Today this morning at six in the early hours of wintery morning Hong Kong SAR-Beijing time it’s is the first morning of 2022 January 1st sunrise sunlight warmth radiantly glittering the Imperial Palaces of the primary Beijing Central Axis complex of which is the now Ming – Qing Dynasty 602 Forbidden City years old Beijing – China – People’s Republic of China ..
During the sunrise it was the First China’s – China- People’s Republic of China Flag Raising ceremony of 2022 in Tian’anmen Square.. The Chinese national flag will be raised at Beijing’s Tian’anmen Square on the first day of 2022. The ceremony takes about two minutes but people often arrive the night before to get a good spot.
……the second decade from the turn of the century in Beijing the Capital of China also the People’s Republic of China, marking its six hundred and two years anniversary of the Forbidden city that marks the transitional point of in between the middle of the Ming Dynasty (1368- 1644) transitionally from Nanjing to Beijing towards the Qing Dynasty (1636-1644-1911) …. The Imperial Palace seen so many countless seasonally transitional equinoxes but further its six hundred years is iconic, but it’s five hundred ninety nine years it marks it Autumn Equinox…. In which it only took twelve years to build the same of the Daming Palace of The Tang Dynasty Xian Imperial Capital only it was least twenty times larger……
恭王府Prince Gong- Kung Mansion Located in 17 Qianhai W St, Xicheng District, Beijing, China, 100035- China – People’s Republic of China Prince Gong’s Mansion, also known as the Prince Kung Mansion, is a museum and tourist attraction located in Xicheng District, Beijing, just north of the Shichahai Lake. It consists of large siheyuan-style mansions and gardens. In which It consists of large siheyuan-style mansions and gardens. Originally constructed for Heshen, an official highly favoured by the Qianlong Emperor, it was later renamed after Prince Gong, a Manchu prince and influential statesman of the late Qing dynasty, who inhabited the mansion in the late 19th century. covers an area of 6.112 hectares. In the forty-five year of Qianlong (1780), the academician He Shen was ordered to build this mansion. In the first year of Xianfeng (1851), the Qing court awarded this mansion to Prince Gong Aixinjueluo Yixin. Therefore, the name of the mansion was given.
Prince Gong’s Mansion is the largest palace complex in the Qing Dynasty. It has gone through the historical process of the Qing Dynasty from its heyday to its decline. It carries extremely rich historical and cultural information. Therefore, there is “a Prince Gong’s mansion, half of the history of the Qing Dynasty”. Statement.
The historical evolutionally elements of恭王府Prince Gong- Kung Mansion consisting many elements of halls, buildings and great halls. Heshen Mansion In the forty-five year of Qianlong (1780), the academician He Shen was ordered to build the ten princess mansion.
Bestowed to Yonglin In the fourth year of Jiaqing (1799), Emperor Jiaqing gave Heshen’s house to his younger brother (the seventeenth son of Qianlong) Qingjun Wang Yonglin, who was the palace of the Qing Dynasty. In the 25th year of Jiaqing, Wang Yonglin of Qingjun died and was inhabited by his son and descendants…..
Prince Gong Mansion In the 30th year of Daoguang (1850), Emperor Xianfeng bestowed the palace of Qing Dynasty to his sixth brother, Prince Gong Yixin. On April 22 of the second year of Xianfeng, Prince Gong Yixin moved to this mansion and was originally called Prince Gong’s Mansion. In the 20th year of Guangxu (1894), Prince Gong died, and his grandson Puwei attacked Prince Gong…..
Architectural Pattern Summary
The buildings of Prince Gong’s Mansion are clearly divided into East Road buildings, Middle Road buildings and West Road buildings. The buildings of each road run through the entire residence and courtyard from south to north in a rigorously symmetrical manner, with a clear layout.
Mansion Building
Middle Road Building There are mainly two buildings on the middle road, Yin’an Temple and Jiale Hall. Yin’an Temple, commonly known as Yinluan Temple, is the main building in the palace and the main hall of the palace. It is mainly used to hold major ceremonial activities in the palace and is only used for major events or festivals. In 1921, because the owner accidentally burned incense and caught fire, the main hall was burned down together with the east and west halls. However, the grandness of this hall can still make us feel the majestic and majestic style of the palace. Yin’an Temple is five rooms wide, with the top of Xieshan Mountain, and the main hall is made of green glazed tiles. The architectural paintings cannot use the emperor’s exclusive Hexi colored paintings, but the highest grades in the revolver paintings can be used, such as the gold-cut ink stone grinds the jade, the dragon brocade and the heart. Sitting dragon is available.
