Thursday, 22nd June 2023- Dragon Boat Festival 2023…. in which celebrates offering of Dragon boat racing, consumption of realgar wine and zongzi..
“also known as Tuen Ng, falls on the fifth day of the fifth lunar month. It commemorates the death of Qu Yuan, a Chinese poet and minister known for his patriotism and contributions to classical poetry and who eventually became a national hero.”
Though heartbroken to see his country being intruded, Qu Yuan never abandoned his faith and country. On May 5th(in Chinese lunar calendar), after writing down his last poem, Qu Yuan drowned himself in Miluo River(a branch of Yangtze River) as a gesture of dying along with his beloved motherland.
Why is it called Duan Wu Jie? The Dragon Boat Festival is called Duan wu Jie (端午节) in Mandarin Chinese. Duan (端) means ‘start’, while wu (午) means ‘noon’, but also ‘the fifth solar month’ in the traditional Chinese calendar (approximately June 6 – July 6), centered around the summer solstice. ‘The month of noon’ marks the middle of summer.
Where did dragon boats originate? Southern central China The use of dragon boats for racing is believed to have originated in southern central China more than 2500 years ago, in Dongting Lake and along the banks of the Chang Jiang (now called the Yangtze river).
“Crossing the waves stands out from the crowd, jumping the waves to be the first to retreat.” Dragon boat racing is a traditional folk activity of 端午节 in China. It contains the national spirit of hard work, enterprising and positive, and inherits unity and courage to move forward. national genes. The dragon boat culture has lasted for thousands of years, carrying the rich humanistic emotions of the Chinese nation, and leading us to “row” towards a better life.
How old is the Dragon Boat Festival? 2,000 years…….The Dragon Boat Festival is a traditional Chinese festival. It has a history of more than 2,000 years, and is believed to have originated during the Warring States period.
What do Dragon Boat Festival people eat during the festival? For Dragon Boat Festival the Chinese usually eat zongzi (rice dumpling) and various other foods below, depending on the region.
Zongzi — Sticky Rice Dumplings. Zongzi. …
Dagao — Glutinous Rice Cake. Dagao. …
Mianshanzi. Mianshanzi. …
Fried Cake (Jiandui) Fried Cake (Jiandui) …
Eel. …
Thin Pancakes. …
Eggs Steamed with Tea. …
Egg with Garlic.
Yunxia is unpredictable, and the Forbidden City is full of weather. During the Dragon Boat Festival holiday, enjoy the auspicious clouds and the infinite sunset together…
端午安康 “Zong” has a light-year road to explore, and it has to ride the wind and waves to reach it! Rabbit Xingxing wishes everyone a healthy Dragon Boat Festival !
正好遇见你 #HiProducer is an intangible cultural heritage urban drama directed by Gao Han , starring Guo Xiaodong , Zhang Nan , Li Xiaoran , Zhang Bo , Zheng Kai , Sun Yihan , Niu Zifan , Sheng Langxi , and Wu Qianyu .
