Tag: Qing Dynasty Architecture

#漢服 #HanFu #HanTraditionalClothing | #June2023 #正好遇见你 #HiProducer | Episode Two – Chinese cultural Inheritance of an intangible cultural-  daughter’s enthusiasm and dedication To Ancient Chinese filigree inlay craftwork ……

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正好遇见你 #HiProducer  is an intangible cultural heritage urban drama directed by Gao Han , starring Guo Xiaodong , Zhang Nan , Li Xiaoran , Zhang Bo , Zheng Kai , Sun Yihan , Niu Zifan , Sheng Langxi , and Wu Qianyu  .

The series tells the story of a variety show team with literary director Yu Zazao and young cultural relics expert Tao Tang as the core, working together to launch a cultural TV program in order to show the beauty of Chinese civilization. The series covers 35 episodes in which is produce by Huanyu Film and Television in collaboration streaming with iQyi and Tencent Video ….. Majority of the Production is done in Suzhou for its modern setting among with the Chinese Cultural Traditional Heritages recreation is done at Hengdian, Subo studios…

Behind the Scenes of the production shooting process….  During the filming, the crew was allowed to enter the Suzhou Museum for on-site shooting, but in order to protect cultural relics, most of the cultural relics appearing in the play are imitation props. In the early stage of filming, the drama team found historians of relevant cultural relics, searched a large number of documents to repeatedly compare the status and details of real cultural relics, and invited professional relics masters to copy them, so as to achieve the effect of false ones. The biggest one is the filigree inlay technology, which represents the highest level of imperial crafts. When making the Jin Ou Yonggu Cup props in the filigree inlay unit, the drama crew carried out a one-to-one replica in strict accordance with historical data, which took a full two months…

Main Cast

Guo Xiao Dong as Liao Muyun

Zhang Nan as Yu Zaizao

Li Xiao Ran as Wang Xining

Jaco Zhang Bo as Tao Tang

Zheng Kai as Gu Shiyong

Annie Sun Yi Han as Yuan Jiaying

Niu Zi Fan as Xie Yao

Joy Sheng Lang Xi as Shu Rong

Karena Ng as Zhuang Yiyi

Li De Long as A Xun

Synopsis Gu Shiyong, CEO of Palace Culture Film and Television Production Company, is determined to create a new large-scale cultural variety show “Inheritance”. He strongly invites Tao Tang, a young cultural relic expert, Mu Zongyun, a well-known director, and Wang Xining, a senior host. However, just when the program was ready to start, the young female director Yu Zazao suddenly parachuted into the company and joined the program group, disrupting the overall plan of the program and being strongly rejected by everyone. Surprisingly, Yu Zazao is calm and witty, dares to break the rules, and has inexhaustible inspiration like a genius. With her help, the originally scattered production team became unprecedentedly cohesive. Everyone worked together, starting from the historical relics of the Forbidden City, devoted themselves to excavating the core memory of the nation, promoting historical and traditional culture, and solving the problem of non-genetic inheritance. In the end, “Inheritance” stood out from many homogeneous programs and became a great success. Yu Zazao also successfully healed his soul and gained a complete friendship and career..

Episode 2

Gu Shiyong was very satisfied with the material provided by Yu Zazao, but Tao Tang expressed strong opposition to the content about the conflict between Liu’s father and daughter, and immediately left the crew. Yu Zazao was unwilling to give up, so he chased Tao Tang to ask for an explanation. Tao Tang believed that Yu Zazao had obtained the permission to shoot, and he was not at fault from a legal point of view. Cracks are difficult to repair. Gu Shiyong was very dissatisfied with Yu Zazao’s behavior of leaving Tao Tang, and asked Yu Zazao to please return to Tao Tang, otherwise she would be let out of the show. Master Liu was furious at his daughter when he learned that his daughter Liu Jiamei asked the program group to broadcast a clip of their discord. The daughter tearfully confessed her father’s preference for her younger brother, and the two broke up unhappy. In the middle of the night, Yu Zazao and Tao Tang came to the studio and found that Master Liu was crying alone. Yu Zazao played the video of Liu Jiamei doing filigree inlay seriously to Master Liu. Master Liu saw his daughter’s enthusiasm and dedication to filigree inlay with his own eyes, and fell into deep thought. Liu Jiamei suddenly returned to the studio and bumped into her father who had not yet left. Master Liu decided to teach her daughter the technique of filigree inlay. The father and daughter finally reconciled, and Master Liu even made a bet that if his daughter can get a place in the provincial competition, he will inherit the studio to her. The program team also quietly set up recording equipment to record this warm and beautiful scene without disturbing the two.

