#漢服 #HanFu #HanTraditionalClothing | #May2023 |#FashionLookBook#全明星片花#HiProducer featuring the look of #吳謹言 #WuJinyan recreating her look of #QingDynasty #旗袍 #Qipao  #延禧攻略 #StoryOfTheYanxiPalace Yinyan’s  Empress Wei YingLuo -Weigiya Xiaoyichun …

“全明星片花Hi Producer” is an intangible cultural heritage urban drama directed by Gao Han, starring Guo Xiaodong , Zhang Nan , Li Xiaoran , Zhang Bo , Zheng Kai , Sun Yihan , Niu Zifan , Sheng Langxi , and Wu Qianyu  .   

The play tells the story of a variety show team with literary director Yu Zazao and young cultural relic’s expert Tao Tang as the core, in order to show the beauty of Chinese civilization and work together to launch a cultural TV program.The play will be broadcast on iQiyi and Tencent Video on May 20, 2023 in which is on 520 When spoken in Mandarin, the phrase “I love you” (wǒ ài nǐ) sounds very similar to 520 (wǔ èr yī). Soon, the equivalent date of May 20 transformed into a celebration of love, heavily focused around gift giving. Couples have even started getting married on 520….

Synopsis …..Director Yu Zazao (played by Zhang Nan) joined Gu Shiyong (played by Zheng Kai ) to create a large-scale cultural program “Inheritance”, and competed with Yuan Jiaying ( played by Sun Yihan ) for the position of chief editor. In order to form a high-quality program production team, Gu Shiyong also strongly invited senior host Wang Xining ( played by Li Xiaoran ) , well-known director Mu Zongyun ( played by Guo Xiaodong ) , and young cultural relics expert Tao Tang ( played by Zhang Bo ) to join. Through everyone’s hard work, “Inheritance” has finally become a phenomenon-level cultural program. Yu Zazao, who lacked empathy since childhood, gradually opened up his heart during the filming process, and finally reaped a complete friendship and career.

During the series吳謹言 #WuJinyan who played Empress Wei YingLuo -Weigiya Xiaoyichun延禧攻略 #StoryOfTheYanxiPalace… In the sixth year of Qing Dynasty Emperor Qianlong’s reign, a young girl Wei Yingluo ( played by Wu Jinyan ) entered the Forbidden City as a court lady in order to seek the truth about her elder sister’s death. After investigation, Yingluo confirmed that her sister’s death was related to the absurd prince Hong Zhou, and she was determined to seek justice. Empress Fucha (played by Qin Lan) is adept at etiquette, worried that Yingluo would go astray, and tried her best to give her warmth and help. Under the queen’s careful teaching, Wei Yingluo grew up step by step into an upright and strong court lady, she put down her hatred and lived a serious life. Unfortunately, the queen passed away, causing Yingluo to misunderstand Qianlong (Nie Yuan ) a lot. The two went from being hostile to each other to finally understanding and supporting each other.

Images and visuals are from their respectives

#北京。 #中國 #China #Beijing | #紫禁城 #ForbiddenCity #February2023 | #ForbiddenCityDairies #Spring First Snowfall of the Forbidden City of the #YearOftheRabbit #AGallery …

元宵喜乐 During the Lantern Festival on February 5th 2023 at the Forbidden City, Beijing, China, People’s Republic of China on the 10th February 2023 it is the first Beijing Snowfall of Spring also the Year of the Rabbit in which Beijing, China, People’s Republic of China ushered in snowy weather in forbidden city was exceptional quiet.  . Among the red walls and green tiles, green pines and ancient cypresses, falling snowflakes are dancing in the air, which is as beautiful as poetry and painting… also ushering the Snowfall on summer palace.

The Forbidden City in Beijing is the royal Imperial palace of the Ming and Qing dynasties in China. It used to be called the Forbidden City and is located in the center of the central axis of Beijing. The Forbidden City in Beijing is centered on three main halls, covering an area of ​​about 720,000 square meters, with a construction area of ​​about 150,000 square meters. There are more than 70 palaces of different sizes and more than 9,000 houses.

The Forbidden City in Beijing began construction in the fourth year of Yongle (1406), Emperor Chengzu of the Ming Dynasty. It was built on the basis of the Nanjing Forbidden City. It was completed in the eighteenth year of Yongle (1420) and became the palace of 24 emperors in the Ming and Qing dynasties. On the National Day of the 14th year of the Republic of China (October 10, 1925), the Palace Museum was officially established and opened. The Forbidden City in Beijing is 961 meters long from north to south and 753 meters wide from east to west. It is surrounded by 10-meter-high walls and a 52-meter-wide moat outside the city. There are four gates in the Forbidden City, the Meridian Gate in the south , the Shenwu Gate in the north , the Donghua Gate in the east and the Xihua Gate in the west . Each of the four corners of the city wall has a graceful turret . There is a folk saying that there are nine beams, eighteen pillars and seventy-two ridges, which describe the complexity of its structure. 

