#北京 #中國 #China #Beijing | #紫禁城 #ForbiddenCity #October2023 | #ForbiddenCityDairies -The Palace Museum #ForbiddenCity Collections of Chinese intangible cultural heritage.  Collection  26th September 2023- 4th October  2023….

On July 19th 2023 , the multilingual website of the Forbidden City Palace Museum- Beijing, China, People’s Republic of Chinawas officially released at the Digital Cultural Tourism Development Forum of the 2023 China Internet Civilization Conference! The website covers five languages: English, French, Russian, Japanese, and Spanish, and will meet the needs of audiences with different languages.

 The multilingual website of the Palace Museum is committed to establishing an international website that is concise, clear, easy to use for overseas audiences, and fits the construction of the modern civilization of the Chinese nation, including tour guides, information, panoramic tours, online exhibitions, collection appreciation, cultural topics, etc. Rich immersive content describing of the most detail collection that housed within the Forbidden city collection… . 

Qing, Fei Yigeng, Zhang Xiong, Meiyue Chang’e picture fan page. This picture is a joint work of Shanghai-style famous artists. Fei Yigeng was the eldest son of Fei Danxu. He inherited his family’s painting skills and was good at painting ladies and flowers. Zhang Xiong, also known as Zixiang, also known as Yuanhu Waishi, specializes in poetry and rhythm. He likes to collect epigraphy, calligraphy and painting, and is good at flowers, birds, figures, and landscapes. His paintings are gorgeous but not vulgar. Together with Ren Xiong and Zhu Xiong, he is known as “Shanghai” “Shang Sanxiong”. It can be seen from the title “Yu Bo Fei used farming to paint Chang’e, Zixiang Zhang Xiong painted plum blossoms” that Fei and Zhang used their respective talents to express the popular folk theme of Chang’e flying to the moon. The moon has a mysterious veil due to its distance. Painters often create images related to the moon, such as the Jade Rabbit, Osmanthus Tree, Chang’e, and Wu Gang, to bring it into the homes of ordinary people.

During the Tongzhi period of the Qing Dynasty, men’s single court robes were made of sapphire blue silk embroidered with three blue clouds, bats and dragon patterns. The twelve chapters used on the emperor’s court uniform represent the twelve talents and virtues of the monarch. The “moon” and “sun” in the twelve chapters are arranged on both shoulders, which is a metaphor for the emperor’s power being like the light of the sun and the moon, shining in all directions. The moon is often painted with a toad or a white rabbit, which is based on the myth of Chang’e flying to the moon. This blue court robe is embroidered with twelve chapters, in which a jade rabbit is embroidered in the moon, holding a blue pestle stick and carefully pounding medicine. The appearance is very cute…

October wallpaper is now online. Admire the clouds and springs in the wild valleys, and enjoy the beauty of flowers. Feel the tranquillity and coolness of autumn in the beautiful scenery and beautiful utensils. Go to the official website to download high-definition wallpapers in various formats and sizes, suitable for various terminals…

 Qing, Anonymous, Mid-Autumn Festival Jiarui Picture Scroll (Part). This scroll is themed to celebrate the Mid-Autumn Festival, and there are many rabbit images related to the Mid-Autumn Festival and the moon. This picture shows a statue of a Jade Rabbit pounding medicine. Making statues out of clay, oil soil or wax has a long history in our country. In the late Qing Dynasty, there were also clay figurine Zhangs who specialized in statues. The rabbits in the picture are lifelike. They are not only dolls in the hands of children, but also rare handicrafts.

中秋节- Mid Autumn Festival Appreciating the bright moon together brings the reunion of thousands of families.

Sponsored by the State Administration of Cultural Heritage and hosted by the Palace Museum, the China Cultural Relics Exchange Center, and the China Cultural Relics Protection Foundation, the ” 五肖四海 – ‘One Belt, One Road’ Cultural Relics and Archaeological Cooperation Exhibition” will be held at the Shenwumen Exhibition Hall of the Palace Museum on September 29. Open to the public.
This exhibition brings together 84 exquisite cultural relics from 4 cultural and museum institutions in Uzbekistan, Kazakhstan, and the United Arab Emirates, as well as 13 museums in 10 provinces, autonomous regions, and municipalities in China. Many of these cultural relics are shown to the public for the first time. These exhibits materialize the invisible exchanges of civilizations along the Silk Road, reveal the historical trajectory of exchanges and mutual learning among civilizations along the Silk Road, and inject sustainable power into promoting exchanges and mutual learning among different civilizations and promoting mutual understanding and understanding between peoples. This exhibition will be on view until January 5, 2024. Please make a reservation in advance through the “Forbidden City Museum” applet to visit.

