On July 19th 2023 , the multilingual website of the Forbidden City Palace Museum- Beijing, China, People’s Republic of Chinawas officially released at the Digital Cultural Tourism Development Forum of the 2023 China Internet Civilization Conference! The website covers five languages: English, French, Russian, Japanese, and Spanish, and will meet the needs of audiences with different languages.
Announcement of the Exhibition Change of “Le Lin Quan – Chinese and Foreign Garden Culture Exhibition”
The “Le Lin Quan – Chinese and Foreign Garden Culture Exhibition” opened in the Wumen Exhibition Hall on April 1, 2025, is based on Chinese classical gardens and looks at the world’s gardens. The exhibition is interspersed with six garden events: “Gathering”…………………
In the mountains and forests, by the winding waterside, the Lanting Gathering more than 1,600 years ago cast an eternal ripple in the hearts of Chinese literati. The place for drinking and chanting is integrated into the garden, and elegant and famous works are everywhere. While we appreciate the poems and essays left by the noble scholars in the elegant gatherings such as Lanting, Xiyuan, and Yushan, the chapters of Persian poets such as Saadi and Hafez also echoed on the westward journey of the Silk Road. In the garden symbolizing heaven, they discussed love, nature and life through fine wine, flowers and birds, mountains and rivers and quiet nights. Scholars from different civilizations and different times gathered here, and the garden became a place for nurturing beauty and philosophy. The elegance in civilization has been sustainable since then.
乐林泉The first unit of the exhibition, “Elegant Gathering”, takes you into the Chinese and foreign gardens where scholars gather….
The “Enjoy the Forest and Springs – Chinese and Foreign Garden Culture Exhibition” opened at the Wumen Exhibition Hall on April 1, 2025. It is based on Chinese classical gardens and looks at the world’s gardens. The exhibition is interspersed with six garden events: “gatherings”, “collections”, “mountain tours”, “quiet cultivation”, “flower viewing” and “music”. It is hoped that through people’s activities in the gardens and the garden landscapes, we can explore the ideals and pursuits of people in different cultures and regions about living.
In order to protect the cultural relics and provide relevant exhibits to enrich the visitors, according to the exhibition plan, the following exhibits will be on display until April 30, 2025, and will be replaced the next day and will be on display until the end of the exhibition :
Wen Zhengming’s “Yilan Room” scroll replaces the Song Dynasty’s “Deep Hall Qin Qu Tu” page
The following exhibits will be on display until May 18, and will be moved to a new location the next day and will remain on display until the end of the exhibition :
The ivory carvings of the “Flower Viewing” unit, “Yueman Qingyou” in May and August, replaced the ivory carvings of the “Yueman Qingyou” in April and October.
Meanwhile, the following exhibits will be on display until April 30, and will be replaced with replicas the next day :
“Elegant Gathering” Unit
Yuan Dynasty “Junzilintu” scroll
Cao Zhibai (attributed) “Eighteen Gentlemen” scroll
“Mountain Tour” Unit
Zhao Ji’s “Auspicious Dragon Stone Picture” Scroll
Zhao Bosu’s “Ten Thousand Pines and Golden Palace” scroll
Page from the Song Dynasty painting “Pengying Fairy House”
“Retreat” Unit
Page from the Song Dynasty painting “The Fairy Ferry in Lotus Boat”
一笑随歌 Fated Hearts is a costume love drama produced by iQiyi and Broadway Pictures, produced by Broadway Pictures, directed by Zhu Ruibin , Lan Zhiwei , and Gu Zhiwei , starring Li Qin , Chen Zheyuan , Xia Meng , Chen Heyi , Zuo Ye , Xin Kaili and others.
一笑随歌 Fated Hearts tells the story of the defeat of the Jinxiu Kingdom in the Battle of Pingling. The red-dressed female archer Fu Yixiao ( played by Li Qin ) shot an arrow that hit the eldest prince of Susha, Feng Suige ( played by Chen Zheyuan ) . The two went from using each other to falling in love with each other and running towards each other, performing an inspirational growth story that is a mixture of sweetness and cruelty.
