Currently on the now it’s the 1st September 2022, for the up-coming event for the Mid-Autumn festival in which set on the Saturday 10th September 2022. The exhibition “Special Exhibition of Figure Paintings from the Palace Museum Collection of Past Dynasties” will be on display at the Meridian Gate Exhibition Hall of the Palace Museum from August 30 to October 30, 2022.
The exhibition is located in the Forbidden City’s Palace hall in the文淵閣Wenhua Dian- Hall of the Literary Glory. All Beings and Variations- Special Exhibition of Figure Paintings from the Palace Museum Collection of Past Dynasties (Phase 3)” will be on display at the Palace Museum’s Wenhuadian Painting and Calligraphy Museum from August 30 to October 30, 2022.
This exhibition is the third phase of the special exhibition of figure paintings of past dynasties collected by the Palace Museum. Through 96 figures and genre paintings of the past dynasties, it shows the scenes of ancient life such as farming, mulberry, fishing and hunting, pottery and textile, moon and society celebrations, village and city games, and merchants traveling. Vivid images of ancient beings. This exhibition is free to visit with tickets for the Palace Museum, but you must make an appointment with your real name on the WeChat applet of the Palace Museum- Forbidden City.
You can book tickets and exhibitions of the Forbidden City with real names through the “Forbidden City Museum” WeChat applet. According to the needs of epidemic prevention and control, in accordance with the principles of limited quantity, appointment, and staggered peak, the exhibition hall is limited to 3,000 people per day until the appointment is full. Admission to the hospital requires a nucleic acid test report within 72 hours, and the ID card used for verification of health code, temperature measurement, and ticket purchase.
In this year’s 2022, the second decade from the turn of the century in Beijing the Capital of China also the People’s Republic of China, marking its six hundred and Two years anniversary of the Forbidden city that marks the transitional point of in between the middle of the Ming Dynasty (1368- 1644) transitionally from Nanjing to Beijing towards the Qing Dynasty (1636-1644-1911) …. The Imperial Palace seen so many countless seasonally transitional equinoxes but further its six hundred years is iconic, but it’s five hundred ninety nine years it marks it Autumn Equinox…. In which it only took twelve years to build the same of the Daming Palace of The Tang Dynasty Xian Imperial Capital only it was least twenty times larger..
Liu Rendao Born on 1984 Born in Hunan province of China… in which On 12 July 2021-to August 12, 2021, “Beautiful China: The Art of Liu Rendao” opened at the Hall of Literary Brilliance (Wenhua dian) in the Palace Museum. The exhibition is jointly organized by the Palace Museum, China Artists Association, Tsinghua University Academy of Arts & Design, Cultural Relics Society of China, and China International Culture Communication Center with academic direction by Professor Lu Xiaobo, dean of Tsinghua University Academy of Arts & Design and vice-chair of China Artists Association. Also present at the opening ceremony was Wang Xudong, member of the leading Party group of the Ministry of Culture and Tourism and the director of the Palace Museum; Du Haijiang, the Palace Museum Party secretary and deputy-director; Wang Yuegong, deputy-director of the Palace Museum; Shan Jixiang, director of the Cultural Relics Society of China and former director of the Palace Museum; Tao Qin, deputy-secretary of the sub-Party group of the China Artists Association; Lu Xiaobo, dean of Tsinghua University Academy of Arts & Design; and Zhang Qiujian, deputy-secretary of the Subcommittee of Education, Science, Culture, Health, and Sports of the National Committee of the Chinese People’s Political Consultative Conference.
On 12 July 2021, “Beautiful China: The Art of Liu Rendao” opened at the Hall of Literary Brilliance (Wenhua dian) in the Palace Museum. The exhibition is jointly organized by the Palace Museum, China Artists Association, Tsinghua University Academy of Arts & Design, Cultural Relics Society of China, and China International Culture Communication Center with academic direction by Professor Lu Xiaobo, dean of Tsinghua University Academy of Arts & Design and vice-chair of China Artists Association. Also present at the opening ceremony was Wang Xudong, member of the leading Party group of the Ministry of Culture and Tourism and the director of the Palace Museum; Du Haijiang, the Palace Museum Party secretary and deputy-director; Wang Yuegong, deputy-director of the Palace Museum; Shan Jixiang, director of the Cultural Relics Society of China and former director of the Palace Museum; Tao Qin, deputy-secretary of the sub-Party group of the China Artists Association; Lu Xiaobo, dean of Tsinghua University Academy of Arts & Design; and Zhang Qiujian, deputy-secretary of the Subcommittee of Education, Science, Culture, Health, and Sports of the National Committee of the Chinese People’s Political Consultative Conference.
The exhibition also presents Liu Rendao’s quintessential painting Limitless Vista of Floating Clouds above Misty Mountains (Fuyun shan’ai mangcangcang). The work was taken on a five-day journey to space aboard the spacecraft Shenzhou 6 in 2005, making it the first ever traditional Chinese painting taken into space. The display of this work promotes the spirit of the extraordinary heroism of China’s aeronautics and astronautics program, spreads astronautic culture and art, and encourages more youth to love and yearn for careers in air and space industries and related cultural and artistic ventures.