The series tells the story of a variety show team with literary director Yu Zazao and young cultural relics expert Tao Tang as the core, working together to launch a cultural TV program in order to show the beauty of Chinese civilization. The series covers 35 episodes in which is produce by Huanyu Film and Television in collaboration streaming with iQyi and Tencent Video ….. Majority of the Production is done in Suzhou for its modern setting among with the Chinese Cultural Traditional Heritages recreation is done at Hengdian, Subo studios…
Behind the Scenes of the production shooting process…. During the filming, the crew was allowed to enter the Suzhou Museum for on-site shooting, but in order to protect cultural relics, most of the cultural relics appearing in the play are imitation props. In the early stage of filming, the drama team found historians of relevant cultural relics, searched a large number of documents to repeatedly compare the status and details of real cultural relics, and invited professional relics masters to copy them, so as to achieve the effect of false ones. The biggest one is the filigree inlay technology, which represents the highest level of imperial crafts. When making the Jin Ou Yonggu Cup props in the filigree inlay unit, the drama crew carried out a one-to-one replica in strict accordance with historical data, which took a full two months…
Main Cast
Guo Xiao Dong as Liao Muyun
Zhang Nan as Yu Zaizao
Li Xiao Ran as Wang Xining
Jaco Zhang Bo as Tao Tang
Zheng Kai as Gu Shiyong
Annie Sun Yi Han as Yuan Jiaying
Niu Zi Fan as Xie Yao
Joy Sheng Lang Xi as Shu Rong
Karena Ng as Zhuang Yiyi
Li De Long as A Xun
Synopsis Gu Shiyong, CEO of Palace Culture Film and Television Production Company, is determined to create a new large-scale cultural variety show “Inheritance”. He strongly invites Tao Tang, a young cultural relic expert, Mu Zongyun, a well-known director, and Wang Xining, a senior host. However, just when the program was ready to start, the young female director Yu Zazao suddenly parachuted into the company and joined the program group, disrupting the overall plan of the program and being strongly rejected by everyone. Surprisingly, Yu Zazao is calm and witty, dares to break the rules, and has inexhaustible inspiration like a genius. With her help, the originally scattered production team became unprecedentedly cohesive. Everyone worked together, starting from the historical relics of the Forbidden City, devoted themselves to excavating the core memory of the nation, promoting historical and traditional culture, and solving the problem of non-genetic inheritance. In the end, “Inheritance” stood out from many homogeneous programs and became a great success. Yu Zazao also successfully healed his soul and gained a complete friendship and career..
Episode 6
Yu Zaizao tried to propose to the company to make Qing Dynasty court women’s clothing, but Yuan Jiaying took the lead unexpectedly. Under the recommendation of Wang Xining, Yuan Jiaying found a master chef of Shanghai cheongsam with exquisite craftsmanship, and made a series of perfect arrangements from the evolution of qipao to cheongsam. In the museum, Tao Tang and Yuan Jiaying had a conflict of ideas. Tao Tang found that the exhibits in the exhibition hall were not only Qing Dynasty costumes. He proposed to make a special edition of Ming and Qing costumes to let the audience understand Chinese women’s costumes more comprehensively. Yuan Jiaying thought that The gowns of concubines of the Qing Dynasty are the most well-known to the public and are more conducive to overseas distribution. It is difficult for the two to agree. On the other side of the shooting scene of Group B, the cheongsam master Liu Shifu was not good at speaking, and the shooting was once deadlocked. Unable to dig out valuable stories from him, Yu Zazao ran into difficulties for the first time. In order to ensure the hit rate, Yuan Jiaying made up a shooting plan and prepared to fabricate a dramatic story to create highlights, but Yu Zazao flatly rejected it. After Yu Zaizao refused to shoot, Yuan Jiaying took the lead alone and took charge of directing two groups of shoots at the same time. But Master Liu was unwilling to tell the fabricated story according to Yuan Jiaying’s script.
Episode 7
Yuan Jiaying turned to seek Wang Xining’s help. After hard work, the two finally discovered the emotional story behind Master Liu. Yu Zazao was about to lose, but he had a flash of inspiration under Tao Tang’s deliberate suggestion. Gu Shiyong saw the magnificent stage prepared by Yu Zazao, but he didn’t know what kind of medicine she was selling in her gourd. He was afraid of investing in bamboo baskets to fetch water, so he became anxious for a while. Yu Zaizao decided to ask Shu Rong to help, with the theme of Chinese women’s clothing, to reproduce the evolution of Chinese women’s makeup and clothing in the past dynasties. The women in costumes of different dynasties are graceful and charming, with elegant steps, as if they have stepped out of ancient paintings. With the help of Tao Tang, the mighty Zhonghua Yiguanxiu surpassed the sensational emotional story in one fell swoop, winning applause from all the halls and making Yuan Jiaying lose face. At the cheongsam display scene, Yu Zazao put on a cheongsam and looked more and more graceful. This scene deeply moved Gu Shiyong. Yuan Jiaying had the idea of resigning because of her loss to Yu Zazao, Gu Shiyong persuaded her to stay, and Yuan Jiaying stayed for the sake of the overall situation. A program called “Intangible Cultural Relics” was born out of nowhere. The location and content of the program were very similar to “Inheritance”. Everyone couldn’t help worrying about the fate of “Inheritance”.