It is a 36 episode Director: Chu Yui Bun, Francis Nam, Gu Zhi Wei Screenwriter: Qing Mei
When the Jinxiu Kingdom was defeated in the Battle of Pingling, the red-dressed female archer Fu Yixiao shot the eldest prince of Susha, Feng Suige, with an arrow, turning the tide of the battle. However, not long after the Battle of Pingling, Fu Yixiao accidentally fell off a cliff and lost all his memories. Feng Suige was also being hunted down and exhausted. By chance, the two met again at Zhengnian Villa. Looking at Fu Yixiao who had lost her memory, Feng Suige felt that there was something fishy about this matter. So she decided to take Yixiao with her to lure out the mastermind behind everything. The two thus embarked on a journey to uncover the conspiracy between the two countries. Along the way, they worked together to get rid of the scumbag, fight the powerful minister, and find the truth. From using each other to falling in love, they went both ways, with sweetness and abuse intertwined, and growth inspirational…
李沁Li Qin, born on September 27, 1990 in Bacheng Town, Kunshan City, Suzhou City, Jiangsu Province, is a Chinese film and television actress.
In 2008, Li Qin became well-known to the audience for her role as the young Xue Baochai in the costume drama Dream of Red Mansions . In 2010, she was nominated for the Best Newcomer Award at the 31st Popular Film Hundred Flowers Awards for her role as Yang Kaihui in the 90th anniversary tribute to the founding of the Communist Party of China, The Founding of a Party . In 2013, the modern drama ” Watching the Sky ” starring her won the Golden Angel Award for Outstanding Chinese TV Dramas at the China-US Film Festival ; the urban drama ” Brilliant Life ” starring her won the national TV drama ratings championship in the same period. In 2014, she won the Most Promising Actress Award at the National Drama Festival for her roles in the TV dramas ” Half Summer ” and ” The Return of the Daughter “.
In 2017, she received much attention for his role in the costume drama Princess Agents. In 2018, she was nominated for the Best Supporting Actress Award at the 24th Shanghai TV Festival Magnolia Awards for her role in the period drama White Deer Plain . In the same year, she was nominated for the Best Actress at the 34th Popular Film Hundred Flowers Awards for her role in The Founding of an Army, a tribute to the 90th anniversary of the founding of the People’s Liberation Army .In 2019, the costume drama ” Celebrating Yu Nian ” starring him was broadcast In 2020, the comedy film ” Warm Hug ” starring him grossed over 800 million RMB at the box office . In 2021, the TV series The Song of Glory , in which he starred, became the first Chinese TV series to win the International Emmy Award for Best Television Series. In 2024, she continued to star in the costume drama ” Celebrating Yu Nian Season 2
Images and visuals are from Weibo also from their respectives.
On July 19th 2023 , the multilingual website of the Forbidden City Palace Museum- Beijing, China, People’s Republic of Chinawas officially released at the Digital Cultural Tourism Development Forum of the 2023 China Internet Civilization Conference! The website covers five languages: English, French, Russian, Japanese, and Spanish, and will meet the needs of audiences with different languages.
On August 30th 2024 at the Wenhua Hall, Forbidden City Beijing , China, People’s Republic of China, the 千秋佳人 ——Special Exhibition of Figure Paintings from Past Dynasties in the Collection of the Palace Museum (Fourth Phase)” opened in the Wenhua Hall of the Palace Museum which 30the August to 31st October 2024. Paintings of ladies are a classic genre in traditional Chinese painting with a long history and important influence, including the graceful and elegant figures of the Six Dynasties, the gorgeous and plump figures of the prosperous Tang Dynasty, the dignified and beautiful figures of the Song and Yuan Dynasties, the slender and delicate figures of the Ming and Qing Dynasties… The faces of the people in the paintings have significant characteristics of the times, reflecting the changes in the social status and living conditions of women in different eras as politics, customs, and fashions changed. Through the 83 precious paintings in the museum collection exhibited in this exhibition, one can not only appreciate the peerless grace of women painted by painters of all ages, but also understand the spiritual strength and daily life interest of ancient women from the moving stories that have been passed down through the ages and are related to the country .
文华殿 Wenhua Hall The Hall of Literary Brilliance , or the Hall of Literary Glory or Wenhua Hall, is a hall in the outer court of the Forbidden City, located far east of the Hall of Supreme Harmony. In the early Ming Dynasty, the hall was originally used as the residence of the heir apparent. However, starting in 1536, Ming emperors began to use the building as a secondary hall. During both the Ming and Qing Dynasty, the hall hosted grand imperial lectures on Confucian classics and served as a place for the emperor to meet his scholars and officials. The hall was also where palace examinations papers would be reviewed and marked by nine readers who would be sequestered in the hall for two days. The hall gave its name to one of the seven different titles of grand secretary in late-imperial China. Becoming Grand Secretary of Wenhua Hall was considered to be an especially prestigious honour for high-ranking Officials ….
