On the 21st December 2021 it was the Winter Solstice 2021 in which during the Beijing – China – People’s Republic of China it was the winter solstice in which during that day there was a special moment where it happens on during that day where the Every year around Winter Solstice, the 22nd solar term of the Chinese lunar year, meaning the “summit of the winter,” the Palace Museum welcomes an annual spectacle-the signboard inscription with “Upright and Pure in Mind” (“Zhengda guangming” in Chinese) and the five golden dragons below it in the Palace of Heavenly Purity (Qianqing Gong in Chinese) are illuminated from west to east…. Featuring on CGTN live streaming that day…
数码御宫小程序冬至暖心保护# It’s the winter solstice, and the sun will resume: The Digital Forbidden City Mini Program 2.0 is officially released! In addition to the overall visual renewal, the new version of the Mini Program also optimizes and adds practical functions such as online ticket purchase, exhibition reservation, and shopping in the courtyard to further improve the “one-stop” visit experience! Smarter, friendlier, simpler, and more open, just to serve you better….
On December 15, 2021, with the opening of the “Culture + Technology” International Forum, the opening ceremony of “Tencent Immersive Digital Experience Exhibition of Forbidden City” was held at Shenzhen Sea World Culture and Art Center. The exhibition reproduces the traditional patterns of the Forbidden City through digital technology, and provides a subtle insight into the spiritual world of the Forbidden City’s architecture and decorations. This exhibition is 古宫超高高高實寫物深圳首見. The audience can enjoy the 5.3-meter-high naked-eye 3D cultural relics and 22 times the high-definition magnified cultural relics. Through VR and AR, they can experience the “Jiangnan Dream” in Tienqinzhai, and even more “Check in” the red wall and window pattern of the Forbidden City, leaving an exclusive streamer image. The exhibition will be open to the public free of charge from December 18, 2021 to February 12, 2022, and you can make an appointment to visit through the “Digital Forbidden City” applet.
Providing also On December 15, 2021, the second “Culture + Technology” International Forum, co-sponsored by the Palace Museum and Tencent, supported by the Museum Digitalization Professional Committee of the Chinese Museum Association, and the Informationization Professional Committee of the Chinese Cultural Heritage Society, opened in Shenzhen Tencent Binhai Building. The forum invited more than 50 experts and scholars from many well-known cultural and cultural institutions, universities and technology companies at home and abroad to gather to discuss the future of museums in the digital age
In November 2017, the Palace Museum and Tencent successfully held the first “Culture + Science and Technology” International Forum in Beijing. After 4 years of development and precipitation, especially since the COVID-19 pandemic, what kind of impact will science and technology have on the cultural and expedition field? And change? On December 15, 2021, the second “Culture + Technology” International Forum, co-sponsored by the Palace Museum and Tencent, supported by the Museum Digitalization Professional Committee of the Chinese Museum Association and the Informationization Professional Committee of the Chinese Cultural Heritage Society, opened in Shenzhen Tencent Binhai Building.
The theme of this forum is “Impact and Enlightenment-A New Leap in Digital Cultural Services”, which aims to further promote the digital concept of museums, promote the application and innovation of new technologies, and jointly explore the development direction of culture and technology. More than 50 experts and scholars from many well-known cultural and cultural institutions, universities and technology companies at home and abroad gathered to discuss the future of museums in the digital age.
Guests from the Shenzhen Municipal Government, UNESCO and the Chinese Museum Association (in the order of their speeches) came to Shenzhen or participated in the conference via video and delivered speeches. At the opening ceremony, Wang Xudong, Dean of the Palace Museum, mentioned: “The’Culture + Technology’ International Forum aims to integrate the superior resources of culture and technology and build a cutting-edge academic exchange platform for all parties in the world. In the digital age and the epidemic, we should With a more long-term perspective, re-examine the positioning and mission of the museum, deeply explore and interpret the diverse values of cultural heritage, give cultural heritage new vitality, and answer the propositions of the times of creative transformation and innovative development.”
Cheng Wu, Vice President of Tencent Group, said in his speech: “In 2016, the Palace Museum and Tencent explored the digitalization of cultural museums. On the one hand, through the’new cultural creation’, they created screen-level works such as ancient paintings and singing, making traditional culture a trend for the younger generation. Culture; At the same time, “new technology” is used to help digital infrastructure such as the digital collection of cultural relics, and to create WeChat applets such as the digital Forbidden City, so that cultural relics are within reach in the cloud. Helping China’s cultural museums to plug in a pair of new technology and new cultural and creative wings , Stepping out of an innovative model with Chinese characteristics, and contributing Chinese solutions to the development of global cultural museums. This is also an important practice for Tencent to fulfill its mission of “Technology for Good”.”
