Tag: Emperor Yongzheng

#北京。 #中國 #China #Beijing | #紫禁城 #ForbiddenCity #March2021|#ForbiddenCityMoments #ForbiddenCityPaintings #ChineseArtworks ever so constant seasonally first #ChineseLunarNewYear first exhibits of the #RuyiSceptresExhibtion #RuyiExhibtion #AuspiciousRuyi March Reopening #AGallery

kevinjamesngLeave a comment

 

During the March 2021 the Forbidden City Palace Museum- China- People’s Republic of China, Beijing issued an Announcement on the reopening of the Ruyi Exhibition in the Collection.. in which According to the progress of the adjustment of the exhibition hall of the Palace Museum, the Shenwumen exhibition hall “Auspicious Ruyi——The Palace Museum Collection Ruyi Exhibition” will be reopened to the public from March 13, 2021 (Saturday), and the exhibition will last until May 9, 2021……..

The exhibition will be divided into morning and afternoon sessions (3,000 people in the morning and 2,000 people in the afternoon) in accordance with the principle of appointment, current limit, and peak shift. Visitors can make real-name reservations for ticket purchases through the online ticketing website of the Palace Museum (https://gugong.ktmtech.cn/). You need to check your health code, take your temperature, and swipe your ID card when you are admitted to the hospital. Please wear a mask and keep a safe distance when visiting the exhibition hall.

On 10th February 2021 Wednesday  2021 China- People’s Republic of China, Beijing-  ushered in the first exhibition  of 2021…… is that  which is  the first exhibition of the Palace Museum New Year ” #吉祥如意# -The Palace Museum Collection Ruyi Exhibition” officially opened today! 160 sets are carefully selected from more than 2,000 ruyi handles in the Palace Museum. They are divided into five units: jade Ruyi, bamboo and wood Ruyi, metal Ruyi, Jiujiu Ruyi and other materials Ruyi, which fully reflect the rich materials and beautiful shapes of Ruyi in the Ming and Qing Dynasties, Exquisite craftsmanship and many subjects. Wandering around in the exhibition hall, the room is full of wishful thinking; outside the exhibition hall, the Shenwu Gate overlooks the beautiful scenery and feels refreshed. This Spring Festival, come to the Forbidden City to see Ruyi and harvest a year of good luck! The exhibition will last until May 9. You must visit the online ticketing website of the Palace Museum….

 故宫新年首展“#吉祥如意#——故宫博物院典藏如意展”今天正式开展！从故宫博物院藏2000多柄如意中精心挑选160件套，分玉石如意、竹木如意、金属如意、九九如意和其他材质如意等五个单元，全面反映明清时期如意的丰富材质、优美造型、精湛工艺和众多题材。展厅里逛一逛，满室如意目不暇接；展厅外，神武门上远眺美景，身心舒畅。这个春节，来故宫看如意，收获一年吉祥如意！展期至5月9日，参观本展览需在故宫博物院网络售票网站…

There are many sets of nine handles in the Qing Palace Ruyi, regardless of material, most of which are gifts for palace festivals and birthdays of emperors and queens. Nine is the most singular number. The ancients often used “nine” to indicate a large number, and it also means the sun to prosper, thus becoming a lucky number. “Nine-Nine” is the ultimate number, and a complete set of nine handles has the meaning of wishing longevity and heaven…..

Ruyi jade is rich in materials, including white jade, sapphire, jasper, black jade, jade, etc., occupying the mainstream position in the Qing Dynasty Ruyi production. Zhicao-shaped is a common pattern of jade ruyi. The ancients believed that Ganoderma lucidum is endowed with the aura of mountains and rivers, the essence of the universe, and has the meaning of longevity; the appearance of Zhicao also indicates the peace of the country and the people, and is a symbol of benevolent governance. In addition, there are many creative themes such as birthday celebrations and auspicious celebrations in the jade ruyi, which pray for peace and harmony with various beautiful meanings. The Ruyi in the picture is being exhibited in ” #吉祥如意# -Ruyi Exhibition from the Palace Museum Collection…

 

Imagines credit are of the Forbidden city –Imperial Palace –Beijing – China- People’s Republic of China

#北京。 #中國 #China #Beijing | #紫禁城 #ForbiddenCity #November2020 | #北京卫视上新了故宫The new Series of Treasures in the Forbidden City on #BeijingSatelliteTV #BeijingTV for the season three # 李沁 #LiQin #邓伦 #聂远 – Exploring Adventuring the works of #SuShi #SuDongpo Emperor Qianlong’s Lanting Pavilion; a stream of clouds interprets the spirit of #Suzi….

