中秋節 The Mid-Autumn Lantern Festiva has begun and will run from 17th September 2024 until October 7th. The Mid-Autumn Festival, which falls on the 15th day of the 8th lunar month, is a traditional Chinese festival that celebrates family reunions and expresses gratitude. During this time, people eat mooncakes, which symbolize the full moon, and make wishes while admiring the moon. Lighting lanterns to illuminate the night sky is also an important part of Mid-Autumn culture, with the glowing lanterns symbolizing family unity and happiness.
Celebrating with family in the Asian Chinese communities… in least than a week time on in which the full moon on the 29th – September -6th October 2023 in which the celebration festival dates back to the Shang dynasty three thousand years ago before the Zhou Dynasty … storytelling narratives of of the great general lovely devotion for his wife Chang’e of offerings of mooncakes also The traditional lanterns are designed with the lucky color red, among Other popular Moon Festival legends include the jade rabbit Jade maiden …
In Chinese culture, roundness symbolizes completeness and togetherness. A full moon symbolizes prosperity and reunion for the whole family. Round mooncakes complement the harvest moon in the night sky at the Mid-Autumn Festival..
It is said that if you look up at the moon, you can see an outline of the Jade Rabbit pounding with a pestle. More than just cute, fluffy, and white, the Jade Rabbit is a sign of selflessness, piety, and sacrifice….
河南电视台 Henan Television located on Guoji Road Residential District Huayuan Road North Section No.8, Jinshui Area a provincial television broadcaster is headquartered in Zhengzhou, Henan province, China, People’s Republic of China. Henan Television conducted a trial broadcast on September 10, 1969, and the first program officially began airing on October 1 of the same year, limited to weekly Wednesdays and Saturdays Henan Television (HNTV) has a network of 15 channels (ten for free, five for pay-vision) broadcasting different programmes
Program Interpretation: Set in a minimalist yet exquisitely beautiful post-modern Song-style architectural environment, this dance performance captures the refined gatherings of the Song dynasty. It highlights the rituals of burning incense, brewing tea, hanging paintings, and arranging flowers, showcasing the unique aesthetic and cultural pursuits of the era. The moon serves as a guiding thread, weaving through three chapters: waiting for the moon to rise, bathing in its gentle light, and gazing upon its serene beauty. Lead dancer Tong Liya embodies the tranquil grace of a moonlit night with her elegant movements and subtle emotional expressions. Dressed in silk gowns reminiscent of the Song dynasty, the dancers glide as gracefully as fairies beneath the moonlight. The plump petals of osmanthus flowers twirl freely in the air, gently and quietly falling to the earth. This performance vividly brings to life the verse: “During Mid-Autumn’s gentle eve, / Osmanthus flower petals fall in temple’s weave. / Buddha’s scent, serene and high, / Floats softly to the sky.”
1.舞蹈：《月夜桂飘香》 1. Dance: Osmanthus Fragrance under the Moonlit Sky 领舞：佟丽娅 Lead Dancer: Tong Liya 演出：浙江音乐学院 Performers: Zhejiang Conservatory of Music 节目阐述：舞蹈在多个极简、极致美的后现代宋式建筑风格中呈现，融入了宋人雅集——焚香、点茶、挂画、插花等绝美构图场景，展现宋代独特的审美情趣和文化追求。舞蹈以月亮为线索，分为候月-沐月-望月三个篇章，领舞佟丽娅以优雅的身姿和含蓄的情感表达，展现了月夜下的静谧之美。舞者们身着宋代风华的丝质长裙，如同仙子一般轻盈地在月光下舞动，桂花丰盈自在，飘落静好。“桂子月中落，天香云外飘”的诗句在此刻找到出处。
Using velvet flowers as a guide, #LiuTao (Tamia) and #ZhangHexuan jointly performed a three-life and three-generation. #KangZhuqing‘s new composition and arrangement work “Endless Parting Grief.” Stay tuned on September 16, 2024, 19:30 (GMT+8) #AdventuresonMidAutumnFestival2024
Program Interpretation: In the mysterious realm of time, appears a Time Controller. With a press of the time machine’s button, life fast-forwards or rewinds, revealing countless moments—regret, loss, joy, nostalgia, partings, and reunions. Life, like the moon, waxes and wanes, embracing both fullness and fragments. Through these fleeting moments, we come to grasp the meaning of our life journey.