Images and Visuals are from of their respectives …

#北京。 #中國 #China #Beijing | #紫禁城 #ForbiddenCity #June2023 | #ForbiddenCityDairies – #孩子，#圆你故宫梦Children, fulfil your Forbidden City dream Continues a National communities wide Education Program – will promote the popularization Chinese excellent traditional culture among young people….

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The Forbidden City Palace Museum Beijing, China, People’s Republic of China holds a large-scale on the afternoon of June 1st, the 2023 孩子，圆你宫宫梦 public welfare project jointly initiated by the Forbidden City – Palace Museum and the Beijing Palace Museum Cultural Relics Protection Foundation was officially launched. The project will promote the popularization and dissemination of Chinese excellent traditional culture among young people through book donation, teaching support, summer camps and other activities, so that children can sow seeds and set sail for their dreams. The Palace Museum and the Beijing Palace Museum Cultural Relics Protection Foundation wish all young people a happy holiday. Let us light up our dreams, grow together, and realize our dreams together…

In the afternoon of Children’s Day on June 1, the children came to the Forbidden Academy to learn Chinese ink painting with Mr. Wang Jing, the director of the Calligraphy Editing Office of 宫宫Publishing House , who wrote it by himself The bookmark is given as a gift to children, hoping to encourage children to live up to their youth, and to be the champion in the future.
In addition, President Zhang Hongwei sent notebooks around the Forbidden City to the children as a commemoration of this trip to the Forbidden City

Images and visuals are from – Forbidden City –Palace Museum Beijing- China –People’s Republic of China…..

#QIPAO #旗袍 #Cheongsam |#半生缘旗袍定制 #HalfLifeCheongsamCustomization #May2023| #FashionLookBook your everyday #TraditionalChineseQipao #XianQipao #Cheongsam #PostModernQipao #ModernQipao Silk Classic elegant innovative #Qipao #EveryDayWear #WorkWear summery collection…

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Located in an ancient post-modern Three Thousand plus years old ultra Megatroplis city Xian City, Shaanxi Province – China – People’s Republic of China, 半生缘旗袍定制 Half Life Cheongsam – Xi’an Banshengyuan Clothing Co., Ltd. Innovatingly Post Modern Qipao- Cheongsam located in Southeast corner of Futao Museum, No. 99 Furong West Road, Yanta District, Xi’an located the east entrance opposite Qujiang Book City – Banshengyuan Qipao Living Museum is located in Xi’an. It is a local wedding dress brand. Since its establishment, the brand has been committed to becoming a well-known brand in Xi’an. …. in which innovatively bringing a New Chinese style cheongsam-Qipao high-end brand-Embroiderer…….it is committed to the high-end private specialization of Chinese Shanghai style cheongsam… in which each dress is customised towards the wear’s in which tailoring takes least in between 20-60 days depending on the extremely level of detailing of brocade in which using the most finest heavy silks are hand sewn and crafted …..

collection between 30th April – 12 May 2023

The 2023 Banshengyuan®️ spring and summer show “Color Lives Chang’an”
bridal collection “Yiren”
is full of peach blossoms, is a bit graceful, dignified
and elegant, and is endowed with an elegant atmosphere
and entrusted with a beautiful story….