The osmanthus is bright, the flowers are full, and the moon is full. Happy Mid-Autumn Festival to everyone !

Qing Dynasty, Mu Guanghan Palace is at the end of the puzzle. This object is a mosaic (prop) used to simply set the scene and create an atmosphere during opera performances in the palace. The craftsmen strive for excellence in production and use layer-by-layer carving techniques to create a distant and near spatial relationship between the rabbit, the sweet-scented osmanthus tree, and the Guanghan Palace in a limited plane composition. Not only that, the magnificent Guanghan Palace was also carved with splendor and splendor, and even the white jade rabbit that made medicine in the Moon Palace was decorated with gold powder, showing its aura of wealth and nobility…

Crab, also known as “Huang Jia”, often appears on items with the meaning of “passing the imperial examination” because it plays the role of “A” in “Er Jia Chuanlu”.
The crabs in autumn make their debut based on their strength. With the plump crabs accumulated for a year, they become the well-deserved protagonists on the Mid-Autumn Festival table. The ancients had the interest of “holding the pincers to hold the wine”, and also had the practice of spoiling crabs by saying “the pincers of the crab are gold liquid, and the mounds are Penglai”.

The clouds are steaming and the clouds are rising, and the magpie is rising and the rainbow is flying. Hello October! Hello, 74-year-old New China! National Day Happy China, People’s Republic of China.

Exterior view of Kunning Palace. Kunning Palace is located on the central axis to the north of Qianqing Palace. It was built in the 18th year of Yongle in the Ming Dynasty (1420) and was the residence of the empress of the Ming Dynasty. During the Shunzhi period of the Qing Dynasty, it was renovated. The renovated Kunning Palace was nine rooms wide and three rooms deep. The west side was a place for worship, and the east side was a wedding room. This followed the system of the queen being in the middle palace. Emperor Kangxi, Emperor Tongzhi and Emperor Guangxu all held weddings here. Although Dongnuan Pavilion is a place for holding ceremonies, it is not suitable for living. Therefore, after the wedding, the queen usually moves elsewhere. For example, the empress of Zhi Emperor lived in Chuxiu Palace and the empress of Guangxu Emperor lived in Zhongcui Palace

——The peonies

are “thousands of beauties that break the morning glow”. The new makeup shines in the water, and the beautiful shadows are full of joy. The scorching sun is shining brightly, and the beauty and fragrance of the country live up to the expectations!

Dongnuange bridal chamber has a happy wedding. This picture shows the wedding bridal chamber of the East Nuan Pavilion of Kunning Palace restored based on documentary records. The word “Shou” is written in cursive on the top of the door, and the word “Xi” is decorated on the gilded door below. When the double doors are closed, the word “囍” is formed. There are couplets inscribed by Emperor Qianlong on both sides of the door: “Heaven is pure and blessed, and the valley of Beirjian is like a lotus; the people are harmonious under the edict, and Sui Yi will be blessed and live forever.” On the screen wall leading to the east and west gates of the bridal chamber, It is also decorated with the golden word “囍”, which means happiness upon opening the door. The main color of the door is red, creating a festive atmosphere..

在久久看中华 – The chrysanthemum

“will make the golden stamens flood with clouds”. The chrysanthemum petals reflect the morning light, and there are broken shadows accompanying the floating fragrance. Even if the dew is heavy and the frost is heavy, the yellow leaves will not dance in the autumn wind.

Panoramic view of the bridal chamber of Kunning Palace. The bridal chamber originally referred to a deep and secret room, and later specifically referred to the wedding room, also known as the wedding room. The bridal chamber of Kunning Palace was originally used for the wedding of Emperor Kangxi. The subsequent emperors were already married before taking the throne, so it was not used again until Emperors Tongzhi and Guangxu. The bridal chamber of Dongnuang Pavilion has a kang bed to the south and two rooms to the north separated by bright pillars. Both rooms have a floor-to-ceiling kang bed with a dragon and phoenix character “囍” and vines and gourd patterns. The northeast kang (outer north kang) is the living room, with mattresses, backrests, handrails, etc. on the kang, and the northwest kang (inner north kang) is the bedroom. The floor is covered with a large red carpet, embroidered with dragon and phoenix patterns, and the golden character “囍” embroidered between the dragon and phoenix, echoing the golden character “囍” on the wooden shadow wall. The bridal chamber is full of festive

Kunning Palace bridal chamber waist knife. The Manchus are martial people, and this tradition can still be reflected in wedding items. This knife is hung on the pillar of the bridal chamber, which has the same meaning as the bow and arrow bag hung along the nose pillar of the bridal chamber. According to the records of the Qing Palace, such weapons were only hung during festivals, not only for the sake of martial arts but also to ward off evil spirits.