4、歌曲：《时光晃呀晃》 4. Song: Time Sways 演唱：鞠婧祎 Singer: Ju Jingyi 节目阐述：神秘的时光空间，出现了一位时间驾驭者，随着时光机器的按键按下，画面或快进或后退，时间轮转下无数个生活片段一一呈现，遗憾的、失落的、幸福的、感伤的、分别的、相聚的，人生就像月亮不止有圆满，而是阴晴圆缺，我们在一个个时光片段中去感悟生活、理解人生。
5、歌曲：《一骑红尘》（歌曲《笑红尘》） 5. Song: Ride Through the Mundane World (Inspired by The Mundane World) 演唱：陈丽君 Singer: Chen Lijun 导演阐述：《笑红尘》是一首经典的武侠歌曲，此次MV拍摄，我们力求打破传统，创新呈现。特邀青年越剧演员陈丽君一人分饰两角，通过其独特的演技与表现力，展现红尘中的爱恨情仇与人生百态。
Director’s Interpretation: The Mundane World is a timeless martial arts song, and in this music video, we seek to break from tradition by presenting it in a fresh and innovative light. We are honored to have young Yue Opera star Chen Lijun take on dual roles, embodying both male and female characters. Through her masterful artistry and expressive grace, the program captures the intricate emotions of love and hatred, as well as the myriad experiences of life in this mortal world.
This MV boldly ventures into new territory by having one actor portray both male and female roles, a groundbreaking approach that moreover explores the overall flair of the MV and introduces a new visual style. Chen Lijun, as a Yue Opera actress, is herself a bearer of the essence of traditional culture. By having her play both roles, this program not only celebrates the charm of traditional art but also seeks to captivate a younger audience through modern MV formats, achieving a contemporary interpretation of traditional culture.
Images and visuals are from Weibo also from their respectives.
On July 19th 2023 , the multilingual website of the Forbidden City Palace Museum- Beijing, China, People’s Republic of Chinawas officially released at the Digital Cultural Tourism Development Forum of the 2023 China Internet Civilization Conference! The website covers five languages: English, French, Russian, Japanese, and Spanish, and will meet the needs of audiences with different languages.
On August 30th 2024 at the Wenhua Hall, Forbidden City Beijing , China, People’s Republic of China, the 千秋佳人 ——Special Exhibition of Figure Paintings from Past Dynasties in the Collection of the Palace Museum (Fourth Phase)” opened in the Wenhua Hall of the Palace Museum which 30the August to 31st October 2024. Paintings of ladies are a classic genre in traditional Chinese painting with a long history and important influence, including the graceful and elegant figures of the Six Dynasties, the gorgeous and plump figures of the prosperous Tang Dynasty, the dignified and beautiful figures of the Song and Yuan Dynasties, the slender and delicate figures of the Ming and Qing Dynasties… The faces of the people in the paintings have significant characteristics of the times, reflecting the changes in the social status and living conditions of women in different eras as politics, customs, and fashions changed. Through the 83 precious paintings in the museum collection exhibited in this exhibition, one can not only appreciate the peerless grace of women painted by painters of all ages, but also understand the spiritual strength and daily life interest of ancient women from the moving stories that have been passed down through the ages and are related to the country .
文华殿 Wenhua Hall The Hall of Literary Brilliance , or the Hall of Literary Glory or Wenhua Hall, is a hall in the outer court of the Forbidden City, located far east of the Hall of Supreme Harmony. In the early Ming Dynasty, the hall was originally used as the residence of the heir apparent. However, starting in 1536, Ming emperors began to use the building as a secondary hall. During both the Ming and Qing Dynasty, the hall hosted grand imperial lectures on Confucian classics and served as a place for the emperor to meet his scholars and officials. The hall was also where palace examinations papers would be reviewed and marked by nine readers who would be sequestered in the hall for two days. The hall gave its name to one of the seven different titles of grand secretary in late-imperial China. Becoming Grand Secretary of Wenhua Hall was considered to be an especially prestigious honour for high-ranking Officials ….
林婉儿 LinWaner played by Li Qin Daughter of Li Yunrui. Lin Wan’er was the illegitimate daughter of the prime minister and the eldest princess. Later, she was named Princess Chen by Emperor Qing and was deeply favored by the emperor. In the end, Lin Wan’er got her wish and married Fan Xian.
Lin Wan’er is the daughter of Prime Minister Lin Ruofu and Princess Li Yunrui of Qing . She met Fan Xian, who came to Capital alone. The two became friends because of a chicken leg, and Lin Wan’er was nicknamed “Chicken Leg Girl”. Lin Wan’er was lively and cheerful, kind and upright, and loved to fight for the weak. Later, she fell in love with Fan Xian and her feelings for him remained unchanged until her death. Even if Fan Xian was on a dead end, she would stay by his side and never leave him. Lin Wan’er was the illegitimate daughter of the Prime Minister and the Princess. She was later named Princess Chen by the Emperor and was deeply favored by the Emperor. In the end, Lin Wan’er got her wish and married Fan Xian…
Li Qin, born on September 27, 1990 in Bacheng Town, Kunshan City, Suzhou City, Jiangsu Province, is a Chinese film and television actress.