On July 19th 2023 , the multilingual website of the Forbidden City Palace Museum- Beijing, China, People’s Republic of Chinawas officially released at the Digital Cultural Tourism Development Forum of the 2023 China Internet Civilization Conference! The website covers five languages: English, French, Russian, Japanese, and Spanish, and will meet the needs of audiences with different languages.
The multilingual website of the Palace Museum is committed to establishing an international website that is concise, clear, easy to use for overseas audiences, and fits the construction of the modern civilization of the Chinese nation, including tour guides, information, panoramic tours, online exhibitions, collection appreciation, cultural topics, etc. Rich immersive content describing of the most detail collection that housed within the Forbidden City collection….
Qing Qianlong, Yao Wenhan, etc., Chongqing Empress Dowager’s eighty-year longevity picture is posted (partial). This picture depicts the grand occasion of Emperor Qianlong’s 80th birthday celebration held for his mother, Empress Dowager Chongqing, in the Cining Palace in the Forbidden City where she lived in November of the 36th year of Qianlong’s reign (1771). In the palace, the Queen Mother was sitting on the throne enjoying the banquet, and Emperor Qianlong was sitting sideways to accompany her. In the east and west rooms were Emperor Qianlong’s concubines and Prince Fujin, etc., and on the platform outside the palace were the princes and grandchildren. At this time, the person in charge of the Sixth Palace was the imperial concubine Wei Jia, the biological mother of Emperor Jiaqing Yong Yan, who was posthumously named Queen Xiaoyi. This picture is the only existing painting that truly shows the emperor and his family congratulating the Queen Mother on her birthday. It has precious historical value.
Qianlong of the Qing Dynasty, anonymous, all nations come to court. In order to promote the majesty of the Qing Dynasty, Emperor Qianlong ordered the court painters to create several works that reflected the envoys from various countries coming to the Forbidden City to congratulate them on the New Year. This picture is one of them. The coming of all nations to court was both a family and a state matter for Emperor Qianlong. Therefore, he not only ordered the court painters to depict the lively scenes of envoys from the surrounding vassal states of the Qing Dynasty and Western countries paying homage to him, but also ordered the painters to depict the lively scenes in the paintings…
On the 7th December 2023 The warm sun is shining, gently touching the painted pillars and caressing the railings. Today 大雪 , together with the spine beasts, we are looking forward to a heavy snowfall that will decorate the Forbidden City!
Emperor Qianlong of the Qing Dynasty, unknown, scroll of all nations coming to court (detail). This picture is part of the axis of “The Map of All Nations Coming to Court”. It shows the elderly Emperor Qianlong embracing the descendants of the royal family, sitting in the Ningshou Palace area that was rebuilt for him to take care of himself after returning to power, and receiving New Year’s congratulations from envoys from various countries. For Emperor Qianlong, the dynasty was important, but the prosperity of his descendants was also a top priority. Emperor Qianlong had a total of twenty-seven children in his life. In the forty-ninth year of Qianlong’s reign (1784), his great-great-grandson was born, and he was very excited about the five generations living under the same roof. Afterwards, he added the inscription “Five Blessings and Five Dynasties Hall” to the Gyeongbokgung Palace in the Forbidden City to commemorate his wishes, and then engraved “Five Blessings and Five Dynasties Hall Ancient and Rare Emperor Treasure” to express his contented imperial life. There is no date of creation for this painting, but according to the records of the Qing Palace Construction Office, it was painted in December of the 44th year of Qianlong’s reign (1779), so the infant in his arms at this time must be his great-grandson.
Qing Jiaqing, anonymous, Emperor Jiaqing’s ancient costumes and entertainment scroll. This picture depicts Emperor Jiaqing and his concubines dressed in traditional Han costumes, relaxing and entertaining in the courtyard. Although it is a picture of a couple having fun, Emperor Jiaqing not only occupies the main position in the painting, but is also taller than his concubines who are also seated and even the standing waiters, highlighting his supreme status as the king of a country and the head of a family. The waiter came towards them with a scroll of calligraphy and painting in his hand. The gathering of couples was about to begin in the imperial garden where peonies and magnolias were in full bloom, forming an enviable scene of love.