Everything grows 🌿Half Life ®️ Originally produced by the designer

“Green”  half body edge®️ designer original summer daily short cheongsam

“One Green and Ten Thousands”
at the beginning of summer, one green and ten thousand drunk Chang’an
I heard the water,
smelled the fragrance of grass and trees,
it is the most beautiful in the world…

2023 Banshengyuan®️ spring and summer show “Colours Vibrant Chang’an”
bridal wear series “Magnolia Blossoms”
neon clothes film late night new clothes, Shu Suting Pavilion Yudian spring
fragrance overflows, elegant and tranquil
Chang’an costumes, magnolia blossoms
are pure and peaceful…

“Happy Butterfly”
lingering drama Butterfly dances from time to time, the oriole just cries and
the butterfly comes from the flowers, falling lightly on the clothes,
which means auspicious and beautiful
If you are in full bloom, the butterfly will come by itself….

2023 Banshengyuan®️ Spring and Summer Show “Colors Live Chang’an”
bridal wear series “Red Jade Beads”
The eyebrows are raised with eunuchs, and the vermilion lips are like a beauty
in the east
, and the jasper is embellished with red and red cinnabar, which
embodies the oriental style. Incisively and vividly…

“Folding” original ramie cheongsam dress…

“Qiwu” original silk and hemp national style cheongsam dress..

Banshengyuan®️ original production….

Banshengyuan®️’s original production “Sparse Shadows”
sparse shadows, slanting water, clear and shallow water, dark fragrance floating moon dusk bright moon
like frost, bamboo fragrance full of sleeves,
clear shadows dreaming
, stealing half a day’s leisure in floating life…

“Bamboo Forest”
The wind moves the ink bamboo, and everything has a sound.
The green leaves of the real bamboo, soaked in ink and silk, show the charm and elegance of the bamboo
in the clothes.

2023 Banshengyuan®️ spring and summer show “Colour Life·Chang’an”
bridal wear series “Changle Weiyang”
contrasting color design, rich colors
“Light to deep, Changle Weiyang”
raglan sleeve design, highlighting the neckline
and falling neckline bowknot The tassels
are gentle and soft, and
the golden age is embraced
every year. The rising sun in the morning
fills the future with countless expectations.

Banshengyuan®️’s original production
“Bamboo Shadow·Plum Fragrance”
is smoked and emerald, the breeze is blowing,
the plum blossoms are fragrant, and the bamboo
shadows are swaying, full of
style, antique, elegant and oriental….

“Colorful and Long”
Half Life ®️ designer original
The beauty of everything and the season
is the most vigorous and warm appearance
Gorgeous and colorful colors
Slowly and long
the good time….

The original production of “Gardenia” Banshengyuan®️
“The color is suspicious of Qiongshu leaning against the tree, and the fragrance is like jade coming from Beijing”.
With the refreshing summer breeze,
the fresh and fragrant fragrance of gardenia flowers
blows away the morning clouds, and the years are not stained with dust.
It is the most important thing about summer. good memory~

The original production of “Lily of the Valley”
Lily of the Valley blooms with the spring breeze.
The dense white flowers
are light and agile,
like the spring breeze in May, bringing hope and warmth to people.
Hayao Miyazaki said: “I don’t know how much I like you, but if I go to see you You, I must run. I said, on the way to you, the wind is sweet all the way, there are no peach blossoms on this way, only the white Linglan you planted for me. #桃花花多

“Shao Fen” Heavy Industry Embroidered Cheongsam

“Clear and Shallow”
The fragrance of the grass and trees at the beginning
is also the place where the eyebrows are lowered and the head is raised. It is simple and simple, and a
shadow is dyed in the heart.
The time is clear and shallow, and one step is safe.

“Tang Season” Begonia Beads….

“The Deer Drinks the Stream”
In midsummer, the valley
has green bamboos and clear springs
, with thick shade and shade,
and there is a little
rest
for
the soul

QIPAO 旗袍 Cheongsam …. In which from historically Shenyang is the birth place of the Qing Dynasty 1636-1912plus ….  In which Qipao is termed for Qing Dynasty Clothing that the Manchu ethnic adoptively wore…… in which the Shenyang Palace Museum was an imperial palace towards two Qing Dynasty emperors. Previously two years ago During the event it which was an eight day forums, with exhibitions also related workshops illustrating the birth place of the Old Capital of Cheongsam where the Qing Dynasty- Qipao was inspired from..  