The buildings in the Forbidden City in Beijing are divided into two parts: the outer court and the inner court . The center of the Outer Dynasty is the Hall of Supreme Harmony , the Hall of Central Harmony , and the Hall of Preserving Harmony , collectively referred to as the Three Great Halls , where the state holds grand ceremonies. The left and right wings of the three halls are supplemented by two groups of buildings, the Wenhua Hall and the Wuying Hall . The center of the inner court is Qianqing Palace , Jiaotai Palace , and Kunning Palace , collectively referred to as the Housan Palace, which is the main palace where the emperor and empress live. Then there is the Royal Garden . On both sides of the Housan Palace are the East and West Sixth Palaces, which are the places where the concubines live and rest. On the east side of the East Sixth Palace is the Tianqiong Palace and other Buddhist temple buildings, and on the west side of the West Sixth Palace is the Zhongzheng Hall and other Buddhist temple buildings. In addition to the Outer Dynasty and the Inner Court, there are two parts of the Outer East Road and the Outer West Road.

Images and visuals are from – Forbidden City –Palace Museum Beijing- China –People’s Republic of China…..

#北京。 #中國 #China #Beijing | #紫禁城 #ForbiddenCity #October2022 | #ForbiddenCityDairies Golden late autumn dyes hues of the Forbidden City closer. #AGallery

In this year’s 2022, the second decade from the turn of the century in Beijing the Capital of China also the People’s Republic of China, in which is also the year of the Tiger, marking its six hundred and two years anniversary of the Forbidden city that marks the transitional point of in between the middle of the Ming Dynasty (1368- 1644) transitionally from Nanjing to Beijing towards the Qing Dynasty (1636-1644-1911) …. The Imperial Palace seen so many countless seasonally transitional equinoxes but further its six hundred years is iconic, but it’s five hundred ninety nine years it marks it Autumn Equinox…. In which it only took twelve years to build the same of the Daming Palace of The Tang Dynasty Xian Imperial Capital only it was least twenty times larger…

On this week on the 27th October 2022  on month of October Autumn The golden light and shadow of late autumn dyes the undulating vines on the eaves, lights up the fruit on the branches of begonia, retains the last yellow leaf in the bleak wind, and warms the autumn at the end of the year in this city. Fall in love with the Forbidden City …..

Imagines credits are of the Forbidden city –Imperial Palace –Beijing – China- People’s Republic of China

#北京。 #中國 #China #Beijing | #紫禁城 #ForbiddenCity #September2022 | #ForbiddenCityDairies the Qingming Riverside Scene is ingenious to “painting” restoration the four episodes of the Restoration of timeless untold stories …..

The four episode of our Qingming Riverside Scene is ingenious to “painting”

National Treasure Detective is the Premise theme of the all new restoration process techniques of the wonderful team of Forbidden City Restorers of  Copy, restore, record, and research, in the courtyard of the Forbidden City with red walls, yellow tiles, and blue bricks flying eaves, time suddenly stands still in the hands of generations of cultural relic restorers, cultural relic photographers, and cultural relic researchers, who are touching the millennium Every corner of the former Northern Song Dynasty faces history affectionately. They bury themselves deep in each work, just to keep the limited life of the cultural relics going. The documentary Our Qingming Shanghe Tu tells the legendary story of people and ancient paintings in the Forbidden City..

Documentary Our Qingming Shanghe Tu The four-episode feature film was successfully concluded this week! Copying, repairing, recording, researching, and following the documentary, we entered another story about “Along the River during Qingming Festival”, how the scenery on both sides of the Bain River thousands of years ago is preserved to this day; who uncovered the various forms of life in the Song Dynasty; from a hidden palace to a household name… After watching the documentary, what new understanding did you have about “Across the River during Qingming Festival”? in a which The Qingming festival or Ching Ming Festival, also known as Tomb-Sweeping Day in English, is a traditional Chinese festival observed by the Han Chinese of mainland China, Hong Kong, Macau, Taiwan and by the ethnic Chinese of Malaysia, Singapore, Cambodia, Indonesia, Philippines, Thailand, Vietnam and South east Asia countries..

The first episode of our Qingming Shanghe Tu is ingenious to “painting”

Our Qingming Shanghe Tu# In order to make the magnificent piece “Qingming Shanghe Tu” more visible to future generations, in the decades after the founding of New China, people in the Forbidden City copied ancient paintings and carved seals arduous task. A letter from home, a seal on the wall, restores this hardship. The vicissitudes of the “Across the River during Qingming Festival” complement each other with the ingenuity of the people in the Forbidden City, making the famous paintings copied in the whole volume also immortal…..