The 40th Anniversary Exhibition of the Palace Museum Publishing House” will be officially opened to the public on December 9 in the Wenhua Hall of the Palace Museum! This exhibition unfolds the 40-year development history of the Palace Museum Press in five units, and for the first time adopts the innovative exhibition format of “books + cultural relics”. In the exhibition hall, there are not only the “Forbidden City Book Mountain” and the “Forbidden Book City” built with thousands of fine books, but also 22 precious cultural relics, including fine porcelain from the five famous kilns of the Song Dynasty, and the Qianlong Jasper Dragon Button from the Qing Dynasty. “An ancient rare treasure of the emperor” and other exquisite cultural relics. The exhibition will last until February 25, 2024. The general audience can make an appointment to visit through the “Forbidden City Museum” applet
Daoguang of the Qing Dynasty, anonymous, empress Xiaoshencheng’s lotus scroll. Daoguang Emperor Minning had four queens in his life, the second of whom was Queen Xiaoshencheng. She is the daughter of Shu Ming’a, the third-class Chengen Gong. She entered the palace during the Jiaqing Dynasty and married Minning, who was the prince at the time. In the 13th year of Jiaqing (1808), Emperor Renzong granted her the title of successor to the Jin Dynasty. In the second year of Daoguang (1822), she was canonized as queen. She was the eldest daughter of Emperor Daoguang, Princess Duan Ming Lun, but unfortunately she died in infancy. This picture shows Empress Xiaoshencheng holding a folding fan and wearing seasonal flowers as headdress while admiring the flowers and scenery in the picturesque imperial garden. A pair of mandarin ducks in the lotus pond made her stop and watch. Obviously, the flowers in the garden could not touch her heart as much as the loving mandarin ducks.
Daoguang of the Qing Dynasty, anonymous, Xiao Quancheng, Queen Xuan Palace’s spring mist scroll. This picture is a portrait of Empress Xiao Quancheng holding the prince’s hand. Empress Xiao Quancheng (1808-1840) entered the palace in the early years of Daoguang and was given the title of Quanbi. She gave birth to the third and fourth daughters of Emperor Daoguang. In the eleventh year of Daoguang (1831), when she was twenty-four years old, she gave birth to The fourth son of the emperor was Emperor Xianfeng. In the thirteenth year of Daoguang’s reign (1833), she was granted the title of Imperial Concubine by the Jin Dynasty. In October of the fourteenth year of Daoguang (1834), she was officially appointed by Emperor Daoguang as the third queen after Queen Xiao Shencheng. When she passed away, Yi𬣞 was just over nine years old. The prince she is holding in the picture may be the still young Yi𬣞. The mother and son are holding lotus leaves and lotus flowers respectively, implying the inseparable affection between flowers and leaves.
In order to implement the spirit of the “Opinions on Promoting the Work of Ancient Books in the New Era” and deepen the protection and revitalization of ancient literature and cultural relics, the Palace Museum, on the basis of sorting, protecting and researching the engraving cultural relics in the museum’s collection, has established a monastery in the southeast of Taihe Gate. The ” 九牌馆 ” was opened in the building and the court room , and the ” 吉光片雨 – Exhibition of Qing Dynasty palace engraving cultural relics collected by the Palace Museum” was held at the same time, with more than 15,000 pieces (groups) of cultural relics displayed in a warehouse-style display. This is the first time the Palace Museum has held a special cultural relics exhibition of this type since its establishment. The exhibition will be officially open to the public from October 31, 2023, in the Southeast Chonglou and Chaofang Engraving Hall inside the Taihe Gate of the Palace Museum.
Daoguang of the Qing Dynasty, anonymous, the scroll of Emperor Daoguang’s joyful autumn garden. This painting depicts the scene of Emperor Daoguang having fun in the courtyard with his concubine, elder brother and princess. With Emperor Daoguang in the open pavilion was the 26-year-old imperial concubine, Queen Xiao Quancheng, the mother of Emperor Xianfeng. At this time, she was dignified in appearance and had just been promoted to imperial concubine due to the death of Empress Xiao Shencheng. She was in charge of the affairs of the Sixth Palace and assumed the power of the empress. Therefore, she was qualified to sit with Emperor Daoguang, but according to regulations, she could not sit side by side with the emperor, so she could only sit respectfully to the side. In front of the pavilion are the lively princes, princesses and elegant concubines. In the happiness of his family, Emperor Daoguang couldn’t help but write the title of the picture “Happiness Overflowing the Autumn Garden” in his own handwriting…..
On the 11th December 2023 Overnight, the inside and outside of the palace were wrapped in white. The glazed golden roof is covered with jade dust, and the red walls and corridors are covered with silver stars. Looking far into the distance, Danchen and green tiles meet the snow, which is the same color as the sky.