kevinjamesng1 Comment

On 7th November 2020 Beijing Television -iQyi Streaming of the北京卫视上新了故宫 Treasures in the Forbidden City in which it stream the third season of A Guzheng- Guqin plays the legacy of the great sage of the Tang Dynasty in which recreates a scene of a jug of wine creates the mood of Emperor Qianlong’s Lanting Pavilion; a stream of clouds interprets the spirit of Suzi throughout ancient and modern times. In which airing streaming  on 7th November 2020  on 20:30 Hong Kong – Beijing Time 北京卫视@爱奇艺#上新了皇宫 The third season, follow the new product developer 邓伦, 聂远, 李沁, 千古风流人物——Su Shi from the Palace Museum The theme painting and calligraphy special exhibition, feel the open-minded life of Su Dongpo….. In which featured.. In which it has been finally restored after it has been viewed for more than two hundred years.. …

From September 1st to October 30th 2020, 千古风流人物#-A special exhibition of paintings and calligraphy on the theme of Su Shi from the Palace Museum is on display in Wenhua Hall. ……This time the Palace Museum held an exhibition with cultural relics as a carrier to show Su Shi’s artistic attainments and personality style. This is the first time that Su Shi is a well-known writer and artist in ancient my country. Because of its elegant life taste and open-minded attitude towards life, it exudes a unique personality charm. His art, thoughts and even the taste of life have had a profound impact on later generations, and he himself has become a highly admired model of literati….

Featuring Li Qin is a Chinese actress and singer. Born on September 27, 1990, she also is known by the name Sweet Li. As a child, Li Qin trained in Wuxi, Shaoxing, and Kunqu operas. She graduated from Shanghai Theatre Academy in 2008 with a major in Chinese traditional opera. She made her acting debut in the 2010 television drama “The Dream of Red Mansions.”

Chinese calligrapher, gastronome, painter, pharmacologist, poet, politician, and writer of the Song dynasty. A major personality of the Song era, Su was an important figure in Song Dynasty politics, aligning himself with Sima Guang and others, against the New Policy party led by Wang Anshi.

Su Shi is widely regarded as one of the most accomplished figures in classical Chinese literature, having produced some of the most well-known poems, lyrics, prose, and essays. Su Shi was famed as an essayist, and his prose writings lucidly contribute to the understanding of topics such as 11th-century Chinese travel literature or detailed information on the contemporary Chinese iron industry. His poetry has a long history of popularity and influence in China, Japan, and other areas in the near vicinity……

Su Shi is widely regarded as one of the most accomplished figures in classical Chinese literature, having produced some of the most well-known poems, lyrics, prose, and essays. Su Shi was famed as an essayist, and his prose writings lucidly contribute to the understanding of topics such as 11th-century Chinese travel literature or detailed information on the contemporary Chinese iron industry. His poetry has a long history of popularity and influence in China, Japan, and other areas in the near vicinity……

Su Shi’s pursuit of life aesthetics has had a profound impact on later generations of literati. His elegant life style and open-minded attitude towards life have made Su Shi a model respected and admired by scholars in the past. His life was ups and downs, legendary, and left a lot of anecdotes. Due to the admiration of Su Shi by later generations, many anecdotes have also been attached to Su Shi. Scholars and doctors in the Northern Song Dynasty were popular in tasting antiques, and Su Shi and his friends Wang Xu, Li Gonglin, Mi Fu and company…. was all famous for their appreciation of ancient times. When the wind of antique appreciation resumed in the late Ming Dynasty, there appeared a kind of paintings with the theme of “Dongpo Pingu”. Qiu Ying’s “Dongpo Pingutu” opened one of his “Character Story Atlas”. The picture depicts a scene of three scribes tasting antique calligraphy and painting together in the courtyard. One of them has a dress similar to that of Su Shi. The title of the painting may be “Dongpo Pingu”

 

What happens when I meet the Forbidden City on Mid-Autumn Festival …? …The “three autumn and nine months, mid-autumn and eight months”. The fifteenth day of the eighth lunar month is exactly the midpoint of the seven, eight, and nine months of autumn. At this time, the sky is high and the clouds are light, the water plants are lush, the fruits are ripe, and the bright moon in the night reflects the Chinese people’s interest in the Mid-autumn Festival With special feelings and sentiments, the moon has naturally become the eternal theme of the Mid-Autumn Festival.