Interior view of the bridal chamber of Kunning Palace. In the bridal chamber, there is a floor-to-ceiling kang bed with a gourd and vine pattern of “囍” and dragon and phoenix, and a tent with a dragon and phoenix in auspicious “囍” pattern. A bedding is placed on the kang, and a plaque hangs “the sun rises and the moon stays forever.” There is a saying in the book of the emperor and empress of Tongzhi that “the two rituals of movement and coordination will make the husband smooth; the light will shine on the four sides, and the rising sun will praise the husband and the moon.” Therefore, the plaque contains the meaning of blessing. The vine gourd symbolizes the endless supply of melons, which corresponds to the couplet on the indoor wall: “The treasures last forever, the eight poles of mankind and heaven rejoice; the gold and yellow flowers bloom together, the sun and the moon shine brightly in the sky”

Images and visuals are from – Forbidden City –Palace Museum Beijing- China –People’s Republic of China…..

#北京。 #中國 #China #Beijing | #紫禁城 #ForbiddenCity #June2023 | #ForbiddenCityDairies the #端午节 #DragonBoatFestival….. #AGallery

Thursday, 22nd June 2023- Dragon Boat Festival 2023…. in which celebrates offering of Dragon boat racing, consumption of realgar wine and zongzi..

“also known as Tuen Ng, falls on the fifth day of the fifth lunar month. It commemorates the death of Qu Yuan, a Chinese poet and minister known for his patriotism and contributions to classical poetry and who eventually became a national hero.”

Though heartbroken to see his country being intruded, Qu Yuan never abandoned his faith and country. On May 5th(in Chinese lunar calendar), after writing down his last poem, Qu Yuan drowned himself in Miluo River(a branch of Yangtze River) as a gesture of dying along with his beloved motherland.

Why is it called Duan Wu Jie? The Dragon Boat Festival is called Duan wu Jie (端午节) in Mandarin Chinese. Duan (端) means ‘start’, while wu (午) means ‘noon’, but also ‘the fifth solar month’ in the traditional Chinese calendar (approximately June 6 – July 6), centered around the summer solstice. ‘The month of noon’ marks the middle of summer.

Where did dragon boats originate? Southern central China The use of dragon boats for racing is believed to have originated in southern central China more than 2500 years ago, in Dongting Lake and along the banks of the Chang Jiang (now called the Yangtze river).

“Crossing the waves stands out from the crowd, jumping the waves to be the first to retreat.” Dragon boat racing is a traditional folk activity of 端午节 in China. It contains the national spirit of hard work, enterprising and positive, and inherits unity and courage to move forward. national genes. The dragon boat culture has lasted for thousands of years, carrying the rich humanistic emotions of the Chinese nation, and leading us to “row” towards a better life.

How old is the Dragon Boat Festival?  2,000 years…….The Dragon Boat Festival is a traditional Chinese festival. It has a history of more than 2,000 years, and is believed to have originated during the Warring States period.

What do Dragon Boat Festival people eat during the festival? For Dragon Boat Festival the Chinese usually eat zongzi (rice dumpling) and various other foods below, depending on the region.

Zongzi — Sticky Rice Dumplings. Zongzi. …

Dagao — Glutinous Rice Cake. Dagao. …

Mianshanzi. Mianshanzi. …

Fried Cake (Jiandui) Fried Cake (Jiandui) …

Eel. …

Thin Pancakes. …

Eggs Steamed with Tea. …

Egg with Garlic.

Yunxia is unpredictable, and the Forbidden City is full of weather. During the Dragon Boat Festival holiday, enjoy the auspicious clouds and the infinite sunset together…

端午安康 “Zong” has a light-year road to explore, and it has to ride the wind and waves to reach it! Rabbit Xingxing wishes everyone a healthy Dragon Boat Festival !

Images and visuals are from – Forbidden City –Palace Museum Beijing- China –People’s Republic of China…..

#漢服 #HanFu #HanTraditionalClothing | #June2023 #正好遇见你 #HiProducer | Episode Six to Nine – Chinese cultural Inheritance of an intangible cultural- The Shanghai cheongsam Qipao with exquisite craftsmanship to evolution from Qing Dynasty to Modern- Today’s  Post Modern Qing Dynasty Qipao..

正好遇见你 #HiProducer  is an intangible cultural heritage urban drama directed by Gao Han , starring Guo Xiaodong , Zhang Nan , Li Xiaoran , Zhang Bo , Zheng Kai , Sun Yihan , Niu Zifan , Sheng Langxi , and Wu Qianyu  .