There is flying snow on the red steps, and the green branches are cold and crisp. Under the city full of silver, dots of red and golden stars are scattered among them, forming a moving picture of the Forbidden City in winter.
The white snow is the base, the yellow eaves are the lines, and the dots of vermilion dance like musical notes, like falling jade beads on a plate, composing a majestic movement of snow falling on the Danchen!
The cold stamens are rustling, and the flying feathers are fluttering. The winter elves break the tranquility among the ice and snow, adding infinite vitality…
Qing Xianfeng, Anonymous, Mei Guifei, Chun Guiren and other carnival scrolls. This picture depicts Emperor Xianfeng’s concubine Mei, the noble concubine of the spring, and Qi Chang enjoying their summer fishing activities. There is a yellow paper tag with their name stuck next to each person. Among them, the highest-ranking concubine Mei Guifei is among them, with a look of joy on her face. Their eyebrows are slender and their lower lips are a little bright red, which is the typical makeup of court women in the late Qing Dynasty. As a concrete realistic painting, this picture provides relatively precious image data for studying the costumes of concubines and palace entertainment life in the Qing Dynasty….
The river body is smooth, the eaves and ridges are smooth, and the viewing pillars are in order. The captivating sky and earth trace the changes, and the charm of six hundred years becomes more apparent.
明中都Mingzhongdu The Ming Zhongdu is located in Fengyang County, Chuzhou City, Anhui Province, China, People’s Republic of China. It was the first capital built by the founding emperor Zhu Yuanzhang in his hometown of Fengyang. The construction project was presided over by Li Shanchang, the first civil servant of the Ming Dynasty.
The central capital of the Ming Dynasty was first built in the second year of Hongwu (1369) and was stopped in the eighth year of Hongwu (1375). It took a total of six years to build. The Ming Dynasty capital covers an area of more than 50 square kilometers and has three inner, middle and outer cities. Its inner palace city (imperial city) is 120,000 square meters larger than the Forbidden City in Beijing.
Why does the 600-year-old Forbidden City remain as new as ever? Innovatively telling the story of eternal youth in the Forbidden City, let’s have a conversation that transcends time and space! 六百岁故宫何以历久弥新?创新讲述紫禁城青春永驻的故事 来一场超越时空的对话!
The Ming and Zhongdu were designed in strict accordance with the “Book of Rites of the Zhou Dynasty: Kao Gong Ji”, with layout features such as the front dynasty and the back sleeping quarters, the left ancestor and the right commune, and a north-south central axis running through the entire city. When Zhu Yuanzhang issued an edict to build the Central Capital in Fengyang, he mobilized skilled craftsmen, soldiers and civilians from all over the country, no less than a million people, to build cities, palaces and palaces like the capital city system, which occupied an important position in the history of the development of ancient Chinese capitals.
Beijing Forbidden City in comparison with the 1062 meters long Odyssey Class – Beijing, China, People’s Republic of China.
明中都Mingzhongdu Forbidden city first Ming Dynasty Forbidden CityFengyang County, Chuzhou City, Anhui Province in comparison with the 1062 meters long Odyssey Class – Beijing, China, People’s Republic of China.
The rise and fall of Zhongdu
The Ming Dynasty was established in 1368. In the same year, the Ming army launched its Northern Expedition and occupied most of the Yuan Dynasty , ending the Yuan Dynasty’s rule across the country. The political situation has undergone tremendous changes. After analyzing the pros and cons of establishing capitals in Guanzhong, Luoyang, Bianliang (Kaifeng), and Peking, Ming Taizu believed that Nanjing was too far away from the Central Plains to control the country; Bianliang also suffered from poor people’s livelihood and was a A place surrounded by enemies. Therefore, in September of the second year of Hongwu, an imperial edict was issued to choose Linhao (today’s Fengyang) to build the central capital, “ordering officials to build cities, palaces and palaces as in the capital.”
The construction project of Zhongdu was presided over by Li Shanchang. In the third year of Hongwu, the ground was started and the construction of the palace city began. By the sixth year of Hongwu, the palace city and forbidden city walls and palaces were basically completed, and the construction of the outer city of Zhongdu also started. On Dingsi in April of the eighth year of Hongwu (1375), Zhu Yuanzhang “went to Zhongdu in person to inspect his merits and reward his hard work.” On the same day, he ordered the construction of Ming Zhongdu to be stopped on the grounds of “labor expenses”. Down, no other buildings in Zhongdu will be built, and unfinished projects will continue. After that, from October of the eighth year of Hongwu, the auxiliary buildings of Zhongdu City were renovated and the imperial tombs were built. In the 26th year of Hongwu, the outer city gates of Zhongdu were built. By the 30th year of Hongwu, the construction of Zhongdu City was completed.