Jialetang is located behind Yin’an Temple. It is the last entrance of the building on Gongwangfu Middle Road, the front corridor, the five-bay room, and the hard top of the mountain. The “Jia Le Tang” plaque hangs directly above the gate.
East Road Building – The front yard of East Road is Duofuxuan, and the back yard is Ledaotang.
Duofuxuan in the front yard is the living room through the hall. The main function of the second hall is to receive guests, relatives or subordinates who give back and forth to things, and can also store gifts from the emperor. At that time, the hall was surrounded by plaques with the words “Fu Shou”. The decorations in the house were all based on historical photos and were arranged according to the original situation. Many historical photos of Prince Gong’s Mansion were displayed.
The main house in the courtyard behind it is named “Le Dao Tang”, which is the largest one in the building on the East Road. In the time of Prince Gong, this was his daily residence. At this time, Prince Gong, Prince Yixin, Emperor Daoguang once bestowed the “Ledaotang” plaque, so this place may also be named for it.
West Road Building – The buildings and courtyards on West Road are more elegant than those on Middle Road and East Road. The main buildings are Baoguang Room and Xijinzhai.
The Baoguang Room is located on the west road of the mansion. It was used as a living room during the period of Heshen and King Qing. In the period of Prince Gong, it was a secret living room for receiving the prince and relatives. The most exquisite among them is the Baoguang Room. The inner and outer eaves are painted with colorful paintings. The most amazing is the painted paintings of the Chinese and foreign eaves, which were painted by the highest-level color painting technicians in the country at that time. The inner eaves are also beautifully painted. Lun Meihuan, “The golden patterns under the eaves of the mansion are all plated with real gold.” As early as the Qing Dynasty, this place was a resting place for Emperor Daoguang to pay homage to his ancestors. After this rebuilding, it is mainly used to display the ancient relics left by Prince Gong’s Mansion. The plaque in the Baoguang room is the inscription of Prince Gong Yixin when Emperor Xianfeng was visiting Prince Gong’s residence. It is of far-reaching significance.
Xijinzhai is a classic in the architecture of Prince Gong’s Mansion, and the one with the most historical memory is Xijinzhai. Plane convex shape, the east, west and north sides of the hall are two-story fairy buildings, and the upper and lower floors are separated by beautifully carved nanmu partitions. According to historical records, the construction of Xijinzhai with nanmu is the thirteenth crime of Heshen. It is said that the eunuchs under the Heshen faction studied and borrowed the architecture of the Forbidden City, requiring craftsmen to imitate the architectural layout of the Ningshou Palace. , Far beyond the building specifications that ministers can have. In the 6th year of Guangxu, Prince Gong Yixin obtained the earliest surviving calligraphy work of famous masters in my country from Chengxin Wangfu-“Ping Fu Tie” handwritten by the great scholar of the Jin Dynasty, Lu Ji, which he treasured very much. Xijinzhai”.
Back Cover or South – At the junction of the mansion and the garden, there is a second-story back cover building that connects the buildings on the East, Middle, and West Roads. The length of the entire building is about 180 meters, and there are 108 rooms on the facade, commonly known as “ninety-nine and a half rooms”, which means “surplus upon expiration” in Taoism. It is called “Zhanji Tower” in the east and “Baoyue Tower” in the west, which is particularly stylish. There is the only indoor landscape garden in the country to the west of the back cover building, using a “small labyrinth” created by five rooms. The front eaves of the back cover building are out of the gallery, and each opening on the back eaves wall is equipped with a window. There are assorted windows of different forms on the upper floor. In the shape of silver ingots, there are also “fuqingyu” composed of bats, chime and fish. The windows have fine brick carvings, simple and elegant, and are harmoniously unified with the style of the garden on the north side. There is an aisle door on the lower level of the one west of the middle of the building, leading to the garden at the back of the house. It is said that there are countless treasures from the gentry family. In order to remember where the various treasures are, it can be said that he racked his brains. He marked each room, that is, the shape of each window is different.
Travelling Information
Tickets
40 yuan/person.
transportation
subway
Take Beijing Metro Line 6, get off at Beihai North Station, and exit at the northeast exit of B.