The vice chairman of the International Association of Museums and the directors of several well-known museums at home and abroad delivered keynote speeches.
This forum lasts for two days and consists of three sub-forums. Forum 1 “Resonance•New Development of Digital Culture from a Global Perspective” focuses on the development of digital cultural services under the impact of the epidemic, while Forum 2 focuses on the deep integration of traditional culture and digital technology. , Forum 3 “Burst • Convergence and Improvement of Digital Cultural Services” combined with specific cases to explore practical methods for the further integration of culture and technology, and conduct multi-dimensional professional seminars on the overall development, efficiency enhancement and ecological construction of digital cultural services.
This forum specially set up the Greater Bay Area Salon session. Five guests from the Cultural Affairs Bureau of the Macao Special Administrative Region Government, the Palace Museum, the Guangdong Provincial Museum, the Hong Kong Museum of History, and Tencent focused on the cultural policy and construction of the Greater Bay Area and the cultural resources of the Greater Bay Area. , The exchange and training of talents between Hong Kong, Macau and the Mainland (including the traditional cultural exchanges of youth in the Greater Bay Area, and the training of cultural talents between Hong Kong, Macau and the Mainland) and other specific directions were discussed.
The “Tencent Immersive Digital Experience Exhibition” co-sponsored by the Palace Museum and Tencent will also be unveiled during the forum. This is the first time that the Forbidden City’s ultra-high-precision “digital cultural relics” have been exhibited in Shenzhen, and part of the scenes of Juanqinzhai have been restored with the help of VR and AR technologies. After showing the beauty of the patterns contained in the cultural relics of the Palace Museum through the “Changyou Duobao Pavilion” mini program in 2020, the Palace Museum and Tencent once again joined forces to lead the audience in an immersive experience with Tencent’s immersive rendering, image search and panoramic sound technologies. Appreciate the beauty and wisdom in the world of patterns in ancient buildings and collections.
There are 7 exhibition areas in the exhibition. Visitors can enjoy naked-eye 3D “digital cultural relics” with a height of 5.3 meters and 22x high-definition magnified cultural relics, experience the experience of transcending physical cultural relics exhibition, and may discover hidden mysterious three-dimensional space “Eggs”. The exhibition also meticulously created 10 annual check-in points, allowing the audience to experience the four seasons of the Forbidden City, leaving an exclusive streamer image.
The exhibition will be held at the Shenzhen Sea World Culture and Art Center. It will be open to the public free of charge from December 18, 2021 to February 12, 2022. Visits can be reserved through the “Digital Forbidden City” applet.
Attachment: Participants of the 2nd “Culture + Technology” International Forum (47 companies in total, sorted by the first letter of Pinyin)
Museum units (19 companies)
Sackler Archaeology at Peking University And Art Museum
Dunhuang Academy
Hermitage, Russia National Museum
The Palace Museum
Guangdong Provincial Museum
National Library
Henan Museum
National Museum of the Netherlands
Hubei Provincial Museum
Nanjing Museum
Emperor Qin Shi Huang’s Mausoleum Museum
Tokyo National Museum, Japan
Xias Historical Meseum
ShangHai museum
Shanghai History Museum
capital Museum
Suzhou Museum
Hong Kong Palace Museum
British V&A Museum
Cultural relic institutions and industry organizations (13 companies)
Cultural Affairs Bureau of Macao Special Administrative Region Government
Federation of French Museums
International Museum Association
International Association of Museums Audiovisual, New Technology and Social Media Committee
Unesco Representative Office in China
British Scottish Historical Environmental Management Agency
Chinese Museum Association
Museum Digitalization Professional Committee of Chinese Museum Association
Chinese Cultural Heritage Research Institute
China Cultural Relics Conservation Foundation
China Cultural Relic Exchange Center
China Cultural Relics Information Consultation Center
Informatization Professional Committee of Chinese Society of Cultural Relics
University units (7 companies)
Beijing University
Beijing Institute of Technology
Fudan University
Oxford university
Ryukoku University
Wuhan University
Ningbo Institute of Technology, Zhejiang University
Enterprise units (8 companies)
Beijing SuperMap Software Co., Ltd.
DJI Innovation Technology Co., Ltd.
Huachuan Cultural Communication Group
Toppan Printing Co., Ltd.
Tencent
Artron Culture Group
China Mobile Communications Group Beijing Co., Ltd.