After Emperor Taizu of the Ming Dynasty stopped building Zhongdu, Zhongdu was not used as the capital. However, because it was the imperial hometown, the emperor’s relatives often trained troops in Fengyang and lived in the palace of Fengyang Zhongdu. Later, because Zhu Di moved the capital to Beijing, Beijing was far away from Fengyang. Princes no longer often lived in Zhongdu as in the Hongwu period. The palaces in the imperial city gradually became deserted, but there were still a large number of residents living in Zhongdu, and there were also many people stationed there. The army and government offices guarded and managed the central capital.
Current status of the Ming and Zhongdu palace city ruins
A schematic restoration of the Tushan Gate city platform in the Ming Dynasty (painted by He Lejun of Nanjing University)
On March 31, 2022, the high-profile “Top Ten New Archaeological Discoveries in the Country in 2021” was announced. The Ming Zhongdu Site stood out from the 20 archaeological excavation projects that were shortlisted for the final evaluation and was successfully selected.
Ming Zhongdu was the capital city built by Ming Taizu Zhu Yuanzhang in his hometown of Fengyang. In the second year of Hongwu (1369), construction was ordered. Six years later, when construction was stopped on the grounds of “labor expenses”, the capital had begun to take shape. The city site consists of three layers of city walls, covering an area of 50 square kilometers. City walls, palaces, temples, central government offices, military facilities, together with road networks, water systems, kiln sites, stone quarries and other relics from the time of city construction, together constitute a huge group of Ming Zhongdu ruins. In 1982, its core part, the Ming Dynasty Imperial City, was announced as the second batch of national key cultural relics protection units, and in 2017, it was announced as the third batch of national archaeological site parks.
A schematic restoration of the palace in the former court area of the Ming and Zhongdu capitals (illustrated by Li Wei of the Forbidden City)
The distribution of palaces and ancillary buildings in the former dynasty area of the Ming and Zhongdu
The huge stone foundation unearthed from the front hall of the palace foundation site
Large scale stone structure at the palace foundation site
In 2013, taking the construction of the ruins park as an opportunity, the Anhui Provincial Institute of Cultural Relics and Archeology formulated the “Archaeological Work Plan for the Ming Zhongdu Site”. In 2014, the archaeological exploration work of the Ming Zhongdu Site was launched, and the excavation officially began in 2015. In 2017, with the approval of the State Administration of Cultural Heritage, the Anhui Provincial Institute of Cultural Relics and Archeology cooperated with the Palace Museum and other units to conduct excavations in accordance with the excavation principles of “minimum area”, “minimum destruction” and “exhibition first” and in accordance with “layout, regulation, technology and process”. “Four academic goals, combining “field archaeology”, “digital archeology” and “technological archeology”, carried out continuous archaeological work on the Ming Zhongdu site and achieved a series of important gains. Through exploration and excavation, the layout of the city site has become increasingly clear, and the shapes and structures of individual building remains such as Chengtianmen, Donghuamen, and Waijinshuiqiao have been gradually revealed. On this basis, in 2021, we focused on excavation work on the Tushan Gate site and the core palace foundation site in the Qianchao District, with a total excavation area of approximately 2,100 square meters.
1. It is revealed that the Tushan Gate is a single-door arch-type city gate. The bottom of the city platform is about 39.5 meters wide from north to south and about 23 meters deep from east to west. It has a rammed earth inner and outer brick structure. The rammed earth core is made of one layer of bricks and one layer of soil. “Jiawaza” ramming method. On the north side of the city platform, an east-west horse path is set up against the north wall of the city platform. It is also a structure filled with rammed earth on the inside and bricks on the outside. The south side of the city platform and the outer city wall are connected by a brick wall. The city platform, horse paths and brick city walls are all located on a rammed earth platform with foundation trenches dug underground, and there is a clear construction sequence. The foundation trough and platform rammed earth also adopt the ramming method of one layer of bricks and one layer of soil. There are also ground nails at the bottom of the foundation trough of the city platform.