“The romantic characters of the ages are like Women and men walking out of poetry and painting. Ben Miao will pretend to pass by and listen to the poetry of the Forbidden City.”…. It must be Su Shi’s poetic beauty, plus the developers… 邓伦… 聂远…. 李沁 In the beautiful scenery of the Forbidden City, the charm becomes more and more [心] The picture of them chanting Su Shi’s poems ..

In this year’s 2020, the second decade from the turn of the century in Beijing the Capital of China also the People’s Republic of China, in which is also the year of the rat, marking its six hundred years anniversary of the Forbidden city that marks the transitional point of in between the middle of the Ming Dynasty (1368- 1644) transitionally from Nanjing to Beijing towards the Qing Dynasty (1636-1644-1911) …. The Imperial Palace seen so many countless seasonally transitional equinoxes but further its six hundred years is iconic, but it’s five hundred ninety nine years it marks it Autumn Equinox…. In which it only took twelve years to build the same of the Daming Palace of The Tang Dynasty Xian Imperial Capital only it was least twenty times larger…

In which coming back to season three is 北京卫视上新了故宫 Treasures in the Forbidden City … in which during September 2020 this month film for the Trendy Documentary show started film in Beijing with the same host of cast but company of new host celebrities from all walks of life…..

 ” 北京卫视上新了故宫 Treasures in the Forbidden City ” is the Chinese Beijing Palace Museum and Beijing TV station produced, co-produced Huazhuan Wen of Springfield’s cultural film and television production season broadcast programs. originally planned three quarters will be produced quarterly 10, it is the third season aired Forbidden City built 600 anniversary of the foundation of the 95 anniversary of the National Palace Museum. In the first quarter since November 9, 2018, every Friday at 21:05 Beijing TV and iQIYI broadcast simultaneously , and on January 11, 2019 ending.

Imagines credits are of the Forbidden city –Imperial Palace –Beijing – China- People’s Republic of China also from the Series Weibo北京卫视上新了故宫 Treasures in the Forbidden City…

#北京。 #中國 #China #Beijing | #紫禁城 #ForbiddenCity #September2020|#ForbiddenCityarchitecture built 600 years of rich architectural language briefly explained- #武英殿 #HallOfMartialValor #HallOfYWuyingdian….

kevinjamesng3 Comments

In this year’s 2020, the second decade from the turn of the century in Beijing the Capital of China also the People’s Republic of China, in which is also the year of the rat, marking its six hundred years anniversary of the Forbidden city that marks the transitional point of in between the middle of the Ming Dynasty (1368- 1644) transitionally from Nanjing to Beijing towards the Qing Dynasty (1636-1644-1911) …. The Imperial Palace seen so many countless seasonally transitional equinoxes but further its six hundred years is iconic, but it’s five hundred ninety nine years it marks it Autumn Equinox…. In which it only took twelve years to build the same of the Daming Palace of The Tang Dynasty Xian Imperial Capital only it was least twenty times larger……

武英殿The Hall of Martial Valor (Wuying dian) is the main building in an architectural compound that lies to the far west of the Hall of Supreme Harmony (Taihe dian).

In the Ming dynasty (1368-1644), the Hall of Martial Valor was the place where emperors went on a fast and receive ministers. It is also one of the studios for the Ming dynasty court painters. In the late Ming dynasty, the peasant rebellion troop broke into the imperial palace and burnt down many of the buildings. Remaining intact, the Hall of Martial Valor was the place where Li Zicheng (1606-1645), the peasant unrest leader, ascended the throne as the emperor before he hurriedly fled from Beijing. After the Manchu Qing regime moved its capital to Beijing to rule across China, the hall became the office for Dorgon (1612-1650), one of the four regents, for handling state business. In the early Qing dynasty (1644-1911), emperors also attended small-sized ceremonies here. From Kangxi reign (1662-1722) on, the Hall of Martial Valor became an imperial cultural center – a workshop for amending, compiling, and printing books with carved wooden blocks. Books printed here were marked with the authoritative “Hall edition”.

武英殿Wuying Hall echoes the Wenhua Hall. At the end of the Ming Dynasty, Li Zicheng ascended to the throne and proclaimed emperor here; in the first year of Shunzhi in the Qing Dynasty, Dorgon, who was the first to enter the pass, was promoted here. During the reign of Kang Yong, Wu Yingdian set up a book-repairing office, which later became a specialized agency for publishing books.