Before that Shanghai 1930’s Qipao-Cheongsam revolution, the Manchurian Cheongsam was the fashion of choice of the Qing Dynasty (1636-1912)   throughout as it standardised that style during the dynasty… Replacing the previous clothing standard Han Fu – Han Dynasty clothing style, in which also is form fitting towards the women’s silhouette but with a higher degree of freedom of flare of personal, individual style… 

Qipao-Cheongsam is uniquely hand crafted tailored Chinese dress to the customer’s various measurements… in which you can still have them brought of the rack in which is accustomed to the standard measurements… in which you can tell which is western influenced with the back zipped in which the Eastern traditional Chinese Tailors would have the side zipped of the Qipao dress due it interrupts the flow of the pattern work at the back of the dress..  Also it creates a continuous seamless back look…  after as the measurements are translated drafted onto the silk or the customer desired accustomed fabric of choice, from the measurements book with the associated look of the design elements with additional accessories the sexiness of Qipao lies subtlety.. Measuring, patterning, cutting, and button making are crucial, in where passion and art comes together in tailoring

 In which traditionally Qipao- Cheongsam dresses are worn for from straight forwardly every day towards after work evening wear in without having to change to another set of wardrobe dressing only to accessories for the required occasion… … in which the Qipao dress pattern silhouette is design for the lady’s figure in which accentuating the silhouette without giving away too much of what’s underneath in retaining…. its timeless classic silhouettes in which are designed to be worn every day, from work, evening,  casually  towards to the weekend… with sleek simple, elegant, sexy intelligent sophistication in which are easy to be accessorised with any pieces of clothing in your current or upcoming wardrobe…

Images and visuals are from Weibo also from半生缘旗袍定制 Half Life Cheongsam – Xi’an Banshengyuan Clothing Co., Ltd. located in Southeast corner of Futao Museum, No. 99 Furong West Road, Yanta District, Xi’an (the east entrance opposite Qujiang Book City)

#漢服 #HanFu #HanTraditionalClothing | #May2023 |#FashionLookBook#全明星片花#HiProducer featuring the look of #吳謹言 #WuJinyan recreating her look of #QingDynasty #旗袍 #Qipao  #延禧攻略 #StoryOfTheYanxiPalace Yinyan’s  Empress Wei YingLuo -Weigiya Xiaoyichun …

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“全明星片花Hi Producer” is an intangible cultural heritage urban drama directed by Gao Han, starring Guo Xiaodong , Zhang Nan , Li Xiaoran , Zhang Bo , Zheng Kai , Sun Yihan , Niu Zifan , Sheng Langxi , and Wu Qianyu  .   

The play tells the story of a variety show team with literary director Yu Zazao and young cultural relic’s expert Tao Tang as the core, in order to show the beauty of Chinese civilization and work together to launch a cultural TV program.The play will be broadcast on iQiyi and Tencent Video on May 20, 2023 in which is on 520 When spoken in Mandarin, the phrase “I love you” (wǒ ài nǐ) sounds very similar to 520 (wǔ èr yī). Soon, the equivalent date of May 20 transformed into a celebration of love, heavily focused around gift giving. Couples have even started getting married on 520….

Synopsis …..Director Yu Zazao (played by Zhang Nan) joined Gu Shiyong (played by Zheng Kai ) to create a large-scale cultural program “Inheritance”, and competed with Yuan Jiaying ( played by Sun Yihan ) for the position of chief editor. In order to form a high-quality program production team, Gu Shiyong also strongly invited senior host Wang Xining ( played by Li Xiaoran ) , well-known director Mu Zongyun ( played by Guo Xiaodong ) , and young cultural relics expert Tao Tang ( played by Zhang Bo ) to join. Through everyone’s hard work, “Inheritance” has finally become a phenomenon-level cultural program. Yu Zazao, who lacked empathy since childhood, gradually opened up his heart during the filming process, and finally reaped a complete friendship and career.