Bus
Take Beijing Bus No. 3 , No. 4, No. 13, No. 42, No. 107, 111, No. 118, No. 612 or Sightseeing No. 3 and get off at Beihai Beimen Station.
On the 21st December 2021 it was the Winter Solstice 2021 in which during the Beijing – China – People’s Republic of China it was the winter solstice in which during that day there was a special moment where it happens on during that day where the Every year around Winter Solstice, the 22nd solar term of the Chinese lunar year, meaning the “summit of the winter,” the Palace Museum welcomes an annual spectacle-the signboard inscription with “Upright and Pure in Mind” (“Zhengda guangming” in Chinese) and the five golden dragons below it in the Palace of Heavenly Purity (Qianqing Gong in Chinese) are illuminated from west to east…. Featuring on CGTN live streaming that day…
数码御宫小程序冬至暖心保护# It’s the winter solstice, and the sun will resume: The Digital Forbidden City Mini Program 2.0 is officially released! In addition to the overall visual renewal, the new version of the Mini Program also optimizes and adds practical functions such as online ticket purchase, exhibition reservation, and shopping in the courtyard to further improve the “one-stop” visit experience! Smarter, friendlier, simpler, and more open, just to serve you better….
煊氏旗袍 Xuan’s Cheongsam is located in Chengdu in Sichuan Province of China- People’s Republic of China in which is also named Chengdu Xuandi Clothing Co., Ltd Adhering to original design, of high end Chengdu embroidery craftsmanship, and manual customization, with traditional culture as the core, and actively promote the Chinese Chengdu style cheongsam…
Dressed in Imperial auspiciousness Imperial bold red Qipao dress with featuring short lacy sleeves with white lacy detailing trims on Chinese hand crafted embroidery youthfully cheongsam Qipao …. With beautifully dressed in Beautiful Chinese Painting embroidery of a Chinese Pavilion Summery garden with Chinese windows florally patterns expressing Femininity is the ultimate expression of condensed femininity of romantic literature…. In With a beautiful detailing of slide button fixtures in a traditional Qipao- Cheongsam design in replacement of the modern with the back zip opening in which is a non-traditional designs..
With gentle and proud the Cheongsam is a noble elegant red Qipao, of romantic literature reading within the Forbidden City pavilion….with silky shoulders, neck and arm lines…in in which with an elegant cute shoulder cloak with a playfully elements with a delicate details of a red roses.. showing the temperament of the goddess than “cheongsam- Qipao” expression of that is the new Xuan’s series of Intangible Cultural Heritage Series in featuring a gorgeous silk for the old sense of vision, of vintage level flat shoulder sleeves cut of wisdom reading with a cute shoulder warm matching Shaw with beautifully delicate red lacy trimmings ..
QIPAO 旗袍 Cheongsam …. In which from historically Shenyang is the birth place of the Qing Dynasty 1636-1912plus …. In which Qipao is termed for Qing Dynasty Clothing that the Manchu ethnic adoptively wore…… in which the Shenyang Palace Museum was an imperial palace towards two Qing Dynasty emperors. Previously two years ago During the event it which was an eight day forums, with exhibitions also related workshops illustrating the birth place of the Old Capital of Cheongsam where the Qing Dynasty- Qipao was inspired from..
