seclusion in the mountains and forests with his fine and natural portrayal and clear and smooth pens and inks, which fully echoed Su Shi’s emphasis on the creation theme of literati painting “getting out of the image”. Go to the famous paintings of the Forbidden City with one click, and immediately take a closer look at this treasure…
Describes the scenery of the fishing village and forest at the beginning of the winter snow. In the picture, there are strange pines on the snow-capped mountains, fishing boats on the banks of the river, the peaks turn, the scene is easy to move, the whole picture is depressed, shrouded in an ethereal and quiet atmosphere, although there are fishermen working hard, but it reflects the literati and Yishi Longing for the elegant feelings of a reclusive life in the mountains and forests. This picture is the work of Wang Xu’s master Li Chenger and his own family. In the picture, the outline of the mountains and stones is purely with a short side-forward pen, and the edge contour adopts the “broken ink method”. After the outline, it is turned inward with clear water, and the ink is light. Hanlin Changsong uses the center’s thick ink to highlight his noble character. In order to express the snow, in addition to leaving the mountains blank, the author also applied white powder to the peaks, tree branches, and sandy feet. In order to express the sunshine after the snow, the author also slightly dyed the tree head and the tip of the reed with gold dust, and absorbed the painting method of the golden and green landscapes since the Tang Dynasty in the ink and wash, which is a creative practice. This work fully embodies the creative theme of literati painting in the Northern Song Dynasty, which emphasized “there is a picture in a poem, and there is a poem in a picture”. The skillful technique of writing “the difficult scene of poet Mo Qing” is exactly the same as “poem and painting” Model work….
In this year’s 2020, the second decade from the turn of the century in Beijing the Capital of China also the People’s Republic of China, in which is also the year of the rat, marking its six hundred years anniversary of theForbidden city that marks the transitional point of in between the middle of the Ming Dynasty (1368- 1644) transitionally from Nanjing to Beijing towards the Qing Dynasty (1636-1644-1911) …. The Imperial Palace seen so many countless seasonally transitional equinoxes but further its six hundred years is iconic, but it’s five hundred ninety nine years it marks it Autumn Equinox…. In which it only took twelve years to build the same of the Daming Palace of The Tang Dynasty Xian Imperial Capital only it was least twenty times larger……
From September 1st to October 30th 2020, 千古风流人物#-A special exhibition of paintings and calligraphy on the theme of Su Shi from the Palace Museum is on display in Wenhua Hall. ……This time the Palace Museum held an exhibition with cultural relics as a carrier to show Su Shi’s artistic attainments and personality style. This is the first time that Su Shi is a well-known writer and artist in ancient my country. Because of its elegant life taste and open-minded attitude towards life, it exudes a unique personality charm. His art, thoughts and even the taste of life have had a profound impact on later generations, and he himself has become a highly admired model of literati.
Su Shi 蘇軾 / 苏轼；8 January 1037 – 24 August 1101), courtesy name Zizhan (子瞻), art name Dongpo 東坡was a Chinese calligrapher, gastronome, painter, pharmacologist, poet, politician, and writer of the Song dynasty. A major personality of the Song era, Su was an important figure in Song Dynasty politics, aligning himself with Sima Guang and others, against the New Policy party led by Wang Anshi.
Su Shi is widely regarded as one of the most accomplished figures in classical Chinese literature, having produced some of the most well-known poems, lyrics, prose, and essays. Su Shi was famed as an essayist, and his prose writings lucidly contribute to the understanding of topics such as 11th-century Chinese travel literature or detailed information on the contemporary Chinese iron industry. His poetry has a long history of popularity and influence in China, Japan, and other areas in the near vicinity……
In this year’s 2020, the second decade from the turn of the century in Beijing the Capital of China also the People’s Republic of China, in which is also the year of the rat, marking its six hundred years anniversary of the Forbidden city that marks the transitional point of in between the middle of the Ming Dynasty (1368- 1644) transitionally from Nanjing to Beijing towards the Qing Dynasty (1636-1644-1911) …. The Imperial Palace seen so many countless seasonally transitional equinoxes but further its six hundred years is iconic, but it’s five hundred ninety nine years it marks it Autumn Equinox…. In which it only took twelve years to build the same of the Daming Palace of The Tang Dynasty Xian Imperial Capital only it was least twenty times larger……
How does the Forbidden City worship the moon-What kind of moon cakes are in the Forbidden City?…? In which this year of the Rat on 1st October 2020 it’s the Mid-Autumn festival in which on the Same Day it’s the National Day of the China- People’s Republic of China …… In the Qing Dynasty, the most distinctive mooncakes in the Forbidden City during the Mid-Autumn Festival. There are many types of Qing Gong moon cakes, including sesame oil and flour pastry moon cakes, refined butter and flour butter- butter moon cakes, and lard and flour moon cakes. There are sugar filling, fruit filling (candied preserved fruit), Chengsha (fine bean paste after filtering) filling, date filling, and sweet and salty moon cakes with sesame and salt. The wooden molds used in the Qing palace to make moon cakes have eight sizes, which constitute the “disparity” between the size and weight of the moon cakes in the Qing palace. Whether the moon cakes of the Qing palace are used by the emperor and queen of the Qing Dynasty, or used for sacrifices and rewards, the specifications and sizes of the moon cakes are all complete sets. According to the archives, the mooncakes on the table of the Qing Palace Festival Moon Offerings are arranged in a tower shape from small to large. The top mooncake has a diameter of two inches (about 6.6 cm), and the bottom of the large mooncake is two feet (about 70 cm) in diameter. The pear-wood moon cake mold is printed with patterns of Guanghan Palace, laurel and jade rabbit holding a pestle.