During the series吳謹言 #WuJinyan who played Empress Wei YingLuo -Weigiya Xiaoyichun延禧攻略 #StoryOfTheYanxiPalace… In the sixth year of Qing Dynasty Emperor Qianlong’s reign, a young girl Wei Yingluo ( played by Wu Jinyan ) entered the Forbidden City as a court lady in order to seek the truth about her elder sister’s death. After investigation, Yingluo confirmed that her sister’s death was related to the absurd prince Hong Zhou, and she was determined to seek justice. Empress Fucha (played by Qin Lan) is adept at etiquette, worried that Yingluo would go astray, and tried her best to give her warmth and help. Under the queen’s careful teaching, Wei Yingluo grew up step by step into an upright and strong court lady, she put down her hatred and lived a serious life. Unfortunately, the queen passed away, causing Yingluo to misunderstand Qianlong (Nie Yuan ) a lot. The two went from being hostile to each other to finally understanding and supporting each other.

Images and visuals are from their respectives

#北京。 #中國 #China #Beijing | #紫禁城 #ForbiddenCity #May2023 | #ForbiddenCityDairies -“Xiangkai Vientiane–The Forbidden City and Tibetan Cultural Relics Joint Exhibition” reflecting the history of ethnic relations in the Yuan, Ming and Qing dynasties….

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The Forbidden City Palace Museum Beijing, China, People’s Republic of China holds a large-scale exhibition reflecting the history of ethnic relations in the Yuan, Ming and Qing dynasties, “Xiangkai Vientiane–The Forbidden City and Tibetan Cultural Relics Joint Exhibition” will be on display at the Meridian Gate on April 29th 2023 towards 30th of September 2023.

On April 28, 2023, the opening ceremony of “Auspicious Opening of Vientiane—Joint Exhibition of the Forbidden City and Tibetan Cultural Relics” was held at the Palace Museum. Wang Xudong, member of the Party Leadership Group of the Ministry of Culture and Tourism and director of the Palace Museum, Zhong Tingxiong, deputy director of the Propaganda Department of the State Ethnic Affairs Commission, Zhang Xuxia, deputy director of the General Office of the Ministry of Culture and Tourism, Lian Xiangmin, deputy director-general of the China Tibetology Research Center, protection of historical sites in China Song Xinchao, chairman of the association and former deputy director of the State Administration of Cultural Heritage, Qu Zhen, deputy secretary of the party group and director of the Tibet Autonomous Region Cultural Relics Bureau, Yang Fan, secretary of the Party Committee of the National Museum of China, Fayan, deputy director of the National Cultural Palace, Zha Xia, director of the Tibetan Culture Museum, Chinese Buddhist Master Yanjue, the president of the association, relevant departments and bureaus of the Central Propaganda Department and the Central United Front Work Department, relevant comrades in charge of cultural museums in Beijing, relevant associations, team members of the Palace Museum, and leaders of retirement homes attended the opening ceremony. Du Haijiang, Secretary of the Party Committee and Vice President of the Palace Museum, Deji Zhuoga, Deputy Secretary of the Party Group and Director of the Department of Culture of the Tibet Autonomous Region, and Yang Xun, the representative of the Xuri Charity Foundation and the vice chairman and general manager of Xuri Group Co., Ltd. Speech at the ceremony. Ren Wanping, vice president of the Palace Museum, presided over the opening ceremony of the exhibition.

“Xiangkai Vientiane-The Forbidden City and Tibetan Cultural Relics Joint Exhibition” is jointly organized by the Palace Museum and the Cultural Relics Bureau of the Tibet Autonomous Region, with special support from the Rising Sun Charity Foundation. The exhibition hall of Yanchi Building is open to the audience. Guided by General Secretary Xi Jinping’s thought that “cultural identity is the deepest level of identity, the root of national unity and the soul of national harmony”, combined with the construction of the “Four Forbidden City” system of the Palace Museum, it is a cultural and The display of the results of the Ministry of Tourism’s Tibet-aid project “Research on the Chinese Nation Community Based on the Forbidden City and Tibetan Cultural Relics” is also a large-scale comprehensive exhibition reflecting the history of ethnic relations in the Yuan, Ming, and Qing dynasties. The exhibition reflects the latest relevant scientific research achievements of the Palace Museum in the past five years, explores the cultural connotations behind the cultural relics, shows the exchanges, exchanges and integration between Tibet and the mainland and the court embodied in the cultural relics, and composes a splendid chapter of national unity and progress.