The series tells the story of a variety show team with literary director Yu Zazao and young cultural relics expert Tao Tang as the core, working together to launch a cultural TV program in order to show the beauty of Chinese civilization. The series covers 35 episodes in which is produce by Huanyu Film and Television in collaboration streaming with iQyi and Tencent Video ….. Majority of the Production is done in Suzhou for its modern setting among with the Chinese Cultural Traditional Heritages recreation is done at Hengdian, Subo studios…

Behind the Scenes of the production shooting process….  During the filming, the crew was allowed to enter the Suzhou Museum for on-site shooting, but in order to protect cultural relics, most of the cultural relics appearing in the play are imitation props. In the early stage of filming, the drama team found historians of relevant cultural relics, searched a large number of documents to repeatedly compare the status and details of real cultural relics, and invited professional relics masters to copy them, so as to achieve the effect of false ones. The biggest one is the filigree inlay technology, which represents the highest level of imperial crafts. When making the Jin Ou Yonggu Cup props in the filigree inlay unit, the drama crew carried out a one-to-one replica in strict accordance with historical data, which took a full two months…

Main Cast

Guo Xiao Dong as Liao Muyun

Zhang Nan as Yu Zaizao

Li Xiao Ran as Wang Xining

Jaco Zhang Bo as Tao Tang

Zheng Kai as Gu Shiyong

Annie Sun Yi Han as Yuan Jiaying

Niu Zi Fan as Xie Yao

Joy Sheng Lang Xi as Shu Rong

Karena Ng as Zhuang Yiyi

Li De Long as A Xun

Synopsis Gu Shiyong, CEO of Palace Culture Film and Television Production Company, is determined to create a new large-scale cultural variety show “Inheritance”. He strongly invites Tao Tang, a young cultural relic expert, Mu Zongyun, a well-known director, and Wang Xining, a senior host. However, just when the program was ready to start, the young female director Yu Zazao suddenly parachuted into the company and joined the program group, disrupting the overall plan of the program and being strongly rejected by everyone. Surprisingly, Yu Zazao is calm and witty, dares to break the rules, and has inexhaustible inspiration like a genius. With her help, the originally scattered production team became unprecedentedly cohesive. Everyone worked together, starting from the historical relics of the Forbidden City, devoted themselves to excavating the core memory of the nation, promoting historical and traditional culture, and solving the problem of non-genetic inheritance. In the end, “Inheritance” stood out from many homogeneous programs and became a great success. Yu Zazao also successfully healed his soul and gained a complete friendship and career..

Episode 6

Yu Zaizao tried to propose to the company to make Qing Dynasty court women’s clothing, but Yuan Jiaying took the lead unexpectedly. Under the recommendation of Wang Xining, Yuan Jiaying found a master chef of Shanghai cheongsam with exquisite craftsmanship, and made a series of perfect arrangements from the evolution of qipao to cheongsam. In the museum, Tao Tang and Yuan Jiaying had a conflict of ideas. Tao Tang found that the exhibits in the exhibition hall were not only Qing Dynasty costumes. He proposed to make a special edition of Ming and Qing costumes to let the audience understand Chinese women’s costumes more comprehensively. Yuan Jiaying thought that The gowns of concubines of the Qing Dynasty are the most well-known to the public and are more conducive to overseas distribution. It is difficult for the two to agree. On the other side of the shooting scene of Group B, the cheongsam master Liu Shifu was not good at speaking, and the shooting was once deadlocked. Unable to dig out valuable stories from him, Yu Zazao ran into difficulties for the first time. In order to ensure the hit rate, Yuan Jiaying made up a shooting plan and prepared to fabricate a dramatic story to create highlights, but Yu Zazao flatly rejected it. After Yu Zaizao refused to shoot, Yuan Jiaying took the lead alone and took charge of directing two groups of shoots at the same time. But Master Liu was unwilling to tell the fabricated story according to Yuan Jiaying’s script.

Episode 7

Yuan Jiaying turned to seek Wang Xining’s help. After hard work, the two finally discovered the emotional story behind Master Liu. Yu Zazao was about to lose, but he had a flash of inspiration under Tao Tang’s deliberate suggestion. Gu Shiyong saw the magnificent stage prepared by Yu Zazao, but he didn’t know what kind of medicine she was selling in her gourd. He was afraid of investing in bamboo baskets to fetch water, so he became anxious for a while. Yu Zaizao decided to ask Shu Rong to help, with the theme of Chinese women’s clothing, to reproduce the evolution of Chinese women’s makeup and clothing in the past dynasties. The women in costumes of different dynasties are graceful and charming, with elegant steps, as if they have stepped out of ancient paintings. With the help of Tao Tang, the mighty Zhonghua Yiguanxiu surpassed the sensational emotional story in one fell swoop, winning applause from all the halls and making Yuan Jiaying lose face. At the cheongsam display scene, Yu Zazao put on a cheongsam and looked more and more graceful. This scene deeply moved Gu Shiyong. Yuan Jiaying had the idea of ​​resigning because of her loss to Yu Zazao, Gu Shiyong persuaded her to stay, and Yuan Jiaying stayed for the sake of the overall situation. A program called “Intangible Cultural Relics” was born out of nowhere. The location and content of the program were very similar to “Inheritance”. Everyone couldn’t help worrying about the fate of “Inheritance”.