Episode 8
Hearing that Master Li declined the interview, everyone was extremely annoyed. Yu Zaizao proposed a replacement plan and interviewed another jade carving master, but Wang Xining refused. The two disagreed, and Wang Xining was not happy. Gu Shiyong was very dissatisfied with Yu Zazao’s behavior of offending Wang Xining, but Yu Zazao didn’t care about Gu’s preaching at all, and went to Wang Xining to reconcile with a smile on his face. Wang Xining was ridiculed by the popular host Wan Sihua and the opposite producer Fang Quan, but he still kept his expression unchanged and insisted on staying for the filming. In the middle of the night, the entire film crew worked overtime to discuss, and Yuan Jiaying, who got the news, came to help. Yuan Jiaying arranged an interview plan for another jade carving master, Master Wang, and asked everyone to go to the studio to shoot the next morning, and she herself will go directly to Yunnan to find Master Wang who is on a business trip to complete the personal interview part. Yu Zaizao bluntly said that such a shooting plan could not win, Yuan Jiaying chased Yu Zaizao, and the two accidentally saw Wang Xining silently meeting with her biological son in the corridor. Seeing this scene, Yuan Jiaying reminded Yu Zazao to keep a safe distance from his colleagues, and Yu Zazao didn’t take it seriously at all.
Episode 9
Yu Zaoli invites Tao Tang to act in a play, although Tao Tang is reluctant but still bites the bullet and makes a guest appearance. The tense Tao Tang forgot his words one after another, and the atmosphere at the scene was tense. With the encouragement of the director and the support of Yu Zaozao, Tao Tang is getting better. In the end, Yu Zaizao successfully reproduced the legend of Baoyu in the Ming and Qing dynasties, which surprised Gu Shiyong, and Tao Tang’s acting skills also won unanimous praise from everyone. The new issue of “Inheritance” was successfully launched and received great acclaim. Fang Quan, the producer of “Intangible Cultural Heritage”, vowed to make Gu Shiyong’s team look good. Tao Tang took the opportunity to teach Yu Zaizao that he should respect the hard work and hard work of every ordinary person in the crew, and live in harmony with Yuan Jiaying. Wang Xining was almost involved in a traffic accident, and his face and legs were injured to varying degrees. Everyone from the program team came to the hospital to visit, but found a familiar figure from behind, which turned out to be Mu Zongyun holding flowers. Director Mu was embarrassed and refused to admit himself Worrying about Wang Xining was clear to everyone and couldn’t help laughing. Everyone thought Wang Xining’s car accident was an accident, only Yu Zazao firmly believed that it was related to the divorce case.
QIPAO 旗袍 Cheongsam …. In which from historically Shenyang is the birth place of the Qing Dynasty 1636-1912plus …. In which Qipao is termed for Qing Dynasty Clothing that the Manchu ethnic adoptively wore…… in which the Shenyang Palace Museum was an imperial palace towards two Qing Dynasty emperors. Previously two years ago During the event it which was an eight day forums, with exhibitions also related workshops illustrating the birth place of the Old Capital of Cheongsam where the Qing Dynasty- Qipao was inspired from..