Having been nurtured by China’s outstanding traditional culture, Liu Rendao edited Comprehensive Views of Famous Paintings (Minghua guanzhi), Famous Paintings in the Imperial Collections of Successive Dynasties (Lidai huangdi yucang dianping minghua), and other works in the 1990s. Works such as Myriad Things of Island Life (Daosheng wanwu), Why Search for Immortals at Penglai Island? (Xunxian hebi Penglai dao), Immortal Realm in the Mortal World (Renjian xianjing), and The Passion of Countless Layers of Mountains (Wanchong dashan qing) demonstrate his understanding of traditional Chinese painting and combine traditional Chinese and Western artistic elements in organic creativity to form an art style with a contemporary feel and strong aura of life.
The Palace Museum preserves an immense collection of the finest historical and cultural artifacts and has, from the beginning, observed the vigorous development of contemporary art and proactively provided an exhibition platform for contemporary artists. These outstanding works of contemporary art that reflect social trends and emit the aura of a New Era infuse the ancient Forbidden City with youthfulness. The New Era also gives the Palace Museum a new mission. In the future, the Palace Museum will continually expand cooperation and interaction with the contemporary art scene and advance the construction of the “Vibrant Palace Museum” system with a tolerant demeanor in the practical application of the Chinese value “everything being nourished without mutual harm, concurrent paths without offense”. Bolstering the influence of China’s excellent traditional culture as represented by the Palace Museum on the contemporary world, these efforts will inspire limitless creativity in this New Era. As the public is provided avenues to appreciate the glorious achievements of China’s ancient art, they will also have an opportunity to enjoy fine works of the current age
“Beautiful China: The Art of Liu Rendao” is on view in the Hall of Literary Brilliance (Wenhua dian) in the Forbidden City from 13 July – 12 August 2021. Apart from the general admission ticket to the Forbidden City, no additional ticket is sold for the exhibition. In light of current epidemic prevention and control requirements, and in accordance with regulations requiring reservations, limiting the number of daily visitors, and setting visiting-time intervals, the exhibition requires advance reservations. The daily quota is 3,000 visitors; reservations close once the quota is reached.
The Exhibition is located in The Hall of Literary Brilliance (Wenhua dian) is the main building in an architectural compound that lies to the far east of the Hall of Supreme Harmony (Taihe dian).
It was the residence of the heir apparent during the early period of the Ming dynasty (1368-1644), with green glazed tiles covering the roof. Since 1536, it was reserved for the emperor as his secondary hall. Accordingly, the tiles were changed into yellow, the color of the emperor. During the Ming and Qing dynasties, the imperial lecture was regularly held in this hall and papers of the “Palace Examination” were reviewed here, too. Those prominent mandarins would feel so honored to be given the title of the “Grant Secretary of the Hall of Literary Brilliance”.
Visitors may make reservations via the Palace Museum’s online ticketing service or the Palace Museum’s official WeChat account by real-name registration with a second-generation ID card (for Chinese residents) or passport (for foreigners). At the entrance, visitors may also scan a QR code for on-site reservations. When entering, each visitor must present the ID card or passport used at the time of reservation.
In this year’s 2020, the second decade from the turn of the century in Beijing the Capital of China also the People’s Republic of China, in which is also the year of the rat, marking its six hundred years anniversary of the Forbidden citythat marks the transitional point of in between the middle of the Ming Dynasty (1368- 1644) transitionally from Nanjing to Beijing towards the Qing Dynasty (1636-1644-1911) …. The Imperial Palace seen so many countless seasonally transitional equinoxes but further its six hundred years is iconic, but it’s five hundred ninety nine years it marks it Autumn Equinox…. In which it only took twelve years to build the same of the Daming Palace of The Tang Dynasty Xian Imperial Capital only it was least twenty times larger..
During the first week of Beijing’s First Snowfall in 2020, on the evening of January 5, snow appeared in Beijing…. . On the morning of January 6, the city’s snowfall ended. The newly layering snow covered Beijing map has just become a hot spot for netizens after it has just snowed in which now it’s now spring in China in which most of Asia.. in which during that time it’s the Cherry Blossoms bloom with radiant pink pastel hues throughout from local township village to city parks towards national parks.. In which the spring Equinox happens to be on 20th march in which A Chinese perspective on spring. In Chinese thought, spring is associated with the direction east, the sunrise direction as Earth spins us toward the beginning of each new day. A Chinese green dragon relates to the season of spring. The 2020 vernal equinox comes on March 20 … in which the Forbidden City, the begonia flower blooming described as transformed from a pink carved jade makeup to a plain silver makeup after a snowfall……
In which there’s one place within the Forbidden city walls that’s being featured nearby the forward south east side of palace city, palace hall complex is called 文华殿 Wehuadian – Wenhua Palace in which translated to Hall of Literary Brilliance in which It was the residence of the heir apparent during the early period of the Ming dynasty (1368-1644), with green glazed tiles covering the roof. Since 1536, it was reserved for the emperor as his secondary hall. Accordingly, the tiles were changed into yellow, the colour of the Emperor. During the Ming and Qing dynasties, the imperial lecture was regularly held in this hall and papers of the “Palace Examination” was reviewed here, too. Those prominent would feel so honoured to be given the title of the “Grant Secretary of the Hall of Literary Brilliance”.