梦华录 A Dream of Splendor2021, written on a theme premise on period drama with strong Feminine inspirationally characters in which the production finished its production and post-production on August 2021 month at the world’s largest filming production studio Hengdian – Dongyang- Zhejiang Province –China – People’s Republic of China. 梦华录A Dream of Splendor
The play is based on Guan Hanqing’s Yuan verse ”Zhao Pan’er Fengyue Saves the Wind and Dust “. It tells the story of Zhao Paner, Song Yinzhang, and Sun Sanniang who have gone through all kinds of hardships and hardships. The three sisters finally managed the small teahouse into the largest restaurant in Bianjing ….. Directed by YangYang, Screen written by Zhang Wei, in which production started of 16th February- 5th July 2021 with production with Tencent – Penguin Films, Golden Media, Yuanxi Films …..
Zhao Pan’er (Liu Yifei), who opened a tea shop in Hangzhou , finally received the good news that her fiance Ouyang Xu was looking for flowers in Beijing High School, but was abandoned. Unwilling to accept her fate, she vowed to go to Beijing to seek justice. On the way to Beijing, she had to rush to rescue her good sister Song Yinzhang (Lin Yun) who was cheated on marriage and was abused . At the same time, she also saved her marriage life on the way to Beijing, which unfortunately caused her to fall into the water. Sun Sanniang (played by Liu Yan) who committed suicide….
When Ouyang Xu learned that Zhao Pan’er had come to Beijing to find her door, he managed to drive her out of Bianjing. Zhao Pan’er, Song Yinzhang, and Sun Sanniang decided to stay in Bianjing, relying on their own ability to make a fortune. After experiencing difficulties and various tribulations, the three sisters finally managed the small tea house into the largest restaurant in Bianjing. After arduous struggle, Zhao Pan’er saw more scenery and solved the obsession with hating Ouyang Xu. At the same time, he also opened the door of equal salvation for the humble women in ancient times
劉亦菲 劉亦菲 劉茜美子 Liu Ximeizi – Crystal Liu YiFei –赵盼儿Zhao Paner The shopkeeper of the small tea shop, the young woman who came from Hangzhou to Beijing, came to the capital to seek revenge from the fiancé who dissolved her marriage. She opened the small tea shop in Hangzhou to Bianjing and turned it into the largest restaurant in Bianjing. In Beijing, she met Song Yinzhang and Sun Sanniang, took them out of the predicament, and had a place in Bianjing.
劉亦菲 劉亦菲 劉茜美子 Liu Ximeizi – Crystal Liu YiFei born in Wuhan City, Hubei Province China- People’s Republic of China on August 25, 1987, is a Chinese-language film and television actress and singer. He graduated from Beijing Film Academy with a bachelor’s degree in Acting in 2002.
In 2002, Bai Xiuzhu stepped into the entertainment industry as a role in the TV series “The Family of Gold Fans ” . In 2003, Wang Yuyan emerged as a star in the martial arts drama ” Dragon Babu ” . In 2004, with the role of Zhao Linger in the fairy tale “The Legend of Sword and Fairy “, he gained high popularity and attention . In 2005, she received widespread attention for her role as the little dragon girl in the martial arts drama “The Legend of Condor Heroes ” . In 2006, he released his first Mandarin album ” Liu Yifei ” and Japanese album ” All My Words ” ; in the same year, he became the first golden eagle goddess in the history of the Golden Eagle Festival . She moved to the big screen in 2008 and became the first Asian actress to top the IMDB movie newcomer list with the Hollywood movie ” Kung Fu King ” . In 2009, he was awarded one of the ” Four Little Flowers ” . In 2012, she won the 24th Hong Kong Professional Cinematographer Association’s Most Charming Actress Award . In 2014, he won the Best Actress Award at the 5th Macau International Film Festival for the role of Lingju in the costume film ” Tongjak Terrace ” .
Since 2015, the films “Night Peacock ” and ” Fang Huo Fang Fei ” starring Liu Yifei have been shortlisted in the main competition unit of the International Category A Film Festival . In 2016, with the role of Zou Yu in the romance film “The Third Love “, he won the Most Watched Actress Award at the 16th Chinese Film Media Awards. In 2017, she served as the heroine of the Disney live-action film ” Mulan ” , and Liu Yifei nominated Hollywood critics for the film for the best actress in the Super Award Action Movie and the 46th American Film Saturn Awards for Best Actress and was selected as a ” Rising Hollywood Star ” by the ” Hollywood Reporter ” . In 2021, starring in the female costume inspirational drama “Meng Hua Lu “, playing Zhao Pan’er…..
In addition to performing arts, Liu Yifei is also enthusiastic about charity and public welfare. In 2008, he donated 1 million yuan to the disaster-stricken area of the “5.12 Wenchuan Earthquake” . In 2021, a donation of 1 million yuan was made to Henan to aid the “July 20 Henan Heavy Rain”
Images and visuals are from Weibo also from their respectives.