Before that Shanghai 1930’s Qipao-Cheongsam revolution, the Manchurian Cheongsam was the fashion of choice of the Qing Dynasty (1636-1912) throughout as it standardised that style during the dynasty… Replacing the previous clothing standard Han Fu – Han Dynasty clothing style, in which also is form fitting towards the women’s silhouette but with a higher degree of freedom of flare of personal, individual style…
Qipao-Cheongsam is uniquely hand crafted tailored Chinese dress to the customer’s various measurements… in which you can still have them brought of the rack in which is accustomed to the standard measurements… in which you can tell which is western influenced with the back zipped in which the Eastern traditional Chinese Tailors would have the side zipped of the Qipao dress due it interrupts the flow of the pattern work at the back of the dress.. Also it creates a continuous seamless back look… after as the measurements are translated drafted onto the silk or the customer desired accustomed fabric of choice, from the measurements book with the associated look of the design elements with additional accessories the sexiness of Qipao lies subtlety.. Measuring, patterning, cutting, and button making are crucial, in where passion and art comes together in tailoring
In which traditionally Qipao- Cheongsam dresses are worn for from straight forwardly every day towards after work evening wear in without having to change to another set of wardrobe dressing only to accessories for the required occasion… … in which the Qipao dress pattern silhouette is design for the lady’s figure in which accentuating the silhouette without giving away too much of what’s underneath in retaining…. its timeless classic silhouettes in which are designed to be worn every day, from work, evening, casually towards to the weekend… with sleek simple, elegant, sexy intelligent sophistication in which are easy to be accessorised with any pieces of clothing in your current or upcoming wardrobe…
Images and Visuals are from of their respectives …
正好遇见你 #HiProducer is an intangible cultural heritage urban drama directed by Gao Han , starring Guo Xiaodong , Zhang Nan , Li Xiaoran , Zhang Bo , Zheng Kai , Sun Yihan , Niu Zifan , Sheng Langxi , and Wu Qianyu .
The series tells the story of a variety show team with literary director Yu Zazao and young cultural relics expert Tao Tang as the core, working together to launch a cultural TV program in order to show the beauty of Chinese civilization. The series covers 35 episodes in which is produce by Huanyu Film and Television in collaboration streaming with iQyi and Tencent Video ….. Majority of the Production is done in Suzhou for its modern setting among with the Chinese Cultural Traditional Heritages recreation is done at Hengdian, Subo studios…
Behind the Scenes of the production shooting process…. During the filming, the crew was allowed to enter the Suzhou Museum for on-site shooting, but in order to protect cultural relics, most of the cultural relics appearing in the play are imitation props. In the early stage of filming, the drama team found historians of relevant cultural relics, searched a large number of documents to repeatedly compare the status and details of real cultural relics, and invited professional relics masters to copy them, so as to achieve the effect of false ones. The biggest one is the filigree inlay technology, which represents the highest level of imperial crafts. When making the Jin Ou Yonggu Cup props in the filigree inlay unit, the drama crew carried out a one-to-one replica in strict accordance with historical data, which took a full two months…
Main Cast
Guo Xiao Dong as Liao Muyun
Zhang Nan as Yu Zaizao
Li Xiao Ran as Wang Xining
Jaco Zhang Bo as Tao Tang
Zheng Kai as Gu Shiyong
Annie Sun Yi Han as Yuan Jiaying
Niu Zi Fan as Xie Yao
Joy Sheng Lang Xi as Shu Rong
Karena Ng as Zhuang Yiyi
Li De Long as A Xun
Synopsis Gu Shiyong, CEO of Palace Culture Film and Television Production Company, is determined to create a new large-scale cultural variety show “Inheritance”. He strongly invites Tao Tang, a young cultural relic expert, Mu Zongyun, a well-known director, and Wang Xining, a senior host. However, just when the program was ready to start, the young female director Yu Zazao suddenly parachuted into the company and joined the program group, disrupting the overall plan of the program and being strongly rejected by everyone. Surprisingly, Yu Zazao is calm and witty, dares to break the rules, and has inexhaustible inspiration like a genius. With her help, the originally scattered production team became unprecedentedly cohesive. Everyone worked together, starting from the historical relics of the Forbidden City, devoted themselves to excavating the core memory of the nation, promoting historical and traditional culture, and solving the problem of non-genetic inheritance. In the end, “Inheritance” stood out from many homogeneous programs and became a great success. Yu Zazao also successfully healed his soul and gained a complete friendship and career..