Before that Shanghai 1930’s Qipao-Cheongsam revolution, the Manchurian Cheongsam was the fashion of choice of the Qing Dynasty (1636-1912) throughout as it standardised that style during the dynasty… Replacing the previous clothing standard Han Fu – Han Dynasty clothing style, in which also is form fitting towards the women’s silhouette but with a higher degree of freedom of flare of personal, individual style…
Qipao-Cheongsam is uniquely hand crafted tailored Chinese dress to the customer’s various measurements… in which you can still have them brought of the rack in which is accustomed to the standard measurements… in which you can tell which is western influenced with the back zipped in which the Eastern traditional Chinese Tailors would have the side zipped of the Qipao dress due it interrupts the flow of the pattern work at the back of the dress.. Also it creates a continuous seamless back look… after as the measurements are translated drafted onto the silk or the customer desired accustomed fabric of choice, from the measurements book with the associated look of the design elements with additional accessories the sexiness of Qipao lies subtlety.. Measuring, patterning, cutting, and button making are crucial, in where passion and art comes together in tailoring
In which traditionally Qipao- Cheongsam dresses are worn for from straight forwardly every day towards after work evening wear in without having to change to another set of wardrobe dressing only to accessories for the required occasion… … in which the Qipao dress pattern silhouette is design for the lady’s figure in which accentuating the silhouette without giving away too much of what’s underneath in retaining…. its timeless classic silhouettes in which are designed to be worn every day, from work, evening, casually towards to the weekend… with sleek simple, elegant, sexy intelligent sophistication in which are easy to be accessorised with any pieces of clothing in your current or upcoming wardrobe…
On December 15, 2021, with the opening of the “Culture + Technology” International Forum, the opening ceremony of “Tencent Immersive Digital Experience Exhibition of Forbidden City” was held at Shenzhen Sea World Culture and Art Center. The exhibition reproduces the traditional patterns of the Forbidden City through digital technology, and provides a subtle insight into the spiritual world of the Forbidden City’s architecture and decorations. This exhibition is 古宫超高高高實寫物深圳首見. The audience can enjoy the 5.3-meter-high naked-eye 3D cultural relics and 22 times the high-definition magnified cultural relics. Through VR and AR, they can experience the “Jiangnan Dream” in Tienqinzhai, and even more “Check in” the red wall and window pattern of the Forbidden City, leaving an exclusive streamer image. The exhibition will be open to the public free of charge from December 18, 2021 to February 12, 2022, and you can make an appointment to visit through the “Digital Forbidden City” applet.
Providing also On December 15, 2021, the second “Culture + Technology” International Forum, co-sponsored by the Palace Museum and Tencent, supported by the Museum Digitalization Professional Committee of the Chinese Museum Association, and the Informationization Professional Committee of the Chinese Cultural Heritage Society, opened in Shenzhen Tencent Binhai Building. The forum invited more than 50 experts and scholars from many well-known cultural and cultural institutions, universities and technology companies at home and abroad to gather to discuss the future of museums in the digital age
In November 2017, the Palace Museum and Tencent successfully held the first “Culture + Science and Technology” International Forum in Beijing. After 4 years of development and precipitation, especially since the COVID-19 pandemic, what kind of impact will science and technology have on the cultural and expedition field? And change? On December 15, 2021, the second “Culture + Technology” International Forum, co-sponsored by the Palace Museum and Tencent, supported by the Museum Digitalization Professional Committee of the Chinese Museum Association and the Informationization Professional Committee of the Chinese Cultural Heritage Society, opened in Shenzhen Tencent Binhai Building.
The theme of this forum is “Impact and Enlightenment-A New Leap in Digital Cultural Services”, which aims to further promote the digital concept of museums, promote the application and innovation of new technologies, and jointly explore the development direction of culture and technology. More than 50 experts and scholars from many well-known cultural and cultural institutions, universities and technology companies at home and abroad gathered to discuss the future of museums in the digital age.
Guests from the Shenzhen Municipal Government, UNESCO and the Chinese Museum Association (in the order of their speeches) came to Shenzhen or participated in the conference via video and delivered speeches. At the opening ceremony, Wang Xudong, Dean of the Palace Museum, mentioned: “The’Culture + Technology’ International Forum aims to integrate the superior resources of culture and technology and build a cutting-edge academic exchange platform for all parties in the world. In the digital age and the epidemic, we should With a more long-term perspective, re-examine the positioning and mission of the museum, deeply explore and interpret the diverse values of cultural heritage, give cultural heritage new vitality, and answer the propositions of the times of creative transformation and innovative development.”
Cheng Wu, Vice President of Tencent Group, said in his speech: “In 2016, the Palace Museum and Tencent explored the digitalization of cultural museums. On the one hand, through the’new cultural creation’, they created screen-level works such as ancient paintings and singing, making traditional culture a trend for the younger generation. Culture; At the same time, “new technology” is used to help digital infrastructure such as the digital collection of cultural relics, and to create WeChat applets such as the digital Forbidden City, so that cultural relics are within reach in the cloud. Helping China’s cultural museums to plug in a pair of new technology and new cultural and creative wings , Stepping out of an innovative model with Chinese characteristics, and contributing Chinese solutions to the development of global cultural museums. This is also an important practice for Tencent to fulfill its mission of “Technology for Good”.”