In 2008, Li Qin became well-known to the audience for her role as the young Xue Baochai in the costume drama Dream of Red Mansions . In 2010, she was nominated for the Best Newcomer Award at the 31st Popular Film Hundred Flowers Awards for her role as Yang Kaihui in the 90th anniversary tribute to the founding of the Communist Party of China, The Founding of a Party . In 2013, the modern drama ” Watching the Sky ” starring her won the Golden Angel Award for Outstanding Chinese TV Dramas at the China-US Film Festival ; the urban drama ” Brilliant Life ” starring her won the national TV drama ratings championship in the same period. In 2014, she won the Most Promising Actress Award at the National Drama Festival for her roles in the TV dramas ” Half Summer ” and ” The Return of the Daughter “.
In 2017, she received much attention for his role in the costume drama Princess Agents. In 2018, she was nominated for the Best Supporting Actress Award at the 24th Shanghai TV Festival Magnolia Awards for her role in the period drama White Deer Plain . In the same year, she was nominated for the Best Actress at the 34th Popular Film Hundred Flowers Awards for her role in The Founding of an Army, a tribute to the 90th anniversary of the founding of the People’s Liberation Army .In 2019, the costume drama ” Celebrating Yu Nian ” starring him was broadcast In 2020, the comedy film ” Warm Hug ” starring him grossed over 800 million RMB at the box office . In 2021, the TV series The Song of Glory , in which he starred, became the first Chinese TV series to win the International Emmy Award for Best Television Series. In 2024, she continued to star in the costume drama ” Celebrating Yu Nian Season 2
The second season of Joy of Life tells the story of a young man named Fan Xian (played by Zhang Ruoyun) with a mysterious background. After going through various tests and trials in his family, the underworld, and the government, he upholds justice and kindness, embarks on a new journey in life, and continues to write this extraordinary and exciting life legend…
The drama is adapted from the best-selling novel of the same name by Mao Ni. It follows the last season. On the way back with the diplomatic mission led by Zhang Ruoyun, the second prince threatened Fan Xian with the safety of Fei Jie, Fan Sizhe and the orphans of the Teng family, forcing him to submit to him. The conflict between the two was thus triggered. The mystery of Baoyue Tower and the crisis of the Spring Examination that Fan Xian faced were all traps carefully set for Fan Xian by the second prince.
Fan Xian and Lin Wan’er got married as they wished. Soon after, Fan Xian took over the inner treasury, but found that the inner treasury was heavily in debt. Fan Xian refused the help of the chief manager of Qing Yu Tang and decided to solve the inner treasury crisis by himself. Fan Xian invited all the merchants in the city to gather at Cangshan Mountain, and raised more than 20 million silver taels by selling “treasury debts”, solving the problem of the inner treasury being empty.
At the Hanging Temple, Emperor Qing was attacked by three assassination attempts. Fan Xian tried to save him but his martial arts skills were completely destroyed. Faced with dangers and pressure, Fan Xian had no choice but to go to the south of the Yangtze River in this state, challenge the huge forces and the established rules of the game, and strive to completely recapture the inner treasury…
Images and visuals are from Weibo also from their respectives.
On July 19th 2023 , the multilingual website of the Forbidden City Palace Museum- Beijing, China, People’s Republic of Chinawas officially released at the Digital Cultural Tourism Development Forum of the 2023 China Internet Civilization Conference! The website covers five languages: English, French, Russian, Japanese, and Spanish, and will meet the needs of audiences with different languages.
The multilingual website of the Palace Museum is committed to establishing an international website that is concise, clear, easy to use for overseas audiences, and fits the construction of the modern civilization of the Chinese nation, including tour guides, information, panoramic tours, online exhibitions, collection appreciation, cultural topics, etc. Rich immersive content describing of the most detail collection that housed within the Forbidden City collection….
Qing, anonymous, baby play picture album page. The “Baby Play Pictures” album was created by a court painter. This page is one of the pages, depicting a scene of five children picking lotus flowers and playing in the water by a lotus pond, with the sun burning like fire in June. The author uses meticulous and rigorous brushwork and rich and gorgeous colors to humorously portray the naive, cute, lively and interesting image of the child. In particular, the staggering and unsteady steps of the child wearing crotchless pants when walking ashore are vividly depicted, showing the author’s keen observation. The expressive power of describing God through form.