Episode 2
Gu Shiyong was very satisfied with the material provided by Yu Zazao, but Tao Tang expressed strong opposition to the content about the conflict between Liu’s father and daughter, and immediately left the crew. Yu Zazao was unwilling to give up, so he chased Tao Tang to ask for an explanation. Tao Tang believed that Yu Zazao had obtained the permission to shoot, and he was not at fault from a legal point of view. Cracks are difficult to repair. Gu Shiyong was very dissatisfied with Yu Zazao’s behavior of leaving Tao Tang, and asked Yu Zazao to please return to Tao Tang, otherwise she would be let out of the show. Master Liu was furious at his daughter when he learned that his daughter Liu Jiamei asked the program group to broadcast a clip of their discord. The daughter tearfully confessed her father’s preference for her younger brother, and the two broke up unhappy. In the middle of the night, Yu Zazao and Tao Tang came to the studio and found that Master Liu was crying alone. Yu Zazao played the video of Liu Jiamei doing filigree inlay seriously to Master Liu. Master Liu saw his daughter’s enthusiasm and dedication to filigree inlay with his own eyes, and fell into deep thought. Liu Jiamei suddenly returned to the studio and bumped into her father who had not yet left. Master Liu decided to teach her daughter the technique of filigree inlay. The father and daughter finally reconciled, and Master Liu even made a bet that if his daughter can get a place in the provincial competition, he will inherit the studio to her. The program team also quietly set up recording equipment to record this warm and beautiful scene without disturbing the two.
Images and Visuals are from of their respectives …
Located in an ancient post-modern Three Thousand plus years old ultra Megatroplis city Xian City, Shaanxi Province – China – People’s Republic of China, 半生缘旗袍定制 Half Life Cheongsam – Xi’an Banshengyuan Clothing Co., Ltd. Innovatingly Post Modern Qipao- Cheongsam located in Southeast corner of Futao Museum, No. 99 Furong West Road, Yanta District, Xi’an located the east entrance opposite Qujiang Book City – Banshengyuan Qipao Living Museum is located in Xi’an. It is a local wedding dress brand. Since its establishment, the brand has been committed to becoming a well-known brand in Xi’an. …. in which innovatively bringing a New Chinese style cheongsam-Qipao high-end brand-Embroiderer…….it is committed to the high-end private specialization of Chinese Shanghai style cheongsam… in which each dress is customised towards the wear’s in which tailoring takes least in between 20-60 days depending on the extremely level of detailing of brocade in which using the most finest heavy silks are hand sewn and crafted …..
Collection 10th June 2023 – 17th June 2023
Banshengyuan®️ original design produced “Four Seasons Blossoms” flowers bloom in four seasons, life is just like delicate pink, full and beautiful scenery in four seasons, there is always fragrance
Banshengyuan®️ original design produced “Listen to the Sea Breeze Cream Blue” silk jacquard flower buckle cheongsam
Banshengyuan®️ original design produced “Flower·Xiayu” Meeting you is the bamboo forest, the early summer desert, the soft starlight, the evening stars , picking up a piece of time and quietness, and carving out timeless youth..
Banshengyuan®️ original design produces high-quality ramie cheongsam, which is light, breathable and comfortable..
The sense of ritual in “Red Makeup” is to make a certain day different from other days and make a certain moment different from other moments .
“Dyeing Fragrance” lace cheongsam In the dark green time, the silent ink cheongsam encounters a touch of poetry in Song poetry . It has dyed the fragrance of the years, nourished the soul and made the world beautiful…
Banshengyuan Life｜Guest photos share the beauty of Xiangyunsha, just like its name, it is a work of art created jointly by nature and people The rich and magnificent sea cliff patterns jump out of the robes, the color is like the red glow of the sunset, refreshing and refreshing Calmness adds a touch of time-condensed beauty
“Qixiu” is beautiful and far away, natural and elegant like a touch of poetic ink inexhaustible, elegant and reserved is a sense of tranquility, a hidden charm
“Su” Banshengyuan®️ The designer’s originality is like the breeze blowing, the swaying wind is refreshing and comfortable, and there is a touch of tranquility reflected in the tranquility and tranquility..