The vice chairman of the International Association of Museums and the directors of several well-known museums at home and abroad delivered keynote speeches.
This forum lasts for two days and consists of three sub-forums. Forum 1 “Resonance•New Development of Digital Culture from a Global Perspective” focuses on the development of digital cultural services under the impact of the epidemic, while Forum 2 focuses on the deep integration of traditional culture and digital technology. , Forum 3 “Burst • Convergence and Improvement of Digital Cultural Services” combined with specific cases to explore practical methods for the further integration of culture and technology, and conduct multi-dimensional professional seminars on the overall development, efficiency enhancement and ecological construction of digital cultural services.
This forum specially set up the Greater Bay Area Salon session. Five guests from the Cultural Affairs Bureau of the Macao Special Administrative Region Government, the Palace Museum, the Guangdong Provincial Museum, the Hong Kong Museum of History, and Tencent focused on the cultural policy and construction of the Greater Bay Area and the cultural resources of the Greater Bay Area. , The exchange and training of talents between Hong Kong, Macau and the Mainland (including the traditional cultural exchanges of youth in the Greater Bay Area, and the training of cultural talents between Hong Kong, Macau and the Mainland) and other specific directions were discussed.
The “Tencent Immersive Digital Experience Exhibition” co-sponsored by the Palace Museum and Tencent will also be unveiled during the forum. This is the first time that the Forbidden City’s ultra-high-precision “digital cultural relics” have been exhibited in Shenzhen, and part of the scenes of Juanqinzhai have been restored with the help of VR and AR technologies. After showing the beauty of the patterns contained in the cultural relics of the Palace Museum through the “Changyou Duobao Pavilion” mini program in 2020, the Palace Museum and Tencent once again joined forces to lead the audience in an immersive experience with Tencent’s immersive rendering, image search and panoramic sound technologies. Appreciate the beauty and wisdom in the world of patterns in ancient buildings and collections.
There are 7 exhibition areas in the exhibition. Visitors can enjoy naked-eye 3D “digital cultural relics” with a height of 5.3 meters and 22x high-definition magnified cultural relics, experience the experience of transcending physical cultural relics exhibition, and may discover hidden mysterious three-dimensional space “Eggs”. The exhibition also meticulously created 10 annual check-in points, allowing the audience to experience the four seasons of the Forbidden City, leaving an exclusive streamer image.
The exhibition will be held at the Shenzhen Sea World Culture and Art Center. It will be open to the public free of charge from December 18, 2021 to February 12, 2022. Visits can be reserved through the “Digital Forbidden City” applet.
Attachment: Participants of the 2nd “Culture + Technology” International Forum (47 companies in total, sorted by the first letter of Pinyin)
Museum units (19 companies)
Sackler Archaeology at Peking University And Art Museum
Dunhuang Academy
Hermitage, Russia National Museum
The Palace Museum
Guangdong Provincial Museum
National Library
Henan Museum
National Museum of the Netherlands
Hubei Provincial Museum
Nanjing Museum
Emperor Qin Shi Huang’s Mausoleum Museum
Tokyo National Museum, Japan
Xias Historical Meseum
ShangHai museum
Shanghai History Museum
capital Museum
Suzhou Museum
Hong Kong Palace Museum
British V&A Museum
Cultural relic institutions and industry organizations (13 companies)
Cultural Affairs Bureau of Macao Special Administrative Region Government
Federation of French Museums
International Museum Association
International Association of Museums Audiovisual, New Technology and Social Media Committee
Unesco Representative Office in China
British Scottish Historical Environmental Management Agency
Chinese Museum Association
Museum Digitalization Professional Committee of Chinese Museum Association
Chinese Cultural Heritage Research Institute
China Cultural Relics Conservation Foundation
China Cultural Relic Exchange Center
China Cultural Relics Information Consultation Center
Informatization Professional Committee of Chinese Society of Cultural Relics
University units (7 companies)
Beijing University
Beijing Institute of Technology
Fudan University
Oxford university
Ryukoku University
Wuhan University
Ningbo Institute of Technology, Zhejiang University
Enterprise units (8 companies)
Beijing SuperMap Software Co., Ltd.
DJI Innovation Technology Co., Ltd.
Huachuan Cultural Communication Group
Toppan Printing Co., Ltd.
Tencent
Artron Culture Group
China Mobile Communications Group Beijing Co., Ltd.