The “embroidery patch” in the picture is also called “embroidery patch”, which refers to sewing a single piece of embroidered fabric onto the surface of the garment. The official costumes of the Qing Dynasty followed the embroidery ceremony system of official uniforms of the Ming Dynasty, and were standardized and expanded. According to the “Qing Dynasty Huidian”, civil servants should wear bird patterns, military officers should use animal patterns, and what kind of animal patterns should be used for each of the first to ninth ranks is also clearly stipulated.
Clothing habits in real life also affect the world of opera. Among the costumes and official clothes collected in the Forbidden City (Figures 7-9), there are many kinds of ornaments with exquisite patterns….
During the reign of Tongzhi in the Qing Dynasty, Shen Quan, Shen Shijie and Shen Shiru posted pictures of infant play. This painting contains auspicious meanings and was jointly painted by court painter Shen Quan and others. It depicts a scene of children paddling and playing in a pond with blooming lotus flowers. The lotus in the painting is not only a real scene, but also contains symbolic meaning. Through the plot of a boy playing with lotus, the homophonic pronunciation of “lotus” and “lian” is used to express the good wishes of having children in succession and having many children and grandchildren. This picture was originally a hanging painting on the wall of a palace. It not only decorated the interior space, but also conveyed the wish for many children and good fortune.
The moon flower of the eleventh month of the lunar calendar is the camellia blooming in the winter scenery of southern China. Camellia is a traditional famous flower in my country. It was first recorded in the Wei and Jin Dynasties. Because of its large and plump flowers, rich and bright colors, and its frost and snow resistance, it has been praised by literati in the past dynasties. Su Che even compared camellia with plum and chrysanthemum, two famous flowers, “the fragrance is gentle and fragrant, and the chrysanthemum is light on the cliff, and the plum blossoms are as beautiful as the mountains.
25th December 2023 At this moment,
During the reign of Tongzhi in the Qing Dynasty, Shen Zhenlin, a hundred sons presented an auspicious picture. According to the records of the Construction Office of the Ministry of Internal Affairs of the Qing Palace, on September 12, the 11th year of Tongzhi (1872), Emperor Tongzhi held a grand wedding ceremony in the Forbidden City. Previously, Emperor Tongzhi ordered the court painters Shen Zhenlin, Liang Derun, Zhang Kai and others of the Ruyi Pavilion to paint the “Picture of a Hundred Sons Presenting Auspiciousness” respectively on April 10th of that year, and hung it on the “﹁” on the entrance and exit of the Dongnuan Pavilion in the Kunning Palace Cave. “The curved ruler not only enhances the festive atmosphere of the wedding room, but also expresses the hope for the prosperity of the children through the pictures of a hundred children playing. This picture was carefully drawn by Shen Zhenlin, the leader of the Ruyi Pavilion. The main pattern of the painting is the Chinese character “囍” written in double hook lines. The two sides of the character “囍” are also painted with graceful floating silk ribbons, making the composition of the picture fuller and more varied. ; The outer surface of the character “囍” is painted with red cinnabar, which symbolizes joy and auspiciousness; the hollow space of the character “囍” is filled with the image of a hundred sons, and the ink calligraphy “a hundred sons are auspicious” is used to highlight the meaning of the painting.
Qing Tongzhi, red Baizi pattern damask quilt fabric. Not only did the emperors of the Qing Dynasty post the “Hundred Sons Picture” in the wedding room of the Forbidden City or in important palaces when they got married, they also often ordered the “Hundred Sons Picture” to be used as a decorative pattern on many handicrafts or daily necessities. , expressing the beautiful hope for the continuation of life. This is the damask fabric used by the royal family in the Qing Dynasty to keep warm and keep out the cold. In terms of pattern design, weavers cleverly express the auspicious and festive creative theme through the child’s lively and active posture, joyful demeanor and healthy and cute appearance: for example, the image of a child wearing a crown on his head holding a high crown in his hand means ” “Add official (crown) on top of official (crown)”; it looks like a boy playing with a lotus in his hand, which means “the lotus will give birth to a noble son”, etc. In addition, the fabric is also interspersed with auspicious patterns such as cranes, deer, chrysanthemums, pine and cypress, and Ganoderma lucidum that symbolize longevity, further expressing the pursuit and expectation of a happy life.
There are not only square embroidery patches used by civil and military officials, but also round and oval shapes, such as the dragon and python patches used by emperors, clan members, and others, as well as the “flower patches” on the clothes of concubines and official family members. . In addition to making a single piece of patchwork and sewing it separately, the special patterns of patchwork can also be directly embroidered on the clothes, called “back chest” or “chest back”.
Auspicious creatures, auspicious words, and flowers of the four seasons are wrapped in circular patterns, adding beauty to clothes and joy to life.