Episode 2: “Painting” at Risk

“Across the River During Qingming Festival”, which has been turbulent in history, how many steps does it take to heal the wounds? Three generations of people from the Forbidden City have gone through project initiation, consultation, discussion, and restoration to heal the scars of this famous painting. The restoration archive of “Along the River During Qingming Festival” restores the expert’s mental journey of “consulting” the ancient painting. A sticker behind the ancient painting witnesses the restoration skills of the people in the Forbidden City, as well as the stories and friendships contained in it

“Our Qingming Riverside Map” Episode 3: Changes to “Paintings” Thousands

There is a young department in the Palace Museum, dedicated to making the ancient paintings in the hidden palace gardens come to the public. The long river of history has endowed “Along the River during Qingming Festival” with a profound background, and the ever-changing technology has endowed it with vitality. Behind it lies the infinite creativity and vitality of generations of young people in the Forbidden City.

The fourth episode of “Our Qingming Riverside Scene” is a fascinating “painting”

How to crack the historical password in “Shanghe Tu at Qingming Festival”? Is it to sort out the literature, bury your head in research, or go back to Zhang Zeduan’s life path and “talk over the air” with the ancients thousands of years ago? Along two different research paths, we have entered a more vivid picture of “Along the River During Qingming Festival”, exploring emotional resonance in rational exploration.

Paper has a thousand-year lifespan, and silk is preserved for 800 years. The limitation of material is the problem of the preservation of calligraphy and painting from ancient times to the present. As a silk version of “Along the River during the Qingming Festival”, it has been around for nearly a thousand years. How do people in the Forbidden City protect the ancient paintings and cultural relics from generation to generation and leave a precious legacy for future generations? Documentary Our Qingming Shanghe Tu The first episode “Ingenuity to “Painting”, tells about “copying”, this ancient but handed down ancient painting protection method, tomorrow morning at 11:30, so stay tuned!

In this year’s 2022, the second decade from the turn of the century in Beijing the Capital of China also the People’s Republic of China, marking its six hundred and Two years anniversary of the Forbidden city that marks the transitional point of in between the middle of the Ming Dynasty (1368- 1644) transitionally from Nanjing to Beijing towards the Qing Dynasty (1636-1644-1911) …. The Imperial Palace seen so many countless seasonally transitional equinoxes but further its six hundred years is iconic, but it’s five hundred ninety nine years it marks it Autumn Equinox…. In which it only took twelve years to build the same of the Daming Palace of The Tang Dynasty Xian Imperial Capital only it was least twenty times larger..

Images and visuals are from – Forbidden City –Palace Museum Beijing- China –People’s Republic of China…..

#北京。 #中國 #China #Beijing | #紫禁城 #ForbiddenCity #August2022 | #ForbiddenCityDairies The first episode of our Qingming Riverside Scene is ingenious to “painting”…..

The first episode of our Qingming Riverside Scene is ingenious to “painting”

National Treasure Detective is the Premise theme of the all new restoration process techniques of the wonderful team of Forbidden City Restorers of  Copy, restore, record, and research, in the courtyard of the Forbidden City with red walls, yellow tiles, and blue bricks flying eaves, time suddenly stands still in the hands of generations of cultural relic restorers, cultural relic photographers, and cultural relic researchers, who are touching the millennium Every corner of the former Northern Song Dynasty faces history affectionately. They bury themselves deep in each work, just to keep the limited life of the cultural relics going. The documentary Our Qingming Shanghe Tu tells the legendary story of people and ancient paintings in the Forbidden City..

Paper has a thousand-year lifespan, and silk is preserved for 800 years. The limitation of material is the problem of the preservation of calligraphy and painting from ancient times to the present. As a silk version of “Along the River during the Qingming Festival”, it has been around for nearly a thousand years. How do people in the Forbidden City protect the ancient paintings and cultural relics from generation to generation and leave a precious legacy for future generations? Documentary Our Qingming Shanghe Tu The first episode “Ingenuity to “Painting”, tells about “copying”, this ancient but handed down ancient painting protection method, tomorrow morning at 11:30, so stay tuned!

In this year’s 2022, the second decade from the turn of the century in Beijing the Capital of China also the People’s Republic of China, marking its six hundred and Two years anniversary of the Forbidden city that marks the transitional point of in between the middle of the Ming Dynasty (1368- 1644) transitionally from Nanjing to Beijing towards the Qing Dynasty (1636-1644-1911) …. The Imperial Palace seen so many countless seasonally transitional equinoxes but further its six hundred years is iconic, but it’s five hundred ninety nine years it marks it Autumn Equinox…. In which it only took twelve years to build the same of the Daming Palace of The Tang Dynasty Xian Imperial Capital only it was least twenty times larger..

Images and visuals are from – Forbidden City –Palace Museum Beijing- China –People’s Republic of China…..