“Four Seasons” produced by Banshengyuan®️ original design. In the past, I went, Yangliu Yiyi; now I come to think, rain and snow. The spring flowers are lingering, and the summer flowers are gorgeous.
“Fenghua” Cheng Nianhua, Joyful years, Fengping, the skirts of the clothes, the time is quiet and fragrant, the clothes are full of elegance and fragrance, with their own splendid beauty
“Spring and Jingming” half-life fate®️ original designer produced to Ruochun and Jingming, Zhi Tinglan, Yu Yuqingqing..
“Agarwood Sauce Red” Years of agarwood, time knows the taste of retro sauce red, a corner of flowers is the oriental beauty that time precipitates Elegant and noble, warm and quiet Half life fate ®️ designer original production
QIPAO 旗袍 Cheongsam …. In which from historically Shenyang is the birth place of the Qing Dynasty 1636-1912plus …. In which Qipao is termed for Qing Dynasty Clothing that the Manchu ethnic adoptively wore…… in which the Shenyang Palace Museum was an imperial palace towards two Qing Dynasty emperors. Previously two years ago During the event it which was an eight day forums, with exhibitions also related workshops illustrating the birth place of the Old Capital of Cheongsam where the Qing Dynasty- Qipao was inspired from..
Before that Shanghai 1930’s Qipao-Cheongsam revolution, the Manchurian Cheongsam was the fashion of choice of the Qing Dynasty (1636-1912) throughout as it standardised that style during the dynasty… Replacing the previous clothing standard Han Fu – Han Dynasty clothing style, in which also is form fitting towards the women’s silhouette but with a higher degree of freedom of flare of personal, individual style…
Qipao-Cheongsam is uniquely hand crafted tailored Chinese dress to the customer’s various measurements… in which you can still have them brought of the rack in which is accustomed to the standard measurements… in which you can tell which is western influenced with the back zipped in which the Eastern traditional Chinese Tailors would have the side zipped of the Qipao dress due it interrupts the flow of the pattern work at the back of the dress.. Also it creates a continuous seamless back look… after as the measurements are translated drafted onto the silk or the customer desired accustomed fabric of choice, from the measurements book with the associated look of the design elements with additional accessories the sexiness of Qipao lies subtlety.. Measuring, patterning, cutting, and button making are crucial, in where passion and art comes together in tailoring
In which traditionally Qipao- Cheongsam dresses are worn for from straight forwardly every day towards after work evening wear in without having to change to another set of wardrobe dressing only to accessories for the required occasion… … in which the Qipao dress pattern silhouette is design for the lady’s figure in which accentuating the silhouette without giving away too much of what’s underneath in retaining…. its timeless classic silhouettes in which are designed to be worn every day, from work, evening, casually towards to the weekend… with sleek simple, elegant, sexy intelligent sophistication in which are easy to be accessorised with any pieces of clothing in your current or upcoming wardrobe…
The Ming Tombs are located at the foot of Tianshou Mountain in Changping District , Beijing China, People’s Republic of China , about 50 kilometers away from Tiananmen. The Ming Tombs are located in a small basin surrounded by mountains on three sides in the east, west and north. The area around the tomb is surrounded by mountains, the central part is a plain, and there is a meandering river in front of the tomb. From the beginning of Changling in May of the seventh year of Yongle (1409) to the burial of Chongzhen, the last emperor of the Ming Dynasty, in Siling.