Tongzhi of the Qing Dynasty, yellow satin embroidered gourd and hundred son picture pillow. The emperor used exquisite materials, and the patterns on this royal pillow all have auspicious meanings: for example, the gourd pattern is embroidered on the edge, which is homophonic to “Fu Lu”; the front of the pillow is embroidered with a boy pushing a wooden three-legged golden toad, which represents the Taoist “bang play” The allusion of “Golden Toad” means prosperity of wealth; the embroidered boy carries a long halberd with a chime on his shoulder, which uses the homophonic pronunciation of “halberd” and “chime” to express abundant auspiciousness and good things. Although “a hundred sons” is only an imaginary number, the emperor’s wish to sleep on it and realize many children, happiness and peace is sincere…
Guangxu, Qing Dynasty, red Nasha Baizi chart account. Nasha, also known as Naxiu, commonly known as stamped yarn, has a history of more than 2,000 years. It was very popular among the Qing royal family due to its strong decorative effect. Many royal garments, such as court robes, cloaks, dragon gowns, etc., are made of this kind of craftsmanship. The gauze tent shown in the picture is mainly in festive red color, with “囍” characters and traditional baby play patterns embroidered on it. The purpose of hoping for happy events and pursuing many children and blessings is obvious. It should be to celebrate the wedding. Made to order. The gauze tent was originally hung in the east room of Chuxiu Palace, one of the six west palaces in the Forbidden City. Empress Dowager Cixi once lived here after entering the palace in the second year of Xianfeng (1852). Four years later, Emperor Tongzhi Zaichun was born in the back hall of Chuxiu Palace.
The yellow-bellied tit is a unique bird species in China and a first-level protected bird in Beijing. Although it is small in size, the bright yellow color on its belly is very eye-catching, and its swollen little body looks soft and cute. They like to jump between branches or fly between the canopy. Except for the breeding period when they move in pairs or alone, in other periods they mostly move in groups on tall broad-leaved trees or coniferous trees, sometimes in mixed groups with other birds such as great tits. In the Forbidden City, it is easier to see groups of yellow-bellied tits in areas with trees in autumn and winter. When the weather gets warmer in the following spring, most of them leave and fly to the mountains to breed. Before winter comes, they fly to the hospital again to overwinter.
On December 28, 2023, the “Long March of National Treasures – Commemorative Exhibition of the Southward Relocation of the Forbidden City Cultural Relics” jointly launched by the Palace Museum and People’s Daily’s “National Humanities and History” magazine opened at the Shanghai History Museum. The exhibition mainly focuses on the historical materials and research results of the relocation of the Forbidden City cultural relics to the south. It returns to Shanghai, the first stop city for the relocation of the Forbidden City cultural relics to the south. Through “the national treasure’s journey southward in the beacon smoke”, “the reappearance of ancient relics in Shanghai for four years” and “the cultural context continues to flourish”. The three units “Endless” reproduce the historical memory of the relocation of cultural relics from the Forbidden City to the south, leading the audience into a time and space dialogue spanning 90 years. This exhibition will last until March 29, 2024.
29th December 2023 It’s the last Friday of 2023! The blank space in the future is waiting for you to fill it with your wishes for 2024….
Guangxu of the Qing Dynasty, red satin embroidered door curtain with a picture of a hundred sons. The Qing royal family’s most fervent wish was to “integrate the family and the country” and have many children and grandchildren to protect the country forever. Therefore, the royal family often uses auspicious paintings to express their pursuit of prosperity, health and longevity for their children. This phenomenon can be seen everywhere in the decoration of royal objects. This door curtain was originally hung in the Chuxiu Palace, and represents various game activities of children in rockeries, lakes, pavilions, pavilions, and waterside gardens, playing chess, and traveling in cars. The embroidery workers used exquisite craftsmanship to freeze the children’s joy and the royal family’s hope for descendants on this door curtain, which is both a practical product and a work of art.
Purple Forbidden Yaji- January wallpapers are now online. As the New Year is approaching, appreciate the tranquility of the snow-capped mountains, the lifelike bamboo sparrows in the painting, and the vigorous dragon pattern on the bottle. Go to the official website to download high-definition wallpapers in various formats and sizes,
“Little cat head” and “pointy cat ears”, this is not a cute kitten, but a “ding” that means everything!
“Ding” is a typical pictographic character, with the bottom being the tripod’s feet, the middle being the tripod’s belly, and the top “cat ears” being the two ears of the tripod. Originally, the tripod was used as a food vessel, and people used it to cook or hold food. Later, the tripod gradually became one of the most important ritual vessels for noble banquets, sacrifices and other ritual activities. Together with the bronze bell, it formed the “bell ringing tripod food”. It is said that Yu cast the Jiuding, which symbolizes the Kyushu, so the Jiuding has become an important weapon of the country, symbolizing the supreme power.