Episode 8

Hearing that Master Li declined the interview, everyone was extremely annoyed. Yu Zaizao proposed a replacement plan and interviewed another jade carving master, but Wang Xining refused. The two disagreed, and Wang Xining was not happy. Gu Shiyong was very dissatisfied with Yu Zazao’s behavior of offending Wang Xining, but Yu Zazao didn’t care about Gu’s preaching at all, and went to Wang Xining to reconcile with a smile on his face. Wang Xining was ridiculed by the popular host Wan Sihua and the opposite producer Fang Quan, but he still kept his expression unchanged and insisted on staying for the filming. In the middle of the night, the entire film crew worked overtime to discuss, and Yuan Jiaying, who got the news, came to help. Yuan Jiaying arranged an interview plan for another jade carving master, Master Wang, and asked everyone to go to the studio to shoot the next morning, and she herself will go directly to Yunnan to find Master Wang who is on a business trip to complete the personal interview part. Yu Zaizao bluntly said that such a shooting plan could not win, Yuan Jiaying chased Yu Zaizao, and the two accidentally saw Wang Xining silently meeting with her biological son in the corridor. Seeing this scene, Yuan Jiaying reminded Yu Zazao to keep a safe distance from his colleagues, and Yu Zazao didn’t take it seriously at all.

Episode 9

Yu Zaoli invites Tao Tang to act in a play, although Tao Tang is reluctant but still bites the bullet and makes a guest appearance. The tense Tao Tang forgot his words one after another, and the atmosphere at the scene was tense. With the encouragement of the director and the support of Yu Zaozao, Tao Tang is getting better. In the end, Yu Zaizao successfully reproduced the legend of Baoyu in the Ming and Qing dynasties, which surprised Gu Shiyong, and Tao Tang’s acting skills also won unanimous praise from everyone. The new issue of “Inheritance” was successfully launched and received great acclaim. Fang Quan, the producer of “Intangible Cultural Heritage”, vowed to make Gu Shiyong’s team look good. Tao Tang took the opportunity to teach Yu Zaizao that he should respect the hard work and hard work of every ordinary person in the crew, and live in harmony with Yuan Jiaying. Wang Xining was almost involved in a traffic accident, and his face and legs were injured to varying degrees. Everyone from the program team came to the hospital to visit, but found a familiar figure from behind, which turned out to be Mu Zongyun holding flowers. Director Mu was embarrassed and refused to admit himself Worrying about Wang Xining was clear to everyone and couldn’t help laughing. Everyone thought Wang Xining’s car accident was an accident, only Yu Zazao firmly believed that it was related to the divorce case.

QIPAO 旗袍 Cheongsam …. In which from historically Shenyang is the birth place of the Qing Dynasty 1636-1912plus ….  In which Qipao is termed for Qing Dynasty Clothing that the Manchu ethnic adoptively wore…… in which the Shenyang Palace Museum was an imperial palace towards two Qing Dynasty emperors. Previously two years ago During the event it which was an eight day forums, with exhibitions also related workshops illustrating the birth place of the Old Capital of Cheongsam where the Qing Dynasty- Qipao was inspired from..  

Before that Shanghai 1930’s Qipao-Cheongsam revolution, the Manchurian Cheongsam was the fashion of choice of the Qing Dynasty (1636-1912)   throughout as it standardised that style during the dynasty… Replacing the previous clothing standard Han Fu – Han Dynasty clothing style, in which also is form fitting towards the women’s silhouette but with a higher degree of freedom of flare of personal, individual style… 

Qipao-Cheongsam is uniquely hand crafted tailored Chinese dress to the customer’s various measurements… in which you can still have them brought of the rack in which is accustomed to the standard measurements… in which you can tell which is western influenced with the back zipped in which the Eastern traditional Chinese Tailors would have the side zipped of the Qipao dress due it interrupts the flow of the pattern work at the back of the dress..  Also it creates a continuous seamless back look…  after as the measurements are translated drafted onto the silk or the customer desired accustomed fabric of choice, from the measurements book with the associated look of the design elements with additional accessories the sexiness of Qipao lies subtlety.. Measuring, patterning, cutting, and button making are crucial, in where passion and art comes together in tailoring