The Ming Tombs have a total of 13 imperial tombs, including the Changling Mausoleum of Chengzu Zhu Di, Xianling Mausoleum of Renzong Zhu Gaochi, Jingling Mausoleum of Xuanzong Zhu Zhanji, Yuling Mausoleum of Yingzong Zhu Qizhen, Xianzong Zhu Jianshenmao Mausoleum, Xiaozong Zhu Youtang’s Tai Mausoleum. The Kangling Mausoleum of Wuzong Zhu Houzhao, the Yongling Mausoleum of Sejong Zhu Houcong, the Zhao Mausoleum of Mu Zong Zhu Zaihou, and the Ding Mausoleum of Shenzong Zhu Yijun. The Qingling Mausoleum of Guangzong Zhu Changluo, and the Deling Mausoleum of Xizong Zhu Youxiao. The Siling Mausoleum of Chongzhen Emperor Zhu Youjian. In addition, there are 8 accompanying tombs, including 7 concubine (prince) tombs and 1 eunuch tomb. Its architectural form embodies the feudal rules and regulations of the Ming Dynasty. Both the emperor’s mausoleum and the rear mausoleum are covered with yellow glazed tiles.
The Ming Tombs area covers an area of 40 square kilometers. It is famous for its magnificent scale, complete cemetery system, solemn and harmonious layout, beautiful and quiet scenery, and elegant and simple style.
In 1957, it was listed as the first batch of key ancient buildings and cultural relic’s protection units in Beijing. In 1961, it was listed as a national key cultural relic protection unit by the State Council of the People’s Republic of China. In 1982, the Ming Tombs and Badaling were listed as one of the national key scenic spots protection areas as a complete scenic spot. On July 3, 2003, the Ming Tombs, as an expansion project of the royal tombs of the Ming and Qing Dynasties, were approved by the 27th United Nations World Heritage Conference and included in the “World Heritage List
The Ming tombs are a collection of mausoleums built by the emperors of the Ming dynasty of China. The first Ming emperor’s tomb is located near his capital Nanjing. However, the majority of the Ming tombs are located in a cluster near Beijing and collectively known as the Thirteen Tombs of the Ming dynasty.
The Ming dynasty, officially the Great Ming, was an imperial dynasty of China, ruling from 1368 to 1644 following the collapse of the Mongol-led Yuan dynasty. The Ming dynasty was the last imperial dynasty of China ruled by the Han people, the majority ethnic group in China…
Enjoy the cool air! I should be the first science popularization master who entered the Ming Tombs at night.
This is the largest and most complete royal cemetery in China, and the resting place of 13 emperors of the Ming Dynasty. When the hustle and bustle of the day fades away, this cemetery has more vicissitudes of history. The purpose of this trip is to find the answer to a question.
Regardless of whether it is the imperial tombs of the Han and Tang Dynasties, the imperial tombs of the Song Dynasty, or the imperial tombs of the Qing Dynasty, they were either severely damaged or completely looted. But why is it that only the Ming Tombs are relatively intact above and below ground? 明圣圣陵Why can survive to this day ?