31st December 2023 Bid farewell to the last sunset of the year and head towards the grandeur of the new year. Goodbye, 2023…
1st January 2024 Hello January! Hello, the first ray of sunshine in 2024!
2024 has arrived as promised, and the Palace Museum welcomed the first batch of visitors in the new year. The leaders of the hospital arrived in front of the Meridian Gate early, presented the brand new 2024 “Forbidden City Calendar” to the first visitors to the hospital, and sent New Year blessings to everyone. In the new year, the Palace Museum will continue to accompany you. I wish you happiness and good health in the new year and all seasons!
2nd January 2024 good morning! Welcome the first working day of 2024 with full energy..
Spring and Autumn Period, bronze dragon-eared gui. Bronze Gui is not only a container for holding food, but also a ritual vessel for feasts and sacrifices. It appeared in the Shang Dynasty, became popular from the Western Zhou Dynasty to the Spring and Autumn Period, and gradually disappeared during the Warring States Period. Gui can be either round or square. In the early stage, it had no ears. In the later stage, it appeared with two, three or even four ears. They often appear in even numbers and are used in conjunction with odd-numbered tripods. Usually the emperor has nine tripods and eight guis, the princes have seven tripods and six guis, and the ministers have five tripods…
Warring States Period, jade carved dragon-shaped pendant. The jade pendant is in the shape of a sheet, in the shape of a dragon, with the same pattern on both sides. The dragon bends down and looks back. There is a large bird on its tail, and a small bird is carved on the inside and outside of its neck and tail. The dragon’s body is fully decorated with grain patterns and has a round hole in the middle. This vessel was unearthed from a Chu tomb during the Warring States Period in Yanggong Township, Changfeng County, Anhui Province. A total of two jade pendants were unearthed at the same time. They were similar in shape and were placed on the left and right sides of the human pelvis. They should be part of a group of jade pendants. Its size reaches more than 20 centimeters, and its body is large and finely crafted, showing the noble status of the owner of the tomb. This conjoined dragon and phoenix pendant is a unique shape among the jade wares of the Warring States Period. It has exquisite curves and exaggerated techniques, reflecting the rich imagination of the maker…
Han Dynasty, jade carvings with three dragon patterns. The shape of the jade is slightly circular, flat body, with the same decoration on both sides. The carving is three intertwined dragons, and is partially decorated with low relief and incised fine lines. The seemingly complicated interspersed changes without losing the neat geometric rhythm reflect the beauty of smart curves. This type of jade ornament is more common in jade wares of the Han Dynasty and is a kind of ornament. This jade is of bright white quality and meticulously carved. It is a piece of high craftsmanship…
Since the Tang and Song Dynasties, scholars who passed the tribute examination in their hometowns were sent to Beijing by their prefectures and counties to participate in the provincial examination of the Ministry of Rites, which was called “Fa Jie” or “Jie” for short. Therefore, experts believe that this is an institution that handles examination procedures for candidates. People dressed as Confucian scholars gathered around an old man. With his focused expression, he might have just handed over the materials and were inquiring about the exam information! In addition, some scholars believe that this place was a pawn shop, bookstore, fortune-telling stall, etc.
On July 19th 2023 , the multilingual website of the Forbidden City Palace Museum- Beijing, China, People’s Republic of Chinawas officially released at the Digital Cultural Tourism Development Forum of the 2023 China Internet Civilization Conference! The website covers five languages: English, French, Russian, Japanese, and Spanish, and will meet the needs of audiences with different languages.
The multilingual website of the Palace Museum is committed to establishing an international website that is concise, clear, easy to use for overseas audiences, and fits the construction of the modern civilization of the Chinese nation, including tour guides, information, panoramic tours, online exhibitions, collection appreciation, cultural topics, etc. Rich immersive content describing of the most detail collection that housed within the Forbidden City collection….
Tongzhi of the Qing Dynasty, anonymous, portrait of Empress Xiaoqinxian in auspicious clothes. Empress Xiao Qinxian (1835-1908), the Empress Dowager Cixi, commonly known as the Queen Mother of the West, entered the palace in the second year of Xianfeng (1852) and was given the title Lan Guiren. In the eleventh year of Xianfeng (1861), his son Zaichun became the successor emperor, namely Emperor Mu Zong Tongzhi. Mother is more precious than child, and she is revered as the Holy Mother Queen Mother. In the nearly fifty years of Tongzhi and Guangxu dynasties, she listened to politics behind the curtain several times. This picture depicts Empress Xiao Qinxian relaxing outdoors alone
13th December 2023 The flying snow is silent, and the sky and earth are vast.