In this year’s 2020, the second decade from the turn of the century in Beijing the Capital of China also the People’s Republic of China, in which is also the year of the rat, marking its six hundred years anniversary of the Forbidden citythat marks the transitional point of in between the middle of the Ming Dynasty (1368- 1644) transitionally from Nanjing to Beijing towards the Qing Dynasty (1636-1644-1911) …. The Imperial Palace seen so many countless seasonally transitional equinoxes but further its six hundred years is iconic, but it’s five hundred ninety nine years it marks it Autumn Equinox…. In which it only took twelve years to build the same of the Daming Palace of The Tang Dynasty Xian Imperial Capital only it was least twenty times larger……
How does the Forbidden City worship the moon? In which this year of the Rat on 1st October 2020 it’s the Mid-Autumn festival in which on the Same Day it’s the National Day of the China- People’s Republic of China …… On the night of the Mid-Autumn Festival, the moon was sky full, and the entire Forbidden City was bathed in clear moonlight. In the palace to worship the month, it is also called the monthly payment. The Shengping Department needs someone to “recite the fast” before the monthly payment, that is, to recite the prayer. The monthly payment lasts about half an hour, and the confession must be set up in accordance with the “auspicious position” provided by the Qin Tianjian. The “Moonlight God Code” must be placed in the center of the confession. In addition, colourful painted moon cakes, seasonal fruits, incense burners, tea, wine, etc. must be placed. It highlights the meaning of ripe fruit and good grain harvest in more than half a year. In addition to the moonlight god code, there is also a clay sculpture jade rabbit statue for children to worship. The jade rabbit no longer looks like pounding medicine, but is made into a human shape and wears a crown. This clay sculpture jade rabbit is respected by people as the “Year Rabbit
In this year’s 2020, the second decade from the turn of the century in Beijing the Capital of China also the People’s Republic of China, in which is also the year of the rat, marking its six hundred years anniversary of theForbidden city that marks the transitional point of in between the middle of the Ming Dynasty (1368- 1644) transitionally from Nanjing to Beijing towards the Qing Dynasty (1636-1644-1911) …. The Imperial Palace seen so many countless seasonally transitional equinoxes but further its six hundred years is iconic, but it’s five hundred ninety nine years it marks it Autumn Equinox…. In which it only took twelve years to build the same of the Daming Palace of The Tang Dynasty Xian Imperial Capital only it was least twenty times larger……
From September 1st to October 30th 2020, 千古风流人物#-A special exhibition of paintings and calligraphy on the theme of Su Shi from the Palace Museum is on display in Wenhua Hall. ……This time the Palace Museum held an exhibition with cultural relics as a carrier to show Su Shi’s artistic attainments and personality style. This is the first time that Su Shi is a well-known writer and artist in ancient my country. Because of its elegant life taste and open-minded attitude towards life, it exudes a unique personality charm. His art, thoughts and even the taste of life have had a profound impact on later generations, and he himself has become a highly admired model of literati.
Su Shi 蘇軾 / 苏轼；8 January 1037 – 24 August 1101), courtesy name Zizhan (子瞻), art name Dongpo 東坡was a Chinese calligrapher, gastronome, painter, pharmacologist, poet, politician, and writer of the Song dynasty. A major personality of the Song era, Su was an important figure in Song Dynasty politics, aligning himself with Sima Guang and others, against the New Policy party led by Wang Anshi.
Su Shi is widely regarded as one of the most accomplished figures in classical Chinese literature, having produced some of the most well-known poems, lyrics, prose, and essays. Su Shi was famed as an essayist, and his prose writings lucidly contribute to the understanding of topics such as 11th-century Chinese travel literature or detailed information on the contemporary Chinese iron industry. His poetry has a long history of popularity and influence in China, Japan, and other areas in the near vicinity……
Su Shi’s pursuit of life aesthetics has had a profound impact on later generations of literati. His elegant life style and open-minded attitude towards life have made Su Shi a model respected and admired by scholars in the past. His life was ups and downs, legendary, and left a lot of anecdotes. Due to the admiration of Su Shi by later generations, many anecdotes have also been attached to Su Shi. Scholars and doctors in the Northern Song Dynasty were popular in tasting antiques, and Su Shi and his friends Wang Xu, Li Gonglin, Mi Fu and company…. was all famous for their appreciation of ancient times. When the wind of antique appreciation resumed in the late Ming Dynasty, there appeared a kind of paintings with the theme of “Dongpo Pingu”. Qiu Ying’s “Dongpo Pingutu” opened one of his “Character Story Atlas”. The picture depicts a scene of three scribes tasting antique calligraphy and painting together in the courtyard. One of them has a dress similar to that of Su Shi. The title of the painting may be “Dongpo Pingu”
What happens when I meet the Forbidden City on Mid-Autumn Festival …? …The “three autumn and nine months, mid-autumn and eight months”. The fifteenth day of the eighth lunar month is exactly the midpoint of the seven, eight, and nine months of autumn. At this time, the sky is high and the clouds are light, the water plants are lush, the fruits are ripe, and the bright moon in the night reflects the Chinese people’s interest in the Mid-autumn Festival With special feelings and sentiments, the moon has naturally become the eternal theme of the Mid-Autumn Festival.