2. After accumulated excavations from 2015 to 2021, the layout of the palace foundation and some ancillary buildings in the former area of Guancheng was clarified by exposing the rammed earth platform foundation and its internal slats, in order to further explore the bay scale and construction sequence of the building. , construction technology, etc. laid the foundation. From the information revealed in the western half, it can be seen that the palace has a “work”-shaped layout of the front and rear halls plus a cross hall. Both the front and back halls have “Ninety-Four” bays, and the front hall leads to Baoxia. The hall is three rooms wide and seven rooms deep. On the west side of the apse are auxiliary buildings that may be corridors, gatehouses and Chonglou. The structure of the main hall, front and back halls plus a passage hall is relatively close to the palace architectural shape in the Song and Yuan Dynasties. The combination of ancillary buildings on the west side of the apse is very similar to the building combination at the same location in the Forbidden City in Beijing.
3. Excavations show that the palace is located on a rammed earth platform with a high front and a low back, similar to the practice of the Imperial Ancestral Temple in Beijing. The outer edge of the southern part of the platform is covered with a stone Xumizuo. A varying number of steps are found on the front and sides. The ground from the apse to the north is level with the top surface of the platform. The platform base is constructed one by one from various types of rammed earth, and a dense and neat platform is built using the “stone-clipping” method of one layer of stones and one layer of earth. There are many types of stone slabs, such as single type, two-piece type and four-piece type, which are constructed at the same time as the surrounding rammed earth. There are still foundation stones close to their original positions beside some of the stone walls. Among them, the giant stone foundation unearthed from the front hall has a side length of nearly 2.8 meters, a foundation surface length of 2.5 to 2.6 meters, and a basin diameter of 1.8 meters. Its volume is the largest at present. The foundation stone of a palace building is the largest I have ever seen. A rectangular loess platform with a length of 5.7 meters and a width of 4.9 meters was found in the middle and rear of the front hall. It was built earlier than the palace site and the palace wall. It is the location of the dragon throne in the palace and is exactly at the geometric center point of the entire palace.
Contents of this issue: The Ming Zhongdu ruins are located in Fengyang County, Anhui Province. More than 600 years ago, Zhu Yuanzhang, the founding emperor of the Ming Dynasty, decided to make Fengyang the capital of the world, named Zhongdu. Historians and architectural historians believe that during the construction, blueprints and model models were drawn for the reconstruction of the Nanjing Palace and the construction of the Forbidden City in Beijing.
Contents of this issue: The mystery of Ming Zhongdu has been deciphered beneath the surface of Jingdezhen, five hundred kilometers away. In 1990, the Jingdezhen Ceramic Archeology Institute unearthed an exquisite white porcelain water pipe, 26 centimeters high. Combining literature and stratigraphic analysis and comparison with physical objects, archaeologists in Jingdezhen confirmed that this unusual glazed building component was a sewer pipe produced for the construction of Fengyang Ming Zhongdu.
Contents of this issue: In the six years from 1369 to 1375 AD, a new capital city began to take shape in Fengyang, Zhu Yuanzhang’s hometown. Zhu Yuanzhang completed the national project of Zhongdu with extremely high standards, striving for excellence in every link. Seeing that his wish to “move the capital to Zhongdu” and “fix the tripod” is about to be realized.
Contents of this issue: In 1375 AD, shortly after Zhu Yuanzhang returned to Nanjing, he suddenly stopped the construction of the Central Capital on the grounds of “labor expense”, which shocked both the government and the public. The super project, which had devoted all the efforts of the whole country, came to an abrupt end just when it was “about to be completed.” As for the real reason, historical records are very vague.
The importance of new archaeological discoveries in Zhongdu during the Ming Dynasty:
1. New archaeological discoveries promote in-depth understanding of the Ming Zhongdu ruins
Because historical records are unclear. Archaeological exploration and excavation of key locations have continuously improved our understanding of the overall planning and layout of the capital in the middle Ming Dynasty. The excavation gradually clarified the scale and shape of each individual building, and explored information such as its construction process, order, and materials. It also gained an in-depth understanding of the construction, abandonment, and evolution processes of each group of buildings.
2. The excavation has filled a number of academic gaps.
1. The “3+2” layout of the Chengtianmen site discovered by archaeological excavations in recent years filled in the transitional link for the evolution of the second gate of the capital from three gates to five gates. It is the prototype of Beijing’s iconic “Tiananmen”.
2. For the first time, the architectural layout of the main hall of the former dynasty area during the Ming and Qing Dynasties is completely revealed. It fills the gap in the archeology of the capital palaces of the Ming and Qing Dynasties when other city sites such as Nanjing and Beijing do not have the conditions for excavation.