14th December 2023 – A group of red walls and white snow send everyone a limited-time winter good morning. The snowfall in Beijing is still continuing today. Everyone must slide carefully when traveling and pay attention to safety!
The image axis of Xuanwei Riyong, the queen of Xiaozhenxian, who was anonymous in Tongzhi of the Qing Dynasty. Empress Xiaozhenxian (1837-1881), the Empress Dowager Ci’an, commonly known as the Empress Dowager of the East, was deeply loved by Emperor Xianfeng for her gentle personality. She entered the palace in February of the second year of Xianfeng (1852) and was granted the title of concubine. In May, she was promoted to Concubine Zhen, and in October she was enshrined as Queen. In the picture, she looks dignified, sitting calmly and calmly in a courtyard with blooming peonies. The four characters “Xuanwei Riyong” were inscribed by Emperor Tongzhi. The brushwork throughout the painting is neat and precise, the portraits are vivid and expressive, and the clothes are realistically depicted, leaving important image data for understanding the appearance of Empress Xiao Zhenxian when she was young.
I don’t know if the raindrops in the courtyard have fallen this morning, but I suspect that the forest flowers bloomed last night.
On the 14th December 2023 It snowed for two full days, meeting all our expectations for a snowy day. What winter wishes do you have yet to come true? willing____________.
There are flowers dancing outside the eaves, and the feeling of winter is deep in front of the window.
15th December 2023 Good morning on a Snowy Forbidden City Morning ..
Qianlong Emperor of the Qing Dynasty, unknown, scroll of Emperor Qianlong enjoying himself during his reign. The Qing Dynasty continued the tradition of the Han nation’s isomorphism of the country and the country. As the ruler, the Qing royal family often ordered painters or craftsmen to express lively scenes of baby play or to show them and their children together through painting, weaving, embroidery, sculpture and other artistic means in order to express their good wishes of having children and grandchildren around their knees. warm time. This picture depicts the scene of Qianlong Emperor Hongli holding his young son in his arms and watching the royal children lighting firecrackers in the palace garden to celebrate New Year’s Day. Emperor Qianlong’s gentle demeanor showed his paternal side besides being an emperor, making the picture full of infinite love and tenderness.
Qing Qianlong, Jia Quan, etc., the character pictures are posted. This hanging painting was painted by Jia Quan, a court painter of the Qianlong Dynasty, and others. It was used as an interior decoration painting and was posted in the Yucuixuan in the Ningshou Palace Garden (commonly known as the Qianlong Garden) in the Forbidden City. Yucuixuan was built in the thirty-seventh year of Qianlong’s reign (1772). The pavilion is divided into three rooms with 槅 fans. This picture is posted on the back eaves wall of the main room. This picture shows the indoor leisure life of concubines and royal family members enjoying themselves in early spring. The cheerful atmosphere dispels the chill and expresses the royal family’s good wishes for the happiness and peace of the people in the world. As the couplet on the picture says: “Hundreds of millions of people live longer, and a peaceful year brings a peaceful spring.
Qianlong, Fugui, and Sui Dynasty axis of the Qing Dynasty. New Year’s Day is New Year’s Day. At the beginning of the new year, people celebrate in various ways. From the inscription “Chen Fu Gui Gong Painting” on this picture, we can know that this picture was a work dedicated to Emperor Qianlong by the court painter Fu Gui. He cleverly used the theme of bidding farewell to the old year and welcoming the new year as the theme. By depicting children wearing colorful beaded shoes, colorful crane cloaks, playing musical instruments, skating, setting off firecrackers and other lively scenes, he expressed his hope for the prosperity of the royal descendants and the prosperity of the hundred sons. Sincere blessings…
Have you ever wondered why the electric ironing tools we use in our daily lives are called “irons”? Because its initial form is “fighting”! Our country has been using irons for more than 2,000 years. A copper bucket-shaped container has a built-in charcoal fire, and the iron can be pressed from above to smooth the fabric. As time goes by, the style of irons continues to change. During the Eastern Han Dynasty, an iron with its own “storage” base appeared. When not in use, the handle can be inserted back into the base, which is another exquisite decoration in the house; in the Wei and Jin Dynasties, there were also A “portable” iron with a long handle that can be folded appeared; in addition, heating the soldering iron tip directly in the fire is also a way to use the iron. Although the shape is constantly changing, the name “iron” is still used today, fulfilling the mission of “mediating the yang and harmony in the sky, flattening the beauty and fragrance of the world”, and “ironing” our beautiful life.