　　Du Haijiang, Secretary of the Party Committee and Vice President of the Palace Museum, said in his speech that the exhibition takes forging the consciousness of the Chinese nation’s community as its starting point and foothold. The emotional bond and spiritual belonging of the nation prove the necessity and forward-lookingness of forging a sense of community of the Chinese nation. For thousands of years, people of various ethnic groups in Tibet and inland have been in frequent contact with each other, helping each other, and being brothers and sisters. The Forbidden City, where the Palace Museum is located, is a witness to the exchanges, exchanges, and integration between Tibet and the mainland of the motherland, and a historical witness to the continuous formation of the consciousness of the Chinese nation community. Based on the close historical relationship between cultural relics and the interaction between cultural relics and the design of the exhibition hall, the exhibition reproduces the historical facts of exchanges, exchanges and integration between Tibet and the mainland, and restores the great process of the Chinese nation’s community consciousness from formation to consolidation in history.

Deji Zhuoga, director of the Cultural Department of the Tibet Autonomous Region, said in his speech that this exhibition is an in-depth implementation of the spirit of the 20th National Congress of the Communist Party of China and the spirit of General Secretary Xi Jinping’s important exposition on cultural relics work by the Tibet Autonomous Region and the Palace Museum. It is an important exhibition held to firmly grasp the consciousness of the community of the Chinese nation and build a common spiritual home for the Chinese nation. The exhibition showcases the long history and splendid culture of the Forbidden City and Tibet, demonstrates the extensive exchanges and in-depth integration between Tibet and other parts of the motherland, and witnesses the diverse and colorful Chinese culture. As a large area of ​​cultural relics resources, Tibet has made all-round progress and historic achievements in promoting the protection and utilization of cultural relics in recent years. Cultural relics have played an important role in forging the consciousness of the Chinese nation community and promoting Tibet’s long-term stability and high-quality development.

Yang Xun, the representative of the Xuri Charity Foundation and the vice chairman and general manager of Xuri Group Co., Ltd., who specially supported the exhibition, said that Chinese culture is a synthesis of the cultures of all ethnic groups and a common spiritual home for people of all ethnic groups. “Prosperity in Vientiane—Joint Exhibition of Cultural Relics from the Forbidden City and Tibet” tells the moving story of exchanges, exchanges, and integration between Tibet and various ethnic groups in the mainland through cultural relics research. Glorious Sun Group has strengthened its cultural self-confidence for many years and helped the inheritance and protection of Chinese culture. This support for the exhibition is what Glorious Sun Group should and must do for the inheritance and protection of Chinese culture.

“Auspicious Blossoms – The Forbidden City and Tibetan Cultural Relics Joint Exhibition” is divided into three parts: “Flowers Blooming All Over the Road – Communication between Tibet and the Mainland”, “Flowers and Leafs – Identity and Destination” and “Spring Blossoms and Autumn Fruits – Fruitful Cultural Achievements”. The theme unit uses “flowers” to symbolize the process of integration between Tibet and various ethnic groups in the interior. The exhibition exhibited 108 pieces (sets) of cultural relics, including 13 pieces (sets) of cultural relics from various units under the Tibet Autonomous Region Cultural Relics Bureau and the Sakya Monastery Management Committee, and 95 pieces (sets) of cultural relics from the Palace Museum. In addition to the well-known calligraphy and painting exhibits such as Yan Liben of the Tang Dynasty “Bucharian Picture” and Zhao Mengfu’s “Emperor’s Danba Stele Scroll” of the Yuan Dynasty, there are also a large number of cultural relics that meet the audience for the first time, such as the “Manchu Collection” collected by the Palace Museum. The Sutra, the statue of Emperor Yongle in the Potala Palace, and the thangkas of Kublai Khan first seen in the Sakya Temple, etc., fully demonstrate the diversity of styles and artistic charm of Tibetan-themed cultural relics.

According to the protection requirements of cultural relics and reference practices, the calligraphy and painting works of the Song and Yuan Dynasties and before in the exhibition will be replaced with replicas after one month of exhibition.

Images and visuals are from – Forbidden City –Palace Museum Beijing- China –People’s Republic of China…..