Walk! Go down to the imperial mausoleum to solve the mystery that has been covered in dust for many years…
The Ming Tombs are located in Changping District, 50km northwest of Beijing, and are the general name of the tombs of 13 emperors of the Ming Dynasty. The mausoleum area covers an area of 80km2, and it is the relatively complete mausoleum building and the tomb group with the most buried emperors in the world today. The construction of the Ming Tombs began in the seventh year of Ming Yongle (1409) and ended in the early Qing Dynasty, which lasted more than 200 years. According to the order of the construction time of the mausoleum, they are: Changling (Tomb of Emperor Yongle), Xianling (Tomb of Emperor Hongxi), Jingling (Tomb of Emperor Xuande), Yuling (Tomb of Emperor Zhengtong (that is, Emperor Tianshun)), Maoling (Tomb of Emperor Tianshun) Chenghua Emperor’s Tomb), Tailing (Hongzhi Emperor’s Tomb), Kangling (Zhengde Emperor’s Tomb), Yongling (Jiajing Emperor’s Tomb), Zhaoling (Longqing Emperor’s Tomb), Dingling (Wanli Emperor’s Tomb), Qingling (Taichang Emperor’s Tomb) Emperor’s Mausoleum), Deling (Tianqi Emperor’s Mausoleum), Siling (Chongzhen Emperor’s Mausoleum). In addition to the 13 emperors buried in the mausoleum area, there are also 23 empresses, 1 imperial concubine and dozens of palace officials who were buried. In addition, there are 7 concubine graves in the mausoleum area (East Well, West Well, Tomb of Concubine Wangui, Mourning Tomb, Tomb of Four Concubines and Two Princes, Tomb of Concubine Xian, Tomb of Concubine Zheng and Tombs of Concubines Erli, Liu, and Zhou) ) and a eunuch’s burial tomb (Wang Chengen’s tomb), as well as various buildings such as palaces and gardens serving the emperor’s mausoleum. City walls were built at 10 natural mountain passes (Dongshan Pass, Zhongshan Pass, Zhazikou, Xishan Pass, Desheng Pass, Yanzi Pass, Zhuishi Pass, Xianzhuang Pass, Huiling Pass, and Laojuntang Pass) around the mausoleum. , Barrier walls and other defensive facilities to protect the safety of the mausoleum area.
The construction of the imperial mausoleum of the Ming Dynasty was divided into several steps: the selection of the mausoleum site, the formulation of regulations, and the preparation of materials for construction. The selection of the mausoleum site is the primary link in the construction of the mausoleum. Generally, firstly, the first and second-rank officials of the DPRK will lead the Fengshui surveyors to follow the theory of Fengshui, “the shape of the mountain from the outside, and the land veins from the inside”. The emperor, if necessary, draws a picture, pastes a description, and finally decides by the emperor.
After Cheng Zu Zhu Di proclaimed himself emperor, he planned to move the capital from Nanjing to Beijing. In the sixth year of Yongle in the Ming Dynasty (1408), Zhu Di ordered Zhao Yan, Minister of Rites, to lead Jiangxi warlock Liao Junqing and others to visit the mausoleum near Beijing. After more than a year, the auspicious soil for thousands of years was finally found in the Huangtu Mountain in Changping. Zhu Di then sealed Huangtu Mountain as Tianshou Mountain, and decreed to encircle the area with a radius of 80 li as the forbidden area of the mausoleum.
The layout of the tombs of the Ming Tombs is not in accordance with the “Zhou Li” method of left and right, but with the respected ones in the main veins and the humble ones in the secondary veins (remaining veins). Changling is the first tomb of the Ming Tombs. It is located in the middle of the main peak of Tianshou Mountain, and other tombs are arranged around it. Among the Ming Tombs, Changling is the largest, followed by Yongling and Dingling, and Siling is the smallest. Mausoleum construction methods can be divided into three types: one is the mausoleum built by the emperor during his lifetime, which is large in scale and richly decorated (such as Changling Tomb, Yongling Mausoleum, and Ding Tomb); The posthumous edict of “building a mausoleum” may be affected by the burial period and national power, and the scale is small and relatively simple (such as Xianling and Jingling); the third is that the emperor will not have time to build the mausoleum during his lifetime, and the next dynasty will build it after the change of dynasty (such as Siling). The Ming Tombs are famous all over the world for their majestic scale, complete cemetery system, solemn and harmonious layout, beautiful and quiet scenery, and elegant and simple style. In 1957, it was listed as the first batch of key ancient buildings and cultural relics protection units in Beijing. In 1961, it was listed as a national key cultural relics protection unit. In 1982, the Ming Tombs and Badaling were listed as one of the national key scenic spots protection areas as a complete scenic spot. On July 3, 2003, the Ming Tombs, as an expansion project of the royal tombs of the Ming and Qing Dynasties, were approved by the 27th United Nations World Heritage Conference and included in the “World Heritage List”.