During the Qianlong reign of the Qing Dynasty, there was a case of a colorful treasure. The top of the carved treasure case is in the shape of a rectangular plate, with a girdle underneath and double Kui patterns decorated with flowers between the tooth bars and horizontal beams. It has four curved legs and a square foot with mud support. The paint colors are red, yellow and green, and the surface is carved with a garden corridor. In the middle is a giant gourd with the word “大吉” and eight treasure patterns on it. There are many children around the gourd, holding flags, carrying lanterns, holding halberds and chimes, beating gongs and drums, watching calligraphy, or riding elephants. Most of them are scenes with auspicious meanings such as dramatic plots or treasure maps. interpretation. The bottom of the case is painted with black lacquer and is engraved with the name “Da Ji Bao Case” and the inscription “Made in the Qianlong Year” in gold.
In the mid-Qing Dynasty, ivory carvings flourished. The work is carved from ivory into a simulated pomegranate shape. The outer wall is divided into five petals. There is a mechanism on the top and a living axis on the bottom, which can be opened and closed freely. When closed, it looks like a complete pomegranate, with the skin dyed and lightly engraved with flowers and butterflies. When opened, it looks like a blooming flower. The inner wall is embossed with bat-flowing cloud patterns, and the bats are dyed red, which is homophonic to “Hongfu”. In the center is a round platform with carved railings on the edge. There is a two-story pavilion inside, which is exquisite and clear. Many characters are divided into several groups: some hold umbrellas and flags, as if they are traveling as ceremonial guards; some climb poles, perform horse tricks, and play lions, performing a variety of acrobatics; some pay homage, offer incense, and chat with each other… it is lively. street market scene. The craftsmanship is extremely exquisite and has a considerable degree of micro-carving. The pomegranate has many seeds, which means the pomegranate will bloom with hundreds of seeds. It is a common theme in the crafts of the Ming and Qing Dynasties. In the Work Documents of the Ministry of Internal Affairs of the Qing Dynasty, there are related records of the “ivory ashes-colored durian box with a hundred seeds” in the Yongzheng period; in the forty-fifth year of Qianlong’s reign (1780), the toothsmith Huang Zhao painted a paper pattern of “a hundred pomegranates opened in ivory” by another The toothsmith Yang Youqing made it; in the 15th year of Jiaqing (1810), the toothsmith Mo Chengji also drew and carved “Liu Kai Bai Zi”. This is the only known example of a similar work that has been handed down from generation to generation, or it may be one of the above records.
On December 20, “Cultural Confidence of Contemporary Museum People—Exhibition of Works by Staff of the Palace Museum and Anhui Museum” will be officially opened to the audience in the Zhai Palace Exhibition Hall of the Palace Museum. Through many types of art works such as calligraphy and painting, seal cutting, sculpture, lacquerware, etc., this exhibition fully demonstrates the vigorous and enterprising attitude of contemporary cultural experts, their broad and profound business skills, their sincere heart of dedication and dedication, and their determination to make new achievements. The ambition of boxing. This exhibition will be on display until January 21, 2024…
During the Qianlong reign of the Qing Dynasty, a red sandalwood inlaid with jade picture of a hundred children was inserted into the screen. The screen is carved from rosewood, and inside the glass cover are double-sided openwork carvings of palaces, pavilions, mountains, rocks, trees, boats, lotuses, courtyards and other scenes. Among them are hundreds of white jade carved boys, some climbing high, some riding boats, some riding geese, and some holding lotuses. They are lively and lively, implying auspiciousness and the prosperity of a hundred children. The frame is inlaid with a silver piece and the words “engraved jade Baizi screen” indicate its product name. The base of the screen is engraved with many poems from the “Inscribed Jade Baizi Screen” made by Emperor Qianlong, including Wang Jihua, Liang Shizheng, Liu Tongxun and other ministers.
During the Qianlong reign of the Qing Dynasty, there was a strong pot with a pink color baby play picture on a rouge red ground and a white ground. The jar has a straight mouth, short neck, cylindrical belly and ring feet. Attached is an umbrella-shaped cover with a raised folded edge and a bead-shaped button on the top. The inner wall of the jar is glazed with turquoise green. The cover, the shoulders of the outer wall of the jar, and near the bottom are made of purple rolling tracks, on which are painted in pastel colors a pattern of upturned clouds, and the interior is decorated with folded branches. The belly is painted with the fire scene of the Infant Play Club. In the picture, some babies are holding lanterns, some are playing drums, cymbals, and trumpets, some are holding lions and playing with balls, some are riding horses, and some are setting off firecrackers. They are surrounded by rocks, houses, plantains, and travertine. Wait, it’s a joyous and lively scene. The neck and shins are painted with blue material for a week. The outer sole is glazed with turquoise green, and the six-character and three-line inscription “Made in the Qianlong Year of the Qing Dynasty” written in alum red color is left blank.