 In which traditionally Qipao- Cheongsam dresses are worn for from straight forwardly every day towards after work evening wear in without having to change to another set of wardrobe dressing only to accessories for the required occasion… … in which the Qipao dress pattern silhouette is design for the lady’s figure in which accentuating the silhouette without giving away too much of what’s underneath in retaining…. its timeless classic silhouettes in which are designed to be worn every day, from work, evening,  casually  towards to the weekend… with sleek simple, elegant, sexy intelligent sophistication in which are easy to be accessorised with any pieces of clothing in your current or upcoming wardrobe…

Images and Visuals are from of their respectives …

#漢服 #HanFu #HanTraditionalClothing | #June2023 #正好遇见你 #HiProducer | Episode Three – Four – Five – Chinese cultural Inheritance of an intangible cultural- a multiple Generational Women’s emotional storyline weaving  told throughout #TangDynasty  #ChineseEmbroidery  Kesi embroidery…….

正好遇见你 #HiProducer  is an intangible cultural heritage urban drama directed by Gao Han , starring Guo Xiaodong , Zhang Nan , Li Xiaoran , Zhang Bo , Zheng Kai , Sun Yihan , Niu Zifan , Sheng Langxi , and Wu Qianyu  .

The series tells the story of a variety show team with literary director Yu Zazao and young cultural relics expert Tao Tang as the core, working together to launch a cultural TV program in order to show the beauty of Chinese civilization. The series covers 35 episodes in which is produce by Huanyu Film and Television in collaboration streaming with iQyi and Tencent Video ….. Majority of the Production is done in Suzhou for its modern setting among with the Chinese Cultural Traditional Heritages recreation is done at Hengdian, Subo studios…

Behind the Scenes of the production shooting process….  During the filming, the crew was allowed to enter the Suzhou Museum for on-site shooting, but in order to protect cultural relics, most of the cultural relics appearing in the play are imitation props. In the early stage of filming, the drama team found historians of relevant cultural relics, searched a large number of documents to repeatedly compare the status and details of real cultural relics, and invited professional relics masters to copy them, so as to achieve the effect of false ones. The biggest one is the filigree inlay technology, which represents the highest level of imperial crafts. When making the Jin Ou Yonggu Cup props in the filigree inlay unit, the drama crew carried out a one-to-one replica in strict accordance with historical data, which took a full two months…

Main Cast

Guo Xiao Dong as Liao Muyun

Zhang Nan as Yu Zaizao

Li Xiao Ran as Wang Xining

Jaco Zhang Bo as Tao Tang

Zheng Kai as Gu Shiyong

Annie Sun Yi Han as Yuan Jiaying

Niu Zi Fan as Xie Yao

Joy Sheng Lang Xi as Shu Rong

Karena Ng as Zhuang Yiyi

Li De Long as A Xun

Synopsis Gu Shiyong, CEO of Palace Culture Film and Television Production Company, is determined to create a new large-scale cultural variety show “Inheritance”. He strongly invites Tao Tang, a young cultural relic expert, Mu Zongyun, a well-known director, and Wang Xining, a senior host. However, just when the program was ready to start, the young female director Yu Zazao suddenly parachuted into the company and joined the program group, disrupting the overall plan of the program and being strongly rejected by everyone. Surprisingly, Yu Zazao is calm and witty, dares to break the rules, and has inexhaustible inspiration like a genius. With her help, the originally scattered production team became unprecedentedly cohesive. Everyone worked together, starting from the historical relics of the Forbidden City, devoted themselves to excavating the core memory of the nation, promoting historical and traditional culture, and solving the problem of non-genetic inheritance. In the end, “Inheritance” stood out from many homogeneous programs and became a great success. Yu Zazao also successfully healed his soul and gained a complete friendship and career..

Episode 3

On the new working day, Yuan Jiaying, a gold-medal choreographer hired by Gu Shiyong with a lot of money, made his debut. The two hadn’t started their confrontation yet, but Yu Zazao became an assistant to the choreographer, assisting Yuan’s work. Yuan Jiaying misunderstood that Yu Zazao was an ordinary assistant, and ordered her to collect basic information on Kesi, and to do errands, print and order meals. Tao Tang thought that Gu Shiyong was extremely harsh, so Gu Shiyong launched an investigation report on Yu Zazao. Yu Zazao’s mother died young, and his father who was heavily indebted and his well-off aunt Yu Wangqing fought endlessly for custody. Yu Zazao still grew up with his aunt, Gu Shiyong believed that Yu Zazao had an impure heart, Tao Tang did not agree with Gu Shiyong’s point of view. Tao Tang vaguely noticed that Yu Zazao was different from ordinary people, so he began to investigate quietly. Gu Shiyong and Yuan Jiaying have a good friendship. After receiving Gu Shiyong’s call, Yuan Jiaying dropped everything and rushed here, full of confidence in joining this time. Father Gu cared about Yu Zazao’s daily life, and invited her to have dinner with Gu Shiyong and Yu Wangqing. Gu Shiyong suggested that Yu Zazao should file a complaint with Gu’s father, or resign from the company altogether. Unexpectedly, Yu Zazao rebelled against the army, but Gu Shiyong agreed on the spot to let Yu Zazao become the director of Group B. Gu’s father misunderstood that the two got along well, and Gu Shiyong became more disgusted, and even left him on the road halfway.