In the late Qing Dynasty, Wuying Palace caught fire twice in the eighth year of Tongzhi (1869) and the twenty-seventh year of Guangxu (1991). For this reason, in the eighth year of Tongzhi and the twenty-eighth year of Guangxu (1902), Wuying Palace underwent two difficult reconstructions under the situation of internal and external troubles. The reconstruction project reflects the poverty and helplessness of the Qing court at that time, and also reminds us that fire prevention is the top priority of protecting the wooden structure of the Forbidden City….

 

【丹宸永固：紫禁城建成六百年图录——1902年：重建武英殿】紫禁城建成600年 悦读故宫# 武英殿作为外朝的重要建筑，与文华殿遥相呼应。明末，李自成在此登基称帝；清顺治元年，率先挥师 入关的多尔衮于此升座。康雍年间，武英殿设立修书处，后正式成为刊刻书籍的专门机构。

清末，武英殿于同治八年（1869年）、光绪二十七年（1 9 0 1年）两次失火。为此，同治八年、光绪二十八年（1902年），武英殿在内忧外患的局势之下进行了两次艰难的重建。重建工程反映出当时清廷的拮据与无奈，也提示我们：防火是保护紫禁城木结构建筑群的重中之重

Imagines credit are of the Forbidden city –Imperial Palace –Beijing – China- People’s Republic of China

#北京。 #中國 #China #Beijing | #紫禁城 #ForbiddenCity #September2020|#ForbiddenCityarchitecture built 600 years of rich architectural language briefly explained- #养心殿 #HallOfMentalCultivation #HallOfYangxin ……

kevinjamesngLeave a comment

 

In this year’s 2020, the second decade from the turn of the century in Beijing the Capital of China also the People’s Republic of China, in which is also the year of the rat, marking its six hundred years anniversary of the Forbidden city that marks the transitional point of in between the middle of the Ming Dynasty (1368- 1644) transitionally from Nanjing to Beijing towards the Qing Dynasty (1636-1644-1911) …. The Imperial Palace seen so many countless seasonally transitional equinoxes but further its six hundred years is iconic, but it’s five hundred ninety nine years it marks it Autumn Equinox…. In which it only took twelve years to build the same of the Daming Palace of The Tang Dynasty Xian Imperial Capital only it was least twenty times larger……

 

养心殿 The Hall of Mental Cultivation (Yangxin dian) was built in 1537 and rebuilt during the Qing emperor Yongzheng’s reign (1723-1735). The “I”-shaped buildings are divided into two parts – the front halls and the rear halls. The chamber was moved to the rear halls after the emperor Yongzheng. The central rooms and the west rooms of the front halls were changed into the place where emperor handled the state routine affairs, reviewed memoranda and received his officials…. As of currently the Hall of Mental Cultivation is currently undergoing an extensive massive renovation restoration process that was undertaken since the beginning of this year. .. In which is located in the northern upper left section district of the Forbidden City..

The east room was the place where the empress dowagers Cixi and Cian took charge of the state affairs behind a screen when the emperors Tongzhi and Guangxu were in their childhood. The Qing last emperor Puyi (r. 1909-1911) convinced the “presence meeting” and made the decision to give up the throne after the revolution of 1911 broke out.

Dynasty Emperor Yongzheng decided to use the Hall of Mental Cultivation after the death of Emperor Kangxi For the bedroom. Since then, The Hall of Mental Cultivation has the characteristics of “the unity of politics and sleeping”, which has witnessed the ups and downs of internal affairs and diplomacy, power change, and become the actual political heart of the middle and late Qing Dynasty.

Emperor Yongzheng’s court aesthetic taste established with his personal aesthetics as the core-“the style of reverence in the inner court”, laid the foundation for later court art. The “Engineering Practices” promulgated by the Ministry of Industry set a paradigm for construction. …..

【丹宸永固：紫禁城建成六百年图录——1723年：入主养心殿】紫禁城建成600年…悦读故宫# 清朝雍正皇帝在康熙帝驾崩后，决定以养心殿为寝宫。自此，养心殿具备了“政寝合一”的特点，见证了此后波澜起伏的内政外交、权力易主，成为清朝中后期实际的政治心脏。

雍正皇帝以个人审美为核心确立的宫廷美学趣味——“内庭恭造之式”，为后来的宫廷艺术奠定了基础。由工部颁布的《工程做法》，为建筑营建制订了范式。

Imagines credit are of the Forbidden city –Imperial Palace –Beijing – China- People’s Republic of China