3. The discovery of the loess center point in the palace is extremely rare in excavations in the capital. It is located at the geometric center point of the entire palace city and is the location of the emperor’s dragon throne. It has strong symbolic significance and provides precious materials for studying the planning, site selection, and construction sequence of ancient capitals.
4. The huge stone foundation discovered at the palace foundation reflects the grand scale of the building. Its size is the largest stone foundation found in ancient Chinese palace buildings so far.
3. The excavation has supplemented key materials for the transformation of China’s ancient capital system from the Song and Yuan Dynasties to the Ming and Qing Dynasties.
Documents record that Zhu Yuanzhang visited Kaifeng in person before the construction of Zhongdu in the Ming Dynasty. When he conquered the capital of the Yuan Dynasty, he also measured the palaces in the capital of the Yuan Dynasty, including the Zhongdu of the Jin Dynasty. In November of the second year of Hongwu, he read the Yuan palace map. Therefore, the planning of the Ming Zhongdu reflected elements of the Song and Yuan capital systems. For example, the palace city is generally located southward in the capital, the T-shaped square is set up, and the outer Jinshui River route is similar to the planning of Dadu in the Yuan Dynasty. The triple city wall ring, the five-gate system on the central axis, and the I-shaped palace are all directly or indirectly inherited from Kaifeng in the Northern Song Dynasty. city planning concept.
Mingzhongdu was the first capital city in the Ming and Qing dynasties that truly embodied the capital system. Its planning was influenced to a certain extent by King Wu’s New Palace, but in turn it had a more profound impact on the subsequent transformation of Nanjing’s palace city and the capital construction of Beijing. The shape of the city gates in the northern and southern capitals, the setting of palaces and courtyards, the symmetrical layout of left ancestors and right shrines, and the internal and external Jinshui River system were all deeply influenced by the Ming and Zhongdu, and were deeply influenced by the planning of Ming Dynasty palaces and mausoleums in various cities.
The excavation of relevant sites along the central axis of the Ming and Zhongdus has revealed that they connect Song Kaifeng, Jin Zhongdu, Yuan Dadu, Ming Nanjing and Ming Beijing, filling key gaps. This connection also reflects the transmission of Chinese cultural genes from generation to generation. and the continuous characteristics of Chinese civilization. At the same time, it also has practical significance for promoting the study of the central axis of Beijing during the Ming and Qing Dynasties and its application for world cultural heritage.
4. The excavation of various buildings in the Ming and Zhongdu has added important reference materials for the study of architectural history.
The excavation of the palace foundation provides a reference for studying the palace layout of the Forbidden City in Beijing in the early Ming Dynasty, and finds the origin of the practice of the Imperial Ancestral Temple in Beijing.
The discovery of the craftsmanship, practices, construction sequence, and building materials of various types of buildings provides key basis for the restoration research on architectural construction in Zhongdu during the Ming Dynasty, and also provides reference materials for the research on other similar buildings.
The excavation of engineering relics such as kiln sites and scientific and technological research on building materials are also of great value in exploring the organization and implementation of engineering construction, and the production and circulation of building materials.
Since 2017, commissioned by the State Administration of Cultural Heritage, the Palace Museum Archeology Institute has cooperated with the Anhui Provincial Institute of Cultural Relics and Archeology to carry out archaeological work on the Ming Zhongdu ruins, and has participated in the completion of the Waijin Water Bridge, the moat, Xihua Gate, Tushan Gate, the core palace area, etc. Excavation work was carried out and a comprehensive survey was conducted on the Ming Zhongdu City Site and the Ming Emperor’s Mausoleum. At the beginning of 2019, the Mingzhongdu Archaeological Work Station jointly built by both parties was officially put into use.
The archeology of Zhongdu in the Ming Dynasty is one of the focuses of the archeology outside the Forbidden City, and it is also one of the important academic topics that the Forbidden City Archeology is dedicated to the archaeological research of palace-related remains. The archaeological discovery and research of the palace city of the Ming Dynasty is of great significance for deeply revealing the spatial form, structural layout, and regulatory ideas of the Forbidden City in Beijing. In the future, we will fully rely on the platform resource advantages of the Palace Museum, actively give play to the palace archaeological characteristics of the Palace Museum, continue to participate in and undertake various archaeological work on the site of the Ming Zhongdu, and base on the perspective of comparative research on the three capitals of the early Ming Dynasty, based on the archeology of the Ming Zhongdu Guided by the academic goals of the Ming Dynasty, the protection of cultural relics and archaeological work in Zhongdu of the Ming Dynasty will continue to be deepened.