Episode 4

Knowing that Yu Zaizao wanted to win, Tao Tang cleverly used Kesi works to make Lin Shangying open up the chatterbox and tell the life secrets of the five generations of women in the Lin family. Lin Shangying’s great-grandmother, Lin Zhangxiu, was born in the Guangxu period. Her “Kaixiu color-mixing method” brought Kesi works to life. Lin Zhangxiu, who never married in her life, adopted a little girl, Lin Shangying’s grandmother Lin Qifeng. Sixteen-year-old Lin Qifeng is married. However, in the era of frequent wars, the husband had to leave his wife and go to the battlefield. Lin Qifeng cuts silk day after day, pinning her thoughts on her husband on every stitch and thread. The little girl next door looked at Lin Qifeng Kesi secretly, hoping that she would become her own mother, and finally got her wish. However, it was not until Lin Qifeng died that the little girl told Lin Qifeng a secret that had been hidden for decades, that is, Lin Qifeng’s husband had come to the old site to look for her after returning from the battlefield, but the little girl told Lin Qifeng Man, Lin Qifeng remarried, and this lying little girl is Lin Shangying’s mother, Lin Xuexin. Grandma Lin Qifeng didn’t blame Lin Xuexin, but passed the loom to her, hoping that one day she would be able to complete the double-sided tapestry. And Lin Shangying is not Lin Haishan’s biological mother. When going abroad in the 1980s, Haishan’s biological mother entrusted Haishan to Lin Shangying, and Lin Shangying exhausted all her efforts to train Haishan. The stories of the five generations portray a vivid picture of the times. The persistence of several women in Kesi art is moving, and their fate is also moving.

Episode 5

After the second episode of the show was broadcast, it received a lot of praise, and the popularity soared. Everyone attended the celebration banquet together, but Yu Zazao was absent. As Yu Zazao was the director of the program, Gu Shiyong did not sign her name, which completely angered Yu Zazao. Just when she was pressing Yuan Jiaying, she was stopped by Tao Tang in time. Tao Tang decided to restrain Yu Zazao’s behavior, but sought justice for her and got the right to sign. Shu Rong has a restrained personality, is used to digesting all emotions by herself, and seldom confides her heart to those around her. The shadows of her childhood and the pressure after work surrounded Shu Rong repeatedly, making her breathless. But the ex-boyfriend who once hurt Shu Rong reappeared and entangled her. Shu Rong tried to ask for help from the people around her, but she lacked the courage and was almost cornered. Fortunately, Yu Zao saw the clue. In the middle of the night, Shu Rong stays alone in the office to work overtime, but is harassed by her ex-boyfriend again. Shu Rong is terrified but doesn’t know how to resist. Fortunately, Yu Zazao appears in time to stun the assailant and save Shu Rong.

What is Kesi embroidery?

Kesi is a traditional Chinese silk tapestry-making method. Kesi tapestry first appeared more than a thousand years ago in the Tang Dynasty (AD 618-907). It is famous for its detailed pictorial designs, lightness and clarity of double-sided pattern… Kesi– a style of Chinese silk weaving skill and one of Suzhou’s rare traditional crafts- is a kind of craftwork made of genuine silk. In today’s China, Suzhou is the only place Kesi skill is preserved. Kesi employs a weaving method called “passing warp thread and cutting weft thread”(Unlike continuous weft brocade, each color in

Kesi style is woven from a separate bobbin, making the method both technically demanding and time-consuming), in which the surface pattern of the fabric seems like having been carved by a knife, and then earns its name a “Kesi”.  Kesi is admired for its selected materials, gorgeous colors, and matchless workmanship. The tapestry is extremely detailed and exquisite, the pictorial designs of which are finely graded, taking on a three-dimensional appearance. Moreover, the pattern on Kesi fabric is identical when seen from its front and its back, making it a top art on par with Suzhou double-sided embroidery. At the same time, Kesi textile is able to withstand touch, scrape, and rub, far superior to other silk products in China. Kesi products are diversified, ranging from clothes, shoes and hats, ribbon bands and quilt covers in daily life to album of paintings and calligraphy, vertical hanging scrolls, traditional paintings hanging in the middle of the main hall, etc.

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#漢服 #HanFu #HanTraditionalClothing | #June2023 #正好遇见你 #HiProducer | Episode Two – Chinese cultural Inheritance of an intangible cultural-  daughter’s enthusiasm and dedication To Ancient Chinese filigree inlay craftwork ……

正好遇见你 #HiProducer  is an intangible cultural heritage urban drama directed by Gao Han , starring Guo Xiaodong , Zhang Nan , Li Xiaoran , Zhang Bo , Zheng Kai , Sun Yihan , Niu Zifan , Sheng Langxi , and Wu Qianyu  .

The series tells the story of a variety show team with literary director Yu Zazao and young cultural relics expert Tao Tang as the core, working together to launch a cultural TV program in order to show the beauty of Chinese civilization. The series covers 35 episodes in which is produce by Huanyu Film and Television in collaboration streaming with iQyi and Tencent Video ….. Majority of the Production is done in Suzhou for its modern setting among with the Chinese Cultural Traditional Heritages recreation is done at Hengdian, Subo studios…

Behind the Scenes of the production shooting process….  During the filming, the crew was allowed to enter the Suzhou Museum for on-site shooting, but in order to protect cultural relics, most of the cultural relics appearing in the play are imitation props. In the early stage of filming, the drama team found historians of relevant cultural relics, searched a large number of documents to repeatedly compare the status and details of real cultural relics, and invited professional relics masters to copy them, so as to achieve the effect of false ones. The biggest one is the filigree inlay technology, which represents the highest level of imperial crafts. When making the Jin Ou Yonggu Cup props in the filigree inlay unit, the drama crew carried out a one-to-one replica in strict accordance with historical data, which took a full two months…

Main Cast

Guo Xiao Dong as Liao Muyun

Zhang Nan as Yu Zaizao

Li Xiao Ran as Wang Xining

Jaco Zhang Bo as Tao Tang

Zheng Kai as Gu Shiyong

Annie Sun Yi Han as Yuan Jiaying

Niu Zi Fan as Xie Yao

Joy Sheng Lang Xi as Shu Rong

Karena Ng as Zhuang Yiyi

Li De Long as A Xun

Synopsis Gu Shiyong, CEO of Palace Culture Film and Television Production Company, is determined to create a new large-scale cultural variety show “Inheritance”. He strongly invites Tao Tang, a young cultural relic expert, Mu Zongyun, a well-known director, and Wang Xining, a senior host. However, just when the program was ready to start, the young female director Yu Zazao suddenly parachuted into the company and joined the program group, disrupting the overall plan of the program and being strongly rejected by everyone. Surprisingly, Yu Zazao is calm and witty, dares to break the rules, and has inexhaustible inspiration like a genius. With her help, the originally scattered production team became unprecedentedly cohesive. Everyone worked together, starting from the historical relics of the Forbidden City, devoted themselves to excavating the core memory of the nation, promoting historical and traditional culture, and solving the problem of non-genetic inheritance. In the end, “Inheritance” stood out from many homogeneous programs and became a great success. Yu Zazao also successfully healed his soul and gained a complete friendship and career..

Episode 2

Gu Shiyong was very satisfied with the material provided by Yu Zazao, but Tao Tang expressed strong opposition to the content about the conflict between Liu’s father and daughter, and immediately left the crew. Yu Zazao was unwilling to give up, so he chased Tao Tang to ask for an explanation. Tao Tang believed that Yu Zazao had obtained the permission to shoot, and he was not at fault from a legal point of view. Cracks are difficult to repair. Gu Shiyong was very dissatisfied with Yu Zazao’s behavior of leaving Tao Tang, and asked Yu Zazao to please return to Tao Tang, otherwise she would be let out of the show. Master Liu was furious at his daughter when he learned that his daughter Liu Jiamei asked the program group to broadcast a clip of their discord. The daughter tearfully confessed her father’s preference for her younger brother, and the two broke up unhappy. In the middle of the night, Yu Zazao and Tao Tang came to the studio and found that Master Liu was crying alone. Yu Zazao played the video of Liu Jiamei doing filigree inlay seriously to Master Liu. Master Liu saw his daughter’s enthusiasm and dedication to filigree inlay with his own eyes, and fell into deep thought. Liu Jiamei suddenly returned to the studio and bumped into her father who had not yet left. Master Liu decided to teach her daughter the technique of filigree inlay. The father and daughter finally reconciled, and Master Liu even made a bet that if his daughter can get a place in the provincial competition, he will inherit the studio to her. The program team also quietly set up recording equipment to record this warm and beautiful scene without disturbing the two.

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